Mastering for Streaming - Made Simple
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- Опубликовано: 19 сен 2024
- Something new from me, aiming to cut through the confusion about online loudness.
With thanks to Steve Dale for letting me use his song “Church” as an example, and Bob Ellis for sharing the masters !
Find Bob here: www.season3.co.uk
loved this...totally agree about suiting the song...If people demand a -14LUFS master from me, I basically mix it "for" that format so that the bass, kick and low end in general gets more love so that it sounds closer to a "slammed" master, but with intention and care.
Thanks Ian....you have provided much of my education on the loudness wars and dynamic range....I have been releasing my recent rock tracks at -16 and -18 LUFS even...have I gone too far? haaa.....I just love hearing the drums bounce and the song breath in Space....thanks for all you have done to help save my favorite art form (recorded music). The -16, -18 are my latest two uploads at my channel if you are curious....thanks again! Mike
I saw you and heard you. From Iowa.
Hello from California. Great video as usual.
Newport, Rhode Island checking-in ,✌🏾
Missed you live, but here now from Virginia
Thank you Ian, very insightful indeed.
My question is if one is submitting only one file to a distributor, such as TuneCore or Distrokid, and has to decide on a one "size" (level) fits all, then if I aim at a -11dbLUFS, -1dbTP master, what exactly happens after the upload on the various platforms.
I've had an experience where I submitted a file to TuneCore at -16dbLUFS, -1TP, and it plays back compared to everything else on (iTune's) country channel very noticeable quieter than almost everything else new on there.
If one can only upload one file, then what do you recommend?
It is fine for me. Regards from
France ;)
hi from Manchester
Glitch at 20 seconds into the stream, or even a clip, it happens a few more times, it is in the video, I did check it few times
Yup, don’t have much control over that live-streaming 🤷♂️