So does Billy Sheehan. The real bass virtuosos seem to value the t h i c c bass that pickup produces along with other, far treblier pickups at the bridge.
Not a Homosexual Makes sense as he used it with the guitar pickup he installed on near the bridge of it, and with both and an svt, was how he got most of his tone.
without being able to look closer closer i would almost say that screw was broken rather than replaced as it has the same length shank and diameter as the others but doesn't get to the taper, the end of it was probably still in the body
GreboGent yes very astute observation, good man! That's something we have to watch for in disassembly/ assembly, to not drive a long screw into a position which might have an old broken tip at the bottom of the hole or a break-through into a cavity, wire, or some other obstruction.
As a guy who started playing guitar at 14 years old, and bass at about 17 years old, which were both in the late 80's, and I still play both. I build both, also, for about 25 years. You may be surprised to know that the basses not made Gibson, Fender, G&L, or Ernie Ball, which includes a lot of companies, selling more than half of all basses, annually, are made with bodies that are commonly thinner, smaller, and more narrow, than the guitars commonly made by those four companies listed above.
I’ve had several 1960’s Gibson basses since my first EB-0 in 1967. There are tricks to make them sound good, my biggest bit of wisdom is don’t turn it up over “7”. Use the amp volume control. The pickup will overload the first preamp tube and you’ll get uncontrolled distortion. At at age 68 my #1 bass is a 1967 EB2C in sparkling burgundy. On all my basses the mute material was piano felt.
As an owner of a "73-74 EB-0, the original case is either loaded with mold, or never went with the guitar at the pawn shop. Mine is currently covered with mold, in the original case again, after the high humidity last summer. I'm waiting for spring warm up to disassemble and thoroughly clean it...
Thanks for occasionally doing some of these bass videos. I have a 1961 EB-0 and found this super useful. It's also amazing how different the EB-0s and EB-3s sound! I really expected them to be basically the same. I would still say mine sounds somewhere in the range of screaming godzilla creature though.
..had an EB0 from the same era. Had the pick guard removed to look like Andy Fraser, and the pick up replaced by a Fender Telecaster Bass rectangular pickup. I sold it, and it's always been one of my regrets. I have a 2012 Gibson SG Special bass, which eases the pain somewhat, but every now and then...
The Gibson EB-3 is a much more versatile bass than many people think. Use both microphones together in different settings! Balance! I love the bass for all the possibilities it has. At least mine.
Maaan, that bass was beautiful! The wear on it was so beautiful it gave me chills. Don't see them like that too often, and most owners won't sell them.
You know, when my SG came in the mail it was basically still set up perfectly by the previous owner...it was even in tune, after being shipped from Pennsylvania all the way to Washington State. Yet, as soon as I got my slinkies in, the nrxt day, I took the whole guitar apart, cleaned it (with tips from you, and Beato's tech) and then put it back together. Of course I had to set the bridge, and some of the saddles, after that, but the guitar never felt like it belonged to me until I had done all that. Before I took it apart, I was all nervous like I just pulled it off a shelf at the store, or like I had my friend's Les Paul. Funny how that works out. However, if I take into consideration that I took apart,and tinkered with every cheapo guitar I ever had, it makes sense.
Recently visited a friend with a EB0 that had a lipstick like a Dano or Tele added halfway between the neck and bridge angled and that damn thing does the goods like no other. I've watched this video at least three times now..
I just picked up a *super* player grade EB-0. I can’t wait to use it for my funk band on the non-slap or extended range songs. It plays so well and does the subby vintage thing so well!
Thank you so much for making this video. There’s a lack of really good demo of this wonderful bass. I wish it got more love than it does. I really wish Gibson would do a spec to apex reissue with that beautiful mudbucker pick up.
Gibson has a re-released version of this bass nowadays, but with simplified controls: Two volumes and one tone knob, like a Fender Jazz Bass. And the bridge muting assembly is no longer around.
These guitars aren't expensive but yeah, any vintage Gibson or Fender guitar bought in the 80s cost less then than you'll get for it now. That goes without saying.
I have the Epiphone version of the EB-2, the Rivoli, built in Kalamazoo in the 50's & 60's. It's the only bass I own. However, I'm an SG fan, own several, so I think I need to get an EB-0 or EB-3. This is the first review I've seen on one and I now love these things.
