Mick- thank you for this! I watched this when it came out from sheer curiosity, but tonight I decided to put a new pick guard on my Squier Vintage Modified Jazzmaster, thus removing all the strings, and when I went to restring it I realized you had JUST showed how to use these tuners! (It's my first time restringing the Jazzmaster, so I hadn't been through this before.) Once again TPS comes through as my best source of guitar education on RUclips!
After close to 50 years of playing I didn’t think there would be much to ‘ learn’ about strings for me. On the strength of tps advice a couple of years ago I stepped up from 10s to 10.5 ( D Gilmour GHS initially). Your VLog has confirmed much what I thought. Cold steel va hot steel saddles was something new. I still have to do some work to get my strat/rig sounding like your delicious tone. Thanks I enjoyed.
The way I string up these vintage style tuners, is to pull the string taught, then cut it two tuners past the one you're stringing up. Then put the end in the hole, bend it to the OUTSIDE, and then wrap it back around to the inside and tune up keeping tension on the string. It gives nice consistent winds and stays in tune perfectly
I'm glad I hear someone else say that these are the best locking tuners. I've been saying that for years, but nobody here takes me seriously. I've had Sperzel locking tuners. Two of them were useless within a year. I never had any problems with these slotted Fender type tuners. Except once, when I tried to widen the slot on the post of the low E string on my '82 Dan Smith strat with a butter knife, because my .068 string wouldn't fit (don't ask). These tuners were made of die cast material. One side of the slot snapped. I'll never make that mistake again. But again, they're the best. I struggle to restring all my other guitars that don't have them, but those Fenders (Klusons)? No problem whatsoever. :-)
More Wah! Finding the right set of strings can be quite the journey. After playing stock sets for ever, I tried putting my own ones together. I really loved a 12-60 set on my Les Paul in e flat, but long rehearsals could get a bit tiring towards the end, so I went down to 11-56, and I quite enjoy that. Brandwise I keep coming back to Ernie Ball, they have a really nice brightness to my ears.
I love Curt Mangans, they're so balanced that they almost sound compressed when you're playing them. I use them on my 335, but I find them a little dull on my Tele so I use Stringjoys on those
Curt Mangan Pure Nickel Round Core strings are exceptional. So also are there Round Core Bronze strings. They have great tension and intonation. And they last a long time. I haven't changed mine in a year, and they still sound full and clear. Great stuff! Coloradoooooooo!!!!
Hey Mick! I quite enjoyed 20-some minutes of watching you change strings! As the still fairly recent (10 months?) owner of a '63 Strat--and also someone who played nothing but Gibsons for the first 20 or so years of my guitar playing life--watching you carry on with the slotted string tuning pegs was very helpful. Mind you, I've managed well enough on my own, but it was very encouraging to watch you and hear your take on these. I trust I will come to love them, too. At first, I just could not believe that they would not slip; but they don't! Cheers!
That Pedal Show , an episode about David Gilmour guitar auction !!!!! Why ....history you have personally with your guitars and would you sell them after 50 years of love , etc...Me not !!!!! But an episode about that relationship between people and gear and Gilmour would be awesome ! Kind regards from Vannes, France
@@ThatPedalShow id recommend the optima 24k gold brian may signature strings. I know dan like myself is a massive brian may fan. I use them on my red special replica. Really nice but expensive!
I've been playing Curt Mangan Monel 9-42s for the last month or so and I really love them. They aren't too noodley nor too stiff, and they sound somewhere between a warm pure nickel string and a bright nickel plate. I can't see myself switching anytime soon.
Glad you guys are hip to these. Guitarist Allen Hinds first turned me on to these a while back. You're absolutely right, I put them on and they feel just broken in enough to go for it. My favorites are the pure nickel but I got back n forth only since the pure nickel strings have a short sweet spot for me. Looking forward to checking out the signature sets
For the work you all put into this you deserve everything that comes your way. You share a lot of great information in a way that is constructive and not destructive. Kudo’s.
Totaly agree about the tuners. HAve the same kind on my strat. Got a two screw Wilkinson, floating trem. I can do divebombs and hard use of the trem and still stay pretty much in tune.
I am following your Chanel quite a while now. Just so Good to see that kind of nerdi coolness arround that Hobby. Simply love it. You should have more subscribers. Greets from Germany. Have Schwang
Elixirs for me. Tried D'Addario (nickels and NYXL when they came out). Tried EB (Slinky and the Cobalts when they came out). My hands eat strings. Shifted to Elixirs for both electric and acoustic and I get ages out of sets and they're rock stable.
Same here. I absolutely love how EB Slinkys feel out of the packet. Bright, smooth, and sooo bendy. Fast-forward a few days and they're mellow, harsh, and stiff. Elixir is where it's at now.
Very interesting episode, there's so many elements to guitar tone and just being comfortable with the instrument *mind blown* also I heard that Joey Landreth solo, awesome playing as always! 👏👏
I used to put on a new set of Ernie Balls or D, Addarios and I would have an awful muted sound (typical dead sting) after around an hour or so. After hearing Scott Grove talk about him having exactly the same thing when he used regular strings, he suggested I try Elixir strings and they changed my whole world ahah. I found that I could change string once every 4-6 months and always have that crystal clear sound associated with new strings. I know not everyone likes that sounds but it's when I feel the guitar is most alive and has the most harmonicaly pleasing sound.
@@foottapiologist I agree some of the things he says are painful to watch. But this genuinely made a huge difference to me because as a student. Elixirs last me on average 6 months per set. And normal non coated strings last max of a week. It has saved me so much money!
I, for one, quite like the added brightness of the Callahan. Of course I don't know what Blue sounds like in a room but it was a significant improvement to my ears.
wow, such a difference in reverberation when you moved to the TPS set. Excellent example of how acoustic treatment improves clarity of sound recording...
can't wait to order a whole box of your custom strings! it's really nice to be able to connect your playing with talents you admire -if that makes any sense lol thanks!
Mick, i've been seeing you on youtube for a long long time, and i gotta say that your playing has evolved substantially! You've become an AMAZING guitar player! PS: Your Movember demo on the Jimi Hendrix Band of Gypsys Mini Fuzz Face made me buy it and it hasn't left my board ever since! So thank you!
Wow, thank you Luis. Hanging out with Dan so much and all the cool people we've had on the show is helping me to improve and evolve. For me having a tone that is truly inspiring is the biggest part of the deal. Thank you for the kind words!
oooooh :D A friend sold me on some D'addario NYXLs and although the standard gauge might be a wee bit harsh on the fingers, the zing hasn't dulled in a couple of months of practice which is astounding to me. But I'm still pretty open on alternatives so thanks for giving us all something to think about.
