@@MFuria-os7ln Not really. As you may have already heard, only a small a piece of Vivaldi's simplistic melody is alluded to in the main theme. This is a theme and variations masterpiece! Its brilliance lies in the complex but lucid treatment of its simple theme. Just like in the Goldberg variations, the Musical Offering, and the Art of the Fugue, Bach is able to create a whole world of interconnected and inspired musical ideas from any given thematic basis.
Bach is a small part of my childhood, my dad always played classical music in the living room. Listening this piece and in particular allegro will always make me feel like home :) tnx gerubach!
Thanks so much for doing this, this is my favorite performance of this great piece, and many times I listened to it following the notes I bought specially for that. With your format it's another level of fun.
Tact 42 ( 3:30 ) was a little bit tricky. Sixteenths together with sixteen-note triplets. Switch off your brain and it works. Most beautiful piece composition of Bach!
@@ankavoskuilen1725 Really? I find that to be one of the easier "harder" parts of the sonata. I get my fingers in knots more often in the second half of Movement 3 personally.
@@shestewa6581I see what you mean. It has been a while since my reaction but I think I meant the whole sonata. But it is worth while practising. I am getting there. I play it in c minor on the recorder. What instrument do you play? Flute, traverso, or also recorder?
Is it just me or the presto is somewhat like a fugue?
6 лет назад+11
You are absolutely right. You didn't get confused with the added bass line in its exposition. It is quite typical for many baroque pieces (e.g. trio sonatas) that one or more movements are using fugue technique.
With Bach it's not at all unusual for things to be fugal that aren't called fugue. His compositional brain was wired for counterpoint and imitation -- his stupifyingly brilliant brain.
Thank you for your great video editing of many of Bach's works! 🙏 I would just like to comment regarding the labelling. There isn't a 4th movement; the gigue is the second section of the third movement which recycles elements of the starting theme of the 3rd movement.
it's a recorder. the long tones are a giveaway because they don't do long tones or high notes as cleanly. but it is wooden. it would be played most likely by what the player had.
Album cover says baroque flute. I would say the long tone fragility (a quasi vibrato?) is quintessential Preston coloring that slightly resembles a recorder sound. Pictures on google show him playing on what looks like a Grenser or a Palanca model but this was released in 1997 so it may have been a different model.
The first movement is a epic downfall. It just goes down down and down! Depth & even Deeper. I can imagine how Bach would’ve been upset at his wife if she had ever left him. 😮
B minor is by excellence the pathetic tonality in JSB's work. Listen for instance to the "Erbarme dich" aria in the Mattheus Passion, or to the prelude and fugue for organ. Here, in a chamber music, the pathetic tone appears somehow veiled.
This doesn't sound like Bach to me. The lines in the first movement are too plain and do not have the unerring, creative yet logical, sense of melodic and harmonic progression of Bach's other works, such as his accompanied violin sonatas. It sounds like a lesser composer.
The first movement is so hauntingly beautiful.
you're profil pic
it's downiright painful. it's the Truth.
The Andante is the main tune in Alcina's aria "Amorose ai rai del sole" in Vivaldi's ORLANDO FURIOSO.
@@davidmintz9897 Yes. When I'm conducting this, enter lactic acid.
@@MFuria-os7ln Not really. As you may have already heard, only a small a piece of Vivaldi's simplistic melody is alluded to in the main theme. This is a theme and variations masterpiece! Its brilliance lies in the complex but lucid treatment of its simple theme. Just like in the Goldberg variations, the Musical Offering, and the Art of the Fugue, Bach is able to create a whole world of interconnected and inspired musical ideas from any given thematic basis.
The first movement is amazing.
Bach is a small part of my childhood, my dad always played classical music in the living room. Listening this piece and in particular allegro will always make me feel like home :) tnx gerubach!
This music is really very beautiful!!! I like it very much!!!! Great sound of flute and harpsichord!!!BRAVO!!!
The first andante has the most beautiful and darkest melody I ever heard ...
Thanks so much for doing this, this is my favorite performance of this great piece, and many times I listened to it following the notes I bought specially for that. With your format it's another level of fun.
Un gran genio bach, el primer movimiento es tan hermoso
Un grand merci pour cette prodigieuse interprétation !!!!! Bravo !!!
Good morning.
Brilliant first movement: Bach is always all for music history::
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8.12.22.