I just purchased the Epiphone version of the Gibson EB 3 and I am in My HAPPY Place. I've been playing bass (guitars) since the late 60"s and with about a 1/2 hr. of setup time I have not been able to put it down . I've had my share of Gibsons through the years ( 62 frettless Ripper , 72 335 semi hollow bass ) and still have a Epiphone Les Paul, and a Stratocaster . My go to bass until now is the 1960 Hagstrom I have put 2 Dimazio J bass pickups on in 1975 with some adjustments because the Nut to Bridge string spacing ( pickups are slanted ) and it is a BEAST until now and this EB 3 blows it away. With a little tweaking with the EQ in the effects loop the 2 of them will go up against any High dollar. I'm beginning to Rant .
As primarily a bassist, this is my favorite of your videos so far, and I dig the Megadeth and Nirvana, because that's exactly Novoselic's sound on that tune.😊. Keep it up man.
I saw my cousin's name pop up in the comments when you were throwing all the request for Sunshine of Your Love across the screen! That's awesome you put my cousin's name in there!
I had a 1967 EBO ....I modified it by adding the split pickups from a P-Bass and the sucker had a great sound. I had so many friends wanting to buy it from me. One day I gave in and sold it. Wish I kept it now :(
I am really considering getting one. I used to play bass when I was a teen. In my mid 20s at one point I had to play bass for a little while because our bass player left. I kind of want to get back into bass again, but I don't really want to go back to the Fender scale. Besides, I'd look weird without an SG.
One of the best demo's I've seen. I wonder why Fender out sold this bass by a mile. The EB3 has much more balls and sounds much gnarlier than even a P-bass and especially a J-bass, even though most heavy rockers went with Fender. It's also much easier to play; again especially vs a thick old P-bass.
Originally had a copy of the EB-2 that was stolen. My roommate lent me his Jazz Bass but suggested I get an EB-0 for the proto-punk stuff I was playing. And it was precisely what I needed. I still have it but it was heavily worked. The hardware is all original but it's refinished pretty poorly. But still sounds and feels great. But it doesn't have the pick guard or mute anymore. About a year ago I picked up a used Epiphone EB-3. Also sounds great but it is a bear. If you think an LP is heavy, this thing is just a bit over 10 pounds and neck heavy heavy heavy. I need to use it more. I haven't measured but it seems like the EB-0 neck is shorter than the EB-3.
At 10:53, the one screw wasn't replaced - it is clearly broken, the point missing, the blunt broken end showing. Now how in the heck did that happen? Perhaps low-grade metal. The point may be down in the screw hole.
The neck bridge has been replaced and bigger than the original, my 1968 has still varnish on both side . The nut cover is original, mine has the same cut down the screw hole. The output jack is original.
Austin I love how you structure your shows. Well done! Great to see an EB-1 again, a buddy had one, very cool looking but sounded somewhat like poo falling on wet cement. Sheer volume was the only remedy which never went over well with band mates or sound crew. It was weird to hear people say something like "I can't hear the bass it's too loud". How do you guys treat the signal on these Mudbuckers to get them right in the mix?
The truss rod cover is most likely original and not cut by an owner. The 1973 Les Paul Triumph bass I used to own was 100% original and had the same clipped-looking truss cover. I've also noted on several other vintage Gibson basses where the truss cover was clipped at the factory. My theory is that they are the same truss covers used on the guitars, but since the bass nuts themselves are much thicker, the factory clip is necessary. I read a ton (though not all) of the comments before posting this, to see if others had already said the same thing, but I didn't come across one. Just thought it was worth mentioning so people don't think a vintage nut has been replaced or truss rod clipped by an owner. Thanks for venturing into bassland, Trogly. You should do it more often!
Love it ! I'm only 5' 7" and struggle with a regular long scale bass . However - neck dive puts me off with these SG types. John Entwistle played one on Substitute btw.
I had a 1970 EB3 but George Massenburg told me his early 60s P bass sounded better and proved it to me in the studio. Found a 59 and never looked back to the EB3 although Jack Bruce is my fav all time. Weird huh?
ive always wanted to convert one of these to a 6 string baritone.plenty of room on the headstock,fits regular sg pickgaurds, just need to rout for pickups.
