Color Grading 101: Video Colorist Salary by Gabriel Kaunitz | Wedio
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- Опубликовано: 12 ноя 2024
- Watch the full masterclass here 👉 • Color Grading 101: Eve...
Do you want to know if you can make a living as a colorist? In this chapter Gabriel will tell you all about the average salary as a video colorist🥳
...more to find out in the masterclass!
Gabriel Kaunitz is a filmmaker, colorist, editor, and animator out of Columbus, Ohio. With almost 10 years of experience, he has worked with brands like O.A.R, Nationwide, and Velvet, in addition to movies like Killer Raccoons 2, and How America Killed My Mother.
He's currently working from Columbus, Ohio, as an editor and colorist for Clum Creative at clumcreative.com/ 🎞
Footage courtesy of Vital Companies, Film Columbus and Rose Haze 👉
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About color grading
Post-production can be quite a task. But some parts of it are known to be more fun than others. Yes, I'm talking about colour grading.
Whether it is a short commercial or a feature film, what really differentiates your work from others is how you stylise your picture. Monochromatic palettes, deep shadows, or washed-out hues - it's up to you!
Read more about colour grading on our Wedio Academy blog 👉
academy.wedio....
#colorgrading #colorcorrection #editing #davinciresolve #wediocommunity #whatisacolorist #coloristsalary
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If you have any questions, let us know in the comments or reach out to us on our site and at info@wedio.com.
Feel free to reach Gabe with more questions on his site or on social media 🤗
Over worked…underpaid … like any creative profession that eventually becomes consumer accessible. Agencies & Prod studios just end up exploiting the artist. BEST BET moving forwards … get to know a great DP & Dir team you want to work with & showcase your BEST work, get on that team, be different in your style, have the TOOLS at a Pro level & a good studio that you can work from ALONE. You’ll make it. Most don’t & it’s again - one of those jobs that starts out as a top line profession but in years to come it’s just a job. Unless you specialise & have groomed your work to a level where other DP’S & Dir say WOW ! That’s the person we want.
Great insights! t's a tough industry, but standing out and aligning with the right people can make all the difference. Thanks for sharing your thoughts! 🎥👏
I dont understand. Who is the woman on the thumbnail? Is this clickbait? Who is she?
Perhaps you can explain something to me. Why is it that SDR content generally looks brighter and more vibrant than its HDR counterpart? Meaning when I directly compare the same exact content on a calibrated panel in both SDR and HDR, the SDR version will almost always seem to have a higher average luminosity level and more vibrant colors. This is not because brightness levels are cranked up either. HDR seems a bit less saturated but with the benefit of the occasional high nit specular highlight and perhaps better shadow detail. Just having a hard time finding a technical explanation for why SDR is actually more vibrant and generally brighter on average. Is it because it is a more compressed format? I have read that SDR has a higher average luminosity level, this seems to be the case.
SDR is 100nits , and foe your case you might be trying to watch and HDF content on an SDR Screen im assuminh
Simply HDR screen can goes from 500nits/700nits to 10.000 nits for dolby vision
So the SDR cant handle that so its shown less vibrant
@@ameramdouni3584 SDR content is generally brighter than HDR content despite the fact they are both mastered to 100 nits typically. I've educated myself on this subject since making that comment. HDR has more leeway on the bright end and dark end but on average it is less saturated in color and has a lower average luminosity level. It is true, I can link you to information if you're curious.
What does a finisher do ?.......he said he had been a DP/editor/finisher at 0:40
lol you're not a FT colorist yet you have a video on their salary. Brilliant!
i was so pissed to hear that statement lol
Is colour grading a subjective work?
While the artistic elements are subjective, there are also objective standards in colour grading, like skin tone accuracy, color balance, and exposure, that professionals aim to meet. I believe colour grading is a mix of both technical skill and artistic vision. It's like cooking; you have to know the basics, but you also have the freedom to experiment and make it your own. :)
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