We take for granted how much he loves instructing. Many players of this magnitude would just upload these and not offer lessons of any kind but he transcribes *every* note he’s ever played in this band.
"Giving it away" is the sign of someone who's a legit master at their craft. Us mere mortals feel like "giving it away" is just "giving up your secrets," because we feel like we're "competing" with each other (and to be fair, some of us are). But Matt really has nothing to lose and everything to gain here. It's more nuanced than this, but at the most basic level, transcription is practice. It's more "seat time" on the drums, more thinking about playing, more visualizing. At a higher level, he's leaving an artistic legacy to be studied and analyzed for years. At the highest level, he's promoting good technique and artistry and pushing and inspiring others who will follow to make better music.
@@daedalus_20v agreed, it’s awesome how the best player I’ve ever seen isn’t one who just makes people want to quit with how good he is - because he encourages people to try it themselves by making lessons and transcriptions available, as well as just being a generally down to earth seeming guy. I’m sure it helps that from my outside perspective, guys in bands like AAL seem to be the perfect level of “famous” where they’re revered as legends by their fans, but it’s a generally niche audience so you can still live your life without getting bogged down by it. Everyone handles it differently I’m sure, but I’d bet that helps with still caring about helping your audience succeed. We also can’t act like he doesn’t profit from it, lol. But even still, it feels like most great players can’t be bothered to do that.
I would not be the drummer I am today if he didn’t educate how he does. I’m definitely not aiming to be a copycat of Matt, but man is his playing style just so over-the-walls insane with so much information. I’ve learned so much about drums just from studying his playing. Please keep educating Matt, you’re an inspiration to so many.
@@zeusthedrumlord547 He makes money from it, sure, but even masters gotta eat lol! Put another way, I certainly don't think he's doing it to "get rich" (not that that's what you were implying, of course). For real though I _want_ artists like Matt, Tosin, Javier, Ichika, Tim, etc. to be so financially stable and comfortable they don't even think about it and can just focus 100% on their craft. I'm in a different creative industry (film), but financial anxiety makes it _real_ hard to maintain that "vibe" sometimes.
Well said! We are fortunate that he is as passionate about teaching as he is as playing. His material will be appreciated and used long into the future.
I’m a big fan of AAL and Garstka, but listen to The Wormhole Experience. The drummer - Valerio Lucantoni is even better. Pure genius! I’ll give you an example: ruclips.net/video/JOP-q3F7lIs/видео.html He is the next Donati.
If we're talking about technical-level here, I'd argue there's a few that could compete. Alex Rudinger with Intronaut; Luke Holland with Jason Richardson's music; Aric Improta with Night Verses; and Troy Wright and Chris Allison with Plini. I'd even throw Jay Postones in there from Tesseract. All these guys are at the top of their league though and they could all probably play each other's music backwards. I love this whole generation of drummers.
@@thebuttersqiud8912 Hilarious, Luke cannot comprehend half of Matt's technique and maths. The others I can see but not Luke. Not yet at least. He had a hard time playing an old AAL back then and I can't even imagine him playing the most intricate pieces that Matt has written recently like this one.
As a guitar player it’s easy to get enamored by Tosin and Javier’s playing when listening to AAL, but Matt’s sheer mastery of his instrument truly amazes me. There’s so many nuances and small details in his playing that I can’t even begin to comprehend what exactly is going on or the level of difficulty. All I do know is it is AWESOME to watch lol
I'm glad YOU recognize that as a guitar player. I'm a drummer of 25+ years and sometimes my guitarists wouldn't understand the complexities of drumming. Translation from guitars to drums is way different.
The same goes for me as a drummer. Matt's playing is on another level for us mere mortals but Tosin and Javier are up there as well. Their playing is something no one could have ever come up with, in the same vein as Hendrix or EVH being innovators of the guitar in their time.
The Joy of Motion, having more of the big clean, ambient melodies in the background make for a less grating listen than the tunes where the D&B/EDM stuff is going full blast. I liked that stuff for a bit as a kid, now I'm more or less just totally turned off by it after maybe 10/15 min. Some of that is subjective, but I can't be the only listener who finds that sound to be a bit much sans the chemical alteration that is appeals to.