I've seen a few vids where people put guitar strings on some of these and imo the stock pickups sound great for guitar, and I'd imagine they sound just as good on a baritone
@@andrewlyon8924 I've seen those to.I've also seen the full and extended scale conversion"contrabass" videos.while it's cool they exist I don't really see myself searching for long enough strings, or reseting My entire rig for a tuning that low. My inspiration for this idea is 3 fold.1- one of the people that got me into playing at all, a friend from high schools father, had a similar project. he did his on an old harmony,or silvertone, or kay branded "danelectro type" short scale bass guitar.he did not do it with any atempt to make it look good just to make b to b tuning work better, and not have all the extra slack in the strings.it was rattle canned and gouged, I think it may have been set on fire at one point.I guess it was the first "relic'd guitar"I ever been exposed to.2- it's much easier on this type of bass guitar.plenty of room on the headstock to add tuners.a pickgaurd will cover up both the old and any new routing that needs to be done.an sg pickgaurd can be used as a mounting template for mounting the new bridge studs, and I could use a trapeze tailpeice if I get lazy about lining up the stop bar.and 3- I'm a relentless tinkerer and am firmly against not trying to fix something that's not broken.it's like this bass is asking for it. I'm sure the mudbucker would sound fine. Honestly I'd swap it out. And get rid of that little humbucker as well. I'd try to make it appear to be as much a standard sg as possible,aside from the longer scale.of course is probably use an epiphone to avoid severely de-valuing a gibson.(even if I don't agree with the perceptions of "value" that gibson holds over Epiphone, I have to accept that most of the guitar buying world sees even the most identical of products worth 3× or more sometimes solely based on headstock logo.and I'm not going to essentially destroy an investment price on a silly idea such as this).
I play a '67 EB-0 and I love the tone. I also think it's an incredible comfortable bass to play. My other basses like this Gibson are also short scale. My Mosrite has a brighter tone and the most incredible neck and my Dano longhorn has a great woody tone. Out of the three basses, it's the Gibson that gets the most playing time as it can do any style of music and will hold its ground under any circumstance. Just as important as the basses used are my amplifiers. I only use vintage Acoustic amps. They have a very clean sound and are powerful enough to keep up with Marshall guitar amps. One last thing, they are all strung with flat wounds.
Great video bro, thank you. My one artistic comment is to make sure you move/dance/tap ur foot/bob ur head when you play bass lines. "You can't hold no groove, if you ain't got no pocket!" :))
Fun fact: Most Pink Floyd basslines were recorded on a P-Bass fitted with a Gibson mudbucker in the neck position, and they were played by David Gilmour.
According to the people that were there. Waters has said that he never really played anything, and wasn't interested in playing an instrument; Gilmour has said that he played at least 60 percent of the bass lines on the albums. Oh, and the bass was displayed in numerous Pink Floyd exhibitions, is still owned by Gilmour, and was one of the very few instruments he kept last year when he auctioned off nearly everything else.
That explains why the bass on Floyd records is so pedestrian or simple! Dave had to play that way so that Waters, who wasn't really interested in playing, was able to recreate those bass lines on stage.
@The SNES Man, here we go: In a 1992 interview for Musician Magazine, he was asked about Roger's proficiency as a bass player: "He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway." A few months later, Waters gave an interview for the magazine primarily to counter some other things that came up in Gilmour's interview, but said this: "I was never a bass player. I've never played anything. I play guitar a bit on the records and would play bass, because I sometimes want to hear the "sound" I make when I hit a string on a bass with a pick or my finger; it makes a different sound than anybody else makes, to me. But I've never been interested in playing the bass. I'm not interested in playing instruments and I never have been." And in 1998, Gilmour responded to an article about the Animals album that was published in Bass Player Magazine: "I don’t think I’ve ever described Roger Water’s bass playing as “horrible.” If I did I must have been having a bad day. He was a good bass player when he wanted to be - which he often didn’t - and when he didn’t he often asked me to take over the chore. On ‘Animals’ Roger played bass on “Dogs” and I played bass on “Sheep” and “Pigs.” Most of the bass line on “Sheep” (apart from the ending) was what Roger had been playing onstage, as we had been performing it as “Raving and Drooling” for a couple of years. However, in the studio Roger had a rhythm guitar part he wanted to play, so we swapped roles. On “Pigs” the part and the playing are mine. David Gilmour, via fax" The Interstellar Exhibition, Their Mortal Remains exhibit, and Gilmour's charity auction featured a number of bass guitars, many of which were custom built to Gilmour's specs or were modified by him, that were documented as being used on Pink Floyd recordings going back to the early '70s. Last but not least, the author of The Pink Floyd Encyclopedia published "Comfortably Numb: A History of 'The Wall', Pink Floyd, 1978-1981"; it credits Gilmour as having played bass on a dozen tracks on that album alone.
No trace of hair on the fret board so probably Brazilian. Now I need to see what a very slightly modified Mudbucker pickup will do as a normal guitar in Les Paul Jr position. Possibly the strongest rhythm guitar possible
Never cared for those as stock. Not a huge mudbucker fan, don't care for short scale basses, having large hands and long fingers, but that is absolutely my least favorite bridge on any instrument. And I owned a Washburn guitar with a Wonderbar tremolo, plus, I've worked on literally hundreds of guitars and basses since replacing the pickups in my very first guitar, a Kramer with a Floyd Rose, the day after I bought it brand new. That guitar still has the original Floyd Rose, but I replaced the replacements dimarzio's after about 2 weeks, exchanging them for a pair of Seymour Duncans which are still in that guitar. That is definitely my least favorite bridge on any instruments. I'm not saying whether it's good or bad, or telling anyone to not buy it, not enjoy it if they do, I'm just saying it is definitely, for numerous reasons, absolutely not a component I would want on one of my instruments. Another cool video.
