Büzürk Peşrev - Dimitrie Cantemir - Ross Daly
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- Опубликовано: 18 сен 2024
- This is one of my favorite compositions from the collection (Edvar-I-Musiki) of Prince Dimitrie Cantemir (1673-1723). It is in the somewhat rare Makam (mode) known as Büzürk (Farsi: Bozorg = large, grand) and is in the 30 beat cycle Darbeyn-I-Cedid. In this recording, together with myself, Efrèn Lopez participated playing Küdüm (small kettle drums) and Christos Barbas played the Ney (reed flute).
Dimitris Cantemir was a statesman, soldier, man of letters as well as one of the foremost composers and chroniclers of Ottoman urban music of the late 17th and early 18th centuries. He was born into a noble family or Crimean Tatar extraction in Moldavia. He was also renowned as one of the foremost linguists of his time (he allegedly spoke and wrote in 11 languages). He spent many years in Istanbul as a Moldavian envoy on behalf of his brother Antioh who was the ruler (voidode) of the province. Subsequently he himself was appointed as ruler and he placed Moldavia under Russian protection in the belief that the collapse of the Ottoman Empire was imminent. He then joined Peter the Great in his campaign against the Ottoman Turks, a campaign which failed resulting in the exile of the Cantemirs to Russia. In Russia, where he died in 1723, he was granted the title of Prince by Peter and also by the Holy Roman Emperor Charles IV. The collected notations of Dimitrie Cantemir were transcribed and published in 1992 by Professor Owen Wright, and it is largely due to this publication that we now have access to the entirety of the collection. To this day, many of Cantemir’s compositions are still regularly performed in Turkey as an important part of the Classical Turkish repertoire.
My favorite piece from my favorite composer, played by one of the greatest musician of my time... Thank you!!
this, or his bestenigar...very heavy!
Magnificent...
23 Mayıs 2024... Üsküdar'dan Beşiktaş'a motorla geçerken dinledim... Tarihi camileri, denizin dalgalarını ve rüzgarı hissederek dinlemek inanılmazdı.
Really grand music 👏🏼👏🏼👏🏼
Fevkalade!
Wow! I love the history behind this!
It could be longer! I listened it at least three times
Today's Classical Corner... Absolutely gorgeous, and one of Romania’s deep treasures!
en.wikipedia.org/wiki/Dimitrie_Cantemir
#OdedFriedGaon #OdedMusic #OdedTodaysClassicalCorner
İçimde bir bezm-i aşk zuhur olur iken
Yâr garam yüreğimde harika-i sevda iken kor olur sinem
Ey müteyyim deyyus-u ekber
Rah-ı aşk bilmeyen nece anlasin ahvalimi laklaklariyla sevdamı hor görüler
Ey şeydâ dalda bülbüldür bağdat
Ey bağdat tasabi ettim nice vakit
Ne elimde kaldı ne dilimde tat
Misk kokar gül yatağında dilrubam sanki bir arap at
اوهانس اكنجيان اول افندي
(arkadaşlar yazan kişi benim çalmayın lütfen)
Ezan okunuyor makam-ı sabadan
Tüm alemde seni arıyorum
Yol alsam diyorum Üsküdar'dan
Suret-i cemil zevcim' seni düşünüyorum
اوهانس اكنجيان اول افندي
Reminds me of Paul Lansky’s Mild und Leise
❤
Hello! Please let me know if you know the source of the image at minute 3:40. I am specifically interested. Thank you!
This is a painting by the Uyghur painter Ghazi Emet called Muqam (1984). It depicts musicians and instruments from all over Central Asia thus pointing to their common and shared heritage. I believe it is currently in a museum in Moscow although I’m not entirely sure of that.
Very good performance. Congratulations. But this Maqam is not Buzurk and not 100% sure, it may not belong to Dimitrie.
Indeed this is not Büzürk as it is known today, however it is included in Kantemir's collection under this title and he seems to declare it to be his own composition
There is resesrch that show it may not belong to him
Indeed that’s not Buzurk. The real buzurk ends on Rast and not Dugah. It might be an old form of Buzurk or a miscommunication of that time. The piece is beautiful though …and beautifully played
Kantemir it is not always entirely clear about what is his composition and what he has notated from other sources. The classification of this piece as Büzürk makam is indeed strange given that it is quite different to what we know today to be Büzürk makam. However, given that Kantemir titles it thus and that his score is the source of my rendition, I felt obliged to go along with his description. Perhaps it is a form of this makam which has not survived up until today.
do you have note sheets fot this ı would really like to play this my self
I have
@@erkanyildirim9912 can you send me tho