Love the hi-hat accents that start at 1:19. Didn't realize he was hitting the left drum pedal while he closes the hi-hat. Such a small detail that I wouldn't have noticed without this playthrough video!
that was so cool to see. looks like he hits the hi hat with his left hand when his right foot hits so when he hits the next one on his left foot he can close it for the mute
What i love about Matt's drumming is, much like Mike Portnoy, he's able to express feeling and emotion. It's not just that it's technically amazing, but it is, for lack of a better word, musical.
It's genuinely incredible how literally ALL comments here are so wholesome lel, like there's no "ah yeah he's good, but the best in the world? There are better drummers", or other "ah that's just too technical/too fast, there's no groove" kind of stuff. I'm in awe, for real. Matt seems to just bring people together in the most wholesome way ever. And no one even slightly denies he's an amazing drummer and, so it seems, an amazing person (from what I've heard at least...)
Anyone that says there's no groove clearly lacks the musical intelligence to comprehend what's going on here. There's grooves on top of grooves and it's all layered in a beautiful and calculated way.
I must listen to this song at least once a day since this album was released, completely addicted! Seeing it played is surreal, that thing at 2:11 is just wow!
Social media has brought so much talent to light over the years. It's incredible how many phenomenal drummers there are and now have the ability to showcase it. This said, I still haven't heard one that can dethrone Matt Garstka. This guy is in a universe of his own!
Not trying to be negative or troll, but he’s not doing heel toe. Ankles and hips. He’s not doing double strokes in this song. Heel toe is used for doubles and hi hat splashing.
@@mathewreed818 dropping the whole foot with your hip then snapping with the ankle for the second hit is taught as heel toe commonly, it’s a different term for the same thing. Very few to no professionals that I’ve seen actually do “heel toe” in the sense that you’re saying because the heel hits are weak sauce. Maybe only people who use triggers but I think that’s even uncommon in that regard.
could you be talking about him bridging his left foot to hit both the left kick and the close the hi-hat at the same time? like the whole stack section starting at 1:19? if so, I agree 100%!
@@zeusthedrumlord547 I've never heard that. That's called "heel up" technique. Heel toe is specifically the heel-toe action that produces a double stroke in a single motion. If you think they're weak, you should look into the scores of professionals who've mastered it and see what you find. Its come a long way. Matt certainly isnt using the technique here, except for maybe a few isolated doubles. None the less, they're two entirely different techniques, applications, and references and they dont really have the same name. Heel up and heel toe are completely different.
Hey Matt, been drumming on and off for 30 years and you are a true inspiration and a shot of pure adrenaline. I jist downloaded your transcripts and hope to one day get some one on ones. Your understanding of insane time signatures and changes is second to none.
SO much respect to you Matt, for the discipline and commitment to the purity of the art of rhythm. You're bending the space-time continuum, it's amazing to watch.
I like watching this guy play how he does. Enough energy to get the crasiness done beautifully but in such a gentle and artful process. Haven't played since college days myself but still kinda wish I learned and played more like Matt.
His bass drum hits are so crisp at all times it’s all I can hear holy crap. The extraneous fills on top just follow the lead of how perfectly deliberate the bass is and damn it’s so satisfying
Matt is on another plane, he just makes the complicated look so simple. I wanted to see what he played in one particular section, I slowed it down, pressed play and thought "maybe I didn't press 0.50. Turns out I had, it was just the fact that even slowed down Matt was quick and smooth. Great video, great performance.
Thanks, Matt, for the time you've spent to get to this mastery. As a person who's attended a music school and is basically a jazz player, watching you play is like watching a ballet; listening is as real. I've been lucky to play with some great players, and it's enlightening to hear AAL. When I found the music originally, I was as confused about the time signatures as well; it's fast. However, once I heard you mention good old 4/4, I realized what was going on. What is really interesting is that the complexity makes the one, hard to find at times, yet the groove is there. Thanks man. Viva the polyrhythms and meters.
