[原神] Genshin Impact OST [BOSS] Arlecchino, The Knave [All Phases]
HTML-код
- Опубликовано: 8 июн 2024
- Composed/Performed by: HOYO-MiX Team
©miHoYo / ©HoYoverse / ℗HOYO-MiX 2024
----------------
"The Knave," Fourth of the Fatui Harbingers.
A poised, ruthless diplomant.
To the children of the House of the Hearth, she is their feared yet dependable "Father."
PHASES:
PHASE I: [00:00 - 2:53]
"Chorus Cinericius"
TRANSFORMATION: [2:54 - 3:30]
"Sequentia Sequelarum"
PHASE II: [3:30 - 6:17]
"Absolutio Absoluta Absolutissime"
----------------
© I do NOT own the soundtrack the HOYO-MiX Team composed and produced for Genshin Impact. I simply upload it for everyone to enjoy and listen to. 
Видеоклипы
![[原神] Genshin Impact OST [BOSS] - Scaramouche, the Prodigal [All Phases]](http://i.ytimg.com/vi/SDxSxMx6OwM/mqdefault.jpg)
![[原神] Genshin Impact OST [BOSS] - Scaramouche, the Prodigal [All Phases]](/img/tr.png)
NEW FATUI BOSS THEME FINALLY OUT! sadly without yu-peng chen this time but i think this one is still a banger!!! i didn't even notice that the glitch effect stopped at the transformation phase 😭😭
his cred is still present in the phase 1 opening motif
-from travail to house of hearth theme
looks like scaramouche boss theme won’t be getting dethroned for a looooong time
i hate to say this but the original Yu peng chen part is the most unique one on this track, the rest is just basic and recycled sound from before, even the dubstep is all over the place.
@@noobbllyou just don’t have fucking taste, If yu peng chen composed it like this y’all wouldn’t complain 😂 grow up
From 5:15 for me somehow i don't like it. but overall its cool man.
the closer we get to snezhnaya the more chorus and vocals we get in the themes
One winged DEMON 🫣
Considering the dubstep is a recuring pattern for the non-teyvatian entities, it wouldn't be surprising if Arlecchino was linked to higher entities or outworlders... A lot of theories do point toward this actuallyn hence the dubstep. It's really great I love her theme. I was a bit underwhelmed since Apep, tho I enjoyed the whale, this one is really great, though my fav still is signora's phase 2, but this one might actually come close to it
Same! Signora's boss theme is still the best one for me. (Also the only one which got the most emotions out of me, capturing the tragedy of her story as well as her character and fatui leitmotif the best)
She herself is an otherworlder probably. She’s khaenriahn and has the lineage of the crimson moon dynasty, but she is also someone who passed through the two worlds’ flame like perinheri did, implying she too is an outworlder.
Considering her boss title card is Cinder of Two Worlds' Flames, on top of all the other hints, I think it's a fairly safe bet she's in some way connected to another world, if not from one herself.
My favorite is phase 2 Scaramouche
What other ost uses dubstep?
Fatui themes just hit different man
Don't they just? I'm really wondering if the themes unique to Arlecchino here will be indicative of the theme we might get for Pierro, given that Arlecchino is Khaenri'ahn.
Fatui -> crazy
Imagine Columbina...
Also, I bet Columbina's boss theme would just be like many vocals and in some moments there would be a big bass and beat, and in other moments there would be like calm, classic
@@Elficzz_officiallullaby ahh sound
Loving the alto voices in this one, especially the contralto solo 😭😭
THE CONTRALTO SOLO SENDS ME INTO A DIFFERENT DIMENSION
timestamp?
@@sarahkim915 4:22
Yes...ofc (*pretending i understood all those words)
@@Thatmoosejimenez oh thanks man sorry i didnt notice your comment till now
this song is so good. obviously it doesn't have the emotional impact like scara's and some of the others do - but it shouldn't, due to the circumstances of the fight.
it still sounds amazing. the organ, piano, choir, singing, everything mixes SO well. people were worried about the direction of the soundtrack after yu peng chen left, but fontaine has been incredible so far.
