How to Sound Like Jonathan Kreisberg - 5 Killer Augmented Lines
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- Опубликовано: 6 сен 2024
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Like your new succinct teaching style. Thanks for breaking this down, much appreciated.
Not sure what you mean by my "new" style as this is an old video, but thanks for watching!
Killer lesson on creating tension. There are so many lessons out there for standard lines and not much specific to creating tension and release. This was great and so needed. More tension building lines! Ha ✌🏼
Thanks for the comments and glad you’re enjoying the videos! 🤘
Man those are great lines, thanks so much! Hope you have a great weekend
Kreisberg has some of the best ones! Glad you enjoyed it, you too! 🤘
Great ideas! I’m getting the pdf.
Thanks for watching! 🤘
Awesome playing and lesson! Thank You!
Glad you liked it! Thanks for checking it out 🤘
Another great lesson, thanks!!
Thanks David! 🙏
Very cool melodies that I definitely will use!
Great Nico! 🤘
Awesome lesson using augmented/wholetone variations!!
👍😎👍
Thanks for watching! I love what Kreisberg does using augmented/whole tone 🤘🤘
thanks ! very good job 👍
Thanks Marc 🤘
Very very helpful. Thanks.
Glad you found it helpful 🤘
Love it. Thanks.
Thank you! 🙏
Great lesson, but no girlfriend..... 😢😢
Haha she’ll be in upcoming ones! If she’s in the lesson videos no one will focus on the lesson 😉
@@ChaseMaddox I do; I'm 68. Thats too old to worry about that stuff....
Great! Thanks!
You're welcome!
what's that green jazz book on your bookshelf? caught my eye
I have no idea which book you’re referring to 🤷🏻♂️
it’s on the shelf by the lamp
@@ChaseMaddoxI can only read “jazz” in white letters
It’s called “The Oxford Companion to Jazz” by Kirchner
What’s the name of that guitar? Looks like an ibanez
It’s an Ibanez Artcore model with some upgrades to the finish 👍
it’s interesting that the augmented shape 4:20 is also mel minor. I know it’s off topic but would you interject melodic minor phrasing as well and visa-versa
You totally can switch between the sounds over an altered dominant sound. The augmented shape will give you a #5 with a natural 9 sound, while the melodic minor has the b9 and #9 instead. As long as the lines are outlining their respective sounds well though, mixing them up will sound good.
@@ChaseMaddox Great info. that helps a lot. Been workinking a lot with melodic, harmanic and diminished. Haven’t addressed augmented and whole tone so this is really insightful for me.
thank you!
Hello, Did I catch you doing 3 notes on the g string on the second octave of that riff? You could do a more stretchy harder to finger version and get the 4... ?
Which line are you talking about?
@@ChaseMaddox that first augmented one..just was playing with it here now ..does seem easier getting that 3rd interval to the b string
@@ChaseMaddox ok got it... there are ways if I see the intervals ... 3rd walk chromatic a 2nd... 3rd 3rd etc ... Then that second one ive heard pat martino do right off the top of my head...
That’s it!! 👍
I dispute your coffee claim.
What was the claim?
🤘
Great lessons…….once again ….. No tabs!!!
Thanks! What do you mean no tabs? There’s a free pdf in the description that gives you tabs.