Spiced Up Fingerstyle Arrangements - Cory Seznec
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- Опубликовано: 2 ноя 2024
- To order this double DVD lesson (four hours of music & instruction) go to: www.guitarvide...
This lesson features a mixed bag of seven songs that I’ve arranged in a variety of ways, employing tricks and licks that I’ve picked up over the years in my quest to find my own “style”. Each song has it’s own built-in exercises for fingerpicker’s looking to head in new directions. The old standard A Sin To Tell A Lie becomes a highly arpeggiated waltz with some fun licks up the neck. Somebody Stole My Gal incorporates counterpoint, chord inversions, and nice bass movement. The old jug band tune Sadie Green (The Vamp of New Orleans) gets revamped with a feel that bounces from down low New Orleans rumba to punchy ragtime picking and back again. A highly unorthodox treatment of Blind Willie McTell’s East St Louis
Blues gets deep into Cooder-esque syncopation, and a chorus was added to make it a little less repetitive. The instrumental “showpiece” No Hiding Place was influenced by Cool John Ferguson’s virtuosic zinger off of a Music Maker Relief Foundation music compilation (likely Ferguson’s take on the old gospel number No Hiding Place Down Here), and then taken on a bunch of detours. Those looking to “Africanize” their playing will enjoy Cory’s take on The Parting Glass, which takes this old Celtic drinking ballad on a trip to east Africa, featuring funky polyrhythms and muted strings in This lesson features a mixed bag of seven songs that I’ve arranged in a variety of ways, employing tricks and licks that I’ve picked up over the years in my quest to find my own “style”. Each song has it’s own built-in exercises for fingerpicker’s looking to head in new directions. The old standard A Sin To Tell A Lie becomes a highly arpeggiated waltz with some fun licks up the neck. Somebody Stole My Gal incorporates counterpoint, chord inversions, and nice bass movement. The old jug band tune Sadie Green (The Vamp of New Orleans) gets revamped with a feel that bounces from down low New Orleans rumba to punchy ragtime picking and back again. A highly unorthodox treatment of Blind Willie McTell’s East St Louis
Blues gets deep into Cooder-esque syncopation, and a chorus was added to make it a little less repetitive. The instrumental “showpiece” No Hiding Place was influenced by Cool John Ferguson’s virtuosic zinger off of a Music Maker Relief Foundation music compilation (likely Ferguson’s take on the old gospel number No Hiding Place Down Here), and then taken on a bunch of detours. Those looking to “Africanize” their playing will enjoy Cory’s take on The Parting Glass, which takes this old Celtic drinking ballad on a trip to east Africa, featuring funky polyrhythms and muted strings in 12/8.12/8.
Still working on New Orleans Fingerstyle DVD. This is next. Thanks for keeping this great music alive!
Just learned The Parting Glass, beautiful, thanks a lot. Spiced up is a good title for this release.
this is incredible guitar playing
I’m still working on the New Orleans dvd too, but I’m glad to see this new lesson too!!
A true gem, thank you so much for those beautiful songs and arrangements, will download the dvds november first after my morning coffee!
Playing my kind of music on my kind of guitar thanks!
Wow, great job!
es un gran virtuoso de l guitarra ,juega con la línea de bajos y el cambio de acordes estupendamernte
cry es un grandisimo guitarrista de ragtime
Like this a lot.
If I had your talent Corey I’d throw my own out.
tiene algún disco en el mercado?
Amazing playing ! :-D
So I guess all that noise I've heard about having your pinkie anchored being restrictive clearly isn't true at all, lol.
This is really good.....just far too difficult for me....and I can’t sing!
I play this tune in g it much easier nice picking
1 k view? Wtf