Hey Austin, can you measure just the neck and let me know how long it is? Seeing this gave me an idea , I have an old Epiphone SG I have to replace the neck on and im thinking of turning it into a bass after seeing this one lol. I love the sound of this bass! I think it looks really cool as well, whoever buys it will be very pleased I think.
![Tee Grizzley - Robbery 8 [Official Video]](http://i.ytimg.com/vi/34_vkNV6wrU/mqdefault.jpg)
Disappointed you didnt play any black sabbath, the tone is perfect for N.I.B
Nima Nikpour I have a new eb and NIB is my go to song to jam on it
The vid would've been taken down. BS (although I love them to death) are a notorious for flagging everything.
Austin RB I agree
I am Iron Man!
Turns out Cliff Burton but a mudbucker in his Rickenbacker. So there's that
Thanks for that tidbit man
So does Billy Sheehan. The real bass virtuosos seem to value the t h i c c bass that pickup produces along with other, far treblier pickups at the bridge.
@@carlgustavjung1654 I guess for tonal range. That makes the most sense
Not a Homosexual Makes sense as he used it with the guitar pickup he installed on near the bridge of it, and with both and an svt, was how he got most of his tone.
@@fireemblemistrash75 The SVT is probably the biggest factor of his tone.
I can play Longview so I'm pretty much a professional bass player
Lol
I can play for whom the bells tolls so yeah, call me Les Claypool
I can play the first 5 seconds of YYZ so I’m Geddy Lee
today is not yesterday yeah but can you play an open E? That’s what I thought
without being able to look closer closer i would almost say that screw was broken rather than replaced as it has the same length shank and diameter as the others but doesn't get to the taper, the end of it was probably still in the body
GreboGent yes very astute observation, good man!
That's something we have to watch for in disassembly/ assembly, to not drive a long screw into a position which might have an old broken tip at the bottom of the hole or a break-through into a cavity, wire, or some other obstruction.
As a guy who started playing guitar at 14 years old, and bass at about 17 years old, which were both in the late 80's, and I still play both. I build both, also, for about 25 years.
You may be surprised to know that the basses not made Gibson, Fender, G&L, or Ernie Ball, which includes a lot of companies, selling more than half of all basses, annually, are made with bodies that are commonly thinner, smaller, and more narrow, than the guitars commonly made by those four companies listed above.
Since you build guitars, may I ask you a question? Which pickup position gives you the best mids? Thank you!
@@aprilkurtz1589 In the middle...
nah being bigger and heavier than guitars is a bass thing man
amazing bass! I have a 1966 EB0 with flats on it, such a mammoth sound
I love the mint condition guitar's you show but it's great to see instruments that have been worked adds tons of character to it. Thanks again...
Players grade is all over Looked. It means they work
I’ve had several 1960’s Gibson basses since my first EB-0 in 1967. There are tricks to make them sound good, my biggest bit of wisdom is don’t turn it up over “7”. Use the amp volume control. The pickup will overload the first preamp tube and you’ll get uncontrolled distortion. At at age 68 my #1 bass is a 1967 EB2C in sparkling burgundy. On all my basses the mute material was piano felt.
As an owner of a "73-74 EB-0, the original case is either loaded with mold, or never went with the guitar at the pawn shop. Mine is currently covered with mold, in the original case again, after the high humidity last summer. I'm waiting for spring warm up to disassemble and thoroughly clean it...
It's cool that after 52 years that bass is still being played and appreciated.
Thanks for occasionally doing some of these bass videos. I have a 1961 EB-0 and found this super useful. It's also amazing how different the EB-0s and EB-3s sound! I really expected them to be basically the same. I would still say mine sounds somewhere in the range of screaming godzilla creature though.
..had an EB0 from the same era. Had the pick guard removed to look like Andy Fraser, and the pick up replaced by a Fender Telecaster Bass rectangular pickup. I sold it, and it's always been one of my regrets. I have a 2012 Gibson SG Special bass, which eases the pain somewhat, but every now and then...
I love the EBs, great for doom metal
7:34 OH MA LORD I WAS FEATURED IN THE VIDEO HELL YEAHHHHHHHHH
Fist time?