I was one of those people worried but the narwal ost has to be my favorite one
If not very very very close second to scaramouches
The second phase of narwhal is meh..
Plus she isn’t really the type to get emotional like signora and scara? Both of them have much more trouble properly controlling and not showing their emotions
Oh i disagree, this song has plenty of emotional impact, but not exactly for Arlecchino but for Lyney, Lynette and Freminet instead, this is a somber theme that represents their determination clashing against their ruthless father, in a way it's fitting that Arlecchino's boss fight and theme is all about the house of the heart and not entirely about herself, it's fitting within the story.
@@Jared_postYOU LYIN????
the fact that at the beginning of the Phase 1 you can hear the children choir that sings in russian "Слуга" that means "The Knave" is so cool, but maybe, I just mishear it
Где?
okay, I really misheard it
How you read that russian word lmao
@@kellyscorner1319 [sɫʊˈɡa] sl-oo-gah
@@mossinvasion I mean how it is written in romanji
the fact that it snaps at 5:12 ?????
Official Lyrics for all phases.
Phase 1 : *Chorus cinericius*
[Cindery Chorus]
*Luna rubra iam orta erat*
[The balemoon was now rising.]
*Ardens in me cauterizat*
[Cauterizing the blaze against me.]
*Ite subter umbram lunae*
[Head beneath the moon's shadow]
*Donec nomina dedetis*
[Until ye give up your names.]
*Delicta maiorum inmeritus lunares*
[O undeserving one of Lunar, thy forefathers' guilt thou shalt pay.]
*Lues damnosa quid non imminuit dies?*
[What hath the day of damnation not diminished?]
*Non luem porto priorum dierum*
[I do not carry the affliction of prior days]
*Quod crastina superveniet*
[For tomorrows shall come.]
Transformation phase : *Sequentia Sequelarum* [Sequentia of sequels.]
*Ultio irae, ratio tuae*
[Vengeance of anger, your method]
Phase 2 : *Absolutio absoluta absolutissime*
[The most absolutely absolute absolution.]
(Tbh. I'm not really a fan this title, so I’m gonna drop the Japanese one also. “終末の赦祷式 : Pardon ceremony of the end”.)
*Quo vadis pater?*
[Whither goest thou, father?]
*Ecce luna rubra orta erat*
[Behold! The red moon was rising]
*Noctem exsanguem rubefecit*
[and has reddened the bloodless night.]
*Nemo nisi innocentes dormire potest*
[None except the innocent can sleep.]
*Sors mors est velata*
[Fate is veiled death]
*Ac sic somnia servabo liberorum*
[Thus, I shall protect the dreams of the children.]
*(Num unam tantum benedictionem habes, pater nostri?)*
[Do you have only one blessing for us, our father?]
*(Benedicam benedic tibi etiam pater somnialiter)*
[I shall bless you also, please bless us, O dreamwoven father]
*Sors mei finiet etiamsi*
[Even if my fate shall end.]
*(Sors immanis et inanis salubris vanitas)*
[Fate : monstrous, and empty, prosperous vanity.]
*Haec sors est immanis inanis etiamsi*
[Even if this fate is monstrous and empty]
*(Semper velata dissolubilis)*
[Always veiled and dissoluble]
*Inane rubeface a Luna!*
[O moon! Make red this void!]
*(Nemo nisi innocentes dormire potest)*
[None except the innocent can sleep.]
*Ecce te nepos **-excoci-** excoxi sed non quasi argentum*
[Behold, O successor, I have refined thee, but not with silver;]
*Elegi te in patiente camino ut sis paterfamilias eum*
[I have chosen thee in the furnace of affliction, so that thou couldst be the head of the hearth.]
*Camini spero vos videre lucem novam* (Luce nova)
[I hope for you all to see a new light of the hearth (By the new light)]
Thank you Mr. Hsiang Liu for keeping Classical Latin literatures alive.
