Great Episode as always Dave. I Love Leslie. Only one note: before Mountain, Leslie was member and guitarsist of a Garage Rock band called The Vagrants; typical Garage Rock with few touches of '60s Rhythm & Blues.
Leslie West and Michael Bloomfield are the two guitarists whose tones I've been chasing for years. No one did pulled notes, waivers and feedback to match Leslie West's emotional guitar style. Great lesson that nailed the essence of Leslie's playing.
What a touch: you really nailed Leslie's vibrato ! And the tone too... I remember when Mountain had a venue at Bill Graham's Fillmore West in the '60s. Leslie had said their gear wasn't delivered, so they had to improvise with what they had. Leslie used a SUNN P.A. that he pushed so hard that the result was overwhelming ! That must have been the start of the Leslie West saturated tone...!
What I love about this is I've been playing a long time, but blues rock licks, digging in and really meaning what you play is still the stuff that inspires me to make music. It still speaks to me and sounds so cool. Thank you so much for this 😃
Hi David, thanks for this lesson. Leslie was my guitar hero growing up after hearing Mississippi Queen, I probably drove my Mom nuts. Great intro David.
I never realized that the Pearl Jam riff on there big hit was very close to Silver Paper. I loved your analysis of Silver Paper. I had all the Mountain, West, Bruce, Laing and Leslie's solo albums as they were released back in the 70s. Saw him at Rathskeller and small venues in the Boston area mid to late 70s into 80s. The Dream Sequence intro is killer too!
An Alan Murphy segment would be cool. Would love to see a breakdown of the live version of Don’t look down by Go West. Alan has a really cool part in the live version of The Tube 1985.
Lesley was totally one of my heroes. I only got to see him once: at Winterland in SF, with West Bruce and Laing. I'll never forget how he came out in a white tuxedo, with the spotlight lighting him up. Just god-like licks and tone. It was like a religious experience for me.
Leslie West influenced so many guys -- a lot of it with his vibrato. A lot of guys you've mentioned including Schenker, Zakk, and many more. Another is Dave Meniketti. Isn't it time for a Soling Secrets on Meniketti? 😉
Interesting how you mentioned Cream during the “Blind Man” riff given Felix Pappalardi, West’s producer on his debut album who played bass on that album and for Mountain, produced Cream’s final three albums. Pappalardi and his wife Gail Collins, convicted of murdering him in 1983, co-wrote “Strange Brew” with Clapton. Great stuff as usual Mr. Brewster!
Late night, you should make another Leslie West theory lesson because he often will use pentatonic box#4 creating a hybrid pentatonic scale mixing major pentatonic and minor pentatonic. He learned this when taking LSD with his brother when they would go see CREAM live 67-68 he said that is when he started OCD on the mixing major pentatonic scale degrees with the minor pentatonic scale mostly in box#3 and box#4. I have noticed Leslie West habits is ending his minor pentatonic licks with major pentatonic scale degrees, its his trademark habit which is very CREAM era like. Listen to Mississippi Queen minor pentatonic box#4 he is adding in major pentatonic scale degrees is a good example.
Leslie West carried on from were Eric Clapton left off after "cream (sadly), thats when i became a Leslie West fan...and still am today...my sort of soloing...combining blues and rock in a nice and heavy dirty way...as did Billy Gibbons,in his very own way too.....cheers...i liked this one a lot.....it seems from those guys back then only Angus Young is still out there playing that sort of style from the late 60 early 70s.....wow...where has the time gone....
I played on the same stage as Leslie in 1969 his local band was the Vegrants . He had sunn amps les paul junior turned all the way up . his speakers were eminence speakers with the cones sliced some times emersed in water and set in the sun to warp the cone. sometimes later used a Samash fuzz. thats it .