MAH COMMINT WAS FEATURED RIGHT BEHIND YOURS BROTHER!
MFoust OH MA LORD IM SO HAPPY FOR YOU!!! HELL YEAHHHHHH
Lawyer Morty yes.
The Gibson EB-3 is a much more versatile bass than many people think.
Use both microphones together in different settings! Balance!
I love the bass for all the possibilities it has. At least mine.
That thing is sweet. I love the super fuzzy sound
My reflexes made me start headbanging when you started playing peace sells
That string mute device is brilliant. 👍
Agreed. Never seen it before today. I'd like to see something like that on more basses tbh.
i don’t think he fully understood how cool this instrument is lol
One day I will have the bass of my dreams an EB-0 !!
Excellent review !!
I love the tone and design of that Gibson's
Maaan, that bass was beautiful! The wear on it was so beautiful it gave me chills. Don't see them like that too often, and most owners won't sell them.
You know, when my SG came in the mail it was basically still set up perfectly by the previous owner...it was even in tune, after being shipped from Pennsylvania all the way to Washington State.
Yet, as soon as I got my slinkies in, the nrxt day, I took the whole guitar apart, cleaned it (with tips from you, and Beato's tech) and then put it back together.
Of course I had to set the bridge, and some of the saddles, after that, but the guitar never felt like it belonged to me until I had done all that.
Before I took it apart, I was all nervous like I just pulled it off a shelf at the store, or like I had my friend's Les Paul. Funny how that works out. However, if I take into consideration that I took apart,and tinkered with every cheapo guitar I ever had, it makes sense.
I LOVE the tone of the EB3.
Ron Asheton played one of these in The Stooges (he also played a Guild model that looked similar) Raw Power era
Recently visited a friend with a EB0 that had a lipstick like a Dano or Tele added halfway between the neck and bridge angled and that damn thing does the goods like no other.
I've watched this video at least three times now..
That's my dream bass right there it's so beautiful
I've got 2 modern SG versions of this bass. They are all I play. Most comfortable bass I ever picked up.
I have 1. Have been tempted to throw a real mudbucker in it.
yea finally a bass, keep the vintage stuff coming, so far your best video. thanks
I just picked up a *super* player grade EB-0. I can’t wait to use it for my funk band on the non-slap or extended range songs. It plays so well and does the subby vintage thing so well!
My friends has one just like it, with the felt damper on the bridge. If you adjust that thing just right, it can make sounds like a Scitar.
The wood on this one is beautiful.
Thank you so much for making this video. There’s a lack of really good demo of this wonderful bass. I wish it got more love than it does. I really wish Gibson would do a spec to apex reissue with that beautiful mudbucker pick up.
Gibson has a re-released version of this bass nowadays, but with simplified controls: Two volumes and one tone knob, like a Fender Jazz Bass. And the bridge muting assembly is no longer around.
I guess the current owner payed a lot less than he gets now, when he bought it in a pawn shop in the 80s.
These guitars aren't expensive but yeah, any vintage Gibson or Fender guitar bought in the 80s cost less then than you'll get for it now. That goes without saying.
The 1969 Les Paul Custom I have was definitely worth more than the $400 I paid for it (with a 65 watt Peavey amp) back in 1987!
This bass makes me smile! I love it
13:19 OMFG I found the lever noise that is used in Minecraft.
😂😂
I have the Epiphone version of the EB-2, the Rivoli, built in Kalamazoo in the 50's & 60's. It's the only bass I own. However, I'm an SG fan, own several, so I think I need to get an EB-0 or EB-3. This is the first review I've seen on one and I now love these things.
I LOVE when you reviews Basses...
I just purchased the Epiphone version of the Gibson EB 3 and I am in My HAPPY Place. I've been playing bass (guitars) since the late 60"s and with about a 1/2 hr. of setup time I have not been able to put it down . I've had my share of Gibsons through the years ( 62 frettless Ripper , 72 335 semi hollow bass ) and still have a Epiphone Les Paul, and a Stratocaster . My go to bass until now is the 1960 Hagstrom I have put 2 Dimazio J bass pickups on in 1975 with some adjustments because the Nut to Bridge string spacing ( pickups are slanted ) and it is a BEAST until now and this EB 3 blows it away. With a little tweaking with the EQ in the effects loop the 2 of them will go up against any High dollar. I'm beginning to Rant .
As primarily a bassist, this is my favorite of your videos so far, and I dig the Megadeth and Nirvana, because that's exactly Novoselic's sound on that tune.😊. Keep it up man.
If you can get your hands on one, could you review a 1960's hofner violin bass?
There's already a million reviews of Hofners on RUclips.
@@Vichedges but there's only one Trogly ;) and you can never have enough Hofner!