Posting about the Japanese with no prompting is incredibly fucking weird
@@shrimpchris6580 I'm not really a fan of overalliteration (bias). And I like the Japanese one because it tells that even though papa is strict, she still cares about her children and is willing to forgive them one last time (as long as they are worthy enough of course) by the 'ceremony'. But the Latin's like 'Prepare to kick the bucket.' Which is also fucking badass I must agree.
@@yoshikagekira3707 Why even talk about the japanese though, it isn't a japanese game or character or anything
@@shrimpchris6580because they like the japanese version of the title? what isnt clicking here. why talk about any version besides the chinese version if thats what youre stuck on
@@dumbsterdives people randomly bringing up the japanese in shit that isn't japanese in any way is fucking stupid
I like this OST a lot but maybe that's because I like dubstep and any music genre really. I feel like people comparing this to Scaramouche and signora are forgetting about the aspect of the character arlecchino she's not as prone to let out emotion her theme isn't going to be as emotionally invested as the others this is one boss where the circumstances out way the emotion. the emotion in this battle comes from lyney Lynette and freminett as well as the player not the boss itself. she's not going to have an overwhelming theme that's sad or angry it fits with her character someone who authoritates and rules over. she's also an assassin this theme fits her very well and compliments her character overall its a good theme.
idk if i agree that an emotional theme wouldn't be fitting... i mean look at what they did with her short animation...
I feel like one thing her Theme did was show her overwhelming strength. This was the one theme that felt like traveler was punching outside of their league.
Which is exactly what happened
@@lululumpia I get that, I worded it wrong lol I meant she puts on the demeanor of someone not swayed by emotion. Like she’s has to keep up an appearance and even in her voice lines when talking to the traveler she says things like sadness and anger are a hindrance that’s not verbatim but that’s what I was trying to say. Her theme almost emphasized this idea of upholding those standards within the house of the hearth as well as her own calm and cool demeanor but as the fight goes on so do the overwhelming emotions she has peak through so I can see how it’s underwhelming but I feel like it’s supposed to be and that’s what makes it a good theme
Yeah this theme isn't about any emotion except terror. It's supposed to make her feel imposing, because that's basically her whole thing. She's incredibly imposing.
@@catpoke9557Yup, I don't get freaked out from games and I play mostly horror, yet for some reason I get chills from this and I feel uncomfortable. Not the "oh it's so good"(though it is) but the "I'm gonna die, this is it" chills, it's subtle but well done
All of Genshin music is amazing, but Fatui Harbinger boss themes are on another kind of level. This is an amazing piece as usual.
Almost all of my favorite songs in my list of favorite Genshin songs are Fatui boss themes
That's the power of mora 😂
Childe I can handle.
Signora I can tolerate.
Scaramouche I love to fight.
But the Knave gave me a fight I struggle.
I LOVE LOVE LOVE that the female opera singer has a very deep voice
4:49 goes undeniable hard
YEEEESSS
After seeing the animation they made,I like to imagine the children choir is to symbolize her friends from the past instead of her actual children.
I was scrambling everywhere to find the finalized version just now lolol. Thanks for the upload!!
Still can't believe that the main voice throughout the 2nd phase is a woman, I only thought that it was during the Sors part
It sounds pretty masculine, but it's pretty fitting, they clearly go out of the way to get fitting singers for the Fatui themes. The vocalist for Scara's theme sounds *reeeaally* similar to his CN voice and it's honestly pretty close here too.
CONTRALTO SUPREMACY
literal chills at 4:50
Same. 😭 My favorite part. I have so many thoughts about it.
Exactly! My favorite part of this whole soundtrack.
especially the deep voice is just so mmmm 😩
@@purplesanrio7940 For real... 😫 Miss contralto, my beloved...
We need to stop giving serial killers sick names and stop giving harbinger boss fights fire soundtracks
With Childe we hear Fatui theme with an adventorous background music, some epicness at the end and a bit of the theme used in the Narval theme if you pay atention.
With Segnora its fatui theme but like a ballet that turns into a tragedy full of anger- Her history.
