PARK Jaehong | S. Rachmaninov - Concerto No. 3 in D Minor, Op. 30
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- Опубликовано: 12 сен 2024
- Pianist performs Composer - Composition at the Arthur Rubinstein Piano Master Competition (May, 2017, Tel Aviv).
The Arthur Rubinstein International Piano Master Competition is an international piano competition specializing in the classical music championed by Arthur Rubinstein. The competition has being held every three years in Tel Aviv, Israel since 1974. Subscribe for more classical piano music videos:
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![[#공연실황Pick] S. Rachmaninoff - Piano Concerto No. 2 in c minor / 손민수의 라흐마니노프 피아노 협주곡 제2번 c단조](http://i.ytimg.com/vi/JIVKCET4hIM/mqdefault.jpg)
올해 부조니 콩쿨에서 1등을 헀다고 해서 찾아보다가 듣게 됐네요.
제가 감히 상상하지 못할 예술가의 감수성뿐만 아니라 오케스트라와 혼연일체가 되어 연주하는 모습에 감동이 밀려옵니다. 멋지네요.
진짜 너무 잘친다
이 연주 음반으로 제작되면 좋을텐데
박재홍씨가 예전 인터뷰에서
스승이신 김대진 교수님은 어떤곡을 잘치게
가르치는 분이아니라
그냥 피아노를 잘 치는 사람으로 만드는 분이라고 했는데 정말 그말이 맞나봐요
두분의 노력이 빛이 나는거 같아요
진짜 개잘친다 수많은 라흐3을 들어봤지만 나이에 비해 거의 탑급인데 이 대회에서 1등 못한건 문제 있는듯 참가자들 콘체르토 다 들어봤는데 이 친구 수준이 더 높았음
몇몇 부분은 역대급 라흐3 연주들보다도 좋은 것 같은데, 한편으론 너무 평범하거나 별로다 싶은 부분도 있네요. 그리고너무 많이 틀려서.... 뭐 암튼 음악적으론 이런 한국인 연주자가 있다니 놀랐습니다. 개인적으론 조성진 라흐3보다 낫네요.
루빈스타인콩쿨 악명높죠... 동양인들의 무덤 ㅋㅋㅋㅋㅋㅋㅋ
텔아비브에서의 루빈스타인 마스터,
한국의 멋진 피아니스트의
라흐마니노프 3번ᆢ
정말 감사하고 자랑스럽습니다.
앞으로도 늘 기대할게요!
There were many fine, skilled, talented pianists in this competition - as is expected in a contest of this level of prestige - + there was one genuine discovery - Jaehong Park! His performances from the earlier stages of the competition caught my attention with their very rare quality of musical coherence and fantastic, always masterfully listened and executed tone - beside the pianist's total lack of effort with the technical aspect of playing. This is a pianist whom I will definitely seek to listen to in the future.
What a vehement performance this is. I certainly believe he should have won this competition.
So agree, what place did he get?
감동적입니다. 세계적인 피아니스트가 되시길 응원하고 있습니다!
Just a beautiful and all round brilliant performance 😊👍
he is just 17 years, OMG
부소니콩쿠르에서 1등수상했다는 소식듣고
찾아왔어요 촉하드립니다~
아...신이시여....^^
뭔가 묵직한게 올라옵니다.
쌓았다 터지고 쌓았다 터지는 분수같은 물줄기가 다 보이고 다 들립니다.
고맙습니다
He won the Busoni competition with this piano concerto at the age of 22 but began to play this at the age of 17? OMG! He began learning piano at the age of 9 quite later than other Piano genius. This is amazing. Unbelievable. Kudos to him! He is a genius!
The Italian pianist Giovanni Bellucci started the piano at the age of 14 and went on to have a big career. That is a much greater achievement than Park. The Greek pianist Dimitris Sgouros performed the Rachmaninoff 3rd Concerto at Carnegie Hall when he was only 12. He recorded it for a major label (EMI) at the age of 15. Read about him. Again, much greater achievements than Park.
Great young pianist!!!i am so sure that he has great future!!!!