Oh shit! I'd love that. Always wanted a Gibson bass.
Damn I’ve always wanted one of these. The low end has always been so amazing sounding
I love how the EB and the Thunderbird are total opposites in feel and sound
the third screw was broken lol,,,,,
Thought i was the only one who noticed......not drilled deep enough at factory, and broke off!
I used to have a Gibson EB-3 Electric SG Bass. It sounded great, but had extreme neck dive.
I traded it for a Fender Precision.
That's the only thing that puts me off owning any SG guitar or bass - neck dive !
That's why I'm turning mine headless 😏
I added wheel balancing weights to the bottom corner of the cavity, it gets rid of quite a bit of the dip
LOL! While watching the sound demo, I'm sooo wanting to add more treble!! X-))
I saw my cousin's name pop up in the comments when you were throwing all the request for Sunshine of Your Love across the screen! That's awesome you put my cousin's name in there!
Your cousin is famous!
This is my dream bass!!! Hoping to get one one day
My dad had one of these, I wanna try and save up some money and get him one. He told me it was his favorite bass in the day
The string mute feature is great!!
It's kinda like the option of having flats and round wounds on the bass at the same time.. lol
That riff at 2:32 is fucking amazing
Peace Sells
I had a 1967 EBO ....I modified it by adding the split pickups from a P-Bass and the sucker had a great sound. I had so many friends wanting to buy it from me. One day I gave in and sold it. Wish I kept it now :(
Excellent show today . I learned a lot . Thanks Pal
I am really considering getting one. I used to play bass when I was a teen. In my mid 20s at one point I had to play bass for a little while because our bass player left. I kind of want to get back into bass again, but I don't really want to go back to the Fender scale. Besides, I'd look weird without an SG.
Never knew a guitar mute existed. Surprised I have never seen one used before. I can see alot of uses for that on basses.
Fender Jaguars had them too. Cool feature.
One of the best demo's I've seen. I wonder why Fender out sold this bass by a mile. The EB3 has much more balls and sounds much gnarlier than even a P-bass and especially a J-bass, even though most heavy rockers went with Fender. It's also much easier to play; again especially vs a thick old P-bass.
I mean it lools weird
From what I could observe of vintage Cream onstage pics, #2 seemed to be the late jack bruce's preferred setting.
Originally had a copy of the EB-2 that was stolen. My roommate lent me his Jazz Bass but suggested I get an EB-0 for the proto-punk stuff I was playing. And it was precisely what I needed. I still have it but it was heavily worked. The hardware is all original but it's refinished pretty poorly. But still sounds and feels great. But it doesn't have the pick guard or mute anymore. About a year ago I picked up a used Epiphone EB-3. Also sounds great but it is a bear. If you think an LP is heavy, this thing is just a bit over 10 pounds and neck heavy heavy heavy. I need to use it more. I haven't measured but it seems like the EB-0 neck is shorter than the EB-3.
At 10:53, the one screw wasn't replaced - it is clearly broken, the point missing, the blunt broken end showing. Now how in the heck did that happen? Perhaps low-grade metal. The point may be down in the screw hole.
Yeaah... This is my fav bass!🤩😭😭
Small body ,but killer!!
The neck bridge has been replaced and bigger than the original, my 1968 has still varnish on both side . The nut cover is original, mine has the same cut down the screw hole. The output jack is original.
Jack bruces guitar. Yeah!!! I made it into the comment section for saying what everyone was thinking!!!!!
Ya got your numbers mixed up there at 6:27 Trogly! Cool bass, nice playing too! Thanks for the Cream!
This bass sounds godly
I missed out on all the fun. Dennis Dunaway played a EB-0
Austin I love how you structure your shows. Well done!
Great to see an EB-1 again, a buddy had one, very cool looking but sounded somewhat like poo falling on wet cement. Sheer volume was the only remedy which never went over well with band mates or sound crew.
It was weird to hear people say something like "I can't hear the bass it's too loud".
How do you guys treat the signal on these Mudbuckers to get them right in the mix?
The truss rod cover is most likely original and not cut by an owner. The 1973 Les Paul Triumph bass I used to own was 100% original and had the same clipped-looking truss cover. I've also noted on several other vintage Gibson basses where the truss cover was clipped at the factory. My theory is that they are the same truss covers used on the guitars, but since the bass nuts themselves are much thicker, the factory clip is necessary. I read a ton (though not all) of the comments before posting this, to see if others had already said the same thing, but I didn't come across one. Just thought it was worth mentioning so people don't think a vintage nut has been replaced or truss rod clipped by an owner. Thanks for venturing into bassland, Trogly. You should do it more often!
