C. Saint-Saëns: Fantaisie op. 95 (Lily Laskine, harp)
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- Опубликовано: 14 окт 2024
- C. Saint-Saëns: Fantaisie op. 95 (Lily Laskine, harp)
The daughter of Russian immigrants to Paris, harpist Lily Laskine was drawn into music by both parents. Her mother was a pianist, and she took up the piano at first. But she took more strongly to the harp, and soon she was practicing the instrument, at her mother's behest, for six hours a day. All one needs to play the harp, Laskine once said, is good fingers and a sacrificed childhood. At age eight, after some jawboning on her mother's part opened the doors, Laskine started lessons with Paris Conservatoire professor Alphonse Hasselmans, and three years later she enrolled at the venerable music school. By 1906 she had won the conservatory's top prize, and she formally embarked on her career at 13, never taking another harp lesson but continuing to absorb music and its lore throughout her life.
What made Laskine a figure strongly identified with the harp over much of the world was her catholic interest in its entire literature, regardless of genre boundaries. She refused to be categorized as a recitalist and sought out opportunities to play wherever they might be found. In 1909, she became the first female member of the Paris Opéra Orchestra, on any instrument. She remained at the Opéra until 1926, also performing with concert series orchestras such as that of the Lamoureux Association and with an orchestra led by conductor Sergey Koussevitsky. In the 1930s Laskine made several European tours and began her recording career, which included both classical and popular releases. She was heard on records with Edith Piaf, Maurice Chevalier, and other greats of French popular song, and she contributed to many film scores. In 1979 she won the Grand Prix du Film Musical for her work on the score for La Leçon de Musique.
A duet partner of French flutist Jean-Pierre Rampal for several decades, Laskine continued to perform and record until late in life. Several harp concertos were written for her, and she uncovered unknown historical works for harp such as Gossec's Symphonie concertante for two harps. Laskine served as professor of harp at the Conservatoire from 1948 to 1958, in which year she was made a Chevalier of the Legion of Honor.
All information and photos are taken from the internet.
Avec Laskine, cette fantaisie prend toute sa dimension poétique et onirique; superbe!
Quelle délicatesse que cette oeuvre de Saint-saens interpretée par la fabuleuse Lily Laskin qui nous apporte ton son immense savoir faire et une sensibilité qui nous transporte vers les plus hautes valeurs humaines.Merci au créateur de la pièce et à l'interprète.
La Fantaisie de Saint-Saens est un sommet du répertoire pour harpe. L'exécution de Laskine est absolument magistrale. Sera-t-elle dépassée un jour ?
She is a fabulous performer!!!!
She is so musical, it is a shame she never got a good harp.
belle découverte
Una maravilla.
I would love to see a film or video of her playing this piece she mastered it so well it has a touch of Spannish to it if that makes sense
Why do predominently women master the harp so well ?
Because predominantly women take up playing the harp!
*colin balch* Are you suggesting that the ratio of female players that become masters, is higher than the ratio of male players, that become masters? If so; on what are you basing that theory? Sounds like a rhetorical-question.
@anna-helenahamann no, you know, perhaps nowadays but earlier it was played only by men ....in the XIX century kn France it was inconvenient gor a woman to embrace this instrument....the same for cello ! Only piano was adapted ..... incredible, no ??
Died on my birthday 31 years ago.
wow toglie il fiato