If you want info about where to submit your music and getting your music on tv. 👇🏾Click the link below to get access to my Sync Licensing Cheat Sheet.👇🏾 beatbuildersstudio.com/sync-licensing-guide/
Hi BBS… glad I came across your channel. I’ve been composing songs and making weird sounds on synths for decades… but never knew there was a way I could possibly make a little money doing it. Thanks for some “food for thought,” … greatly appreciated!
Ok brother! You delivered and came through as you said! That's what's up man! Appreciate the nuggets and gems! Thanks so much for this! Great vids! Blessings!
Yes. So I paid by the track. At the time it was $20 a track. They would submit my music for projects. I didn't get much from it. I got into all of my music production for free once I discovered you don't necessarily need to pay to get your music pitched.
This is a great video! Are there websites where I can send it in without any fee? I just want to hear my music in shows. I don't really care about profits. But I also don't want to pay any upfront fees.
So if u use a beat from RUclips to record on in a studio without leasing it from the producer can u still submit it & own rights to ur vocal with the producer get the back in?
The producer will only get backend royalties if you submit their PRO information to the music publisher. You have to state that the producer is a writer of the track. But you should be leasing the beat from the producer.
You can create sync music with that. I haven't used it but from reading online it seems like it comes with built in sounds. Is that correct? The only thing to watch out for is sample based production. I know most people who use MPC's sample records. That's a big No-No for sync licensing because sampling records requires sample clearance from the original owners of the master record.
@@beatbuildersstudioyes the mpc live 2 comes with built in sounds and plug-ins I guess I can download a sync software in there to start with, i wanted to feel the actual sync box/instrument in hand 😂 I got the mpc to make beats but the making industry is over saturated. Maybe sync is to I don't know.
@@YungGenesis The only thing that comes close to this is a sort of middleman-library called "That Pitch". I think I'll subscribe to that once i have enough cues under my belt.
What do you mean? I talk about what I do. I make music for television. I didn't read some info. I been doing sync licensing for over five years and have placements on tv shows. I'm in several libraries. Have you had your music in a super bowl commercial? I have. If you check my other videos I outline what I do and my process. Since you know what I should do. What type of video do you suggest I make?
@@beatbuildersstudio Exactly what I said. No where in this video do you talk about what to do. You’re just spewing off useless generic info. Look at your own time stamps for the video…there’s nothing actionable there whatsoever.
Your right bro. I'll take your advice because you make tons of money from sync licensing . Like I said I have plenty of video that give actionable advice. I even show where my beats have been placed and exactly how much I made. I even have a resource guide in the description where you can submit music and how to register for a PRO. But again you're mad because you got do a little work. Good luck selling beats.
@@beatbuildersstudio I know I’m right. Your sarcasm doesn’t change what I said. I’m referring to THIS video. And thanks, but selling beats doesn’t require luck.
There is enough information here, for a person to get on the path to enlightenment, so you need to do your own research to get a result if that is what you really want to do.
IMO not really. I mean you get a sense of what kind of opportunities exist and how to make music for that particular brief. Plus it cost for every time you want to submit in addition to the yearly fee. But don't let my opinion stop you from trying. Looking back, when I used the service my music wasn't that good. Now that my music is 10x better and I actually have placements. I could go back and maybe be more successful. You will never know until you try.
![Tee Grizzley - Blow for Blow (feat. J. Cole) [Official Video]](http://i.ytimg.com/vi/wNLN5xsx5dc/mqdefault.jpg)
If you want info about where to submit your music and getting your music on tv.
👇🏾Click the link below to get access to my Sync Licensing Cheat Sheet.👇🏾
beatbuildersstudio.com/sync-licensing-guide/
thanks a lot man! keep it up. I hope you will be able to live off of music fulltime someday
Making fulltime income from music is the dream.
I appreciate this brothers intelligence.
Hi BBS… glad I came across your channel. I’ve been composing songs and making weird sounds on synths for decades… but never knew there was a way I could possibly make a little money doing it. Thanks for some “food for thought,” … greatly appreciated!
No problem. Those "weird sounds" can be used in video games. There are so many indie game companies who need music and SFX for their games.
