Thank you for watching! If you guys want to see a Part 2 to go over the software side of our IEM mixes and how we set up our tracks, let me know in the comments below! Links to all the gear are listed in the description
Yes! Would love more videos on those cable management specially on those iem adapter power cable management. There are not many videos on cable management for IEM Rigs.
Would love to see a BTS video showing you going through the process of hooking up this rig at a show from connecting the band to the split and plugging into FOH and your rigs. Part 2 about the software would also be awesome! Keep up the great content!!
I'm going to start performing some time either later this year or next year, so these sorts of videos are massively helpful in starting to understand the sorts of things I need to learn about for live performance. Big fan of a clean stage.
Without sounding like a huge nerd, the cable management is probably the best I’ve ever seen in one of these. Especially that back panel that opens! Colour-coordinated & looks nice too? What an absolute dream!
love seeing this sort of stuff, we run something similar however for drums / mics/routing goes straight to FOH and we get a feed sent back to our rack which we can set to taste, admittedly less control, but less cables and with shared backline/drums is potentially quicker /easier by doing this we can get by with an xr18, less channels, and i think a 8u or 10u rack, would love to upgrade to a g4 iem setup at some point, it's a fair bit of coin however
Amazing video ! Thank you very much for taking the time to explain (and show the backside!). As both sound engineer and musician, this is really great info, as I'am currently in the process of building such rack myself. And I can confirm that as a FOH, what a pleasure to work with musician that are prepared like this ! It's the first time I see a splitted rack such as this one, and the idea is actually quite interesting ! I might take time to think about my rig and see if it would fit my workflow. Just wanted to address something about redundancy. I absolutely understand the idea of having redundancy on midi, computers fail often and its safer to have a backup. But in the end you say "Although there are a lot of things that could go wrong, everything is compartmentalized.". On the audio side of things, absolutely. Less looms : less risk of messing with the inputs, etc. But you only run the whole rack through one power supply, and we know that the second thing that fails after computers are power supply (mostly even before the rack). Why not having a surge protector with dual power supply ? This way you power your rig through two 16A lines, and you shoud be safe if power goes south. On more affordable rigs, I absolutely understand most people wont spend the extra money, but here, why (I mean, if you spent 20000$, maybe the extra 300$ are not so much of an issue) ? Is it the weight it would add to the rack? Or maybe you're touring big enough venues where you can trust the power supply ? Anyway, thanks again, a lot of good things to take !
Honestly man this stuff is so interesting and useful. our lil tech/bassist just built us a cheap rig and we are getting used to running clicks and IEMs as the last time most of us played live was 10 + years ago in shitty tiny pubs and clubs.
This is great! One of the best build ever on youtube. Would love more videos on those cable management specially on those iem adapter power cable management.
Fantastic video, and a fantastic set up. I couldn’t agree more about spending the money now. One point though. it does make a difference to the sound front of house. I reducing the bleed from wedges on stage with multiple microphones, it improves the fidelity of the mix substantially.
I'm still scratching my head where you or how you did the split with xlrs, the rig is so compact and really cool, would like to know more the back site of it or the routing how you set up the digital mixer. cuz this rig can record any band playing on stage, just what I need! love the video I keep come back to it to build my own your video is so a learning moment you have such knowledge for these you go through with everything. love your work! YES PART 2!
Random tiny note about refining/efficiency, colour coding the labels on the splitter (or in general) will make a big difference over time (i.e. put a purple dot on all drum inputs/green for guitars etc)
What is the LD CUE channel? Couldn't find it in the other video either... My best guess is that it's the Light Design cue which is sent in conjunction with the LTC, but your Reaper project didn't seem to send that out either.
05:29 actually it will because less risk of feedback on the stage mics, + less stage bleed on the stage mics, + cleaner stage sound (no loud wedges) , + bands play in general better on IEMs (when they're used to them) than on wedges I work in a small venue with only wedges, rarely anyone has IEMs, and even for quiet bands, feedback from wedges is always a PITA.