Very high level ‼︎ I'm deeply impressed.
With what are you impressed?
Excellent techniques,mainly.
소오름이 돋는 연주! Wow
박재홍 피아니스님도 실력이 어마무시 하네요
이게 17세때라니…박수!!
진짜 너무 멋있다
Genius !!
음반으로도 듣고싶다
Bravo!!! Really, really BRAVO!!! From your italian tuner
He is a wonderful talented and very capable pianist. Close your eyes or put head phone on, just enjoy listenniing to Rachmaninoff at its best, or walk around, don't need to be distracted by his appearance. He' ll out grow his outward appearance, and learn to close his mouth, but his performance ability will get stronger as he aged beyond 17. I don't think there are too many young people, who can play like this. Stop judging the outer appearance.... that so petty and ridiculous!!!
와 소름...대단해요!!!!!! 너무 자랑스럽습니다...
이곡으로 다수의영상들이 있지만 이 클립이 저의 최애♡
와....
I love how she smiles (40:45)
이분 왜 네이버에 쳐도 안나와요? ㅠㅠㅠ선거라서 그런가 정치인만 나와
He is really good as seventeen, but we must wait a few years to see the master imo.
29:04 OMG....
37:34 made me chuckle. Loved the performance tho
Too much mic on the brass/winds -- piano gets drowned out sometimes. But powerful playing by the pianist anyway.
경이롭다 ~~
3악장 27:07
👏👏👏
11:05 cadenza
Ivan Daterrible Is this ossia cadenza?
Bravo
대단하다 너무 잘한다
잘 듣고 갑니다.
기분좋다 ! 멋지다 ! 우리젊은이들 훌륭한다 ! 자랑스럽다 !
Amazing technique not enough to win competition because everyone has it. Musicality, timing and feeling/soul that many new pianist lack nowadays.
I got no thrill listen to him with eyes close, let alone watching his expression that is not related to the melody his playing.
Anyway, he's up there already and pretty sure will have lot of time for that.
@@liisaimmonen9765"Presumptuous"...?
I don't think you've seen many amazing skill Pianist under 16 yet 😅
We have alot like him in US, especially in China you can find anyone as skill as he is.
3rd place is still good though, that's what he deserves. I don't see him come to 1st because he is not there yet. His body language, expression did not exactly corelate to the melodies. Lang lang does like that, BUT everything "corelate" and align with the melody and the orchestra. He seems almost playing for himself. Artist are slave to Music and audience, because that's what we do. We serve and move people through music. I don't feel moved at all. He is up there already, he just need all the things that I described on the previous post to win the whole thing that's all.
@@liisaimmonen9765 Don't bother to feel sorry for me 😉.
I'll give you a little piece of suggestions what it's called music that is born with it.
"Anna Federova"
That's what it's called music.
If you don't move by her performance, then I feel sorry for you too. She is one of a kind that is so lyrical, glue with the orchestra, every expression is connected. She also lead the orchestra and bring the audience to the climax like Rachmaninoff himself.
All the point that I mentioned before actually easy to develop and taught by a teacher who willing to share. For top skill like him, he only need a day and he can win the whole thing because he already got the technique - that's all.
I did not mention his mouth though, am sorry if you though so. I like Lang lang expression because there is correlation to his music flowing through the melodies and the rest of orchestra.
As a conductor choir and piano teacher who won many competition in my old days, I really understand about music. I remember lost for the first 5 times of my career, but when I got a chance to meet a right teacher who "WILLING" to share his secret about what it's called "MUSIC", everything changed.
Since then my choir won multiple time against many amazing choir with the best conductor. We always got standing ovation because we move people and the jurry. Nothing more than excited to make audience happy. If we play by ourselves and disconnected with audience, even 1 year old baby can cry. Anyone in the world - I mean it, from age 1 to 99 can understand good music by heart, but they can not explain it. If someone can move all of them, that's music. There's a secret to that and only a few "WILLING" to share it because it is high valuable asset.
@@liisaimmonen9765 you misunderstood his point. Jaehong skill already at peak. He just need one master class to win the whole thing. Personal taste nothing to do with music because it can be understood by everyone in the world.