Scara have his tragedy too, full of anger and nostalgia , his broken persona talking to himself, Puppet,Fatui and God at the same time
But with Knave we have cold serenity, an unfaced will, chilling murdering intent. BUT like in the Narval theme ,they used Dubstep too and this is very clever use because Yu-Peng tell us with this that like the Narval, Knave also came from another place: Cinder of TWO worlds.
When she pulled out TWO SCYTHES and duel wielded them during the fight I was like oh shooot I’m dead 😂
This feels like one of those horror movies when you enter a haunted mansion full of dark history and murder.....
Actual fcking peak. I have already listened to this ost more than any other and im gonna just have this on repeat for so fcking long.
Do wanna point out how funny it is that when Scara ost came out, SO MANY were hating on it, maybe worse than Arle, and now they r saying thats peak and hating on this. Same with Apep and the Narwhal. I think ppl forget that this is not just music releases for listening on free time, and is actually a battle theme thats gonna play together with the boss fight. These r two very different experiences. Half the enjoyment is listening during combat, becuz its meant to be played there, and what these ppl r consuming is something they are meant to see alongside the story and combat, and not as music released for the purpose of being put in a spotify playlist.
honestly even so i dont get why people are so upset at songs not being done by yu peng chen
like, all the composers are good, and they have been since when YPC was around composing, so...
@@rep1600 ppl just need an excuse to say Genshin is falling off rather than admitting they r losing interest.
@@Error_Redacted exactly. theyd rather be upset or angry. if someone doesnt like the song thats fine, but blaming it on the composer is just not fair
Really? Scaras theme is legit one of my absolute favourite tracks. It’s so damn good.
That just sounds like cope 🤥
People who hate on this peak theme should do a corona test. One of the symptoms is having no taste😂🙄
XD fr
Damn
as much as i love arlecchino the 2nd phase is like pov: ur non edm producer tasked to make dubstep and just found out about disperser
Just wait
When the next theme comes out people are gonna come back and say this one is peak
They hated scaras when it came out
And signoras
And every boss before that
And those same people are now saying they’re peak
@@lairisvibing1455 scaramouche's soundtrack and stomterror lair soundtracks are good, this one is... eh... the trailer song of arle was rlly fkn good tho :v
that dubstep part is where Irminsul really don't know how to read her xD
also any bets her phase 2 would be liveperformed for fontaine ost album 3 promo?
This or Emberfire
@@amvstudio2238 Why not both
i fucking want it so badly...
It's out
IGNITE, MAH PAPA! 🗣️🔥🔥
I did a survey with several people with different personal tastes, comparing this song with the previous Boss Theme composed by Yu-Peng Chen, Scaramouche, and with great surprise I say that... out of about 20 people interviewed, at least 15 preferred this Arlecchino's Theme.
I also, as one of Yu-Peng's biggest fans, who is my favorite composer, say that this theme is not far behind what he composes. Yu-Peng Chen is genius, but Dimeng Yuan is talent, and in talent he shows that he is not far behind.
This song for me is impeccable melodically and the violin chords are phenomenal, not to mention the lyrics of the song which is easily the best lyrics in any boss theme in the game so far. Its only flaw is the EDM, but even with this flaw it is a top-tier song.
And yes, there is currently a bias in the community about Yu-Peng Chen, given that we can see that in this interview I interviewed about 20 different people and the vast majority of them don't play Genshin anymore or have never played it.
While the dubstep is pretty cool what gave me the most chills was the singer
Like damn
Literally addicted to this theme, easily my new favorite weekly boss
3:40 im in heaven fr
4:40 it honestly feels and sounds like lyney is trying to convince the father to forgive betrayl that the children does, cause punishment here means death yet the father ignores it,not backing down to his rules 5:50 where she tells them again about the rules of the house where any form of betrayal will result in severe punishment and then the dubstep takes over representing her overwhelming power
2:01 goes so hard tho
Think that's honestly my favourite part of it all. I love the first phase
@@_CkC_ SAME
only good part and it was made by Yu peng chen. rest of the theme is just all over the place with the dubstep.
