niels was the man recommended by ray to replace him with Oscar.they were very good friends and great admirers of each others work two of the nicest people to walk this planet and the two greatest bassists ever.many thanks.
I agree with you. I began learning bass in 1952 and have heard a LOT of bass playing during the past 70+ years but none to equal NHOP's playing. Even though we're all just temporary residents on this planet, NHOP left us much too soon. 😢
Great performance from everyone on the stage ... especially Ulf Wakenius is fantastic with risky and daring phrasing. Ray ~ NHØP ~ McBride : the torch has been passed on.
Thanks for posting, yet another great performance from the great NHOP.... as with all the great musicians on this video...I've always loved Niels Vibrato, sounds like Jaco in places amazing,great stuff
I met NHØP some odd 20 years ago. He was very gracious and did not mind me coming up and talking to him. It was a tiny venue at the University of Copenhagen where he had been hired to play with Ole Koch Hansen at a reception. It was not beneath him to do that kind of work and I learned later that he did not charge an astronomical salary. I was thrilled because the needle on my LP-player had at that time really been digging into the Heart-to-heart album. Pure genius.
Pedersen fue un grande de verdad del contrabajo en el mundo del Jazz! Wakenius un extraordinario guitarrista! Benny Green un grandioso pianista! Ahora, con todo respeto, Mc Bride es un tremendo contrabajista pero cuando solea a tempo es 'cafone' toca 'tucu tucu tucu' pero cuando en sus solos dobla los tempos es tremendo! Tiene un sonido duro tirando a metálico, cuando compartió un tema a dos bajos con Pedersen este le dio una cátedra de lo que es tocar blando con un sonido cálido, hermoso y sobre todo con un swing perfecto, como decía un amigo mío 'nadie es perfecto' ja ja. El gran M. Brecker en su primera intervención intrascendente a partir de la segunda apareció el gran saxo tenor, Alvin gran baterista por algo tocaba con Oscar Peterson. Y Jon Fadis como siempre tocando para 'la galería' festival de agudos para mí pésimo solista de Jazz.
***** I am not talking about skin color...It is sound color derived from early stereotypes of white music that emphasizes the 1 and 3 common in country and bluegrass genres. This piece sounds like a Wyndham version of Metheny (Who also struggles in this arena as well on some occasions) I don't dig Ulf! So fucking what? You are free to buy all his records! I didn't like him with Oscar Peterson either. Just because Oscar liked him doesn't mean I have to! I'm into Wayne and other truly modern players. Jazz is the only truly American art form and I enjoy great music when it is great. Any genre can be taken to the same degree of genius. John Lee Hooker, George Jones, Hendrix and Miles Davis, are all rare gifted players in there own right. If Ulf is your bag, I am the last one to stand between an anxious country boy and his sheep!
Look at yourself and ask yourself if any of this really matters. Just listen to the good music, and stop making race issues out of things that aren't actually an issue. You are the problem here.
daniellemijomiles Who says that "the black community" looks down on white players? And just who is "the black community" and who speaks for them. Actually, no-one does. Besides, with your eyes shut, you don't have a clue what race the players are, something that should end the argument before it starts.
You picked the wrong set of "white" musicians (McBride, Faddis, Queen, WTH?) to make your ridículous statement. You have a kind of point with the 1 and 3 thing, but that is only custom and tradition, not skin colour. Here goes my also simplistic bit: poor white europeans appreciated valuet and impulsed jazz music when nobody in the United States, "black community" included, gave a shit. Morons fanatics and integrists exists in all human groups. Luckily, the vast community of black jazz musicians and followers do not despise the white ones. It don't mean a thing...
Ray Brown was someone special. I think all the people there loved Ray.
oh wow pure magic...love it
NHOP THE BEST BASS PLAYER EVER..BY FAR
niels was the man recommended by ray to replace him with Oscar.they were very good friends and great admirers of each others work two of the nicest people to walk this planet and the two greatest bassists ever.many thanks.
They each made their bass sing and swing sweetly. They could play lyrically.
RIP to the best acoustic bassist I ever heard. Gone way too soon.
I agree with you. I began learning bass in 1952 and have heard a LOT of bass playing during the past 70+ years but none to equal NHOP's playing. Even though we're all just temporary residents on this planet, NHOP left us much too soon. 😢
@@nemo227 58 is a very early exit indeed. 😔
@@Tomatohater64 I appreciate that he left us with some happy memories.
best bass player.....ever. gone way so soon
Great performance from everyone on the stage ... especially Ulf Wakenius is fantastic with risky and daring phrasing.
Ray ~ NHØP ~ McBride : the torch has been passed on.
Thanks for posting, yet another great performance from the great NHOP.... as with all the great musicians on this video...I've always loved Niels Vibrato, sounds like Jaco in places amazing,great stuff
SUPERB....
