Mastering Darkroom Dodging and Burning Techniques
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- Опубликовано: 16 июн 2024
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This is a follow-up video to "Darkroom Printing 101 - Step-by-Step Guide to Your First Print" . where we made the straight print.
Dodging & burning is must learn skill for darkroom printing. In this video I do basic dodging and burning to get a better looking print than the straight print from the last video.
Watch the first darkroom printing video Darkroom Printing 101 - Step-by-Step Guide to Your First Print here → • Darkroom Printing - St...
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Using your original test strip to decide on the amount to burn the sky is seems so obvious now you've said it, but it never occurred to me!
That is also why it can. E valuable to make a full sheet . It will give you more information
I have my first community darkroom appointment Friday. I've made prints before, but never dodged and burned, and I got a copy of The Print from the library but seeing it done helps put a visual to the words! Thank you!
Your welcome! Have fun and do experiment!
This is so great! Thank you so much for what you’ve been doing. The recent beginner tutorials have been a massive help, especially.
So great to hear, thanks for watching!
This is GOLD. Thank you. And I haven't printed in decades.
Well done, really.
Thank you, appreciate the feedback!
@@DistinctionPhotoLLC My pleasure. I hope you are inspiring a new crop!
Great tutorial. Now my wife will complain that I'm spending too much time in the darkroom 🤣
it's inevitable 🤣.... Print her a lovely picture!
Terrific video. I like how you use white card stock for burning so you can see the negative as you’re burning. I need to get some of that.
Hahahahahahaha!!!
Great explanation and example of dodging and burning techniques for beginners as well as experienced darkroom people! Always love your videos!
Thanks Steve, great to hear!!!
definitely one of the most helpful videos I've seen for this topic, thank you!
Great to hear!
Very helpful video! I was a bit intimidated with dodging and burning in the darkroom before watching this lol
I think we really only need to get over the fact that we will have to wreck a few prints learning and that it is part of the process. That frees you to jump in and experiment!
@@DistinctionPhotoLLC True. It’s especially liberating knowing only I’ll see my mistakes haha
Very helpful, thank you for posting.
Your welcome!
Thanks!
Thank you Steve!
Thank you Matthew. Great explanation!
Your welcome!
This is really helpful to see your process of dodging and burning. Looking forward to trying out some new techniques!
Cool Sarah, super jealous of that 8x10 set you have... looks really nice!!!
Get it good on film, make it better on paper.
Makes a lot of sense. 👍🏻
Yes!!!
Great video! I have a question though. When you're burning with the hole in the cardboard (aprox 12.30min), you're holding it a fair distance away from the paper (I would say about 15cm). On the projected image it looks like you're burning the right spots, but keeping in mind the print is 15cm under, and a light projected from the top, wouldn't that create a bigger burnt area than your desired one? Would it be better to place it as close to the paper as possible? Thanks!
It really depends on the print. But the further away the softer the edge of light so easier to blend, but yes bigger area overall. I usually try to start about half way between paper and enlarger with split grade using the softest filter. When burning the highlights with a soft filter you have a little leeway as it will not print hard blacks (or it will take a lot to) therefore you have more forgiveness. All that being said getting closer might work better for some things.
How do you go from rc to fb? Do you test exposure differences between paper when you start a box, or just redo test strips on fiber?
Thanks
If you want to test. The easiest way I have found is to test highlights. Every paper has a speed point / iso - I believe it is based off a midtone. I like to test for a highlight area (this is done with just filtration no neg. Find an exposure for just a slight density a bright texture highlight. Do this for each filter as there will be a slight deviation on the exposure. Do this with both RC and Fiber base and you will have a basis for translating from one to the other. You will need to adjust contrast (not always) and can run tests for that as well but it takes more time. Most papers are consistent enough that this will hold up. If things start getting off you can retest by lot numbers /batches but I use the same tests over and over as you will still need to make some adjustments but it will get you real close right off the bat. Hope that makes sense
@@DistinctionPhotoLLC Thank you very much for the explanation. Makes sense to me.
I perfer to use a black paper because it is easier to see a nega image on the balck paper.
Guess it depends on what you are doing. I have always found it hard to see the dark batches of film on black which is what I am often burning. But if black works it works 👍
Far out!
🤟🏼🤟🏼🤟🏼
I use cards with different size holes I just can’t tweak my hands like I see some of the old masters…
Ocasionally I use my hands but for basic stuff. I am with you on that!