I still remember watching Arthur rubenstein on RUclips criticize Vladimir Horowitz about his lack of musicality. I was shock hearing that because Vladimir is God. After watching many performances from top Pianist, I finally understand that.
@@liisaimmonen9765 There is nothing off about technique not enough to win competition. Yundi Li for example, his hands technique is something else that I don't really like at all. But he was the winner at prestige competition because he really touch audience heart. Yundi can touch people soul through his finger with full velocity from soft to forte. Music is not about taste anymore if the performer put everything in it. 80% Audience also don't understand wrong notes, but clarity melody and chord has to deliver with fluid. For some reason, there are some mess (perfect notes) in Park Jaehong performance that I could not hear because he did not playing the pedal in timely manner. If he know this, the sound would be cleaner and herd clearly. Something minor like this can make big difference in competition. He did good at Ossia cadenza but only 92%. There are many aspect that need to polish just a little bit for him to be number 1 that sometime we can not accepted. He is amazing Pianist, 💯% has perfect technique and that is true about alot of Pianist has that nowadays. Please see the documentary about music school in US that full of Chinese Pianist that already advance since 9 years old.
The sense of music and soul in playing to communicate with audience is getting less nowadays. Happy easter to you as well. 🙏
@@liisaimmonen9765 My theory is nothing compare to public opinion. Personal taste is the same like genres in music from Classic, Rock, Jazz and Pop. However, after reading Andy's opinion as a conductor talking about Music that can be understand as universal language, that leaves me the idea about opening my view to music in general rather than to my opinion. There's a reason why there are minimum 3 jury as judge in competition, odd numbers. If there is a tie, then the the Jury will see how reaction of the audience because they are the actual Judge. I don't like Rock music, but there are some song that touch my heart as exception. I used to hate Opera, but since I saw Pavarotti perform Nessun Dorma and Carmen sang Habanera, the whole perception suddenly change. Recently I was struck by listening Montserrat Caballé sing so beautiful with amazing technique and soul like no other. She is the only person that I know can sing mezzosopiano and hold it for 18 second.
It takes time to understand music in general rather than personal taste. The key is to understand what you like first from particular song, why and ask many questions about it.
Is that person use full dynamic correctly, timing and many more. But the whole concept of technique will be pointless if they don't perform it without passion, feeling and soul.
Adding face expression is another story if it's good to see then it's a bonus. Jimmy Hendrix facial expression is lovely to see just for example. Most Chinese expression is something else, because they tend to move alot after watching their peers in class and recital, so they mimic that to look expressive. I saw Yundi have tears playing a number. Something like that is hard to fake for sure.
Anyway, each Pianist also have their own style, otherwise they give up their own personality by mimicking others ~ Bill Evans.
Your playing seems Krystian Zimermann is playing.
He’s so cute when he smiles tho
39:08
연주 넘 감탄하면서 듣고 있는데 자꾸 중간 광고가 뜨네요 ㅜㅜ
So many young Chinese pianist have this top skill level just like him, but I don’t get the vibe yet. Face expressions need to adjust a little bit to make more enjoyable to see if that really his strength.
He play beautifully though 😅
@@itsthetruth1780 Just like every pianist in the competition.
True, but almost every top pianist like Daniil Trifonov except old classical musicians has the same issue you came up with. I think they are doing it to concentrate on their performances better or to enjoy freedom not really caring what other people think about it. I saw way grosser expressions from other classical musicians.
i just want him to close his mouth
shut your mouth up
Changhun Cho 감사합니다
12:44
@@verslaflamme666 hahaha
He doesn't want to and his mouth, either.
Une seule goutte de pluie frappant une feuille sèche
ㅈㅅ아리랑 팬들이 많이 왔네..
Lang lang's school of terrible faces! I just can't stand it!! Why oriental pianists perform like this???
Because we don't use our facial muscle very much. We know each other by inner feelings. 이심전심. Haha!
Asian pianists, not orientals.
I think he’s a bit possessed here; he’s not aware of his face.
27:07
38:01