Another enlightening video Trevor. These have all been a fascinating eye opener into something that was very invisible to me as just a consumer of TV and films
Again a very helpful video ! Thanks for spending your time explaining this stuff. But there popped up a little question. Of course the music editor is a very important person when the movie is not finally cutted or edited yet. But what if the composer writes music to a fully and finally edited movie? I mean then, after the score was mixed, the stems could be directly delivered to the dub for the final mix. Or did I miss something here?
music editing is actually not that much about editing. He/She is the composers best friend, a liaison to the director and picture editor, and of course at the dub stage to represent the score and make last minute adjustments with finesse
My main questions are: 1. What stems are needed? (or at least "Common") for example Would a "Guitars" Stem suffice? or should I split them into "Rhythm" & "Lead" Stems? and 2. Should the reverbs and delays be rendered into the stems? or should there be separate "All Effects" Stem? Thank you for these videos by the way, I have been interested in this for a while and have yet to find any useful information. -Shane
Great video again! I was wondering: Do you as a composer always deliver your stems directly to the music editor? Or does the music first goes through the scoring mixer? Or even the other way around?
Thank you for doing this series, so much great content !
Print click. Makes total sense and the more documentation the better within stem naming. Excellent thank you guys!
Awesome video! Thanks Trevor and Tommy 🎶
Thanks Trevor and Tommy this is awesome!
WOW!!!
Another excellent video, Trevor, many thanks to you and Tommy for this one, looking forward to the next one!
thanks
Thanks Trevor for providing these mini masterclass. Great stuff and awesome guests as usual.
thanks please share
Trevor and Tommy, Thanks so much!!! Valuable info!
thanks !
Sure thing brother! I've made some tweaks to my stemming configuration in Nuendo after viewing this.
@@KerwinYoungComposer I'm doing a video on my bussing system, pretty cool if I do say
@@TrevorMorrisComposer Maaan.....I'm so looking forward to that Trevor! The amount of time we all put into our templates....
SO MUCH VALUE! Thanks for doing this series Trevor!
youre welcome please share
Another enlightening video Trevor. These have all been a fascinating eye opener into something that was very invisible to me as just a consumer of TV and films
Thanks, thanks, thanks!
Again a very helpful video ! Thanks for spending your time explaining this stuff. But there popped up a little question. Of course the music editor is a very important person when the movie is not finally cutted or edited yet. But what if the composer writes music to a fully and finally edited movie? I mean then, after the score was mixed, the stems could be directly delivered to the dub for the final mix. Or did I miss something here?
music editing is actually not that much about editing. He/She is the composers best friend, a liaison to the director and picture editor, and of course at the dub stage to represent the score and make last minute adjustments with finesse
@@TrevorMorrisComposer Ah got it! Thanks for your answer ;)
Interesting content yet again! 👍
Thanks please share !
@@TrevorMorrisComposer Will do!
My main questions are:
1. What stems are needed? (or at least "Common") for example Would a "Guitars" Stem suffice? or should I split them into "Rhythm" & "Lead" Stems?
and
2. Should the reverbs and delays be rendered into the stems? or should there be separate "All Effects" Stem?
Thank you for these videos by the way, I have been interested in this for a while and have yet to find any useful information.
-Shane
excellent question, I'm going to explain mine and how I got there in my upcoming video.
Trevor Morris Awesome, Thank you.
Great video again! I was wondering: Do you as a composer always deliver your stems directly to the music editor? Or does the music first goes through the scoring mixer? Or even the other way around?
if there is a scoring mixer it goes there then music editor. For TV normally straight to music editor.
@@TrevorMorrisComposer Thank you so much for the info! Also looking forward to hear about your part and point of view on this subject!