@@NazmulhossainTahsin nah the rest of the theme is goated
Yeahh my fav part was 2:02 - 2:27
0:49 - 1:22
2:18 - 2:34
3:40 - 4:08
god DAMN i just love how this sounds
Got extreme goosebumps listening both themes! I can imagine the higher ups theme songs
its always the ones that are nicknamed the jester
You can see the fact that I don’t play genshin by me forgetting Pierro’s existence, I simply looked up the definition of Knave lol
LMFAOOOOO
@@MiyuKawasaki LMFAO indeed XD
i think it was Good bgm i mean Arlecchino is more calming not like Signora or Scara even Childe(i talk about presonality not power)that's why her Bgm more like Mixed Lullaby song than Fatui and also Arlecchino background is leader House of Hearth so it makes sense if you watch her Trailer Anime
The horns at the start of phase two though god DAYUM
Edit: I need this on spotify
The dubstep followed by vocals?!?! Bowing down to HoyoMix
I must say I didn't excpect to hear sprachgesang in a genshin ost
Right?? The Hoyo-mix team never fails to impress me with the diversity of techniques and styles they employ.
5:15
If she was in HsR, she would be Nihility, her dark sun looks like IX
1:05 🔥🔥🔥
This shit is so fire omg
@2:02 Fatui Harbinger leitmotif. Not sure if it's intentional or because it's no longer Yu-peng Chen making the OST that Arlecchino's theme doesn't build up with this leitmotif as much as other harbingers.
I think it's because Arlecchino is more affiliated with the House of Hearth than with the Fatui. She would gladly betray the Fatui to keep the House safe.
its funny because to me its only good part in the whole theme.
I do think this was intentional. She is a harbinger after all, yet does not have that loyalty towards the organisation, as other members might have. Therefore it only makes sense that the leitmotif is only showing up for a fraction of the song.
@@ScarletteNaemi yeah, I’m having the same idea here, especially after playing her story quest.
I feel like it was intentional, because we are not fighting arlechinno as a fatui harbinger, instead we are fighting her as the “father” of the house
5:25 Hits harder than my dad’s belt
Finally a boss that we dont beat by using the power of whatever asspull the devs invented
What about Childe and Signora?
Well we didnt really beat arlecchino
Probably if she wanted to, she would kill us on the spot
And signora was the last big foe that we won against without any help from gods or anything like that
When did this happen again.
@@racool911 my point its more about few bosses that geniunely made no sense the way we beat them (scara, raiden), specially since we defeated those two using the bs excuse of "the power of people who couldn't kill a fly but somehow united can defeat godlike being".
Thats why I was glad that we actually lost, since the traveller, for once, has no bullshit to rely on.
But to be fair, yeah, childe and signora are two bosses that the traveller really did beat without any bs helping them
@@julioramirez8179to be fair with Scara I wouldn’t say ‘the power of the god of dendro combined with the knowledge of all of her people and multiple loops of combat experience’ is bullshit
As for Raiden I’d say that hers made sense too. We clearly lost the first time around and had to rely on Miko training us on her combat style alongside uniting the stolen visions of the people which also mostly seemed like Miko’s plan who just needed a conduit that the Traveller was powerful enough to do. Heck they’ve done it before with the Adepti
The game has made it quite clear the combined dreams and hopes of a nation are extremely powerful thing if an archon’s strength is determined by it alongside being able to produce Indemnidium and considering the traveller is a god too technically it makes sense it can be redirected into them too
Obsessed with the whole theme, especially 5:41
latin lyrics pls
stra his patris
Loca rubra quoniam dolorem ducam ure (unintelligible)
(unintelligible)
Mors amissas est, fle!, lauda!
Ac sit somnio
sui referrer
liberavi
Salus mei fiet, etiam si exors est immanis inanis etiamsi
irare, rem ad tace
La Luna
(unintelligible)
amiri supero vos
videre lucem novam
@@tappaiThank you so much 🙏
What language is this? sounds like a clumsy Russian@tappai
U know how strong is a character when his/her theme is in latin at FREAKING 1st phase
5:19
Funny how this sounds like a thick rope breaking while in the boss battle she jumping on ropes
🗣Tuuuuuuula, tuuuuuula🔥🔥
I like how the more intense and powerful the bosses get, the more dubstep-y and electro poplike they get
I thought the singing part will be lead by a soprano, considering the previous fatui battle theme seemed to correspond the color voice of each fatui members (correct me if I'm wrong?). But this is also a nice take, considering the orphans is facing their 'father'.
