I've been waiting since 99 to see the s/t recording sessions from Indigo Ranch. They exist on tape according to Joey. Also the Iowa sessions clearly exist. They need to release this shit.
It will eventually leak just the self titled albums rough mixes did. Hearing the loop/effect Sid did here for Disasterpiece worked really well sad they didn't use it for the final version.
Jesus.....Corey was absolutely savage around this time. It's no wonder he had to change his scream, he is murdering his vocal chords in these demos. The final mix was actually tamer
Sid was doing his thing. It sounded so natural that when he stopped doing it, it sounded as if the song skipped a point of completion due to how natural his portion makes the song sound.
Okay I see a lot of people in here taking about how they couldn't see or hear anything. So in this song Sid does this beat juggle with two synth notes that are on two different vinyls, you can hear it distinctly throughout the song during bridges, the intro and right before verses. That section in the video is him juggling been the higher pitched and lower pitched one before using either his tempo slider or digitech whammy to pitch up the sample into a riser. It's pretty cool and because of this video I've learnt how to properly scratch the song. I've done a demo on my channel if you're still kinds confused about what exactly is going on here.
Incredible he can toggle between two records and manage to synchronise the sound without fail. Still love the very first album! Hyper-Compression has been around since the 1940s, though never prevailed particularly on studio albums until the mid-90s. Since then from the 90s, the 00s, 10s and even today the process is finally beginning to wane down. For example Green Day's American Idiot was slightly remastered to where it can have negative space for dynamics and better loudness without distortion or hearing damage. I grew up with the first two to three albums and felt so sorry for all genres that suffered the Hyper-Compressed Master or Re-Masters. Dynamic Range is the quintessential additiveness to Music. It is what makes a song, live show or even a Mastered studio album with Subtle Compression, speak and breathe billions of miles to travel to everyone's ears and hearts.
I got fucking nailed by a magpie riding my bike into town to buy the cd of Iowa the morning it came out. Didn’t see it coming at all and hit me right in the back of the ear. Walked into the shop (as they opened) with blood running down my neck they’re like “mate we haven’t unpacked any deliveries yet, we don’t know which box they’re in” and as usual I was “I’ll wait”… getting home and cranking it knowing I was among the first people in Australia hearing it! What a time to be alive that era was.
If you pay attention, the whole section is there in the album version and in live versions is even more clear. Sid does a lot of layering stuff that people don't even notice, but if you take that away, it would not sound like Slipknot. Turntables (mostly scratching but beatjuggling too like here, samples and percussions are basic for the Slipknot signature sound. People that wanna remove that, theyre trying to make them a generic metal band or what?..
One of my favorite things form the last two albums is the leash being taken off Sid and Craig youncsn hear more from them. I prefer this version of Disasterpiece with Sids sample and scratching .
It is, but sounds very low in the mix. In some live versions sounds louder, but it is there. The thing is, why is most albums some members sounds low volume. In All Hope Is Gone, paying attention, Sid does A LOT but then in the mix, gets buried. Finally in the last album is high again like in the first album, where all the instruments were clear and, in my opinion, very well balanced, which is not easy. Also in Vol.3 Sid is all over the place, but once again buried in the mix. As a turntablist dj I could hear a lot of that, but paying HARD attention😂😂😂
He was playing the 2 note synth section, that high pitched one in the bridge and then the two note one when he was switching decks with the crossfader.
He's got two copies of the same record on either turntable, one is pitched up to spin slightly faster and play a higher note, the other is lower and he's using the crossfader to quickly switch back and forth between the two to the beat. He has to spin each record back every so often, while its muted and the other is playing, to stay at that part of the song that he's sampling.
@@-Bishop- I mean baaarely and I was trying hard to hear it . I record my own music and understand how to eq the different tracks . I guess they got him real low db. I would like to hear the isolated tracks . Since there’s 9+ tracks
![[ GUILTY GEAR STRIVE: DUAL RULERS ] Teaser Trailer](http://i.ytimg.com/vi/e4TDqaE3XAg/mqdefault.jpg)
I would pay a LOT of money for extensive behind-the-scenes video of the recording of both Iowa and the self-titled album before it
What like $5? Lol.
Dude fuckin same here, an ungodly amount lol
id be forever in debt to see footage of that
I've been waiting since 99 to see the s/t recording sessions from Indigo Ranch. They exist on tape according to Joey. Also the Iowa sessions clearly exist. They need to release this shit.
@@iamtheblackwizard88 Clown probably has it all Lmao
God damn I want to hear these rough mixes or demos, this is a whole different recording than the one we got
Right I’m trying to talk my band into releasing everything but still promoting the”hits”
It will eventually leak just the self titled albums rough mixes did. Hearing the loop/effect Sid did here for Disasterpiece worked really well sad they didn't use it for the final version.