Watching this guy and his kit evolve over the years is just fantastic. The same style and set up, for the most part, but a little bit of a spin on it every time. Really awesome shit
the slightly different pitched cymbals in 3:41-3:52 really elevates that whole section and says a lot about the care that you have for your set up and how you use it. I hope you keep exploring those nuances in the future, i expect like 6 new cymbal stacks for the next album 😁
Just saw you guys in Hampton last night, fucking unbelievable. I think Matt should be on an elevated platform, I was so stoked to see him annihilate that kit but he was kinda hard to see. Listening to AAL is one thing but seeing them do this flawlessly in person is fucking wild
seen this guy live twice with AAL. honestly Animals As Leaders live is amazing. especially when they do improvisation. I was blazing some weed at an open air concert watching them around the Joy of Motion era. and i felt like all the aliens were watching as well amazed at this human level of mastery. haha what a blast. it was like a psychedelic experience hearing pure artistry in sound
Видеоклипы
Mattronome Goatska
Lmao that's gold
Brilliant!
Hahahaha awesome
What a horrible joke. Made me laugh.
This comment is legendary 🙌
We take for granted how much he loves instructing. Many players of this magnitude would just upload these and not offer lessons of any kind but he transcribes *every* note he’s ever played in this band.
"Giving it away" is the sign of someone who's a legit master at their craft. Us mere mortals feel like "giving it away" is just "giving up your secrets," because we feel like we're "competing" with each other (and to be fair, some of us are). But Matt really has nothing to lose and everything to gain here.
It's more nuanced than this, but at the most basic level, transcription is practice. It's more "seat time" on the drums, more thinking about playing, more visualizing. At a higher level, he's leaving an artistic legacy to be studied and analyzed for years. At the highest level, he's promoting good technique and artistry and pushing and inspiring others who will follow to make better music.
@@daedalus_20v agreed, it’s awesome how the best player I’ve ever seen isn’t one who just makes people want to quit with how good he is - because he encourages people to try it themselves by making lessons and transcriptions available, as well as just being a generally down to earth seeming guy. I’m sure it helps that from my outside perspective, guys in bands like AAL seem to be the perfect level of “famous” where they’re revered as legends by their fans, but it’s a generally niche audience so you can still live your life without getting bogged down by it. Everyone handles it differently I’m sure, but I’d bet that helps with still caring about helping your audience succeed. We also can’t act like he doesn’t profit from it, lol. But even still, it feels like most great players can’t be bothered to do that.
I would not be the drummer I am today if he didn’t educate how he does. I’m definitely not aiming to be a copycat of Matt, but man is his playing style just so over-the-walls insane with so much information. I’ve learned so much about drums just from studying his playing. Please keep educating Matt, you’re an inspiration to so many.
@@zeusthedrumlord547 He makes money from it, sure, but even masters gotta eat lol! Put another way, I certainly don't think he's doing it to "get rich" (not that that's what you were implying, of course). For real though I _want_ artists like Matt, Tosin, Javier, Ichika, Tim, etc. to be so financially stable and comfortable they don't even think about it and can just focus 100% on their craft. I'm in a different creative industry (film), but financial anxiety makes it _real_ hard to maintain that "vibe" sometimes.
Well said! We are fortunate that he is as passionate about teaching as he is as playing. His material will be appreciated and used long into the future.
This was such a perfect opening to the album
Yea I couldn’t agree more, this is an epic opener and really an eye into the album as a whole. Such crisp sound and amazing musicianship displayed.
It’s perfect it was meant to be number 1 on the album
yes!and to me it gave some great context to monomyth. transition was smooth
It really is!
Agreed
How can someone not only write, but memorize and perform such an intricate piece of mathematical, rhythmic art? Unparalleled talent.
Dude is a beast, nobody in prog metal is even close to matching his level
I’m a big fan of AAL and Garstka, but listen to The Wormhole Experience. The drummer - Valerio Lucantoni is even better. Pure genius! I’ll give you an example: ruclips.net/video/JOP-q3F7lIs/видео.html
He is the next Donati.
If we're talking about technical-level here, I'd argue there's a few that could compete. Alex Rudinger with Intronaut; Luke Holland with Jason Richardson's music; Aric Improta with Night Verses; and Troy Wright and Chris Allison with Plini. I'd even throw Jay Postones in there from Tesseract. All these guys are at the top of their league though and they could all probably play each other's music backwards. I love this whole generation of drummers.
@@thebuttersqiud8912 trow Baard Kolstad in there too please 🙌
@@thebuttersqiud8912 *Chris Turner enter the chat*
@@thebuttersqiud8912 Hilarious, Luke cannot comprehend half of Matt's technique and maths. The others I can see but not Luke. Not yet at least. He had a hard time playing an old AAL back then and I can't even imagine him playing the most intricate pieces that Matt has written recently like this one.