In the Japanese dub, the voice actress purposely voiced Arlecchino in a more masculine manner, mirroring her title of "Father".
It makes sense that the lead singer of this theme is the lowest vocal range for female singers, matching this performance.
It also lends credence to the idea that each harbinger theme's Latin lyrics are sung by the harbinger who's theme it is: Tartaglia's is a mid range male singer, Signora a high pitched female opera singer, Scara a higher pitched male singer, and Arlecchino a low range female singer.
Really cool!
@@this_is_ra ooo~ thank goodness, I thought it was a voice actor who represent her. Anyway, I just saw the newest mv for Alrecchino mv. It was sung by a Mezzo-soprano to represent her. Really amazed by how her voice got really low.
If this is another story and rpg, Arlecchino is the final boss and thr main antagonist.. Her style is so main antagonist..and the story will be like "the orphans try to escaped from the wicked mother"..
Is there any change compared to finalized beta version?
the transformation phase is not ending as abruptly as before anymore and for the 2nd phase, it sounds much cleaner and as if they put a little bit more mixing into it
Phase two sounds like Dumbledore summoned Electro and started cooking.
God i love her so much, her theme is so beautifull !!
(Can't wait to pull for her ;v;)
sister friede in genshin impact version
Don't get people being mad about this. I just came back to this game after a 6 months long break (right after Furina), got my 31 pity Arlecchino and then did the quest.
The music is perfectly fine, and the dubstep fits perfectly with her also being shown glitching.
Dubstep fits all of the Fatui tbh
@@catpoke9557 Agreed.
Shows that otherworldly feeling too.
Mfs really do be glazing YPC for Scara's boss ost when he wasn't even the one who actually made it.😂It's Peija You for phase 1 and Yujin Jiang for phase 2.
i like it!
5:18 Terraria Impact
MF turns into an Melania, who is the blade of Miquella. Play elden ring and you'll get the reference
i love so much how theya re adding dubstep in boss theme. narwhal's one was fire but this one hits different
0:00 04:50
some one really cooked
What's the name of the 1st phase
What a banger dude I can't wait to jam my head while fighting and end up missing all the dodges 😭
It looks like the ost of the game obscure
WE GETTING ADOPTED BY FATHER WITH THIS ONE 🔥🔥🔥🔥
So which one's better Hu Tao or Arlecchino?
The Knave, she can move dash forward to enemy to reach it and attack with her scythe..
My goodness apparently genshinathas don't understand the essence of edm in this soundtrack, don't understand what it signifies (I say hello to phase 2 of Narwal, which is HONORABLE to Tejwat)
You clearly don't watch/read Genshin lore, you clearly had no interest in a character like Harlequino
Now go and listen to the Narwhal soundtrack, then listen to this track, and think about why the use of EDM music in the composition clearly indicates it's alien to Teyvat
Isnt scaramouches theme also edm?
@@ilikedinosaurs392 As well as Raiden's boss theme
1:19
5:18-5:45 probably just because of this part, I preffer 1st phase of OST.
FR 😭😭😭😭
who can hear latin lyrics pls
The Knave and the Traveler locked eyes, their gazes filled with intensity and fervor. The Traveler's hand shook as he tightly gripped his dull blade, a bitter taste of readiness and fear coursing through them. The frigid stare of her lips was a paradox, considering her fiery disposition. With a deliberate gait, she advanced, refusing to hasten the encounter, for what purpose is there in expediting a battle that warrants savoring? It ought to unfold languidly, to an ember's gradual descent into darkness, or a vibrant fire flower, it shall ultimately wither, then vanish without a trace. With a swift and powerful swing, she unleashed her scythe, seemingly channeling an otherworldly force.