The TRC on my '67 EB3 does not have a cut at the bottom.
Love it ! I'm only 5' 7" and struggle with a regular long scale bass . However - neck dive puts me off with these SG types. John Entwistle played one on Substitute btw.
I've got an Epiphone version and got rid of some of the dive by adding led self adhesive wheel weights in the bottom corner of the body cavity
Man, I'm saddened you didn't play my request, from what I could hear it was perfect for N.I.B..
Glarry is sending me a bass soon so I'll probably pull other song requests from that
@@Trog No hard feelings 😉But it did sound perfect for the distorted bass part in the beginning of N.I.B 😁🤘
I have a 1971 split stock one. I disconnected the choke. Lot of people do. Get a more full range sound.
Dun da dunt! I've been waiting so long!
Bob Daisley used one of these to record Blizzard of Oz.
I had a 1970 EB3 but George Massenburg told me his early 60s P bass sounded better and proved it to me in the studio. Found a 59 and never looked back to the EB3 although Jack Bruce is my fav all time. Weird huh?
ive always wanted to convert one of these to a 6 string baritone.plenty of room on the headstock,fits regular sg pickgaurds, just need to rout for pickups.
I've seen a few vids where people put guitar strings on some of these and imo the stock pickups sound great for guitar, and I'd imagine they sound just as good on a baritone
@@andrewlyon8924 I've seen those to.I've also seen the full and extended scale conversion"contrabass" videos.while it's cool they exist I don't really see myself searching for long enough strings, or reseting My entire rig for a tuning that low. My inspiration for this idea is 3 fold.1- one of the people that got me into playing at all, a friend from high schools father, had a similar project. he did his on an old harmony,or silvertone, or kay branded "danelectro type" short scale bass guitar.he did not do it with any atempt to make it look good just to make b to b tuning work better, and not have all the extra slack in the strings.it was rattle canned and gouged, I think it may have been set on fire at one point.I guess it was the first "relic'd guitar"I ever been exposed to.2- it's much easier on this type of bass guitar.plenty of room on the headstock to add tuners.a pickgaurd will cover up both the old and any new routing that needs to be done.an sg pickgaurd can be used as a mounting template for mounting the new bridge studs, and I could use a trapeze tailpeice if I get lazy about lining up the stop bar.and 3- I'm a relentless tinkerer and am firmly against not trying to fix something that's not broken.it's like this bass is asking for it.
I'm sure the mudbucker would sound fine. Honestly I'd swap it out. And get rid of that little humbucker as well. I'd try to make it appear to be as much a standard sg as possible,aside from the longer scale.of course is probably use an epiphone to avoid severely de-valuing a gibson.(even if I don't agree with the perceptions of "value" that gibson holds over Epiphone, I have to accept that most of the guitar buying world sees even the most identical of products worth 3× or more sometimes solely based on headstock logo.and I'm not going to essentially destroy an investment price on a silly idea such as this).
On the two first Ozzy Osbourne albums, Bob Daisley apparently played an EB3
awesome review. loved it
It’s a awesome bass
seriously, when you played that bass my brain vibrated. now my ears are ringing and i can hear my heartbeat. really weird
I think I'd want a bass to be much longer. Like a thunderbird.
BASS player here, that screw looks broken.......( 10:50 )
Nice dissection, i really enjoyed it, quite informative.
Thank you for enlightening.
2:30 Captions on, you are gonna love this
I'm diggin this nice eb bass! Nice vid
Dennis Dunaway nicknamed his EBO THE FROG, his Fender Jazz put a Humbucker up at the neck
Mike Watt is why I'm here.
I don't play bass guitar, but my dream is to try one of these SGs basses
Your dream is just to try one?
I just tried a 1964 EB0 at Guitar Center in Hollywood and it had a nice full and mellow Motown kind of sound. $1069.
I play a '67 EB-0 and I love the tone. I also think it's an incredible comfortable bass to play. My other basses like this Gibson are also short scale. My Mosrite has a brighter tone and the most incredible neck and my Dano longhorn has a great woody tone. Out of the three basses, it's the Gibson that gets the most playing time as it can do any style of music and will hold its ground under any circumstance. Just as important as the basses used are my amplifiers. I only use vintage Acoustic amps. They have a very clean sound and are powerful enough to keep up with Marshall guitar amps. One last thing, they are all strung with flat wounds.
Great video bro, thank you. My one artistic comment is to make sure you move/dance/tap ur foot/bob ur head when you play bass lines. "You can't hold no groove, if you ain't got no pocket!" :))
Yes, Breed on a Gibson bass. Perfect.
Why this guitar has only 4 strings?