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🕊️
Piece 12:30
9:38 that chord progression tho
Tact 42 ( 3:30 ) was a little bit tricky. Sixteenths together with sixteen-note triplets. Switch off your brain and it works. Most beautiful piece composition of Bach!
I’m actually learning this piece for my audition and I wanted to get a better feel for the tone and this, it helped a lot thank you!
I'm learning this on my clarinet. It's name is Clara.
My most favorite flute piece!
Gracias por compartir.
Howell Bach knew the different instruments , to be able to get the best out of each!!
Wow, very nice!
Thanks for uploading!
hermosa obra
Hermoso.
Geru subirás las demás Sonatas? Saludos, un suscriptor flautista ;D
Brilliant
Yes!
My favourite part is at 4:45, what a lovely moment of motoperpetuoso.
It is but it is so difficult to play.
@@ankavoskuilen1725 Really? I find that to be one of the easier "harder" parts of the sonata. I get my fingers in knots more often in the second half of Movement 3 personally.
@@shestewa6581I see what you mean. It has been a while since my reaction but I think I meant the whole sonata. But it is worth while practising. I am getting there. I play it in c minor on the recorder. What instrument do you play? Flute, traverso, or also recorder?
I've got a CD which has this on it, and they've arranged the flute part for violin.
Is it just me or the presto is somewhat like a fugue?
You are absolutely right. You didn't get confused with the added bass line in its exposition. It is quite typical for many baroque pieces (e.g. trio sonatas) that one or more movements are using fugue technique.
With Bach it's not at all unusual for things to be fugal that aren't called fugue. His compositional brain was wired for counterpoint and imitation -- his stupifyingly brilliant brain.
The Skooma Cat yes one can argue that the presto is a fugue.
Thank you for your great video editing of many of Bach's works! 🙏 I would just like to comment regarding the labelling. There isn't a 4th movement; the gigue is the second section of the third movement which recycles elements of the starting theme of the 3rd movement.
0:20~2:31
I have the feeling - my ear is not the best - but it sounds like a baroque wooden flute.
puffin51 Indeed. It's the Stephen Preston, Pinnock, Savall recording.
it's a recorder. the long tones are a giveaway because they don't do long tones or high notes as cleanly. but it is wooden. it would be played most likely by what the player had.
Album cover says baroque flute. I would say the long tone fragility (a quasi vibrato?) is quintessential Preston coloring that slightly resembles a recorder sound. Pictures on google show him playing on what looks like a Grenser or a Palanca model but this was released in 1997 so it may have been a different model.
soschadao this is definitely a traverso, not a recorder
DasDoeni lol, love the recorder, but it doesn't have this range and agility.
Upload the BWV1029, pleaaase ??
Whats up with the video quality? different shades of grey throughout the piece
Idk, I'm colour blind🗿
0:48
the pahud recordings are very good. and quite accurate. give them a try
13:19 theres a bad note
First movement: Whistling Boy
Who are the actual players in this trio ? Who is the flautist, for example ? The harpsichordist, for example ? I can't seem to find their names.
Traverso ??? 😱
1st movement fun to play along with, very chromatic; overall strange and nearly tuneless sonata though.
Wow, I've done a great job haven't I :D
7:54
I thought you would choose the Pahud version, but in this the Harpsichord is clearer indeed! Good choice. No disrespect to master Pinnock :D
Is that the version where he takes it blindingly fast? Or am I thinking of his Vivaldi la notte maybe...
How I can do meke this ani animation???
The first movement is a epic downfall. It just goes down down and down! Depth & even Deeper. I can imagine how Bach would’ve been upset at his wife if she had ever left him. 😮
awesome. please add yourself to Patreon for donations. lots of ppl have accounts there already. thxxxx
B minor is by excellence the pathetic tonality in JSB's work. Listen for instance to the "Erbarme dich" aria in the Mattheus Passion, or to the prelude and fugue for organ. Here, in a chamber music, the pathetic tone appears somehow veiled.
I really have grown to dislike modern classical musicians playing pre Romantic Era music. It always feels overdone.
This doesn't sound like Bach to me. The lines in the first movement are too plain and do not have the unerring, creative yet logical, sense of melodic and harmonic progression of Bach's other works, such as his accompanied violin sonatas.
It sounds like a lesser composer.
Very boring first movement. Dislike.
That's not gerubach's fault. Go complain to Bach if you have comments on your personal taste.
Study about Sonata Da Chiesa First before have a comment about this