The symphony of their swords reverberated through the atmosphere, as the Traveler endeavored to demonstrate their conviction by pressing steel against their opponent's, but were only introduced to true strength, and a graceful dance of conflict. With the opening presented, the Knave nonchalantly maneuvered her scythe away and pulled the scythe toward her causing the traveler to overextend, and stumble forward, receiving a powerful backhand in return, for their boldness. Propelled backward, they desperately fought to regain control of balance, but eventually lost footing, being embraced by the frigid cobblestone ground.
As their lungs seared and filled with smoke, their gaze turned upwards, beholding a sight that could mark their demise. With remarkable agility, the Knave leaped into the air, her every motion accompanied by a fiery crimson glow, dutifully heeding her every directive. Despite their desperate attempt to rise, the Traveler found The Knave directly above. It was certain that this lethal instrument would gleefully slash through their abdomen, birthing their innermost being to the outside, akin to a grim rebirth. Yet, In the very last pitiful moment when the blade poised to descend, Freminent's claymore swiftly intercepted, and slammed into the Scythe igniting a mesmerizing spectacle of dancing sparks in the air. The Knave was pushed backward by the blow, and retreated, by landing with a perfect balance, on a crimson thread. The sound was reminiscent of bending plastic. Meanwhile, Lyney's card materialized beside the Traveler, granting him the speed to appear by their side. With graceful agility and a trail of gleaming sparks, Lynette seamlessly materialized at their flank, her sword poised in a stance of formidable protection.
"You okay? C'mon no time to rest." Lyney softly murmured his words, his words delicately caressing the ear of the Traveler. Lyney rested their shoulder around the Traveler's arm to help them up. The Traveler bestowed upon Lyney a subtle smile, yet swiftly adopted a grave countenance, for there exists no survivors among the recklessly daring. As the Traveler retrieved their worn sword, a rush of memories flooded their mind - every creature that had been vanquished by its blade. (Could this journey be over? What of their sibling? No! Stop thinking stupid.) The Traveler yelled internally.
The Knave then brought her hands together, causing ethereal currents to ripple through the vast expanse of the universe. Beneath her, a cyclone of fiery scarlet ascended the heavens, carrying her within its majestic torrent. Like a fleeting tempest, the Tornado dissipated instantaneously, leaving the Knave to appear upon the scarlet filament, her appendages resembling scythes jutting from her form, an eerie rendition of a spider's extremities. The gleaming Crimson polearm she wielded radiated with exuberance amidst the fiery red halo enveloping them. In unison, the quartet brandished their weapons, poised to demonstrate their unwavering strength to "Father".
I’ve long quit genshin but oh my god the music still slaps harder than the belt
🤩
I need these bgs on wallpaper engine please
maybe her track is ass but she still managed to end the whale theme
Okay I thought this boss theme gonna be different from orchestra version, since scaramouche boss battle there a version where scaramouche the one who sing it 😂
is official or still beta?
Ofc it's official, game version though. Usually full album release have some minor difference
bro thought it was so mid that made him question if its beta or not LMAO.
i hate the dubstep in newer genshin music it could be insanely beautiful without it
This doesn't sound nearly as distinct as Signora and Scara's, but it's certainly not bad. Her demo was much more creative and varied, though...
As someone who doesn't play GI at all, but loves music and landed here from a RUclips recommendation, this is really meh honestly.
YPC widows crying in the comments is the peak 😂😂
They really think he directed ALL the music in the game LOL. Guarantee some of their favorite songs in the game had nothing to do with him and now that he's gone songs that woulda sounded good to them before don't.
@@catpoke9557 eh, not really. He has some signature style that is easily recognizable. I didn't know YPC left the company for a month. I mean you cant miss the quality drop of weekly boss OSTs since polumnia omnia.
Who is YPC?
@@Perritix Yu Peng Chen
@@catpoke9557 oh I know who it is, thank you
I like the first part better....then the rest is a bit confusing XD
is the 2nd phase the final version? it feels underwhelming compared to Scara and Signora phase 2
Music fell off since Yu Peng left. Sad
It's just the EDM part that's less enjoyable.