As a guitar player it’s easy to get enamored by Tosin and Javier’s playing when listening to AAL, but Matt’s sheer mastery of his instrument truly amazes me. There’s so many nuances and small details in his playing that I can’t even begin to comprehend what exactly is going on or the level of difficulty. All I do know is it is AWESOME to watch lol
I'm glad YOU recognize that as a guitar player. I'm a drummer of 25+ years and sometimes my guitarists wouldn't understand the complexities of drumming. Translation from guitars to drums is way different.
The same goes for me as a drummer. Matt's playing is on another level for us mere mortals but Tosin and Javier are up there as well. Their playing is something no one could have ever come up with, in the same vein as Hendrix or EVH being innovators of the guitar in their time.
I really dig this song. Sounds like it could be at home on The Joy of Motion as well as the new album.
Yes! I feel that way about Gestaltzerfall too
Yes! This one feels kinda different than the rest, my favorite for sure
The Joy of Motion, having more of the big clean, ambient melodies in the background make for a less grating listen than the tunes where the D&B/EDM stuff is going full blast. I liked that stuff for a bit as a kid, now I'm more or less just totally turned off by it after maybe 10/15 min. Some of that is subjective, but I can't be the only listener who finds that sound to be a bit much sans the chemical alteration that is appeals to.
Right, same feelings
Love the hi-hat accents that start at 1:19. Didn't realize he was hitting the left drum pedal while he closes the hi-hat. Such a small detail that I wouldn't have noticed without this playthrough video!
that was so cool to see. looks like he hits the hi hat with his left hand when his right foot hits so when he hits the next one on his left foot he can close it for the mute
First thing I did was say out loud "you son of a bitch" when I noticed that.
Noticed this too! Not something you see very often.
@@djentrification1631 he does this on some fills in kascade too I think
Jesus, Matt!
All I can say is thank you for sharing your time.
As a Musician, you're one of the Modern Greats in our time.
the sound of his kit is perfection. Every cymbal, every Tom. And goddamn that snare boiiii
His switch to dw is paying off, melodically, of course, as he has mentioned!👌
Your ears are fucked. This is one of the worst recordings I've heard in a while. Just sounds like paper slaps.
Definitely loving this DW kit over the Tama.
Imagine being able to just do whatever you want on drums... literally no limits. Matt is unreal and blows me away every time I see him play.
Just saw Animals as Leaders two nights ago. 🤯🤯🤯🤯🤯🤯🤯
Absolutely fantastic.
Did they have these new song down pretty well? That’s awesome, I’m seeing them 4/18
@@danielprzyojskijr.2022 yeah , they sounded really good. Practically the same as the album.
@@danielprzyojskijr.2022 yes, for sure. It was a clinic.
Absolutely amazing! I do have one ongoing criticism of all of these playthroughs... we all see that cowbell... but we don't *hear* the cowbell.
more... there must be more... more
Its not helping my fever
There's only one prescription!
What i love about Matt's drumming is, much like Mike Portnoy, he's able to express feeling and emotion. It's not just that it's technically amazing, but it is, for lack of a better word, musical.
It's genuinely incredible how literally ALL comments here are so wholesome lel, like there's no "ah yeah he's good, but the best in the world? There are better drummers", or other "ah that's just too technical/too fast, there's no groove" kind of stuff. I'm in awe, for real. Matt seems to just bring people together in the most wholesome way ever. And no one even slightly denies he's an amazing drummer and, so it seems, an amazing person (from what I've heard at least...)
Anyone that says there's no groove clearly lacks the musical intelligence to comprehend what's going on here. There's grooves on top of grooves and it's all layered in a beautiful and calculated way.
@@FrozenSparkyno joke I saw a boomer comment that on one of his posts on Instagram, he got cooked by everybody afterwards
@@FrozenSparkythe "this really good but maybe a little groove will help ya?
My day is complete. Matt has blessed us with another of his gifts! Hail the Garstka
Matt Gartska is a testament that drumming is still evolving.
I must listen to this song at least once a day since this album was released, completely addicted! Seeing it played is surreal, that thing at 2:11 is just wow!
The switch at 03:25 makes me so dang happy 🔥
AAL is now like a big throbbing alien brain. Music of the future.