That's pretty. Love color coded backs. This rig is going to serve you really well on tour. How are you splitting the 1 DIN out from the 1U to the 4 on the back? Kenton piece inside or a mioXM? you don't want timecode in your ears?? That's the best way to fall asleep... Redundant Windows setup!! Super rare.
I would love to see the software side! I am a Reaper user and rarely see people use it in this way so I would get a lot of value from that type of video 🙏
Showing the softwear slow and srt up along withthe midi coming out to the QC would be very helpful!!! Also the power situation, for example traveling to europe, do you use a step down/ transformer or just an adapter? Cherrs! Love it man.
Honestly great stuff. M32 Core is as Compact as it gets. I just wonder: why would you spend so much effort, time and money into an analog split delux, if you could easily connect two racks with just one or two cat 5 cables (instead of pluging 40! XLR spaghetties) by using appropriate digital i/o devices? Would be even more campact, whilst possibly more flexible.
Great video! Do you also carry your own drum mics and stage XLRs or do you use the venue one's? Couldn't the mics change the gain staging of your IEM mix?
You did it because you can, of course. I believe an artist should always strive for the best, but the main point is that ends must meet, if your band's earnings justify the investment it's a no brainer. That said, in my country that money is half the price of a modest house. We all know we buy music stuff mainly because music is everything in our lives and it matters a lot to keep the progress, more even than things making any sense financially.
Paused at 0:26 so I can say this… in no way am I going to spend that much on an IEM rig but I’m going to watch the entire video because I’m sure it’s full of knowledge that I will need when I build mine for my actually “small” band. 😂
@@KeyanHoushmandLivesure, happy to share. It’s based on an RME Babyface Pro audio interface and its built-in digital mixer. It’s tiny, almost fits in a pocket. Hooked up to it via ADAT a Behringer ADA8200 8in/8out port expander, it gives me a total of 10XLR in and 10 XLR out. A laptop sits on top of the rack; hooked to the babyface via USB. The laptop is used to run tracks, click/cues, AND as the keyboard module, so it sends 6 channels down the USB to the RME internal mixer. Sometimes it even runs instrumental tracks when a player is missing. The RME has a nice visual mixer on that laptop, we set up individual mixes for each IEM and output to FOH for keyboards.
@@KeyanHoushmandLiveI’ve realized over time, that all the patch panels, short XLR cables, blanking plates, splitters are 70% of the bulk of the rack and I don’t need them. And like you said in the video - when something goes wrong and needs to be inspected or god forbid re-patched, you gotta dive down the back of the rack on dark stage and usually there’s no time to do it slowly, so it’s a lot of stress. So I thew away all of that.
@@KeyanHoushmandLivemy secret trick is - I don’t have splitters. Why? Our wireless mic receivers have dual outputs, the guitar processors also do, the keyboard/tracks also. So most sound sources have built in splitters, why carry another one. So the only splitter I need is for drum mics. could have one, just 4-8 channels, or simply not. We usually ask the sound guy to give us a stereo drum mix.
@@KeyanHoushmandLiveso we don’t hand a huge XLR snake to the sound engineer, we simply tell them to connect like they would an old school band, but we take parallel outputs from eeach sound source. We tell the sound guy “don’t worry about the stage mix, just give us a drum mix send”, usually it’s just kick/snare because other drums are so loud we can hear them acoustically, no need for extra china cymbal in my mix :)
Did you consider the presonus live 32 instead? I use the m32C with a DL16 but just curious Does everyone (guitar and bass) have their own DI boxes to get into the splits? I decided to mix my whole show off my m32c which is sooo much easier than doing splits in small to medium sized venues lol
So majority of the cost of that rack is sennheiser who charge too much anyway and iconnectivity for tracks is nothing to do with iem. That’s a separate budget usually.