I started out when I was just a little using Ernie Ball slinky’s & every time I try & go with another brand I always end up going back to Ball’s. Sadly I use 11-50 now which Ernie Ball doesn’t make so that’s frustrating having to order packs of 50’s. I just now am trying their new paradigm stings & I’m really liking them so far.
I've been playing since forever and still suck at restringing. I've tried different methods but I'm all fingers and thumbs, and most of the time can't get each successive wind to sit beneath the previous one. So I put off changing strings for as long as possible. I like the basic, simple Ernie Ball 10-46 but maybe the Elixirs would work because they are supposed to last longer.
I am currently trying the Curt Mangan 11-54 set on my strat. I didn't initially like them, but once you get used to how they are a bit more resistant, it's not bad. Coming from NYXL 10-52
I've used D'Addario XL115 11s for 20-odd years, and am very happy with them. I use them on my Les Paul and Tele - enjoy the extra 'snap' they provide - I don't even really notice the difference of scale length...I've tried every string out there...except... Mangan's...Thanks for tossing a stone into my calm pond...🤨 I, like you sometimes find D'Addarios a little 'stiff' but always assumed that was just a thing to put up with for playing 11s...Changing your string brand/string gauge is the cheapest way to find "your sound" there is, and I'm always surprised at how little it gets discussed...Suppose I'll try some Mangan's now...Thanks (I suppose...) for shaking me out of my complacency.
Thanks for not "selling" strings. I'm getting started on a string-quest for my epiphone, and was hoping hear more about the feel of strings than "these are the best ever!", followed by some over distorted shredding. I've typically used d'addarios, elixirs or Dr's in the past. But with the epiphone, it's probably time to do some exploring. Good vlog, Mick.
If it's an Epiphone with a Tune O Matic+stop bar you could also experiment with wrapping over the stop bar. It reduces tension and can allow you to go up a gauge without it being too hard on the fingers. I like 011-48s wrapped over on LP/SG type guitars myself
@@steffenla4 Thanks, I'm planning to do that for the dedicated slide rig. I need to get the action up on that one, but wanted to keep the stopbar nailed to the body. Seemed like the best way to keep the angles close to stock. If it works out, I'll do the same to the epiphone
We start the show With Dan and Mick saying “Hello!” Pretty soon the melody Sounds like a wet, dry, wet, damp symphony We start the show... -to the tune of “Made Up Mind” (Bros Landreth) I think Joey Landreth should rewrite and re-record a new version of your theme song with you two
As I was rushedly writing from another account before my phone died - I have watched more guitar and general YT videos than any one sane person should, and the video quality, along with where you're sat, is one of the nicest looking vids I've yet seen. Would love to see more in that spot if you have anything to natter about!
My finger sweat makes strings turn black within three hours. I can only really work with Elixir and luckily the latest incarnation (OptiWeb) is quite usable. They last forever which is nice but I'd love to try different options from time to time.
For years and years... Like 30 probably. I've used Ernie Ball 10s but recently annoyed with how quickly they are tarnishing like almost as soon as I fit them. I'm about to try D'addario as used for some time on acoustics which for years I struggled to find anything I was happy with. Then I tried Elixir after getting a couple of free sets at a show. They were really impressive on acoustics. So I got a couple of electric sets in those multi pack offers so I'll try them to. Maybe I'll try the Carl Mangen but I think your set will be just tad too heavy for me
I think breaking strings is some sort of personality thing, i almost never break strings aswell while a former bandmate struggled with breaking strings all day, he sold me his guitar later and i still had no issues. I actually want to try Curt Mangan strings now. I had D'Addario for a while but then i tried DR now D'Addario are too stiff for me! Changed to DR Drop-Down 10-46 for standard and slightly lower tunings, DR Jeff Healey signature 10-56 for C modal.
Good info. We do change strings almost the same...I use a Doctor Duck chuck on my Black an Decker VPX drill motor for a string winder...I've used D'addario for so long now not sure what I like anymore cause these strings are all I remember...!'m 67 so it's not like I'm fickle but I am in the middle of changing the gauge from 11/49 back down to 10/46...going to mess with several things to get the tone I like....Homer Formby's lemon oil on Rosewood a couple times a year and a good cleaning. a drop of teflon based lube also a couple times a year. I stretch my strings a bunch when new and get a ton of crud from other plkayers about streaching the life out??? can't use a trem till the strings are stretched right????...have a wunnerful and keep up with the info.
switched to elixirs after 10 years of d'addario. they dont feel alot different playing wise but damn they are smooth. perfect for everyone who doesnt enjoy the 'dirty' feel.
I stretch my new strings Mick. After putting a new string on, I gently pull the string away from the fretboard and at a certain point you can clearly feel it 'give' a bit, and that does it for me.
String 'stretching in' is an abomination and ... it really isn't necessary. Strings need to be uniform to vibrate in a symmetrical, even fashion and to intonate properly. Pulling new strings through the bridge so that they scrape can damage the windings and then yanking and pulling on a freshly installed string can put a permanent bend in it. You may not see the bend when the string is at tension but it won't vibrate symmetrically. A couple of re-tunes and some bends / vibrato bar waggles should settle new strings quickly without any violent yanking.
@@ResoBridge Well..nuclear proliferation is an abomination, string stretching is at most a personal preference or a whim. I've been (note 'gently') stretching my new strings for 40 years Terry and nothing abominable (or even trivial for that matter), has ever resulted. I do it and get on with playing. No disasters, no damage, no worries. Incidentally, Larry Carlton plays with a new set of strings for every performance. He stretches each string until it stabilizes and gets on with the gig. Perhaps you should drop him a line and tell him what he's doing wrong.
As the CEO of Ernie Ball told me, there's only three wire manufacturers in the world, so every string company is using the same wire. All it comes down to is QC and marketing.
Out of all the strings I have played, D'addario and Curt Mangans have been my favorite. Curts i use for more standard or half step down. A d'addario i use for more drop tunings, whole step down, drop c, drop d.
@@johnwalliss I started on d'addario maybe over 10 years ago. I have tried other brands here and there. Always go back to the d'addario. But I do like the warmth and flexabilty of the Curt Mangans. Especially on the 25.5 inch scale type guitars the Curts feel nice. But I primarily and will be a d'addario guy.
