To me, that c above the staff at 00:21 (btw a nice soft attack) being held for so long and then tumbling down to f, eventually resurfacing as f sharp and resolving into g, finding its way down to the b flat pitted against the c sharp and then trilling to a is the most sublime part of this piece, perhaps the most technically difficult in it as well.
Nice, both me and my friend play trum0et at university of illinois in springfield, and we play duets together. Yours are always really awesome, but you only have like 3 so we are running out of options. Hahaha
@@andrewsims5194 @Andrew Sims There's more on the way, I promise :) I already wrote them just have to record and publish. Stay tuned! Thanks for checking all this stuff out!
Hi Chris. Wonderful playing. You play slightly to the right. I have a teardrop lip, which causes all sorts of problems, so am adapting to that. Is a shift to the side a good way of dealing with that problem?
Interesting question--I know players that were fine with a tear drop lip, so I'm not sure if that in itself is intrinsically bad, but neither is playing to the side. I know an amazing player that plays completely to one side--this is extreme, but supports that idea that vertical centering isn't essential. Horizontal centering is much more important. I hope this non-answer helps!
Amazing 👏 beautiful ❤
Spectacular trumpet playing. What a great master trumpeter Chris is... WOW !!! 👏👏👏👏👏👏👏👏
Thanks!!
Beautiful Chris!
I ENJOY PLAYING THIS ON CLARINET THINK I'll get a horn player friend to do this duet lovely
Let me know if you want me to do any other instrument combinations of this!
Your phrase at at :20 just makes my heart sing. Thanks!
Thanks Ansel! :)
I like both these guy! :)
Thanks :)
On my best day, I would not have been able to do this. Bravo, gentlemen.
Lovely, lyrical playing. Thank you for sharing!
Stunning
Brilliant
To me, that c above the staff at 00:21 (btw a nice soft attack) being held for so long and then tumbling down to f, eventually resurfacing as f sharp and resolving into g, finding its way down to the b flat pitted against the c sharp and then trilling to a is the most sublime part of this piece, perhaps the most technically difficult in it as well.
its actually not bad at all its just really important
Minunata, salutari din Bucuresti.
Gorgeous :) That was a nice little sightreading exercise to play along with also, thank you for posting the score with it!
I can’t stop listening to this! It’s insane how full your sound is, it certainly would be a dream to play duets with you lol
Beautiful
wow.....!!
Awesome!!! Beautiful
Ammazza che suono!
that's so nice. Thank you.
You have a wonderful sound---bravo!
Bravo 👏
Sure would like to see back with the Canadian Brass.....
Wonderful!!
Great sound and performance.
Chris , the last video I saw from you, inspired me to get a method to practice the trumpet, thank you so much, you are wonderful
Wonderful!
This was so well done!
Beautiful playing!!!!!!
Muy bonita!
Very beautiful playing and a very nice arrangement!
Thanks!
Beautiful ❤️
Thanks!
More trumpet
duets please :)
Once I have time, I promise I will :) Thanks for your interest!
Nice, both me and my friend play trum0et at university of illinois in springfield, and we play duets together. Yours are always really awesome, but you only have like 3 so we are running out of options. Hahaha
@@andrewsims5194 @Andrew Sims There's more on the way, I promise :) I already wrote them just have to record and publish. Stay tuned! Thanks for checking all this stuff out!
I always try to replicate your sound....I’d like to study with you ❤
Thanks! You can always apply for Ithaca College - here a link: www.ithaca.edu/academics/school-music-theatre-and-dance/apply-mtd
sweet
Thanks!
Sweet!
well done🙂
Thanks!
Hi Chris. Wonderful playing. You play slightly to the right. I have a teardrop lip, which causes all sorts of problems, so am adapting to that. Is a shift to the side a good way of dealing with that problem?
Interesting question--I know players that were fine with a tear drop lip, so I'm not sure if that in itself is intrinsically bad, but neither is playing to the side. I know an amazing player that plays completely to one side--this is extreme, but supports that idea that vertical centering isn't essential. Horizontal centering is much more important. I hope this non-answer helps!
@@trumpeterchris Helpful, for sure. Thanks for taking the trouble to reply.
Very beautiful .which mouthpiece are you playing ??
Very nice! BY THE WAY, what mouthpiece are you using?
Linda melodia!
great man, hope you do more like this ,thanks.
Thanks! More the way :)
I hope to have a sound like you. so pretty. it sounds like a flugel
👋👋👋👌🎺
Many thanks for this. Any chance you can transpose just the melody part for single trumpet (I know there are 2 main instruments, oboe and clarinet).
Absolutely. I’ll put the link here once I’m done
Killer, dude
What mouthpiece you using.
hi what mouthpiece / trumpet do you use in this video
It's a Bach Artisan Bb amzn.to/3vNGIRV with a Canadian Brass mouthpiece canadianbrassstore.com/canadian-brass-collection-of-mouthpieces-trumpet/
@@trumpeterchris Was it the T1S Mouthpiece?
Here’s my newest duet, and it’s with Amy McCabe! ruclips.net/video/jzlLgbXtlUs/видео.htmlsi=p_NofAQLaA1jMrl9
didn't know adam sandler played the trumpet!
lol haven't gotten that since junior high
@@trumpeterchris the resemblance is uncanny
Air on the G string works million times better for this duet setting. You definitely need more voices to bring out the full sparkling of Mozart.
Couldn’t agree more! But Sometimes there’s only 2 of me