Beautiful chord progression and great exercise as well, Chris. Since I discovered triads (thanks to you) my fretboard knowledge has increased by leaps and bounds. Triads Rule!
This is amazing, and I'm going to learn it this weekend. It's exactly what I was looking for to make music from the triads I've been working on for the last few months.
Hmmm, this one is right up my alley. Marco Guilliani (wrote one of the 1st guitar curricula) was a popular predecessor and mentor to Beethoven. In his early life they used to call Beethoven "little Guilliani."
That is a beautiful piece and I’ll be practicing it for sure. It’s a great lesson, but I’m fairly new to theory and was confused about the last 3 chords around the 6:40 mark in the video. I’m guessing the last chord is an A, not an Am, right? The C shape of an A major? And the two chords before that, are they partial D7 and E7 chords, with the 3, 5 and b7, like an open A7 shape?
Oh, I just slowed it down at 6:40 and zoomed in and see the fingering for the Am now. I thought it was the C shape fingering at first. Sorry ‘bout that part of my last comment :)
@@waynegram8907 yup, and really it was probably much more about voice leading than specific chords. Like those last few leading back up to Am could be seen as 7th chords, or diminished…but it ends up not really mattering much, they just lead you back. No matter what you call em!! :)
Beautiful song! Great lesson too! Thank you 🙏🕊️
@@Owl-qh2rh of course!
Fun tune. Thanks Chris.
I've been thinking about trying some classical pieces. Hard to know where to start but I feel more comfortable now..
Beautiful chord progression and great exercise as well, Chris. Since I discovered triads (thanks to you) my fretboard knowledge has increased by leaps and bounds. Triads Rule!
@@hball6695 so glad to hear that!
Gosh Cris!!!! I love classical music, what an awesome video!!!! Thank You very much!!!! Greetins from Argentina!!!!❤
@@andyjales glad you enjoyed this one!!
Thanks for this one Chris!
Of course!
Fantastic lesson as always! Can’t wait to try this.
Beethoven day, Beethoven day , Beethoven day ❣️😊 Thanks for saying the chords Chris. ❤
Of course!!!
I have never gotten into trying classical on guitar. I guess I thought it would be daunting. But now I want to give it a shot. Thank you!
@@KASKASM you’re welcome!! This was a fun one!
This is amazing, and I'm going to learn it this weekend. It's exactly what I was looking for to make music from the triads I've been working on for the last few months.
@@joshs7642 it’s a fun one!
@@curiousguitarist the last two passing chords before the final Amin. Are those F#dim and G#dim?
@@joshs7642 yup, you can also see them as 7th chords, D7, E7
@@curiousguitarist awesome, thank you.
I have always loved Bernstein, he is a genius without question. Mahalo Chris this is killer!
I agree, glad you enjoyed this one! Mahalo!
I'm still working on it. I like your arrangement.👍
@@jackfromthe60s thank you !!
Nice one Chris. Thank you…
@@FoilFroth6284 you bet
Hmmm, this one is right up my alley. Marco Guilliani (wrote one of the 1st guitar curricula) was a popular predecessor and mentor to Beethoven. In his early life they used to call Beethoven "little Guilliani."
Oh yeah!!! Easy to get on the fretboard, then it pays huge dividends when you move it around.
Awesome video!
Thanks. Eric. It get's under the fingers quite easily too.
Great lesson Chris!
Thanks, Tim!
Simplicity.👍
Beautiful!
Thank you! Cheers, Marshall!
@@curiousguitarist ♥♥♥
Really nice.
Thanks, friend!
That is a beautiful piece and I’ll be practicing it for sure. It’s a great lesson, but I’m fairly new to theory and was confused about the last 3 chords around the 6:40 mark in the video. I’m guessing the last chord is an A, not an Am, right? The C shape of an A major? And the two chords before that, are they partial D7 and E7 chords, with the 3, 5 and b7, like an open A7 shape?
Oh, I just slowed it down at 6:40 and zoomed in and see the fingering for the Am now. I thought it was the C shape fingering at first. Sorry ‘bout that part of my last comment :)
@@stephenmahlstedt7276 your assumptions are all right on! Nice!
It seems that beethoven used Sus2 and Sus4 as passing chords?
@@waynegram8907 yup, and really it was probably much more about voice leading than specific chords. Like those last few leading back up to Am could be seen as 7th chords, or diminished…but it ends up not really mattering much, they just lead you back. No matter what you call em!! :)
@@curiousguitarist So the passing chords Sus2 "note" or the Sus4 "note" can be seen as the 7th chord tone of the next following chord?
@@waynegram8907 that sounds like a perfect assignment for a curious guitarist :)
🍿
No offense meant but it’s pronounced “ET CETERA”
@@PR-BEACHBOY thanks for the feedback, glad you got something out of this!