I have a skin condition that means I have to wear a thin glove on my left hand while playing. Looks daft, but means strings last forever (not literally) and both strings and neck always feel silky smooth no matter how hot the venue is. Kurt Mangan all the way for me regardless
I'm pretty happy with 10-46s from Curt Mangan on my strat. Despite Matt Schofield say he's never snapped one of Curt's strings I snapped one the other day. I've got an Allen Hinds Curt Mangan that I'll put on next.
EXL110 strings last 1 week max for me... so I have to get the long life ones. I’ve found Elixir’s to be the best in this regard. And they sound pretty good too...
This is in response to the q and a vlog that went out yesterday and then also this where you had said that locking tuners eventually slip and wear down... had that problem myself ...... .... until i found the grover locking tuners that simply lock as you turn the tuner knob....there isnt any trickery and it stays put for years without slipping .... i also find them much easier and faster to install new strings on as well ... ! I understand about not wanting to change them out on a vintage instrument, but why not try them out on something that isnt vintage and has tuning instability... ... thanks guys for the great info .. cheers ...from the states
I agree with you about the Kluson tuners. Simple, tidy and very secure string loading - genius!. And pressed on buttons, none of the modern, held on by a screw (some of the time) and sort of fits on the shaft. I really wish the tuner/machine head makers would come up with a better way of fixing tuner buttons on the shaft that would also allow them to change button styles, which as far as I see is the only reason for the keyed shaft, secured by a screw, button design. The only thing that isn't so great about the vintage Kluson is the 14:1 gear ratio. I'm curious how much you notice string tension. I have always thought it would make sense to have all the strings at the same tension and there seems no reason they can't be, but for most string sets the tension varies by 40% with the A and the D strings at the highest tension. No one seems to know why this is the case, including the string manufacturers. D'Addario do make some balanced tension sets, but they don't seem that popular.
Hello Terry. I don't think about it in terms of balanced tension. The guitar feels how it feels and I play it. I can't think about it any more than that, unless there is an obvious problem that's stopping me from getting sound out the way I want it to come out. Hope that explains it!
Always used D'Addario 9-42 on my 25.5 scale guitars. Now I'm trying out the 9-46 for the heavier bottom strings since my Gretsch always had 10-52. I played the Gretsch mainly and got so used to the tension of the lower strings, even using 42 low E on the longer scale just feels like mush! I would love to spend a few dollars and find a custom set that works with me.
I can`t wait to try those strings, I use the same gauges than Dan but the D`Addario regular get corroded after few days and the NYXL a bit expensive on three guitars what I use for rehearsing and gigging.
Totally agree about those tuners. My CS strat from 1990 and Musician sabre never get string slip and I string up like you. Great tuners. My old G&L F100 had them too.
I agree, those are the best and most consistent locking tuners. I used to have locking tuners (Fender and Sperzel and Shaller), but the strings break way faster at the tuning peg or they slip.
Yeah, we do Made Up Mind which is cool. I need to get some sort of solo down... Trying to be Joey is a lost cause, so an alternative approach is required. :0) Man that guy is soooooo good.
Hey mick thanks for doing these vlogs as it gives information and inspires us to "step outside the box of norm ." Eg Not sticking with scripted standards and finding things for your personal tastes and realising its not to difficult to do it. Thanks again .🤘
Will we ever get a video about string material? I've been reading about string history and it's absolutely fascinating. Fender went from shipping flatwound 12s on Strats to 10-38s pure nickel to modern day 9-42 Nickel wrap! I wonder if that's why Strats sound bigger with thicker strings as that is what they were designed for... Shame I'm not strong enough for 12s!
Really enjoying this journey of yours Mick. You're in my "gang". Stratocaster's rule, I just love em. All the little tweaks make a difference, the audience might not hear it. But, YOU can feel/hear it when you play :-)
Tactile and playability considerations are secondary to the balanced output of the instrument when amplified. Jimi Hendrix chose his on gauges this basis and I've found it stops the booming lower strings killing higher gain settings on the treble strings.
Good points, but it depends who you are and what you do. I could see playability being the most important factor for loads of people. (Most non professional players, I'd wager)
I get through a set of strings every gig. I’ve even had to restring a guitar after playing an afternoon gig for an evening show. It’s a real pain! I’m not even a sweaty person. 🥺
10-52 ernie balls for me, i really like to mess around with tuning so the heavy low strings really help. I've tried 11s and they were great for the tuning stuff but I personally love bending and vibroto and the 11s just didn't work out. Thanks for reading!
@@thenotsoguitarguy9429 I've been playing ernie ball since I started playing, just bought some dadarios for my danelectro. I'll try the elixers some time.
@@angeloxboss - ha ha, it seems like people either really like them, or they really don't. I think they play/sound fine. The biggest advantage for me, like I said, is that I dont have to change them as often.
@@thenotsoguitarguy9429 I just haven't tried them, I'm looking at string joy because I want an 11-54 set for my danelectro, for d standard and c standard
Yep, Skinny top - Heavy bottoms for me too, but for a different reason: I love thick gauges for the low strings because it thickens the bass a bit and let me hit a bit harder on them without wobbling too much, but I prefer thinner strings for the higher notes because I have sissy hands and bending a thick string hurts my insides...
I always preferred pure nickel strings, but I've found that I care more about the core than the wrap material. I still use hex core Ernie Ball Rock n Roll strings on one guitar, but I much prefer the feel of round core DR or GHS generally. Having seen this and browsed the Curt Mangan website I'm going to order a few custom sets of the pure nickel, round core strings. Thanks, Mick!
Having played them on my Les Paul and Fireman for a while now, I can honestly say that my expectations have been exceeded. Definitely ordering more for my Partscaster. Thanks again!
It's funny. I'm all the way over on this side of the pond and I prefer Rotosound strings. It took me years of trying different string sets to sort this out. Of course it's all personal but I think we take all the great string availability for granted. That said, experimenting never really ends. As for the Vintage Tuners. They are my favorite too. They just make sense and have never caused me one single problem.
As a bass player (hope that’s not a swear word here😉) I love it when my strings get a little older. Not just for flats but for roundwounds aswell, rounds get a bit less clangy. Never boiled ‘em though. Rotosound 105-45 for me by the way, love them.