-Keyan: Why I Spent $20,000 -Me: Hey Guys... gess what I found for 100USD!? yes a XR18!!!, yes yes, the power supply is out, but I know how to repair it!!. Now is working amazing. We have some 25 USD IEMs and 15usd Kz monitors, and it's bee doing wonders to our playing skills
What if you’re playing a festival and using backline drums? Do you bring your own mic package and put those on the kit even if it’s mic’d up with the house mics? Or do you unplug the house mics and plug them into your snake and send the tails to the sound person? Thanks!
How did you find the 535's when you were using them? I used mine for a while before switching yo Linsoul/KZ. I found the 535s to have way too harsh of a high end that was hard to tame
How beneficial do you think an IEM rig would be if you're playing small shows that don't usually have a FOH person or where the only thing coming from the PA is vocals? I've always wanted to run an IEM rig but most of the venues metal bands play around here are like DIY type venues that usually borrow a PA system from one of the bands playing so there really isn't a monitor mix at all
If you have a IEM rig, there’s a chance your mixer is going to be the one that runs the whole gig because it’s better than what is at the venue. It can be beneficial so you can actually hear yourself if that an issue for you now. It can still be used with a vocal only PA, you would just have to mic everything for your IEM rig and then only split the vocal to FOH.
Why have a separate unit for splitting the xlr inputs? Some stageboxes support dual ethernet ports, so wouldn’t that be enough? One for IEM mixer, one for front of house
Because it's safer (imagine what happens if something goes wrong with that one ethernet cable/port, whereas it's hard to fuck up an entire XLR loom) and works everywhere. Sound guys expect XLR cables going into their stage RIO, so you give them exactly that.
@@djabthrashbut if you have your own sound guy and mixer, then this would be smart right? You already have singular points of failure with any IEM setup, like power cord, or IEM mixer.
@@Notacet having your own sound guy and mixer doesn't change a single thing about what i said above :) If all your signal goes through one ethernet cable and there is a problem with that ethernet cable, you're fucked. Whereas it it goes through a loom, which consists of MANY small cables, and there is a problem with only one or a few of these few cables, the show is still on and you just have to replace the messed up small cables with other XLR cables. Also : the IEM mixer comes AFTER the splitter, so if the IEM mixer goes down, FOH is still ok.
@@Notacet Some bands definitely use ethernet cables instead of copper XLR looms, but it is a risky move. The XLR loom is also more "venue friendly" because it resembles what venues are used to (XLR cables going into their RIO).
Hahaha if that was to happen, finding a replacement for only a select few components before a show is much easier than sourcing an entire rig that gets lost because it’s all in 1 case
I’ve done a hardwired iem rig for under £400 for 4 mono and 2 stereo in ear personal mixes. you must be dripping to spend more than the cost of most home studios on an IEM rig.😂 the real winners are shure or senheiser who have the monopoly on the world band uhf channels.
I would like to get into the IEM world. I’m a modern player, and I use QC with a cab but a clean stage where you hearing nothing but a spazzing drummer makes the experience for the people in the front not enjoyable. lol
Iem doesn’t mean silent stage. My band does have a iem but still uses cabs on stage. You have the rumble on the floor and your sound clear in your ears
i get IER, i really do - however, not having amps on stage never sounds good. maybe, on an arena tour, with big PAs, but small bands, in small clubs, with even just mid tier PAs always sound weak and thin. especially harder bands doing theirselfs no favor by playing without amps.
![Twenty One Pilots - The Line (from Arcane Season 2) [Official Audio]](http://i.ytimg.com/vi/XCz7WUotXs8/mqdefault.jpg)
Thank you for watching! If you guys want to see a Part 2 to go over the software side of our IEM mixes and how we set up our tracks, let me know in the comments below!
Links to all the gear are listed in the description
1000% make a PT2 please! I run a Mac with Reaper setup for the backing/click/IEM and I just know you'll have thought of things I wont have.
Yes do a pt2!
Very interested in seeing part 2 with the software side of things!