No it isn't. Sounds just the same.
@@sxejam518 let's hope
@@sic6664 no way his screaming is way more raw here than in the released version its fucking sick
They need to release this as a documentary dvd.
true, with more studio footage
@@ruthless_villian0 i agree
Genuinley hurt and suprised they didn't for the 20th anniversary of Iowa :(
@@barkionbeast9663 that would have damn cool
Have you seen sound city doc?the Cory realest from the album is amazing
Jesus.....Corey was absolutely savage around this time. It's no wonder he had to change his scream, he is murdering his vocal chords in these demos. The final mix was actually tamer
Drinking 3 bottles of Jack and cutting yourself with broken glass will do that to you
@@Soprano_661 reading shit like this shouldn't make me laugh but it does 🤣
@@jeffreyjacques8668 it’s funny because it’s true hahaha
Iowa is the most brutal album they made, and it still is
@@GOR3GR4Z3R hands fucking down, the best metal album
Sid was doing his thing. It sounded so natural that when he stopped doing it, it sounded as if the song skipped a point of completion due to how natural his portion makes the song sound.
damn his vocals sound incredible here
He also ruined his vocals around this time too, and also on Vol 3
@@the_minimalistic_adventure well that’s why they sound so brutal, there will never be an album like slipknot (self titled) or iowa ever again
@@fckSashka100 per fucking cent
This vocal take was kinda better than the final one tbh
Agreed
there's a desperation to this fr, final seems a lot more controlled
@@onlyfriendyeah That was perfectly said
no
agreed
That fucking "in CASE" way better than the final :0
Fr and that voice crack on the second last "im not supposed to be here" actually sounded just good
System of a down has a ton of these that I almost prefer over the finals, love this shit, such a sick time period for music.
War? Is a great example
Okay I see a lot of people in here taking about how they couldn't see or hear anything.
So in this song Sid does this beat juggle with two synth notes that are on two different vinyls, you can hear it distinctly throughout the song during bridges, the intro and right before verses.
That section in the video is him juggling been the higher pitched and lower pitched one before using either his tempo slider or digitech whammy to pitch up the sample into a riser.
It's pretty cool and because of this video I've learnt how to properly scratch the song. I've done a demo on my channel if you're still kinds confused about what exactly is going on here.
I wish his scratching was higher in the mix.
i love the little dance he does at the end!!
I always wanted to hear demos from Iowa era. This is pure Gold!!
They absolutely killed it on those first two albums
Before the mastering, holy shit sounded good af!
Incredible he can toggle between two records and manage to synchronise the sound without fail. Still love the very first album!
Hyper-Compression has been around since the 1940s, though never prevailed particularly on studio albums until the mid-90s. Since then from the 90s, the 00s, 10s and even today the process is finally beginning to wane down.
For example Green Day's American Idiot was slightly remastered to where it can have negative space for dynamics and better loudness without distortion or hearing damage.
I grew up with the first two to three albums and felt so sorry for all genres that suffered the Hyper-Compressed Master or Re-Masters.
Dynamic Range is the quintessential additiveness to Music. It is what makes a song, live show or even a Mastered studio album with Subtle Compression, speak and breathe billions of miles to travel to everyone's ears and hearts.
@@ArtisticAutisticandAiling Slipknot without loudness war over-compression would be a thing of beauty to listen to.
always wanted to hear the guide vocal tracks for anything off of iowa. wild.
The drums.. the fucking drums.. Forever and always #1
R.I.P Paul Gray and Joey
We need more demos of songs. I dont care what song it is.
I always loved this part of the song
Holy shit actual recording of them making a song from Iowa. This is like a wet dream to me.
I still don't understand by any means how everything that Sid does works, but i love it
He does a lot of stuff that people don't even notice, he such a beast of the turntablism science
Joeys drumming was unheard of back then…unreal, Sid was such an excellent touch to the band as well. Grateful for this footage!🤘
I got fucking nailed by a magpie riding my bike into town to buy the cd of Iowa the morning it came out. Didn’t see it coming at all and hit me right in the back of the ear. Walked into the shop (as they opened) with blood running down my neck they’re like “mate we haven’t unpacked any deliveries yet, we don’t know which box they’re in” and as usual I was “I’ll wait”… getting home and cranking it knowing I was among the first people in Australia hearing it! What a time to be alive that era was.
Dj starscream doing his thing !!
And we thought Iowa was the heaviest shit ever. This demo goes even beyond that.
Would’ve loved to see a full video footage of Joey recordings the drums for that song.