I am 62 years old. I hear guitar music in my head. Never heard before. Been years. Thinking about Yamaha with an alder body. I dont get the technical language stuff. Help! 😁
Well he was listening to Mike Bloomfield n Al Cooper they were masters of that kind of playing befor Leslie don't get me wrong I wore my mountain albums out and the needle on my mom's sterio to I loved Leslie I still sing Mississippi Queen at karioki and people tell me that is the killerest song I can sound like Leslie I'm 69 still singing n playing drums n guitar RIP LESLIE WEST
has there ever been a better recorded guitar tone than on Mississippi Queen? only one I can think of that comes close for me personally is Billy on Cheap Sunglasses
I've been playing guitar for 60yeats what I think most of the guitar players nowadays need to do is learn the ambience of them way too many notes for Leslie West you need a Les Paul Jr.
![Hunxho - Ball Forever [Official Video]](http://i.ytimg.com/vi/nki9ZTF9Uls/mqdefault.jpg)
There are literally no lessons on Leslie West besides yours and a couple Mississippi queen play alongs. Keep these coming!
Leslie West is my idol since 55 years, I am playing guitar. Thanks David, great!
Excellent choice. Big Man had the tone and tasty AF chops!🤘
Damn Sure Did. His Riffs Were SHMASSIVE!!!
Your most excellent vibrato inspired me to work on my own. It has improved a lot.
Great Episode as always Dave. I Love Leslie. Only one note: before Mountain, Leslie was member and guitarsist of a Garage Rock band called The Vagrants; typical Garage Rock with few touches of '60s Rhythm & Blues.
Thank you David! Leslie West is one of my all time favorites. A great player especially in his era.
Great video, David. West just jammed with the perfect level of stank and groove. Total badass.
Leslie West and Michael Bloomfield are the two guitarists whose tones I've been chasing for years. No one did pulled notes, waivers and feedback to match Leslie West's emotional guitar style. Great lesson that nailed the essence of Leslie's playing.
West had such a unique and definitive guitar soloing personality. You definitely nail his nuances. Thank you.
David's really feeling this one. There's teeth on them notes tonight
Fantastic lesson and the tone was insane and spot on.
He actually responded to me on a Facebook comment... Coolest guy to walk the earth
What a touch: you really nailed Leslie's vibrato ! And the tone too... I remember when Mountain had a venue at Bill Graham's Fillmore West in the '60s. Leslie had said their gear wasn't delivered, so they had to improvise with what they had. Leslie used a SUNN P.A. that he pushed so hard that the result was overwhelming ! That must have been the start of the Leslie West saturated tone...!
He had the most incredible tone 😺
What I love about this is I've been playing a long time, but blues rock licks, digging in and really meaning what you play is still the stuff that inspires me to make music. It still speaks to me and sounds so cool. Thank you so much for this 😃
Dude amazing playing, amazing lesson!!
Hi David, thanks for this lesson. Leslie was my guitar hero growing up after hearing Mississippi Queen, I probably drove my Mom nuts. Great intro David.
I never realized that the Pearl Jam riff on there big hit was very close to Silver Paper. I loved your analysis of Silver Paper. I had all the Mountain, West, Bruce, Laing and Leslie's solo albums as they were released back in the 70s. Saw him at Rathskeller and small venues in the Boston area mid to late 70s into 80s. The Dream Sequence intro is killer too!
An Alan Murphy segment would be cool. Would love to see a breakdown of the live version of Don’t look down by Go West. Alan has a really cool part in the live version of The Tube 1985.
Thanks for doing this, David.huge fan of the big man with that big tone.
I'm sure lifeson was a fan. He had a similar tone. Especially early years
A true mountain of a tone...One of the first hard rock singles 45's I went out a bought in 1970.
One of the best to ever do it, and he proved that it was what was in the fingers that counted, first and foremost...
Rest easy, King of Tone...🙏🎸🇬🇧❤️😢
Great lesson - thanks for posting!
Very cool! 🤘😎🤘
Lesley was totally one of my heroes. I only got to see him once: at Winterland in SF, with West Bruce and Laing. I'll never forget how he came out in a white tuxedo, with the spotlight lighting him up. Just god-like licks and tone. It was like a religious experience for me.
Thanks so much for helping keep his legacy alive!
Cool lesson as always, thank you, sir!