Interesting, I would have thought that you'd have the more dynamic amp as the dry with the other adding in the wet FX Teching a couple of shows for him, Matt Schofield turned me on to a gadget called the Stretcha. He changes strings constantly and it lets him quickly stretch them in. I noticed that running it up and down as hard as he does I get the strings curling a bit after taking them off. So I use it to just stretch at multiple points up and down the string. Something I used to do by hand after Daved Kohls (Robben's tech some years ago) showed me as he was putting fresh strings on before a show. Like Matt, Robben changes strings every show and often before each set. I've been able to put new strings on after soundcheck and have them stay in tune throughout the first set. The Stretcha is easier on my hands than grabbing and yanking on the strings. Only $12.50 on Amazon, which is where Matt told me to get it. Never seen them anywhere else. I used to use whatever was on sale. At one point Dean Markley (local company) offered me an endorsement but by then I'd settled on D'Addario as being more consistent and longer lasting. I've tried the Curt Mangans and liked them, but they're more expensive than the 10 packs of D'Addarios. Now I see on their site that they're now offering 6 packs at better prices. Also like the idea of the 10-50 set. I use 10-52s on my 335 as they feel more balanced to me, but that's a bit tight on a Fender scale.
I recall a while back you did an episode about string gauges, and perceived variation in the sound they produce. Continuing this theme, I'd like to see you compare strings of different materials. Same gauge, same manufacturer, same amp settings, but change between sets of nickel plated, pure nickel hex-core, pure nickel round-core, etc. It might not be feasible to test every material type, but a few of the main ones would be great. Cheers.
to me boomers is where it's at. they're cheap and consistent and packaged well. i use nickel plated steel and pure nickel, ranging from 9s to 11s, depending on the guitar. they last me forever (=maybe six months) when i wipe them down after playing (which i always do). i (almost) never break strings anymore, and i broke strings like crazy back when i used d'addarios (like, two per week). could well be some other parameter in my playing though, but i eat through d'addarios on mandolin too. for me, their j74s last 30 minutes before they go completely black and break, and everybody swears by them. same for their flat tops. it's crazy. maybe something in the d'addario alloy doesn't like how i sweat. that's why i mostly use coated strings (elixir nanowebs) on all my acoustic instruments; i get a few months life out of these and they sound gorgeous. so if you're having trouble with breaking lots of strings, maybe try a different brand or a coated string.
I think my ideal set (on a tele) would be: 48 38 26 17 14 12 Odd I know but I like a really balanced tension across and really only find the high E to be out of wack so I like when the tension moving from the E-G is close. Anyone else prefer something like this?
There are no rules. Agreed. But when it comes to strings, here's as good a starting point as any: Use the heaviest gauge strings you're comfortable playing. Back in the 70's, there was a trend toward very light gauge strings which I mindlessly followed. I felt like I was with the "in" crowd but my tone -- and intonation -- totally suffered. If you're unhappy with the feel of your guitar or your tone, try going with heavier gauge strings. You might be surprised. A while ago, Dan suggested he was using "balanced tension" strings. I tried them out and love them to death. I play a lot of slide, so maybe that explains it. A big "thumbs up" from me on balanced tension strings.
Would be interested in trying these over my usual D'addario 10-52's but I really don't want to switch to paying a tenner per pack of strings when the XL's are £15 for three sets on Amazon.
Been using standard D'addario 10's for Fender scale and 10.5's for Gibson scale forever (more companies need to do half gauges!)...will have to give the Mangans a try
I barely get one wind on my strings.I thought that was the point of locking tuners? Not to have too much slop at the end of the string to slosh about. Hmmm. That Flanger sound had me put my Electric Mistress back on my board for a while...memories
Have you had a cup of coffee too much? ;) I used Ernie('s) Balls for years, but they've started to become inconsistent. As in rusty sets, g-strings having a intonation that was totally off and the like. I settled for cheap Fender nickle plated steel. Also Fender locking tuners for the win. ;)
Mick- thank you for this! I watched this when it came out from sheer curiosity, but tonight I decided to put a new pick guard on my Squier Vintage Modified Jazzmaster, thus removing all the strings, and when I went to restring it I realized you had JUST showed how to use these tuners! (It's my first time restringing the Jazzmaster, so I hadn't been through this before.) Once again TPS comes through as my best source of guitar education on RUclips!
After close to 50 years of playing I didn’t think there would be much to ‘ learn’ about strings for me. On the strength of tps advice a couple of years ago I stepped up from 10s to 10.5 ( D Gilmour GHS initially). Your VLog has confirmed much what I thought. Cold steel va hot steel saddles was something new. I still have to do some work to get my strat/rig sounding like your delicious tone. Thanks I enjoyed.
Appreciated the opening lick to “made-up mind”! 👍. You and Dan were the ones who introduced me to the Bros Landreth, and I am Forever Greatful!
How interresting can string changing be?
Well,... still learned some little tips & tricks. Thanks Mick for taking the time to post it online!
Ha! Thank you! Hopefully guitar stuff is always a little bit interesting... :0)
The way I string up these vintage style tuners, is to pull the string taught, then cut it two tuners past the one you're stringing up. Then put the end in the hole, bend it to the OUTSIDE, and then wrap it back around to the inside and tune up keeping tension on the string. It gives nice consistent winds and stays in tune perfectly
Yess! Love me some Mick Vlogs
I'm glad I hear someone else say that these are the best locking tuners. I've been saying that for years, but nobody here takes me seriously. I've had Sperzel locking tuners. Two of them were useless within a year. I never had any problems with these slotted Fender type tuners. Except once, when I tried to widen the slot on the post of the low E string on my '82 Dan Smith strat with a butter knife, because my .068 string wouldn't fit (don't ask). These tuners were made of die cast material. One side of the slot snapped. I'll never make that mistake again.
But again, they're the best. I struggle to restring all my other guitars that don't have them, but those Fenders (Klusons)? No problem whatsoever. :-)
More Wah!
Finding the right set of strings can be quite the journey. After playing stock sets for ever, I tried putting my own ones together. I really loved a 12-60 set on my Les Paul in e flat, but long rehearsals could get a bit tiring towards the end, so I went down to 11-56, and I quite enjoy that. Brandwise I keep coming back to Ernie Ball, they have a really nice brightness to my ears.
I love Curt Mangans, they're so balanced that they almost sound compressed when you're playing them. I use them on my 335, but I find them a little dull on my Tele so I use Stringjoys on those
Curt Mangan Pure Nickel Round Core strings are exceptional. So also are there Round Core Bronze strings. They have great tension and intonation. And they last a long time. I haven't changed mine in a year, and they still sound full and clear. Great stuff! Coloradoooooooo!!!!
Love how much resonance your guitar has Mick !
Thank you!
Always happy to listen to you playing Mick, so never "entirely unnecessary"!
Bless you, thank you!