That drums😮
From the thumbnail I thought he was doing the washing up over a sink
Wasn't sure it was actually heavier like everyone was saying so I checked and it is and now I need this DEMO NOW plsthxbye
You can still hear a faint semblance of coreys self titled vocals in this
We need that last frame to be a video
It is! ruclips.net/video/0XnhspYttlM/видео.html
This is SO rare
Woah if that date is accurate it was my 11th birthday that same day 🤣
Corey sounds almost like on IOWA
If you pay attention, the whole section is there in the album version and in live versions is even more clear. Sid does a lot of layering stuff that people don't even notice, but if you take that away, it would not sound like Slipknot. Turntables (mostly scratching but beatjuggling too like here, samples and percussions are basic for the Slipknot signature sound. People that wanna remove that, theyre trying to make them a generic metal band or what?..
you can definitely hear it on the vocal in Gently
Wow.
That fucking drums man
the thumbnail looks like a person cleaning the dishes lol
What a great footage i hope there's a documentary for this what a great opportunity for that right?.
That was a nice scream, holy crap
To spend one day at the mixing board, with the masters, to isolate the drums!🤘
This answers my questions of whether or not they record with masks on
Why would they record with masks on lol?
Fucken badass
Thumbnail looks like he in the kitchen washing dishes! 😂
One of my favorite things form the last two albums is the leash being taken off Sid and Craig youncsn hear more from them. I prefer this version of Disasterpiece with Sids sample and scratching .
It is, but sounds very low in the mix. In some live versions sounds louder, but it is there. The thing is, why is most albums some members sounds low volume. In All Hope Is Gone, paying attention, Sid does A LOT but then in the mix, gets buried. Finally in the last album is high again like in the first album, where all the instruments were clear and, in my opinion, very well balanced, which is not easy. Also in Vol.3 Sid is all over the place, but once again buried in the mix. As a turntablist dj I could hear a lot of that, but paying HARD attention😂😂😂
Heavy as fuck 🤘
fucking beast Joey
af*ckingmazing.
Those drums sound like a fucking machine gun, dat bass.
NGL I thought he was doing the dishes
Why is in the studio stuff during iowa SOOO hard to find?!?! Even though you know shawn filmed every second of it!!
I wish he some day opens his vault
And all this time I thought it was craig playing his keyboard
How is that beanie hanging on
DJ Swamp - Waxcraft
Fuck yes. Thank you cuzzy
I always thought that was Craig 🤯
sid and craig practically share the work
Why did they re record the vocals
From looking at the thumbnail, i thought he was washing dishes
It's a pity that the turntable and electronic elements were so buried in the final mix, it would have been nice if they were a bit more prominent.
How did you obtain this
Slipknot
Analog !!!!!
I heard nothing from sid
He was playing the 2 note synth section, that high pitched one in the bridge and then the two note one when he was switching decks with the crossfader.
I think soda is hilarious.
What records is he using?
Waxcraft by dj swamp
I like Sid but he' barely in time lol
bro wearing a sock on his head
I have no idea what he's doing.
He's best juggling a two note synth.
He's got two copies of the same record on either turntable, one is pitched up to spin slightly faster and play a higher note, the other is lower and he's using the crossfader to quickly switch back and forth between the two to the beat. He has to spin each record back every so often, while its muted and the other is playing, to stay at that part of the song that he's sampling.
Also the audios not synced up in this video so there's a slight delay between the sound and what he's doing.
Alguien sabe cual es el sample que usa?
Es de "dj swamp"
@@modifidious pero que canción? Me ayudarías mucho bro, tengo el tributo esta semana y me hace falta ese sample
@@yoramnoelkumulnunez3860 se llama "waxcraft" e es de dj swamp
@@modifidious hermano, no me sale por ningún lado
@@yoramnoelkumulnunez3860 dj swamp la vende en su pajina, tambien esta in ebay.
I cant hear anything hes doing?
Recording what exactly ? silent scratches?
I feel that's an extra 1/10th income the band missed out on.
The beeping, whistle noise
@@joeyscotch2765 Brilliant.
Metalcore
Not even close.
He's not doing anything?
Looks like he's doing next to nothing
Beat juggling a two note synth.
It's pretty neat when you hear it isolated.
I didn’t hear nothing ? We need the isolated track or I say. He’s not actually playing anything. He’s more like a gimmick
You cant hear the squeals?
@@-Bishop- I mean baaarely and I was trying hard to hear it . I record my own music and understand how to eq the different tracks . I guess they got him real low db. I would like to hear the isolated tracks . Since there’s 9+ tracks
He’s not doing anything it’s just a big trick but unfortunately looks like you’ve busted them
Yeah I don't know where this song would have ever went if it wasn't for that record scratching
I've always thought his job is pointless, waste of a damn paycheck.
About 3 dudes in this band are totally unnecessary
Wrong
Sid is honestly pointless in that band.
What is he even doing? The squeals?
@@CFChristian yep…
@@johnsmith5022 Mesmerizing.
Slipknot wouldn't sound the same without him.