Mixing With Mike Mixing Tip: Defining Compressor Attack and Release Times

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  • Опубликовано: 28 окт 2024

Комментарии • 17

  • @ericmcconkey7858
    @ericmcconkey7858 8 лет назад +7

    Hey Mike I just want to tell you that your videos are very helpful to me. I truly appreciate your time in regards to the hours you spend for not only your subscribers but anyone who sees your work . Thank you

  • @bubbanose9580
    @bubbanose9580 4 года назад +1

    Great listening to someone explain with articulation. ! Great stuff : )

  • @albertwangny
    @albertwangny 3 года назад +1

    Waves H-Compressor has the sync function to define the Attack and Release Times. That will be very convenient.

  • @jamescreekmusic
    @jamescreekmusic 9 лет назад

    Very educative Mike. Thx!

  • @brianfals4884
    @brianfals4884 9 лет назад

    Hi Michael, any advice or tips on how to properly track hip hop vocals. Maybe a specific chain that professionals are using when tracking. Thanks

  • @kye903
    @kye903 9 лет назад

    Do you have any examples of when you might commonly utilize the hold function on a compressor..? Maybe on vocals for a more constant level on them..? I'm gonna try it later today on vocals and maybe a VST piano...
    (Cubase's stock compressor has a hold function with a default of 1ms, which I've never really touched as of yet)

    • @mixingwithmike
      @mixingwithmike  9 лет назад +1

      +kye903 Hey Kye,
      Not off the top of my head. It is actually an unusual feature I have only seen in a couple of plugins. the fabfilter Pro C2 is one and I think the iZotope compressor also has this feature. I'm sure there are many others.
      Might be worth experimenting with a keyed compression in a 'ducking' situation where you want the recovery to be squared up to the beat. Zero release time and set the hold to 1/8 note, 1/4 note or whatever works.
      Let me know if you come up with anything cool.
      Cheers!
      Mike

  • @slinkyphil
    @slinkyphil 9 лет назад

    Where's the article link? Great video!

    • @mixingwithmike
      @mixingwithmike  9 лет назад +1

      +filipelouro
      Sorry about that, here it is...
      www.attackmagazine.com/features/columns/gregory-scott-demolishing-the-myths-of-compression/

    • @slinkyphil
      @slinkyphil 9 лет назад +1

      +Michael White Thanks! I must say this video was one of the best you've done.

    • @mixingwithmike
      @mixingwithmike  9 лет назад

      Cheers!

  • @nandoblondemobydick5438
    @nandoblondemobydick5438 7 лет назад

    About density(cause the Attack article about big sound), just to said it is up to each one to get the sound he like the most, not just density but all, dynamique, mouvement ect,.. i had listen to examples of the Kush Audio´s UBK1 devise (great tool by the way), in their demo they do a mix which move a lot, to me it is not nice, the mix fool me, just i.e. so at end you/me and our ears

    • @mixingwithmike
      @mixingwithmike  7 лет назад +1

      Every song and mix needs to be sensitive to what is best. Some songs need more movement, some need to be stabilized. The point here is to understand the techniques that allow you to get whatever approach you think is best, quickly and easily.

    • @nandoblondemobydick5438
      @nandoblondemobydick5438 7 лет назад

      Don´t worry Mike i get proffit of your tips, lot of knowledge going on and yes for sure