Why you gotta say throbbing bruh
@@omukssbm because i`m not the one with wishful thinking ;)
Social media has brought so much talent to light over the years. It's incredible how many phenomenal drummers there are and now have the ability to showcase it. This said, I still haven't heard one that can dethrone Matt Garstka. This guy is in a universe of his own!
Those Meinl cymbals sure do compliment the D-dubs. amazing playing Matt, Love your style.
i love that coupling of left kick and hihat pedals, cause these barks are S O good
Every song on this album is it’s own little adventure. Just love it. Stellar moves Matt
The change at 2:13 is awesome! Love this band and Matt’s playing is something I am in awe of everytime I see it
Good lord the heel-toe technique on the bass and hi-hit throughout this song is incredible. Amazing album.
Not trying to be negative or troll, but he’s not doing heel toe. Ankles and hips. He’s not doing double strokes in this song. Heel toe is used for doubles and hi hat splashing.
@@mathewreed818 dropping the whole foot with your hip then snapping with the ankle for the second hit is taught as heel toe commonly, it’s a different term for the same thing. Very few to no professionals that I’ve seen actually do “heel toe” in the sense that you’re saying because the heel hits are weak sauce. Maybe only people who use triggers but I think that’s even uncommon in that regard.
could you be talking about him bridging his left foot to hit both the left kick and the close the hi-hat at the same time? like the whole stack section starting at 1:19? if so, I agree 100%!
@@mathewreed818 yeah what Jed said is more what I mean, just the whole technique applied between the hi hit and left kick is incredible
@@zeusthedrumlord547 I've never heard that. That's called "heel up" technique. Heel toe is specifically the heel-toe action that produces a double stroke in a single motion. If you think they're weak, you should look into the scores of professionals who've mastered it and see what you find. Its come a long way. Matt certainly isnt using the technique here, except for maybe a few isolated doubles. None the less, they're two entirely different techniques, applications, and references and they dont really have the same name. Heel up and heel toe are completely different.
Hey Matt, been drumming on and off for 30 years and you are a true inspiration and a shot of pure adrenaline. I jist downloaded your transcripts and hope to one day get some one on ones. Your understanding of insane time signatures and changes is second to none.
SO much respect to you Matt, for the discipline and commitment to the purity of the art of rhythm. You're bending the space-time continuum, it's amazing to watch.
Matt makes it look so easy! Perfect accompaniment to this insane style of guitar playing.
I like where this is going, beast mode every time, and push the boundaries.
Can’t wait to see you guys live this month!!
Less than a minute was enough to love this sick video..song and playing 🤯💥👌❤
Amazing as usual. My favorite drummer of all time
Sick! Hoping for Thoughts and Prayers, that track is insane too!
Bro I would cry 😂
It's a really moving piece. I'm sure he'll get to it and it will be breathtaking.
@@Iamcrago I would cry too 😂 love that track
@@Mr3ff yeah man hopefully, I need to see how a human can cover that song in total perfection, and the only one for sure is Mr. Perfection Garstka
He did a play through for every song on the album so it will be released eventually
The more I watch the drum videos, the more I’m diggin the new album. It grows!!!
By and far my favorite drummer. Creativity is off the charts to go with the ridiculous skill and technique!
Absolute legend.
This song is SO BEAUTIFUL!!!!!! What an amazing album you guys put out!!!!!!
Watching this makes me inspired to be alive.... such beautiful art..... thank you so much
Open hi-hat and kick drum with the same stroke of the left foot is pretty cool. Such creativity. Love it.
awesomeness juice. you are my favorite drummer at the moment and i cannot think of anyone better. thanks.
Matt you are a godlike machine. Meinl thank you for all the tasty flavors you give us to work with in our musical recipes.
Such and underrated, overlooked drummer. One of the greats for sure.
I’m thankful that I get to experience these revelations of drum mastery in real time as they are released. What a time to be alive.
Matt, so sick! Another killer composition and performance. The fact that only 66k people (still a great amount!) are subscribed blows my mind.
YOU are one of the best musicians that has ever lived!
Absolutely freakin incredible... Matt is crazy off the chain drumming..
I'm happy to announce that I was able to perform this song!...........Okay, maybe just the first three measures.
My God Matt,woooowwwwwwwww,that was dangerous,alll the best and thank you for your music and talent !