Yes! Would love more videos on those cable management specially on those iem adapter power cable management. There are not many videos on cable management for IEM Rigs.
yes pls
Please make a video how you got the $20.000 for spending to this rig..
maybe he has rich parents. Or maybe in Australia it`s not very much, idk
@@Metallllllll667 hahha, i wish i had that life
@@rizkimulyadi40 same, dude
@@Metallllllll667The first one you said. And that's it.
This made me laugh tho😂 i know this is just a joke. But he is probably working his ass off
So this is what it's like to have a band member who is not struggling and broke
dude a part 2 would be sooo awesome, love these kind of videos!!
Would love to see a BTS video showing you going through the process of hooking up this rig at a show from connecting the band to the split and plugging into FOH and your rigs. Part 2 about the software would also be awesome! Keep up the great content!!
please do part 2, I've always been interested in how bands receive their audio, what each band member hears and how the whole thing works
PART 2 We need this, this is super interesting
This is actually one the best videos ever made on band's IEM rigs !
I'm going to start performing some time either later this year or next year, so these sorts of videos are massively helpful in starting to understand the sorts of things I need to learn about for live performance. Big fan of a clean stage.
Without sounding like a huge nerd, the cable management is probably the best I’ve ever seen in one of these. Especially that back panel that opens!
Colour-coordinated & looks nice too? What an absolute dream!
Awesome overview of the IEM rig. Curious on what you were using before and definitely interested to see Part 2!
A part 2 on the software side would be HUGELY beneficial, taking the time to make these kinds of videos is so cool 🖤✌🏻
love seeing this sort of stuff,
we run something similar however for drums / mics/routing goes straight to FOH and we get a feed sent back to our rack which we can set to taste, admittedly less control, but less cables and with shared backline/drums is potentially quicker /easier
by doing this we can get by with an xr18, less channels, and i think a 8u or 10u rack, would love to upgrade to a g4 iem setup at some point, it's a fair bit of coin however
Amazing video ! Thank you very much for taking the time to explain (and show the backside!). As both sound engineer and musician, this is really great info, as I'am currently in the process of building such rack myself. And I can confirm that as a FOH, what a pleasure to work with musician that are prepared like this !
It's the first time I see a splitted rack such as this one, and the idea is actually quite interesting ! I might take time to think about my rig and see if it would fit my workflow.
Just wanted to address something about redundancy. I absolutely understand the idea of having redundancy on midi, computers fail often and its safer to have a backup. But in the end you say "Although there are a lot of things that could go wrong, everything is compartmentalized.". On the audio side of things, absolutely. Less looms : less risk of messing with the inputs, etc. But you only run the whole rack through one power supply, and we know that the second thing that fails after computers are power supply (mostly even before the rack). Why not having a surge protector with dual power supply ? This way you power your rig through two 16A lines, and you shoud be safe if power goes south.
On more affordable rigs, I absolutely understand most people wont spend the extra money, but here, why (I mean, if you spent 20000$, maybe the extra 300$ are not so much of an issue) ? Is it the weight it would add to the rack? Or maybe you're touring big enough venues where you can trust the power supply ?
Anyway, thanks again, a lot of good things to take !
Honestly man this stuff is so interesting and useful.
our lil tech/bassist just built us a cheap rig and we are getting used to running clicks and IEMs as the last time most of us played live was 10 + years ago in shitty tiny pubs and clubs.
This is great! One of the best build ever on youtube. Would love more videos on those cable management specially on those iem adapter power cable management.
This channel is a godsend. I was about to give up on music altogether.
Amazing setup Keyan, so sick to see such an in-depth breakdown of the whole system ❤️ keen for a pt2 on the software side if that ever happens
It’s already up on the channel!
@@KeyanHoushmandLive yo hell yeah thanks man completely missed it
Fantastic video, and a fantastic set up. I couldn’t agree more about spending the money now. One point though. it does make a difference to the sound front of house. I reducing the bleed from wedges on stage with multiple microphones, it improves the fidelity of the mix substantially.
sick setup! can we get a detailed video on your reaper session? would love to know how you have things routed, mixed, and whats going where.
