Thanks for putting these two pieces side-by-side - as they should be, in my opinion. It is a feast! Whatever our individual interpretations, it is always Bach who comes out on top!
Very nice! I'm definitely acustomed to hearing both together. I put together a synthesized version of this about 20 years ago, using a SID Station, Waldorf Q, and Waldorf Microwave XT. It was a lot of fun to do. I'll have to see if I can find the recording. I haven't listened in years. It was a bit raw, but the sounds of the three synths complemented each other well.
You should definitely try to find it. I programmed some Bach work in the 90s using a Yamaha Q10, and I am sad I don't know where those tapes are anymore....
Thank you! It's a bit undervalued when played in the organ, unless of course you're there in the church. But with synths you can do pretty much whatever you want :)
Another masterpiece, thank you. Your earlier video of the BWV 543 fugue, the one with the red dots on the cover, remains my favourite of all Bach visualisations. Glad you didn’t change the audio for this video. Bach would have loved your work. Organ builders maybe not so much :)
Thank you! And, well, organ builders of the time are the synth builders of our times, so there's always something to love :) PS: Also: impressive that you remember the cover of my other video :)
I just send a photo of the red dot one to friends to make sure they get the correct video. Between your work, Electro Classic Orchestra, and young organists such as Pyotr Novotny and Jan Lieberman, I predict a huge upswing in Bach appreciation by the young. School teachers across the world should be using your work. Thank you to all the above for sharing your talents.
Que belleza las fugas de Bach todas me fascinan Esta, la 543 es increíble. Es perfecta y el sintetizador le resalta todo el trabajo armónico que el órgano no puede mostrar ni el clavier tampoco. Un trabajo exquisito. Bravo👍👍👍❤️❤️❤️!!!
Firstly thank you, I'm happy this elicits an emotional response :) I don't want to sound discouraging, but it would be rather hard to play this in real time. The whole piece required north of 100 tracks, almost all the sounds you hear are layered (i.e. there are up to 8 sounds for each voice). But that said, here is what I suggest: assuming you have a DAW, download the Surge XT VST, and select the preset "Butter", from the "Leads" section. Start from there, it's not exactly what I use, but it's very similar. Good luck!!
@@OrzoMondo Oh I know that it would be hard to play conventionally, I am however in the making of programming a real-time "compositor" of sorts which renders midi on it's own and switches "registers"/voices after a pattern is being recognized etc :) 100 tracks is crazy, amazing work! Would you mind sharing the 8 voices layered to reproduce the main voice of the Prelude and the two starting voices of the Fugue? Thank you!
@@SinanAkkoyun Hi! I don't know how much you can use it, since I don't use presets and all synth programming is done by me, but I have saved a Reaper file for you. It contains the two initial voices of the prelude. I only used two synths: Surge XT and Viking - I hope it helps! Link below. 1drv.ms/u/c/d393f5780949a4f3/EUjo6t0fI61EvLa6vssb4HwB5foRD4M4pjVhbBugv5dUzA?e=Wu62BZ
Thanks for putting these two pieces side-by-side - as they should be, in my opinion. It is a feast! Whatever our individual interpretations, it is always Bach who comes out on top!
Thank you! And you're absolutely right!
This made me so happy I cried..
I am happy for you, music does this to us.
❤ and timbres and visual. Thanks!
Thank you!
Very nice! I'm definitely acustomed to hearing both together. I put together a synthesized version of this about 20 years ago, using a SID Station, Waldorf Q, and Waldorf Microwave XT. It was a lot of fun to do. I'll have to see if I can find the recording. I haven't listened in years. It was a bit raw, but the sounds of the three synths complemented each other well.
You should definitely try to find it. I programmed some Bach work in the 90s using a Yamaha Q10, and I am sad I don't know where those tapes are anymore....
@@OrzoMondo I'll try to find it when I get home from work tonight. If I can, I'll post it. :)
The note entrance at 0:29 is so encapsulating 🔥
Thank you! It's a bit undervalued when played in the organ, unless of course you're there in the church. But with synths you can do pretty much whatever you want :)
It sounded so good!
Another masterpiece, thank you. Your earlier video of the BWV 543 fugue, the one with the red dots on the cover, remains my favourite of all Bach visualisations. Glad you didn’t change the audio for this video. Bach would have loved your work. Organ builders maybe not so much :)
Thank you! And, well, organ builders of the time are the synth builders of our times, so there's always something to love :)
PS: Also: impressive that you remember the cover of my other video :)
I just send a photo of the red dot one to friends to make sure they get the correct video. Between your work, Electro Classic Orchestra, and young organists such as Pyotr Novotny and Jan Lieberman, I predict a huge upswing in Bach appreciation by the young. School teachers across the world should be using your work. Thank you to all the above for sharing your talents.
Il Magnifico Unico !!!
Thank you! :)
Que belleza las fugas de Bach todas me fascinan Esta, la 543 es increíble. Es perfecta y el sintetizador le resalta todo el trabajo armónico que el órgano no puede mostrar ni el clavier tampoco. Un trabajo exquisito. Bravo👍👍👍❤️❤️❤️!!!
¡Muchas gracias por tu comentario y por escuchar!
El primer tema bien podría ser el Preludio del Variograma ;)
Saludos y gracias por compartir Bach...
Thank you!!
@1:54 Jubilant little segments like this are what make me love Bach. So delightful! Do you enjoy the Toccatas BWV 912 & 913?
This is a great video!!!
Thank you!
J'aime beaucoup
Merci beaucoup!
❤
I wonder if this was inspiration for Light Asylum's Dark Allies?
Good question!
I could cry
Firstly thank you, I'm happy this elicits an emotional response :)
I don't want to sound discouraging, but it would be rather hard to play this in real time. The whole piece required north of 100 tracks, almost all the sounds you hear are layered (i.e. there are up to 8 sounds for each voice).
But that said, here is what I suggest: assuming you have a DAW, download the Surge XT VST, and select the preset "Butter", from the "Leads" section. Start from there, it's not exactly what I use, but it's very similar. Good luck!!
@@OrzoMondo Oh I know that it would be hard to play conventionally, I am however in the making of programming a real-time "compositor" of sorts which renders midi on it's own and switches "registers"/voices after a pattern is being recognized etc :)
100 tracks is crazy, amazing work! Would you mind sharing the 8 voices layered to reproduce the main voice of the Prelude and the two starting voices of the Fugue?
Thank you!
@@SinanAkkoyun Hi! I don't know how much you can use it, since I don't use presets and all synth programming is done by me, but I have saved a Reaper file for you. It contains the two initial voices of the prelude. I only used two synths: Surge XT and Viking - I hope it helps! Link below.
1drv.ms/u/c/d393f5780949a4f3/EUjo6t0fI61EvLa6vssb4HwB5foRD4M4pjVhbBugv5dUzA?e=Wu62BZ