THE_ DRAGON Because it’s a BASS guitar.
@@arthurc1971 It's a joke, don't ruin it, thanks
Fer reals
@@arthurc1971 r/whooosh
Starter guitar.
Rewatching.. Jonesing for one of these RN
i had a sekova copy of one of these way back in the day... wish i had never gotten rid of it
pro tip for you, if you want to hear this thing the way its meant to sound, play with your thumb, right ontop of the front half of the neck pickup.
Fun fact: Most Pink Floyd basslines were recorded on a P-Bass fitted with a Gibson mudbucker in the neck position, and they were played by David Gilmour.
Jonathan Hart massive conjecture.
According to the people that were there. Waters has said that he never really played anything, and wasn't interested in playing an instrument; Gilmour has said that he played at least 60 percent of the bass lines on the albums. Oh, and the bass was displayed in numerous Pink Floyd exhibitions, is still owned by Gilmour, and was one of the very few instruments he kept last year when he auctioned off nearly everything else.
That explains why the bass on Floyd records is so pedestrian or simple! Dave had to play that way so that Waters, who wasn't really interested in playing, was able to recreate those bass lines on stage.
@The SNES Man, here we go:
In a 1992 interview for Musician Magazine, he was asked about Roger's proficiency as a bass player:
"He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway."
A few months later, Waters gave an interview for the magazine primarily to counter some other things that came up in Gilmour's interview, but said this:
"I was never a bass player. I've never played anything. I play guitar a bit on the records and would play bass, because I sometimes want to hear the "sound" I make when I hit a string on a bass with a pick or my finger; it makes a different sound than anybody else makes, to me. But I've never been interested in playing the bass. I'm not interested in playing instruments and I never have been."
And in 1998, Gilmour responded to an article about the Animals album that was published in Bass Player Magazine:
"I don’t think I’ve ever described Roger Water’s bass playing as “horrible.” If I did I must have been having a bad day. He was a good bass player when he wanted to be - which he often didn’t - and when he didn’t he often asked me to take over the chore. On ‘Animals’ Roger played bass on “Dogs” and I played bass on “Sheep” and “Pigs.” Most of the bass line on “Sheep” (apart from the ending) was what Roger had been playing onstage, as we had been performing it as “Raving and Drooling” for a couple of years. However, in the studio Roger had a rhythm guitar part he wanted to play, so we swapped roles. On “Pigs” the part and the playing are mine.
David Gilmour, via fax"
The Interstellar Exhibition, Their Mortal Remains exhibit, and Gilmour's charity auction featured a number of bass guitars, many of which were custom built to Gilmour's specs or were modified by him, that were documented as being used on Pink Floyd recordings going back to the early '70s.
Last but not least, the author of The Pink Floyd Encyclopedia published "Comfortably Numb: A History of 'The Wall', Pink Floyd, 1978-1981"; it credits Gilmour as having played bass on a dozen tracks on that album alone.
Cream ... sunshine of your love ... jack Bruce
My first bass back in 73.
Also the guy with David Bowie played one. Sorry I don’t know his name.
No trace of hair on the fret board so probably Brazilian. Now I need to see what a very slightly modified Mudbucker pickup will do as a normal guitar in Les Paul Jr position. Possibly the strongest rhythm guitar possible
You could probably get some pretty sick stoner and doom sounds out of that.
exactly @@lordburgerboi2605
Are you going to do more bass reviews? I would love to see some quality bass reviews from you. Also you should practice a little more on the bass. :D
Never cared for those as stock. Not a huge mudbucker fan, don't care for short scale basses, having large hands and long fingers, but that is absolutely my least favorite bridge on any instrument. And I owned a Washburn guitar with a Wonderbar tremolo, plus, I've worked on literally hundreds of guitars and basses since replacing the pickups in my very first guitar, a Kramer with a Floyd Rose, the day after I bought it brand new. That guitar still has the original Floyd Rose, but I replaced the replacements dimarzio's after about 2 weeks, exchanging them for a pair of Seymour Duncans which are still in that guitar. That is definitely my least favorite bridge on any instruments. I'm not saying whether it's good or bad, or telling anyone to not buy it, not enjoy it if they do, I'm just saying it is definitely, for numerous reasons, absolutely not a component I would want on one of my instruments.
Another cool video.
Hey Austin, can you measure just the neck and let me know how long it is? Seeing this gave me an idea , I have an old Epiphone SG I have to replace the neck on and im thinking of turning it into a bass after seeing this one lol.
I love the sound of this bass! I think it looks really cool as well, whoever buys it will be very pleased I think.
I sent you some photos
@@Trog - got them, thank you