Hey Mick! I quite enjoyed 20-some minutes of watching you change strings! As the still fairly recent (10 months?) owner of a '63 Strat--and also someone who played nothing but Gibsons for the first 20 or so years of my guitar playing life--watching you carry on with the slotted string tuning pegs was very helpful. Mind you, I've managed well enough on my own, but it was very encouraging to watch you and hear your take on these. I trust I will come to love them, too. At first, I just could not believe that they would not slip; but they don't! Cheers!
Congratulations on that Strat. I covet my neighbours guitar. There, I said it.
Mick at it again with ol' blue. Gonna have to change my strings now, that brand new string feeling is so wonderful!
Please make an episode in which you say 'I have David Gilmour accompanying me today'... and actually bring him on!
That would be cooooool.
That Pedal Show , an episode about David Gilmour guitar auction !!!!! Why ....history you have personally with your guitars and would you sell them after 50 years of love , etc...Me not !!!!! But an episode about that relationship between people and gear and Gilmour would be awesome ! Kind regards from Vannes, France
Except he ma6 have sold all of his guitars by then so it might be too late!
@@ThatPedalShow id recommend the optima 24k gold brian may signature strings. I know dan like myself is a massive brian may fan. I use them on my red special replica. Really nice but expensive!
Can TPS get Mr David Gilmour to drop in or a Show at his place and All of his Pedals?
I've been playing Curt Mangan Monel 9-42s for the last month or so and I really love them. They aren't too noodley nor too stiff, and they sound somewhere between a warm pure nickel string and a bright nickel plate. I can't see myself switching anytime soon.
Oh nice! I tried monels on my acoustic and really liked them.
Glad you guys are hip to these. Guitarist Allen Hinds first turned me on to these a while back. You're absolutely right, I put them on and they feel just broken in enough to go for it. My favorites are the pure nickel but I got back n forth only since the pure nickel strings have a short sweet spot for me. Looking forward to checking out the signature sets
For the work you all put into this you deserve everything that comes your way. You share a lot of great information in a way that is constructive and not destructive. Kudo’s.
Totaly agree about the tuners. HAve the same kind on my strat. Got a two screw Wilkinson, floating trem. I can do divebombs and hard use of the trem and still stay pretty much in tune.
Great vlog Mick, also great meeting you and Dan at NAMM, it was a great little chat!! Cheers!!
I am following your Chanel quite a while now. Just so Good to see that kind of nerdi coolness arround that Hobby. Simply love it. You should have more subscribers. Greets from Germany. Have Schwang
Elixirs for me. Tried D'Addario (nickels and NYXL when they came out). Tried EB (Slinky and the Cobalts when they came out). My hands eat strings. Shifted to Elixirs for both electric and acoustic and I get ages out of sets and they're rock stable.
Same here. I absolutely love how EB Slinkys feel out of the packet. Bright, smooth, and sooo bendy. Fast-forward a few days and they're mellow, harsh, and stiff. Elixir is where it's at now.
Very interesting episode, there's so many elements to guitar tone and just being comfortable with the instrument *mind blown* also I heard that Joey Landreth solo, awesome playing as always! 👏👏
I used to put on a new set of Ernie Balls or D, Addarios and I would have an awful muted sound (typical dead sting) after around an hour or so.
After hearing Scott Grove talk about him having exactly the same thing when he used regular strings, he suggested I try Elixir strings and they changed my whole world ahah. I found that I could change string once every 4-6 months and always have that crystal clear sound associated with new strings. I know not everyone likes that sounds but it's when I feel the guitar is most alive and has the most harmonicaly pleasing sound.
I had a set on for 12 months and they still sounded okay before I took them on.
@@foottapiologist I agree some of the things he says are painful to watch. But this genuinely made a huge difference to me because as a student. Elixirs last me on average 6 months per set. And normal non coated strings last max of a week. It has saved me so much money!
I, for one, quite like the added brightness of the Callahan. Of course I don't know what Blue sounds like in a room but it was a significant improvement to my ears.
wow, such a difference in reverberation when you moved to the TPS set. Excellent example of how acoustic treatment improves clarity of sound recording...
My local mom&pop guitar store has carried Mangan strings forever..... love those strings!
The songwriting on the new Kacey Musgraves record is so good. She is definitely not just another throw away pop artist.
can't wait to order a whole box of your custom strings! it's really nice to be able to connect your playing with talents you admire -if that makes any sense lol thanks!
Agree about the tuners. They look cool, make restringing very easy and they hide those nasty sharp ends
Mick, i've been seeing you on youtube for a long long time, and i gotta say that your playing has evolved substantially! You've become an AMAZING guitar player!
PS: Your Movember demo on the Jimi Hendrix Band of Gypsys Mini Fuzz Face made me buy it and it hasn't left my board ever since! So thank you!
Wow, thank you Luis. Hanging out with Dan so much and all the cool people we've had on the show is helping me to improve and evolve. For me having a tone that is truly inspiring is the biggest part of the deal. Thank you for the kind words!
@@ThatPedalShow Thank you both for doing what you do! I'm sure that you've reached a lot of people in the same way you've reached me!
oooooh :D A friend sold me on some D'addario NYXLs and although the standard gauge might be a wee bit harsh on the fingers, the zing hasn't dulled in a couple of months of practice which is astounding to me. But I'm still pretty open on alternatives so thanks for giving us all something to think about.
I started out when I was just a little using Ernie Ball slinky’s & every time I try & go with another brand I always end up going back to Ball’s. Sadly I use 11-50 now which Ernie Ball doesn’t make so that’s frustrating having to order packs of 50’s. I just now am trying their new paradigm stings & I’m really liking them so far.
I LOVE those tuning pegs. The ONE thing I DON'T like about my American Standard is the staggered Gibson-style posts on the pegs.
I've been playing since forever and still suck at restringing. I've tried different methods but I'm all fingers and thumbs, and most of the time can't get each successive wind to sit beneath the previous one. So I put off changing strings for as long as possible. I like the basic, simple Ernie Ball 10-46 but maybe the Elixirs would work because they are supposed to last longer.