Ray☀️ e tutti quelli che amano lo spirito profondo di libertà e condivisione che il jazz manifesta💚
I met NHØP some odd 20 years ago. He was very gracious and did not mind me coming up and talking to him. It was a tiny venue at the University of Copenhagen where he had been hired to play with Ole Koch Hansen at a reception. It was not beneath him to do that kind of work and I learned later that he did not charge an astronomical salary. I was thrilled because the needle on my LP-player had at that time really been digging into the Heart-to-heart album. Pure genius.
I'm sure Eric Clapton or Jimi Hendrix also played a lot of wedding receptions in their prime.
Never seen this before. Great. Thanks for sharing.
thank you for this one! what a bunch of players and personalities!
Wonderful musicians, all of them. Thanks a lot.
Thanks so much for posting! Beautiful music. And nice to hear Alvin Queen once more.
Plus two-bass solos.
NHOP the best forever!
Thanks for posting this amazing video.
On Ray's Idea....NHOP ate him up!
The first song is called "A Nightingale sang in Barklay Square"
Berkeley, but pronounced like you said,according to my UK penfriend! CHEERS!!!
.
Pedersen fue un grande de verdad del contrabajo en el mundo del Jazz!
Wakenius un extraordinario guitarrista!
Benny Green un grandioso pianista!
Ahora, con todo respeto, Mc Bride es un tremendo contrabajista pero cuando solea a tempo es 'cafone' toca 'tucu tucu tucu' pero cuando en sus solos dobla los tempos es tremendo! Tiene un sonido duro tirando a metálico, cuando compartió un tema a dos bajos con Pedersen este le dio una cátedra de lo que es tocar blando con un sonido cálido, hermoso y sobre todo con un swing perfecto, como decía un amigo mío 'nadie es perfecto' ja ja.
El gran M. Brecker en su primera intervención intrascendente a partir de la segunda apareció el gran saxo tenor,
Alvin gran baterista por algo tocaba con Oscar Peterson.
Y Jon Fadis como siempre tocando para 'la galería' festival de agudos para mí pésimo solista de Jazz.
Great. Music
Great Stuff, thanks for Sharing !!
Thanks a lot for this
thanks
thanks!!!:)
At the very beginning you can see it's not McBride but Oested Pedersen. Great!
1:20:00 Softly as in a morning sunrise
Ulf w is the best!!!!!!😎🤘🎩
if you want a real treat, listen to NHOP play with Stéphane Grappelli.
I haven't gone looking yet, but I can only imagine...
Lorraine Foster can bring tears to your eyes whenever she sings this song, especially mine
Someone can do say me the name of these first song?. Thanks!
as the first song called?.
Who know date for this concert??
Chris must have been in heaven.
Thanks for posting ! what's the name of the first tune that they started with? THX
The first tune is the gorgeous "A Nightingale Sang in Berkeley Square."
latinjazzlvr Thanks brother!
***** :-) This is SUCH a beautiful rendition ... makes my day better.
13:39
What's the solo song Brecker played?
Hot house
Starting with monks mood, then into hot house
I think it's Misty
@cj
Quién es el bajista? no es Christian McBride, Christian McBride es moreno is black man, alguien me ayuda por favor?
Faddis es un gran trompetista pero no es un buen solista de Jazz.
En todo caso el otro bajista...
completely uninspired Windham Hill crap! This is why the black community looks down on white jazz players. Thanks guys, for proving them right!
***** I am not talking about skin color...It is sound color derived from early stereotypes of white music that emphasizes the 1 and 3 common in country and bluegrass genres. This piece sounds like a Wyndham version of Metheny (Who also struggles in this arena as well on some occasions) I don't dig Ulf! So fucking what? You are free to buy all his records! I didn't like him with Oscar Peterson either. Just because Oscar liked him doesn't mean I have to! I'm into Wayne and other truly modern players. Jazz is the only truly American art form and I enjoy great music when it is great. Any genre can be taken to the same degree of genius. John Lee Hooker, George Jones, Hendrix and Miles Davis, are all rare gifted players in there own right. If Ulf is your bag, I am the last one to stand between an anxious country boy and his sheep!
Look at yourself and ask yourself if any of this really matters. Just listen to the good music, and stop making race issues out of things that aren't actually an issue. You are the problem here.
daniellemijomiles Who says that "the black community" looks down on white players? And just who is "the black community" and who speaks for them. Actually, no-one does. Besides, with your eyes shut, you don't have a clue what race the players are, something that should end the argument before it starts.
You picked the wrong set of "white" musicians (McBride, Faddis, Queen, WTH?) to make your ridículous statement. You have a kind of point with the 1 and 3 thing, but that is only custom and tradition, not skin colour. Here goes my also simplistic bit: poor white europeans appreciated valuet and impulsed jazz music when nobody in the United States, "black community" included, gave a shit.
Morons fanatics and integrists exists in all human groups. Luckily, the vast community of black jazz musicians and followers do not despise the white ones. It don't mean a thing...
This is maybe the dumbest comment ever posted on RUclips, and _that_ is saying a lot.