I really enjoy your vids. you explain this stuff so well!! 😁
Leslie West influenced so many guys -- a lot of it with his vibrato. A lot of guys you've mentioned including Schenker, Zakk, and many more. Another is Dave Meniketti. Isn't it time for a Soling Secrets on Meniketti? 😉
Thanks for the lesson. 🎸
awesome thank you💥🤠🎸
Tone is so phat butter is dripping from my speakers!
I need to practice to be able to play that slow !!! :D
Interesting how you mentioned Cream during the “Blind Man” riff given Felix Pappalardi, West’s producer on his debut album who played bass on that album and for Mountain, produced Cream’s final three albums. Pappalardi and his wife Gail Collins, convicted of murdering him in 1983, co-wrote “Strange Brew” with Clapton. Great stuff as usual Mr. Brewster!
He was amazing miss you and brother Larry
Late night, you should make another Leslie West theory lesson because he often will use pentatonic box#4 creating a hybrid pentatonic scale mixing major pentatonic and minor pentatonic. He learned this when taking LSD with his brother when they would go see CREAM live 67-68 he said that is when he started OCD on the mixing major pentatonic scale degrees with the minor pentatonic scale mostly in box#3 and box#4. I have noticed Leslie West habits is ending his minor pentatonic licks with major pentatonic scale degrees, its his trademark habit which is very CREAM era like. Listen to Mississippi Queen minor pentatonic box#4 he is adding in major pentatonic scale degrees is a good example.
Nice choice !!
Thank you!
Leslie West carried on from were Eric Clapton left off after "cream (sadly), thats when i became a Leslie West fan...and still am today...my sort of soloing...combining blues and rock in a nice and heavy dirty way...as did Billy Gibbons,in his very own way too.....cheers...i liked this one a lot.....it seems from those guys back then only Angus Young is still out there playing that sort of style from the late 60 early 70s.....wow...where has the time gone....
Jimi Hendrix & Leslie West my two favorite musicians along with Shawn Lane
Buddy, your vibrato is so damn tasty.
That's the dang truth👍🏼
I agree.
Leslie Abel Weinstein always had that "raunchy" tone!
I played on the same stage as Leslie in 1969 his local band was the Vegrants . He had sunn amps les paul junior turned all the way up . his speakers were eminence speakers with the cones sliced some times emersed in water and set in the sun to warp the cone. sometimes later used a Samash fuzz. thats it .
Stormy Monday😊
Please do ,"This Wheel's On Fire"!!!
Don’t forget the pedals he used to get that fat tone
People seem to have forgotten how to play like that, just killer single note vibrato and how you phrase it.
Yaaasss
I am 62 years old. I hear guitar music in my head. Never heard before. Been years. Thinking about Yamaha with an alder body. I dont get the technical language stuff. Help! 😁
Monster player
🎸🎸🎸🎸
I’d kill to have vibrato like you! 😊
Well he was listening to Mike Bloomfield n Al Cooper they were masters of that kind of playing befor Leslie don't get me wrong I wore my mountain albums out and the needle on my mom's sterio to I loved Leslie I still sing Mississippi Queen at karioki and people tell me that is the killerest song I can sound like Leslie I'm 69 still singing n playing drums n guitar RIP LESLIE WEST
👍👍👍
Time Stamp 9:36
The inspiration for Pearl Jam's Alive?
Can you do vid on ronnie montrose?
Can you play a Gibson wearing a Fender hat?
has there ever been a better recorded guitar tone than on Mississippi Queen? only one I can think of that comes close for me personally is Billy on Cheap Sunglasses
To each their own....
@@trance9158 no I'm objectively correct
I have this same Les Paul what year?
On that first sample what is your tone setup? Amp pedal etc?
Angus Young was heavily influenced by Leslie West. Listen to a few of their solos back to back and you can really hear it.
KIM Simmonds Please...
Dude, you need to put your looper into the FX loop. It sounds so bad … and you’re such an awesome player.
looks like Andre the Giant's little brother.
kinda sounds like skyards TheBreeze
I've been playing guitar for 60yeats what I think most of the guitar players nowadays need to do is learn the ambience of them way too many notes for Leslie West you need a Les Paul Jr.