I’ve been using the string winder that goes on my drill to do it fast. U just have to remember to stop early and put it on a low speed
I am currently trying the Curt Mangan 11-54 set on my strat. I didn't initially like them, but once you get used to how they are a bit more resistant, it's not bad. Coming from NYXL 10-52
You might be a guitar nerd if... you enjoy watching someone change strings. I did enjoy it 😀
I've used D'Addario XL115 11s for 20-odd years, and am very happy with them. I use them on my Les Paul and Tele - enjoy the extra 'snap' they provide - I don't even really notice the difference of scale length...I've tried every string out there...except... Mangan's...Thanks for tossing a stone into my calm pond...🤨 I, like you sometimes find D'Addarios a little 'stiff' but always assumed that was just a thing to put up with for playing 11s...Changing your string brand/string gauge is the cheapest way to find "your sound" there is, and I'm always surprised at how little it gets discussed...Suppose I'll try some Mangan's now...Thanks (I suppose...) for shaking me out of my complacency.
BRILLIANT Mick thanks for this. As one fan to another, I look forward to trying your set asap. Neat.
Great vid! So excited for the next vlog since I’ve been thinking about getting the fender cs fat 60s pups... looking forward to it!
Thanks for not "selling" strings. I'm getting started on a string-quest for my epiphone, and was hoping hear more about the feel of strings than "these are the best ever!", followed by some over distorted shredding.
I've typically used d'addarios, elixirs or Dr's in the past. But with the epiphone, it's probably time to do some exploring.
Good vlog, Mick.
If it's an Epiphone with a Tune O Matic+stop bar you could also experiment with wrapping over the stop bar. It reduces tension and can allow you to go up a gauge without it being too hard on the fingers. I like 011-48s wrapped over on LP/SG type guitars
myself
@@steffenla4
Thanks, I'm planning to do that for the dedicated slide rig. I need to get the action up on that one, but wanted to keep the stopbar nailed to the body. Seemed like the best way to keep the angles close to stock.
If it works out, I'll do the same to the epiphone
My hat is off to you sir. You are truly a phenomenal guitarist! 🧐
Blimey, thank you!
We start the show
With Dan and Mick saying “Hello!”
Pretty soon the melody
Sounds like a wet, dry, wet, damp symphony
We start the show...
-to the tune of “Made Up Mind” (Bros Landreth)
I think Joey Landreth should rewrite and re-record a new version of your theme song with you two
I use a custom gauge set of SIT Strings 11 / 14 / 18 / 30 / 40 / 50 Power Wound Nickel and love them.
As I was rushedly writing from another account before my phone died - I have watched more guitar and general YT videos than any one sane person should, and the video quality, along with where you're sat, is one of the nicest looking vids I've yet seen. Would love to see more in that spot if you have anything to natter about!
Wow, thank you kindly!
Creating a Composer Agreed
@@Justic3h I'd be lying if I said your profile picture had no effect on how I read that in my head.
My finger sweat makes strings turn black within three hours. I can only really work with Elixir and luckily the latest incarnation (OptiWeb) is quite usable. They last forever which is nice but I'd love to try different options from time to time.
For years and years... Like 30 probably. I've used Ernie Ball 10s but recently annoyed with how quickly they are tarnishing like almost as soon as I fit them. I'm about to try D'addario as used for some time on acoustics which for years I struggled to find anything I was happy with. Then I tried Elixir after getting a couple of free sets at a show. They were really impressive on acoustics. So I got a couple of electric sets in those multi pack offers so I'll try them to. Maybe I'll try the Carl Mangen but I think your set will be just tad too heavy for me
I think breaking strings is some sort of personality thing, i almost never break strings aswell while a former bandmate struggled with breaking strings all day, he sold me his guitar later and i still had no issues.
I actually want to try Curt Mangan strings now. I had D'Addario for a while but then i tried DR now D'Addario are too stiff for me! Changed to DR Drop-Down 10-46 for standard and slightly lower tunings, DR Jeff Healey signature 10-56 for C modal.
I used to break strings left and right but eventually I became a less crappy guitarist.
I only use curt mangans! If you live in the area, Austin Guitar House always has a TON in stock.
We sure do!
Mangan’s are the ONLY string that I’ll use. And Austin Guitar House is the ONLY shop I get them from.
Great idea!
Always need strings and can support the show at the same time.
What’s not to love :)
Off subject, Dan and his work are mentioned and shown in premier guitars latest rig rundown video.
Good info. We do change strings almost the same...I use a Doctor Duck chuck on my Black an Decker VPX drill motor for a string winder...I've used D'addario for so long now not sure what I like anymore cause these strings are all I remember...!'m 67 so it's not like I'm fickle but I am in the middle of changing the gauge from 11/49 back down to 10/46...going to mess with several things to get the tone I like....Homer Formby's lemon oil on Rosewood a couple times a year and a good cleaning. a drop of teflon based lube also a couple times a year. I stretch my strings a bunch when new and get a ton of crud from other plkayers about streaching the life out??? can't use a trem till the strings are stretched right????...have a wunnerful and keep up with the info.
switched to elixirs after 10 years of d'addario. they dont feel alot different playing wise but damn they are smooth. perfect for everyone who doesnt enjoy the 'dirty' feel.
Great tones Mick, always enjoy your playing.
Great vlog!i have started using 9-46 standard tuning on my strats and my PRS DGT.Main reason for me is the feel of the floating tremolos.
Mick! The two amp setup sounded fantastic!
Thank you!
I stretch my new strings Mick. After putting a new string on, I gently pull the string away from the fretboard and at a certain point you can clearly feel it 'give' a bit, and that does it for me.
String 'stretching in' is an abomination and ... it really isn't necessary. Strings need to be uniform to vibrate in a symmetrical, even fashion and to intonate properly. Pulling new strings through the bridge so that they scrape can damage the windings and then yanking and pulling on a freshly installed string can put a permanent bend in it. You may not see the bend when the string is at tension but it won't vibrate symmetrically. A couple of re-tunes and some bends / vibrato bar waggles should settle new strings quickly without any violent yanking.
@@ResoBridge Well..nuclear proliferation is an abomination, string stretching is at most a personal preference or a whim. I've been (note 'gently') stretching my new strings for 40 years Terry and nothing abominable (or even trivial for that matter), has ever resulted. I do it and get on with playing. No disasters, no damage, no worries.
Incidentally, Larry Carlton plays with a new set of strings for every performance. He stretches each string until it stabilizes and gets on with the gig. Perhaps you should drop him a line and tell him what he's doing wrong.
As the CEO of Ernie Ball told me, there's only three wire manufacturers in the world, so every string company is using the same wire. All it comes down to is QC and marketing.
Out of all the strings I have played, D'addario and Curt Mangans have been my favorite. Curts i use for more standard or half step down. A d'addario i use for more drop tunings, whole step down, drop c, drop d.