@@Logixal4311debatable, the Fontaine ost is so good
@@Logixal4311No it didn't. To begin with he didn't even direct all of the music
@@catpoke9557 he did, he just don't compose everything. compose and direct is 2 different thing, maybe you confused the 2.
Where is the Fatui leitmotif?
is blud deaf?
2:01
most people in music video comment sections are so pretentious... it's so cringe XD
I don't know why but the ending is not as good as the opening. Maybe I'm just expecting too high.
I'm pointing out on the transition of the ending, I still think this is still cool tho but if they can make the transition of the ending more smoother then the whole music will really epic, also the melody of the vocal and the music still have some miss at some part.
other than expectation it could be your music preferences in general acting up
abrupt melody changes to introduce a beat drop is different than building up the tempo to introduce a beat drop, latter builds anticipation whereas the first surprises you, if caught off guard, you can't find any reference point for this melody and just left you confused and surprised at the same time
@@BadassHatdog yeah I know that "shock melody" Is one of the good key that can make the music good, but I'm not talking about that "change melody" I'm talking about the transition in the ending, as you can hear the transition between the beat and the vocal is need to be improve a little.
not bad(as good as the childe one), but I do expect a better one. (I don't like the EDM)
Childe phase 3 has edm,but it was executed well by ypc,
Here it's just comes abruptly at last for no call outs
who the hell cooked with the dubstep, it was trash
Arlechinno theme is a downgrade tbh. Her the final feast appearance theme hit harder than this. It can't even top devouring narwhal theme. Same with her demo theme, I expected more. Out of all the harbinger themes, Signora and Scaramouche will forever be ICONIC and will age like fine wines.
It's a shame I don't like it
Holy hell i really don't like the edm at 2nd phase, i just can't and probably won't ever get used to that shi.
I am sorry, but the boss themes fell the fuck off without Yu-Peng Chen.
But i cant really say shit, bro dropped Polumnia Omnia and then just left on his peak, undefeated.
Like, this doesnt even come close to his creations, AND THIS IS A BOSS THEME, THE MOST IMPORTANT PIECE OF MUSIC IN A REGION. And somehow they fucked it up.
I just dont get the chills.
The same with the all devouring theme, just barely mediocre.
This one doesnt even have the signature bad ass drop. A lot of everything, and at the same time a whole lot of nothing.
dubstep part did not cook
That dubstep ruined it for me - it was good until that last part
L take
@@Laplace7777W take
yall hate anything experimental music and just want everything stays the sames
@@hit5365 experimental? at this point? wasn't the whale enough experimentation? aren't there other types of music to "experiment"?
First you come with the shitty excuse of "oh, it's related to abyss stuff, guys". Arlecchino has 0 conections to the abyss, aside from her Khaenriah lineage.
This dubstep nonsense needs to stop.
@@TheAdorelis yall never actually listens to actual good music and it shows 😭😭😭 you dont even know what your talking about
They fr fell off ever since YPC left em goofies🤦🏾♀️
Nah, ost is way better now
@@edgranthon4560 If you’re a fan of the trendhopping, soyjak-pandering “TeChNo DuBSTEP gLItCH” ‘music’ spam then I guess so, yeah🤭🤭🧏🏿♀️
Cry harder
cope, Genshin music does not change in music quality. Just getting better i think. It's not about a happy adventure go lucky with beautiful orchestra anymore. It's peak dark lore.
You know Yu peng Chen left a long time ago. Like he didn't worked in music after 3.4 or 3.5 I think
Literally everything about that story quest was disappointing 💀
Oh no, your favourite mc got shat on so hard that now people are scared to even look in the direction of Capitano, how baad
@@yoursteban3713 what are you talking about
@@yoursteban3713да, я теперь боюсь смотреть в сторону Капитано, ибо ожидаю от михуи такой же плохой босс-темы и такого же плохого квеста, вопросы?
how? I think it was the best one so far
@@anniefan139 My qıestion: Why are you speaking Leninish on an English thread?