For anyone in the US looking for a similar quality splitter, Trace Audio makes amazing quality stage boxes and splitters. Can attest.
“Black Spaghetti”
- Keyan Houshmand 2024
Seriously though this video was amazing.
I'm still scratching my head where you or how you did the split with xlrs, the rig is so compact and really cool, would like to know more the back site of it or the routing how you set up the digital mixer. cuz this rig can record any band playing on stage, just what I need! love the video I keep come back to it to build my own your video is so a learning moment you have such knowledge for these you go through with everything. love your work! YES PART 2!
small? dude your band is getting huge fast. congrats! dont defend it. it makes sense.
Random tiny note about refining/efficiency, colour coding the labels on the splitter (or in general) will make a big difference over time (i.e. put a purple dot on all drum inputs/green for guitars etc)
Helllll yeahhhh man, love the rig!
We need part 2!!
Would love to see the DAW/Routing setup - I think that's a huge piece :) Awesome Video and thanks
PART 2!!!!
What is the LD CUE channel? Couldn't find it in the other video either...
My best guess is that it's the Light Design cue which is sent in conjunction with the LTC, but your Reaper project didn't seem to send that out either.
yes , part 2 please
part 2, we want more nerdy nerd stuff so definitely software part also!
Transported in peli cases ?
Interesting...
Would love to see how it looks like, and if it includes the "shelves/cases" thingies we see in this video.
05:29 actually it will because less risk of feedback on the stage mics, + less stage bleed on the stage mics, + cleaner stage sound (no loud wedges) , + bands play in general better on IEMs (when they're used to them) than on wedges
I work in a small venue with only wedges, rarely anyone has IEMs, and even for quiet bands, feedback from wedges is always a PITA.
the second you start a video saying you made click bait, i checked out
cool build. Loved when you said exuberant amount of money instead of exorbitant
I think exuberant barely works too
That's pretty. Love color coded backs. This rig is going to serve you really well on tour.
How are you splitting the 1 DIN out from the 1U to the 4 on the back? Kenton piece inside or a mioXM?
you don't want timecode in your ears?? That's the best way to fall asleep...
Redundant Windows setup!! Super rare.
I would love to see the software side! I am a Reaper user and rarely see people use it in this way so I would get a lot of value from that type of video 🙏
Great video mate!
Thank you mate and thanks again for putting this rig together!
Showing the softwear slow and srt up along withthe midi coming out to the QC would be very helpful!!! Also the power situation, for example traveling to europe, do you use a step down/ transformer or just an adapter? Cherrs! Love it man.
Great video, you got a new subscriber
Honestly great stuff. M32 Core is as Compact as it gets. I just wonder: why would you spend so much effort, time and money into an analog split delux, if you could easily connect two racks with just one or two cat 5 cables (instead of pluging 40! XLR spaghetties) by using appropriate digital i/o devices? Would be even more campact, whilst possibly more flexible.
Could you maybe do another video showing the flow of the signal from beginning to end maybe on a flow chart program or something lol 😅
Great video! Do you also carry your own drum mics and stage XLRs or do you use the venue one's? Couldn't the mics change the gain staging of your IEM mix?
Yes, our FOH Kris brings his own mics and all of the gain staging is set to those mics
rig rundown pt 2!! Gotta see that reaper session
You did it because you can, of course. I believe an artist should always strive for the best, but the main point is that ends must meet, if your band's earnings justify the investment it's a no brainer. That said, in my country that money is half the price of a modest house. We all know we buy music stuff mainly because music is everything in our lives and it matters a lot to keep the progress, more even than things making any sense financially.
its beautiful
Great video! Would love to see a video on the software side as well! 😃
Paused at 0:26 so I can say this… in no way am I going to spend that much on an IEM rig but I’m going to watch the entire video because I’m sure it’s full of knowledge that I will need when I build mine for my actually “small” band. 😂
What do you for living other than music? You’re blessed to afford these gears
That’s a great rig, looks sweet, high end. My band does the same functionality with a 3U rack
Mostly because I’m a freak about optimizing weight.