Ive used d'addario on every instrument I have played (bass, guitar, acoustic) for 20 years :-)
@@johnwalliss I started on d'addario maybe over 10 years ago. I have tried other brands here and there. Always go back to the d'addario. But I do like the warmth and flexabilty of the Curt Mangans. Especially on the 25.5 inch scale type guitars the Curts feel nice. But I primarily and will be a d'addario guy.
@@johnathan.jerusik please stop calling them daddrio
D'Adarrio NYXLs are the best strings I've tried. Can't fault them at all.
@@weynotllandin my apology, my phone autocorrects D'Addario to daddario. If it bothers you that much I will be more cautious.
I have a skin condition that means I have to wear a thin glove on my left hand while playing. Looks daft, but means strings last forever (not literally) and both strings and neck always feel silky smooth no matter how hot the venue is. Kurt Mangan all the way for me regardless
I suffer from eczema myself which makes guitar playing a pain sometimes, what kind of gloves do you use? Like surgeon gloves?
HEY MICK! great video the strat is sounding great congratulations on winning the music is win name as many guitarist in 10 seconds challenge!!!!
Wooohooo! Those years in magazines paid off. ;0)
I'm pretty happy with 10-46s from Curt Mangan on my strat. Despite Matt Schofield say he's never snapped one of Curt's strings I snapped one the other day. I've got an Allen Hinds Curt Mangan that I'll put on next.
Also- loving the cheeky Bros Landreth reference around the 18 minute mark. Will you be at the Ariel gig in London in a few weeks?
Dude, that is one big, lovely table.
EXL110 strings last 1 week max for me... so I have to get the long life ones. I’ve found Elixir’s to be the best in this regard. And they sound pretty good too...
This is in response to the q and a vlog that went out yesterday and then also this where you had said that locking tuners eventually slip and wear down... had that problem myself ...... .... until i found the grover locking tuners that simply lock as you turn the tuner knob....there isnt any trickery and it stays put for years without slipping .... i also find them much easier and faster to install new strings on as well ... ! I understand about not wanting to change them out on a vintage instrument, but why not try them out on something that isnt vintage and has tuning instability...
... thanks guys for the great info .. cheers ...from the states
Glad you like em Chris. But they're a solution to a problem I don't have. And they're heavy! Light light light is what I like like like!
Nice Landreth riff, mate...
Cool vid. Thanks for sharing.
Cheers
Your playing is normally fantastic but damn, Mick, today you were on fire.
Blimmers, thank you!
That’s a lovely shirt Mick!
What a sound. It’s often overlooked, but TPS mastering cannot get enough credit.
Thank you!
I agree with you about the Kluson tuners. Simple, tidy and very secure string loading - genius!. And pressed on buttons, none of the modern, held on by a screw (some of the time) and sort of fits on the shaft. I really wish the tuner/machine head makers would come up with a better way of fixing tuner buttons on the shaft that would also allow them to change button styles, which as far as I see is the only reason for the keyed shaft, secured by a screw, button design. The only thing that isn't so great about the vintage Kluson is the 14:1 gear ratio.
I'm curious how much you notice string tension. I have always thought it would make sense to have all the strings at the same tension and there seems no reason they can't be, but for most string sets the tension varies by 40% with the A and the D strings at the highest tension. No one seems to know why this is the case, including the string manufacturers. D'Addario do make some balanced tension sets, but they don't seem that popular.
Hello Terry. I don't think about it in terms of balanced tension. The guitar feels how it feels and I play it. I can't think about it any more than that, unless there is an obvious problem that's stopping me from getting sound out the way I want it to come out. Hope that explains it!
Always used D'Addario 9-42 on my 25.5 scale guitars. Now I'm trying out the 9-46 for the heavier bottom strings since my Gretsch always had 10-52. I played the Gretsch mainly and got so used to the tension of the lower strings, even using 42 low E on the longer scale just feels like mush!
I would love to spend a few dollars and find a custom set that works with me.
I can`t wait to try those strings, I use the same gauges than Dan but the D`Addario regular get corroded after few days and the NYXL a bit expensive on three guitars what I use for rehearsing and gigging.
I love those vintage tuners. Easy string changes.
Totally agree about those tuners. My CS strat from 1990 and Musician sabre never get string slip and I string up like you. Great tuners. My old G&L F100 had them too.
I agree, those are the best and most consistent locking tuners. I used to have locking tuners (Fender and Sperzel and Shaller), but the strings break way faster at the tuning peg or they slip.
Hmmm....may have to try a set of Dan spec and see whether I prefer them over the Matt Schofield sets I currently use...
Mick, absolutely adored your tone with the Landreth riff. Can we be expecting any covers with the band?
Yeah, we do Made Up Mind which is cool. I need to get some sort of solo down... Trying to be Joey is a lost cause, so an alternative approach is required. :0) Man that guy is soooooo good.
Love it, channeling your inner Joey!
Hey mick thanks for doing these vlogs as it gives information and inspires us to "step outside the box of norm ." Eg
Not sticking with scripted standards and finding things for your personal tastes and realising its not to difficult to do it. Thanks again .🤘
That's great to hear! That's the whole point of us doing this. Thanks you for watching!
i use the SRV insulation over the bridge hole. no breakages
Will we ever get a video about string material? I've been reading about string history and it's absolutely fascinating. Fender went from shipping flatwound 12s on Strats to 10-38s pure nickel to modern day 9-42 Nickel wrap! I wonder if that's why Strats sound bigger with thicker strings as that is what they were designed for... Shame I'm not strong enough for 12s!
Really enjoying this journey of yours Mick. You're in my "gang". Stratocaster's rule, I just love em. All the little tweaks make a difference, the audience might not hear it. But, YOU can feel/hear it when you play :-)
Totally! The little things. :0)
Tactile and playability considerations are secondary to the balanced output of the instrument when amplified. Jimi Hendrix chose his on gauges this basis and I've found it stops the booming lower strings killing higher gain settings on the treble strings.
Huge amount of the relevance there with pickup choice too. Magnets/staggers/ heights etc...
Great point it really is the sum of all parts....your playing feel is really hitting a new level this year mick kudos.
Good points, but it depends who you are and what you do. I could see playability being the most important factor for loads of people. (Most non professional players, I'd wager)
I get through a set of strings every gig. I’ve even had to restring a guitar after playing an afternoon gig for an evening show. It’s a real pain!
I’m not even a sweaty person. 🥺
Great vlog! And nice editing, haha I lolled many times.
10-52 ernie balls for me, i really like to mess around with tuning so the heavy low strings really help. I've tried 11s and they were great for the tuning stuff but I personally love bending and vibroto and the 11s just didn't work out. Thanks for reading!