Absolutely ridiculous as always. One of the greatest to ever do it🙌🏻🔥❤️🐐🐐
The creativity & execution are out of this world!!!
Thank you for being you, Matt
I listen to this, almost every day while I'm at work!
I like watching this guy play how he does. Enough energy to get the crasiness done beautifully but in such a gentle and artful process. Haven't played since college days myself but still kinda wish I learned and played more like Matt.
Always look and sound so tight, great job man. Love your vids, love your drumming.
I could watch this all day....I know, because I did.
Played this video on my phone with the studio album version playing on a my car stereo...all I can say is this man is a precision machine 🙇♂️
His bass drum hits are so crisp at all times it’s all I can hear holy crap. The extraneous fills on top just follow the lead of how perfectly deliberate the bass is and damn it’s so satisfying
I love this song, perfect opening to a killer album
You are the best drummer alive dude. I have only ever played a drum set casually and watching you play is insane..
Matt is on another plane, he just makes the complicated look so simple. I wanted to see what he played in one particular section, I slowed it down, pressed play and thought "maybe I didn't press 0.50. Turns out I had, it was just the fact that even slowed down Matt was quick and smooth. Great video, great performance.
Yheeow!!! Best drummer alive....
Amazing stuff as always!
Mushrooms and AAL is a must. Each album is an adventure. Love you guys ❤️
Amazing!!!
Love this song fuck yeah killer performance from one of my favorite drummers!
Just fantastic.
Tosin: What beats should we play here?
Matt: Yes
Ever been so inspired yet defeated at the same time? - Me every time I watch him play.
now im looking foward to next week at the ace even more. wasnt ready for this when i first saw the vid, powerful, creative, inspirational shit
Thanks, Matt, for the time you've spent to get to this mastery. As a person who's attended a music school and is basically a jazz player, watching you play is like watching a ballet; listening is as real. I've been lucky to play with some great players, and it's enlightening to hear AAL. When I found the music originally, I was as confused about the time signatures as well; it's fast. However, once I heard you mention good old 4/4, I realized what was going on. What is really interesting is that the complexity makes the one, hard to find at times, yet the groove is there. Thanks man. Viva the polyrhythms and meters.
Watching this guy and his kit evolve over the years is just fantastic. The same style and set up, for the most part, but a little bit of a spin on it every time. Really awesome shit
Such a power move opening the new album with your three best songs yet! (imo)
That song is great!!!
the slightly different pitched cymbals in 3:41-3:52 really elevates that whole section and says a lot about the care that you have for your set up and how you use it. I hope you keep exploring those nuances in the future, i expect like 6 new cymbal stacks for the next album 😁
Would have made for a great live opening song. Grateful to get to see them again regardless. What insane musicians.
such a flex with the "no edits" graphic. i love it.
I can feel my brain melting - this is AMAZING
So tightly! 👏
you are the best drummrer of our generation period
Wow! Amazing! 🔥
I think that's my favorite song from the new album :)
You clear my thoughts
The Atlanta show was so wild bro thanks for the vibes!🤟🏾🤘🏾
This album is art.
Incredible
This, ladies and gentlemen, is what Hard Work and Dedication looks and sounds like!
I purchased the full transcription
My mind just exploded!
Great album!!!
Even just watching this gets me rethinking my own writing. Holistic composition 🤞🏻 Instrument mastery
uhhh the hi-hat work is incredible man
Impressionante!!!!
One week and I get to hear this man do this live
the fast descending tom rolls are so sick and its in every new song, really dig it
2:10
The skill on display here is beyond comprehension.
Just saw you guys in Hampton last night, fucking unbelievable.
I think Matt should be on an elevated platform, I was so stoked to see him annihilate that kit but he was kinda hard to see.
Listening to AAL is one thing but seeing them do this flawlessly in person is fucking wild
seen this guy live twice with AAL. honestly Animals As Leaders live is amazing. especially when they do improvisation. I was blazing some weed at an open air concert watching them around the Joy of Motion era. and i felt like all the aliens were watching as well amazed at this human level of mastery. haha what a blast. it was like a psychedelic experience hearing pure artistry in sound
Metal Matt back at it again 💪💪
Damn! Those drums sound amazing!!!!
I love the fact that you now play on coated heads. Beautiful...