That’s awesome! Please tell me more about it
@@KeyanHoushmandLivesure, happy to share. It’s based on an RME Babyface Pro audio interface and its built-in digital mixer. It’s tiny, almost fits in a pocket. Hooked up to it via ADAT a Behringer ADA8200 8in/8out port expander, it gives me a total of 10XLR in and 10 XLR out. A laptop sits on top of the rack; hooked to the babyface via USB.
The laptop is used to run tracks, click/cues, AND as the keyboard module, so it sends 6 channels down the USB to the RME internal mixer. Sometimes it even runs instrumental tracks when a player is missing.
The RME has a nice visual mixer on that laptop, we set up individual mixes for each IEM and output to FOH for keyboards.
@@KeyanHoushmandLiveI’ve realized over time, that all the patch panels, short XLR cables, blanking plates, splitters are 70% of the bulk of the rack and I don’t need them.
And like you said in the video - when something goes wrong and needs to be inspected or god forbid re-patched, you gotta dive down the back of the rack on dark stage and usually there’s no time to do it slowly, so it’s a lot of stress. So I thew away all of that.
@@KeyanHoushmandLivemy secret trick is - I don’t have splitters. Why? Our wireless mic receivers have dual outputs, the guitar processors also do, the keyboard/tracks also.
So most sound sources have built in splitters, why carry another one.
So the only splitter I need is for drum mics. could have one, just 4-8 channels, or simply not. We usually ask the sound guy to give us a stereo drum mix.
@@KeyanHoushmandLiveso we don’t hand a huge XLR snake to the sound engineer, we simply tell them to connect like they would an old school band, but we take parallel outputs from eeach sound source.
We tell the sound guy “don’t worry about the stage mix, just give us a drum mix send”, usually it’s just kick/snare because other drums are so loud we can hear them acoustically, no need for extra china cymbal in my mix :)
Would absolutely love to see a software review need some tips on live midi tracks
I´d love to get a look at the reaper session
Definitely insterested how your Reaper session is set up!
I would love to see how this is routed software side. That’s what seems like magic to me
Nice! You should consider putting a multipin connection from split to DL32.
Also, any reason for Reaper instead of QLab?
would love pt2
The only issue with not including your splitter with the mixer in the same rack is you have to plug and unplug those 32 + 6? connections every night!
18:34 Really cool that you're using Reaper.
Did you consider the presonus live 32 instead? I use the m32C with a DL16 but just curious
Does everyone (guitar and bass) have their own DI boxes to get into the splits?
I decided to mix my whole show off my m32c which is sooo much easier than doing splits in small to medium sized venues lol
So majority of the cost of that rack is sennheiser who charge too much anyway and iconnectivity for tracks is nothing to do with iem. That’s a separate budget usually.
-Keyan: Why I Spent $20,000
-Me: Hey Guys... gess what I found for 100USD!? yes a XR18!!!, yes yes, the power supply is out, but I know how to repair it!!.
Now is working amazing. We have some 25 USD IEMs and 15usd Kz monitors, and it's bee doing wonders to our playing skills
Do PT.2 please.
Where did you get the stackable rack spaces you use?
do part 2!
This makes my rig which is nearing 8Gs look like a hobo tent set up 😂
part 2 please !
Now you just need some 64's for the rig
no queda dinero :(
i just dont understand how do you acquire the money for this?
Top tier content! 🤓👍😊
What if you’re playing a festival and using backline drums? Do you bring your own mic package and put those on the kit even if it’s mic’d up with the house mics? Or do you unplug the house mics and plug them into your snake and send the tails to the sound person? Thanks!
Would love to see some software content!
Pleaaaassseee make Part 2!
Part two yet?
Deluxe Guitars 🤘🏼
07:37 smart move
05:13 not to mention loud wedges messing up the overall FOH sound for the audience
As you chose the iconnectivity interface for it's built in redundancy system,
do you plan on getting a second computer to take advantage of that?
