Kanjira Lesson (Ta Din Gi Na Tom Variations) - Ken Shorley

[@MrOtisotis]

i really love how you always give credit to your guru. i feel its very respectful to give that

[@kenshorley]

Thanks for your comment. I'm indebted to Sankaran-sir for so much. He really has opened up my perception of rhythm and time.

[@daveking-sandbox9263]

Very clear explanation Ken! My guru and Bangalore was Mr. T.A.S Mani. RIP. I often toured with him here in Europe as well. B.C. Manjunath is also a good friend, player and teacher.

[@kenshorley]

Thank you so much for the kind words! Cheers from Canada!

[@WildWoodlandsSW]

I play middle eastern percussion,and have recently discovered the Kanjira,which is a fascinating instrument. This is a great tutorial,and i have written all the notations down,so i can work on them. Thanks for all your percussion videos.

[@kenshorley]

Many thanks for the kind words!

[@nadopasana5542]

Excellent teaching with different varieties. I too mridangam player from Hyderabad

[@philsmythnoises3111]

Hi there Ken, I really have enjoyed playing along with the mora variations that you presented here, in such a clear and relaxed manner. Thank you!

[@kenshorley]

Glad you enjoyed it!

[@ramgopalb.r9984]

Namaste sir. very good sir.

[@dtdt-gy8ob]

终于等来了最新一期的kanjira教学，very thanks，sir🙏🙏🙏👍👍👍

[@kenshorley]

Thank you for watching!

[@M19176]

Great sir...🙏

[@kenshorley]

Thank you!

[@sunduraj2410]

Very Useful MR. Ken.... It will be useful for me.... As u said It for Mridangam.... Love from India.

[@debabratadas3724]

Fantastic sir... I try to learn it

[@Sunil_Nair]

🙏🙏🙏 Thank you so much for sharing

[@kenshorley]

Thanks for listening!

[@dougsours1]

This is very helpful stuff. I've been using some of these ideas on the bendir drum, while sometimes playing "Ta" on the rim or as a snap.

[@kenshorley]

Thanks! Glad you found the video useful!

[@brigitteotto9546]

Thanks a lot, again very clear and structured!

[@kenshorley]

Glad it was helpful! Thanks, Brigitte.

[@sjahin]

Again super nice and very well done Ken, thanks a lot Guru ci :)

[@kenshorley]

Thanks!

[@raghuprakhya3258]

Thanks!

[@kenshorley]

Thank you!

[@michaelk.relaxationmusic6850]

Fantastic, thank you 🙏

[@kenshorley]

Thanks Michael!

[@Saro2829]

Amazing explanation bro.. Im from South India Tamilnadu

[@kenshorley]

Thanks so much!

[@rajeshuthram.thankappan6958]

Vary Good

[@debabratadas3724]

Good

[@raghav1976007]

Salutations to our master...

[@kenshorley]

🙏🏾

[@biplabmondal5651]

Sir🙏, nice class, please help me learn this kanjira,,, I am Indian, from India, god bless all you,,,

[@kenshorley]

Thank you for the kind words!

[@my-spinning-wheel]

These lessons are excellent. Can you provide a definition of mohra? I hear this term used often and kind of understand what it is (short looped phrase) but don't understand the actual definition. Thank you!

[@kenshorley]

Hi. A simple definition is that a mora is the repetition of a phrase three times which ends on an important beat within a rhythmic cycle - often (but not always) on the first beat of the cycle. Thanks for watching!

[@my-spinning-wheel]

@@kenshorley thank you!

[@debabratadas3724]

I am from Bengal... but I try to understand♥️

[@nadopasana5542]

Also present different tala

[@RogerThunderhandsGilbert]

Did I hear you correct, you were getting a more bass tone by using water somehow? I'm all ears,,tell me more!

[@kenshorley]

Yes! The traditional kanjira is made from lizard skin which absorbs water in order to deepen in pitch.

[@RogerThunderhandsGilbert]

@@kenshorley Will that work on goat skin heads? damp cloth maybe?

[@puttappasuresh4840]

Pls share notes ....

[@Saro2829]

❤❤