How can I solve this problem? When I select “Wide Gamut (Tone Mapped)”, my logo animation, which was originally white, becomes dark. It becomes dark because the “Knee” is set to 0. But if I change the knee to 1, the animation looks good, but my SLOG footage looks bad.
Great Tutorial but one quick question! I don't see the settings under Sequence > Color Management for the Wide Gamut Color Setup, even though i have the newest version installed. Does anyone have a fix for that?
Hi there, Sorry for the poor experience. Please DM us on X (adobe.ly/4dJAZ5e) or create a post in Adobe Community (adobe.ly/3Nk0DSY). We'll be happy to look into this for you. ^IY
Hi there! If you need any advice on that, come on down to the Forum & ask our experts about it. Let’s have a conversation here: [adobe.ly/3zyL5rl] ^Rohan
Adobe, PLEASE, we need "TRUE" A.I Color Grading. *FORGET Modern Films.* They're EASY to color grade because their "base" is already very good. You know it, I know it, and ANYONE who does color grading knows it. THE REAL HARD STUFF IS "old films" pre-dates years 2000 that's when the hardware was not so good. Some films were filmed with entirely washed out color or worse, mono tone (orange/yellow tungsten bulbs/overly dark), some home films were taped in "consumer" grade recorders that looked beyond hope. That IS WHAT WE NEED. Please, stop shooting for the low hanging fruit.
Try Premiere Pro (beta) today: adobe.ly/4dTx5HR
Yes thank you Aidin learned a lot🙏
very helpful and detailed tutorial, thank you very much
Really great tutorial! Thks :)
Great tutorial thanks
want theses lessons on after effects :(
How can I solve this problem? When I select “Wide Gamut (Tone Mapped)”, my logo animation, which was originally white, becomes dark. It becomes dark because the “Knee” is set to 0. But if I change the knee to 1, the animation looks good, but my SLOG footage looks bad.
I was having issues till I realized he’s in beta PremierPro
Great Tutorial but one quick question!
I don't see the settings under Sequence > Color Management for the Wide Gamut Color Setup, even though i have the newest version installed.
Does anyone have a fix for that?
Try the latest Premiere Pro beta version. Here's how: adobe.ly/3Zqj5Ra
Feel free to reach out if there are any other questions. Thanks,
^Nishu
When I click on auto detect 709 it doesn’t change anything, I still have to add my camera specific 709. I have the clip selected. Any help?
Hi there,
Sorry for the poor experience. Please DM us on X (adobe.ly/4dJAZ5e) or create a post in Adobe Community (adobe.ly/3Nk0DSY). We'll be happy to look into this for you.
^IY
hey adobe, i make gradients with the square mask all the time. could you please make an actual gradient tool instead. thanks
Hi there! If you need any advice on that, come on down to the Forum & ask our experts about it. Let’s have a conversation here: [adobe.ly/3zyL5rl] ^Rohan
Adobe, PLEASE, we need "TRUE" A.I Color Grading. *FORGET Modern Films.* They're EASY to color grade because their "base" is already very good. You know it, I know it, and ANYONE who does color grading knows it. THE REAL HARD STUFF IS "old films" pre-dates years 2000 that's when the hardware was not so good. Some films were filmed with entirely washed out color or worse, mono tone (orange/yellow tungsten bulbs/overly dark), some home films were taped in "consumer" grade recorders that looked beyond hope. That IS WHAT WE NEED. Please, stop shooting for the low hanging fruit.
ai-videoupscale AI fixes this. onic color grading workflow explained.