How did you find the 535's when you were using them? I used mine for a while before switching yo Linsoul/KZ. I found the 535s to have way too harsh of a high end that was hard to tame
How beneficial do you think an IEM rig would be if you're playing small shows that don't usually have a FOH person or where the only thing coming from the PA is vocals? I've always wanted to run an IEM rig but most of the venues metal bands play around here are like DIY type venues that usually borrow a PA system from one of the bands playing so there really isn't a monitor mix at all
If you have a IEM rig, there’s a chance your mixer is going to be the one that runs the whole gig because it’s better than what is at the venue. It can be beneficial so you can actually hear yourself if that an issue for you now. It can still be used with a vocal only PA, you would just have to mic everything for your IEM rig and then only split the vocal to FOH.
Why have a separate unit for splitting the xlr inputs? Some stageboxes support dual ethernet ports, so wouldn’t that be enough? One for IEM mixer, one for front of house
Because it's safer (imagine what happens if something goes wrong with that one ethernet cable/port, whereas it's hard to fuck up an entire XLR loom) and works everywhere.
Sound guys expect XLR cables going into their stage RIO, so you give them exactly that.
@@djabthrashbut if you have your own sound guy and mixer, then this would be smart right? You already have singular points of failure with any IEM setup, like power cord, or IEM mixer.
@@Notacet having your own sound guy and mixer doesn't change a single thing about what i said above :)
If all your signal goes through one ethernet cable and there is a problem with that ethernet cable, you're fucked.
Whereas it it goes through a loom, which consists of MANY small cables, and there is a problem with only one or a few of these few cables, the show is still on and you just have to replace the messed up small cables with other XLR cables.
Also : the IEM mixer comes AFTER the splitter, so if the IEM mixer goes down, FOH is still ok.
@@djabthrash yeah, guess you’re right. My engineer mind just want’s to optimize how small a rack could be😁
@@Notacet Some bands definitely use ethernet cables instead of copper XLR looms, but it is a risky move.
The XLR loom is also more "venue friendly" because it resembles what venues are used to (XLR cables going into their RIO).
Aren't you worried about phantompower from FOH if you have a passive split? Or do you rely on that and never send from the Midas32?
Each input on the split has isolated transformers, so it won’t matter!
part 2 🙏🏻🙏🏻🙏🏻🙏🏻
would love to see the software side of things
what do you dowhen you get a 4th bandmember?
Please do a software video!
software side please
Such a sick rig, until the airline loses 1 case… 😧
Hahaha if that was to happen, finding a replacement for only a select few components before a show is much easier than sourcing an entire rig that gets lost because it’s all in 1 case
@@KeyanHoushmandLive true that! Awesome setup for sure!
after spending $ 20.000, please, please stick new labels STRAIGHT on the pannels...
I’ve done a hardwired iem rig for under £400 for 4 mono and 2 stereo in ear personal mixes. you must be dripping to spend more than the cost of most home studios on an IEM rig.😂 the real winners are shure or senheiser who have the monopoly on the world band uhf channels.
I would like to get into the IEM world. I’m a modern player, and I use QC with a cab but a clean stage where you hearing nothing but a spazzing drummer makes the experience for the people in the front not enjoyable. lol
Iem doesn’t mean silent stage. My band does have a iem but still uses cabs on stage. You have the rumble on the floor and your sound clear in your ears
@@t_separator this and also front fills for the FOH sound for the first rows
“Amps are loud”…..
i get IER, i really do - however, not having amps on stage never sounds good. maybe, on an arena tour, with big PAs, but small bands, in small clubs, with even just mid tier PAs always sound weak and thin.
especially harder bands doing theirselfs no favor by playing without amps.
every sane modern guitarist :
LMAO
Sound guys at small venues are gonna be like WTF man really?
You're supposed to contact them in advance though, and then see if you can make it work with the conditions of that show.
Software part!
Sheesh🔥
Your band is only 3 guys? You, the bassist and drummer? Where are the other IEM for the other members?
3 guys
Because I can...
Because you can ?