Thank you so much! It's very helpful! It would be great if you could provide with examples as in how to find these is *analysis* in examination. thank you!
Good video for music appreciation. If you would accept some constructive feedback: this is completely abstract without specific examples. If you included SPECIFIC musical examples this would be much more helpful.
Great video! SO HELPFUL! I'm finding I understand the form itself, I can explain it, and talk about it, but I'm having trouble analyzing and identifying it in musical examples. Are you able to add examples, or can you point me to a video that does this? THANK YOU!!!
Hello! It's hard to say "have to" with almost anything in music theory. But I think your expectation when studying a sonata form should be to find some sort of harmonic conflict - in the form of multiple different tonal centers - in the exposition. This conflict, along with its eventual resolution, is at the center of what sonata forms are all about.
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I really appreciate your online explanation videos!
They are clear, but - more important - helpful for me.
Thank you so much!
Thank you so much! It's very helpful! It would be great if you could provide with examples as in how to find these is *analysis* in examination. thank you!
These videos have been a gift, thank you very much for all of this information.
Good video for music appreciation. If you would accept some constructive feedback: this is completely abstract without specific examples. If you included SPECIFIC musical examples this would be much more helpful.
Great video! SO HELPFUL! I'm finding I understand the form itself, I can explain it, and talk about it, but I'm having trouble analyzing and identifying it in musical examples. Are you able to add examples, or can you point me to a video that does this? THANK YOU!!!
Beispielen bitte.
so in a sonata do you HAVE to go around keys in the exposition?
Hello! It's hard to say "have to" with almost anything in music theory. But I think your expectation when studying a sonata form should be to find some sort of harmonic conflict - in the form of multiple different tonal centers - in the exposition. This conflict, along with its eventual resolution, is at the center of what sonata forms are all about.
Would have been nice to hear examples instead of reading texts.