Yeah, I use 10-52's for the same reason. I use Elixers, though. I like the Ernie Balls, too. Elixers just seem to last a little longer for me.
@@thenotsoguitarguy9429 I've been playing ernie ball since I started playing, just bought some dadarios for my danelectro. I'll try the elixers some time.
@@angeloxboss - ha ha, it seems like people either really like them, or they really don't.
I think they play/sound fine. The biggest advantage for me, like I said, is that I dont have to change them as often.
@@thenotsoguitarguy9429 I just haven't tried them, I'm looking at string joy because I want an 11-54 set for my danelectro, for d standard and c standard
Yep, Skinny top - Heavy bottoms for me too, but for a different reason: I love thick gauges for the low strings because it thickens the bass a bit and let me hit a bit harder on them without wobbling too much, but I prefer thinner strings for the higher notes because I have sissy hands and bending a thick string hurts my insides...
I always preferred pure nickel strings, but I've found that I care more about the core than the wrap material. I still use hex core Ernie Ball Rock n Roll strings on one guitar, but I much prefer the feel of round core DR or GHS generally. Having seen this and browsed the Curt Mangan website I'm going to order a few custom sets of the pure nickel, round core strings. Thanks, Mick!
Thanks Alex, glad it's been of some thought inspiring use! Lemme know how you get on!
Having played them on my Les Paul and Fireman for a while now, I can honestly say that my expectations have been exceeded. Definitely ordering more for my Partscaster. Thanks again!
It's funny. I'm all the way over on this side of the pond and I prefer Rotosound strings. It took me years of trying different string sets to sort this out. Of course it's all personal but I think we take all the great string availability for granted. That said, experimenting never really ends.
As for the Vintage Tuners. They are my favorite too. They just make sense and have never caused me one single problem.
As a bass player (hope that’s not a swear word here😉) I love it when my strings get a little older. Not just for flats but for roundwounds aswell, rounds get a bit less clangy. Never boiled ‘em though. Rotosound 105-45 for me by the way, love them.
I agree for bass, totally different when I'm playing guitar though.
Interesting, I would have thought that you'd have the more dynamic amp as the dry with the other adding in the wet FX
Teching a couple of shows for him, Matt Schofield turned me on to a gadget called the Stretcha. He changes strings constantly and it lets him quickly stretch them in. I noticed that running it up and down as hard as he does I get the strings curling a bit after taking them off. So I use it to just stretch at multiple points up and down the string. Something I used to do by hand after Daved Kohls (Robben's tech some years ago) showed me as he was putting fresh strings on before a show. Like Matt, Robben changes strings every show and often before each set. I've been able to put new strings on after soundcheck and have them stay in tune throughout the first set. The Stretcha is easier on my hands than grabbing and yanking on the strings. Only $12.50 on Amazon, which is where Matt told me to get it. Never seen them anywhere else.
I used to use whatever was on sale. At one point Dean Markley (local company) offered me an endorsement but by then I'd settled on D'Addario as being more consistent and longer lasting. I've tried the Curt Mangans and liked them, but they're more expensive than the 10 packs of D'Addarios. Now I see on their site that they're now offering 6 packs at better prices. Also like the idea of the 10-50 set. I use 10-52s on my 335 as they feel more balanced to me, but that's a bit tight on a Fender scale.
Usually run the highest headroom amp as the wet amp... Cool on the Scof teching - that man is awesome! We'll have to check out that gizmo. Cheers!
I recall a while back you did an episode about string gauges, and perceived variation in the sound they produce. Continuing this theme, I'd like to see you compare strings of different materials. Same gauge, same manufacturer, same amp settings, but change between sets of nickel plated, pure nickel hex-core, pure nickel round-core, etc. It might not be feasible to test every material type, but a few of the main ones would be great. Cheers.
Sounds like fun. A war of variables to upset the internet. :0)
to me boomers is where it's at. they're cheap and consistent and packaged well. i use nickel plated steel and pure nickel, ranging from 9s to 11s, depending on the guitar. they last me forever (=maybe six months) when i wipe them down after playing (which i always do). i (almost) never break strings anymore, and i broke strings like crazy back when i used d'addarios (like, two per week). could well be some other parameter in my playing though, but i eat through d'addarios on mandolin too. for me, their j74s last 30 minutes before they go completely black and break, and everybody swears by them. same for their flat tops. it's crazy. maybe something in the d'addario alloy doesn't like how i sweat. that's why i mostly use coated strings (elixir nanowebs) on all my acoustic instruments; i get a few months life out of these and they sound gorgeous. so if you're having trouble with breaking lots of strings, maybe try a different brand or a coated string.
I think my ideal set (on a tele) would be:
48
38
26
17
14
12
Odd I know but I like a really balanced tension across and really only find the high E to be out of wack so I like when the tension moving from the E-G is close. Anyone else prefer something like this?
Awesome playing! I’ve got the Dude pedal and it’s amazing
There are no rules. Agreed. But when it comes to strings, here's as good a starting point as any: Use the heaviest gauge strings you're comfortable playing. Back in the 70's, there was a trend toward very light gauge strings which I mindlessly followed. I felt like I was with the "in" crowd but my tone -- and intonation -- totally suffered. If you're unhappy with the feel of your guitar or your tone, try going with heavier gauge strings. You might be surprised.
A while ago, Dan suggested he was using "balanced tension" strings. I tried them out and love them to death. I play a lot of slide, so maybe that explains it. A big "thumbs up" from me on balanced tension strings.
Would be interested in trying these over my usual D'addario 10-52's but I really don't want to switch to paying a tenner per pack of strings when the XL's are £15 for three sets on Amazon.
Mick, you ended up recreating almost exactly the David Gilmour custom set from GHS! They've been my go-to strings for over a year now
Oh blimey! I knew it wouldn't be entirely original. Nice company, you and David!
Been using standard D'addario 10's for Fender scale and 10.5's for Gibson scale forever (more companies need to do half gauges!)...will have to give the Mangans a try
I barely get one wind on my strings.I thought that was the point of locking tuners? Not to have too much slop at the end of the string to slosh about. Hmmm. That Flanger sound had me put my Electric Mistress back on my board for a while...memories
Have you had a cup of coffee too much? ;) I used Ernie('s) Balls for years, but they've started to become inconsistent. As in rusty sets, g-strings having a intonation that was totally off and the like. I settled for cheap Fender nickle plated steel. Also Fender locking tuners for the win. ;)