Ok brother! You delivered and came through as you said! That's what's up man! Appreciate the nuggets and gems! Thanks so much for this! Great vids! Blessings!
Glad you enjoyed the video
this video is amazing i cant belive you are not a huge page you deserve so many more followers, good info, preciate you gangy keep up the uploads
Thanks for watching the video.
Thanks a lot for your work, I am sure you will quite your job and make a full time living with sync. Have a great day
Thank you.
Great video 👏🏾
Quick question, when you paid to get your music licensed, were you paying the agencies to pitch your music to projects?
Yes. So I paid by the track. At the time it was $20 a track. They would submit my music for projects. I didn't get much from it.
I got into all of my music production for free once I discovered you don't necessarily need to pay to get your music pitched.
Helpful information, thank you!
You're welcome.
Thank you very much! Very in depth and helpful.
You're welcome.
Good info 💪🏾 Honored to learn from a close relative of Ceelo Green 😂
LOL
This is a great video!
Are there websites where I can send it in without any fee? I just want to hear my music in shows. I don't really care about profits. But I also don't want to pay any upfront fees.
There are a ton of music production companies who don't charge a fee. Just search music production libraries.
So if u use a beat from RUclips to record on in a studio without leasing it from the producer can u still submit it & own rights to ur vocal with the producer get the back in?
The producer will only get backend royalties if you submit their PRO information to the music publisher. You have to state that the producer is a writer of the track. But you should be leasing the beat from the producer.
What type of equipment do i need to create sync music with? I have a mpc live 2. I dont know where to start!
You can create sync music with that. I haven't used it but from reading online it seems like it comes with built in sounds. Is that correct? The only thing to watch out for is sample based production. I know most people who use MPC's sample records. That's a big No-No for sync licensing because sampling records requires sample clearance from the original owners of the master record.
@@beatbuildersstudioyes the mpc live 2 comes with built in sounds and plug-ins I guess I can download a sync software in there to start with, i wanted to feel the actual sync box/instrument in hand 😂 I got the mpc to make beats but the making industry is over saturated. Maybe sync is to I don't know.
Who Can i get in contact with to do this for me?
I don't fully understand your question. Are you asking for music production libraries, music publishers, music supervisors etc?
@beatbuildersstudio just trying to see if I can hire some to set up & do my sync licensing for me to land Placements
@@YungGenesisgo to a sync agency they are made for artists who want thier music synced but they take a portion of what they place
@@YungGenesis The only thing that comes close to this is a sort of middleman-library called "That Pitch".
I think I'll subscribe to that once i have enough cues under my belt.
Another dude just yapping some information he read. Nobody who makes these type of videos actually talks about what to DO.
What do you mean? I talk about what I do. I make music for television. I didn't read some info. I been doing sync licensing for over five years and have placements on tv shows. I'm in several libraries. Have you had your music in a super bowl commercial? I have. If you check my other videos I outline what I do and my process.
Since you know what I should do. What type of video do you suggest I make?
@@beatbuildersstudio
Exactly what I said. No where in this video do you talk about what to do. You’re just spewing off useless generic info. Look at your own time stamps for the video…there’s nothing actionable there whatsoever.
Your right bro. I'll take your advice because you make tons of money from sync licensing .
Like I said I have plenty of video that give actionable advice. I even show where my beats have been placed and exactly how much I made.
I even have a resource guide in the description where you can submit music and how to register for a PRO.
But again you're mad because you got do a little work. Good luck selling beats.
@@beatbuildersstudio I know I’m right. Your sarcasm doesn’t change what I said. I’m referring to THIS video.
And thanks, but selling beats doesn’t require luck.
There is enough information here, for a person to get on the path to enlightenment, so you need to do your own research to get a result if that is what you really want to do.
Was taxi really worth paying for. I’m curious before I start paying
IMO not really. I mean you get a sense of what kind of opportunities exist and how to make music for that particular brief. Plus it cost for every time you want to submit in addition to the yearly fee. But don't let my opinion stop you from trying. Looking back, when I used the service my music wasn't that good. Now that my music is 10x better and I actually have placements. I could go back and maybe be more successful. You will never know until you try.