I did like the compact core sound of the B&S and the Schagerl, but not my favorite B&S trumpet - try a Challenger II 3137/2 Silver plate. Yes, the Yamaha really did shine in this video, but maybe the mic and my speakers liked the B&S the best.
Hi Manu! Thanks for your comment - please reach out to our colleagues (brass@thomann.de). They'll be happy to help you out and give some recommendations!
You should practice. I have had many great teachers who were also " players ". It's your job to train your instrument. It's a poor workman who blames his tools.
You say that TR800 is a very free blowing trumpet, which is something I am expecting to be, considering the L bore, reversed leapipe and rounded tuning slide...but what about the slotting? Is this precise, or it tends to be slippery? From what I see, I have a feeling that you work harder to secure the notes, more than on the other trumpets. I am about to order a TR800, and I would like to know these details. I am playing mostly some sort of music that requires very good flexibility, precise slotting and rapid response, using a 1-1/2C mouthpiece. Can I find all these in TR800?
Hey! I think the TR800 will be a good fit for you! Every Horn needs some time getting used to it, I personally prefer smaller horns because of efficiency. Hope that helps! Greetings
@@simonjoachimarnold7233 thank you for the reply, Simon! I wanted to try tr800, and now I decided to buy one (not in stock at this time, silver version will be available soon), but I am a little bit concerned about the way it's securing the notes. How can you rate the slotting of this horn? (compared for example with Yamaha 4335).
@@mariusursu7226 The Yamaha 4335 is more like a student model in my opinion, pretty solid in every aspect of playing. The TR800 lets you more freedom for shaping your sound. The slotting is very good. If you're used to smaller horns you might need a little time getting used to the bigger bore but after some time you'll be fine. Cheers
@@simonjoachimarnold7233 I played all kind of bore, from S to XL (Yamaha 6310 to King 2007), but mostly ML. I have a lot of experience, so I am not worried about the L bore. What I need is a free blowing, rapid response and a precise slotting. I am using large mouthpieces, so the sound is pretty nice on all the horns I played. Thank you for your answers.
@@simonjoachimarnold7233 Hey Simon! Guess what? I bought a TR800L (is now in stock), but I returned it the next day - it's a very nice horn, but not for me. It plays nice, but the sound is way too dark for me (I am using large mouthpieces) and has not enough core, and also does not project very well. I should have expected that from an L bore, reversed leadpipe, rounded tuning slide, and a slightly large bell. I went for Yamaha 5335, because Yamaha never dissapointed me, but I've always wanted to try this TR800 :)
The problem I encountered with beautiful sound is that in the shop, one can be seduced by a nice, clear singing, balanced full harmonious spectrum, perfect for use in symphonic orchestra or in any very good band. However .. if one plays a lot on the street or with a mediocre band at best, one is surrounded by a lot of shrill, not harmonious loud "noise" and one could be disappointed there that the beautiful instrument seems to get overblown rather easily. But this is normal, I guess. Perhaps for this situation only, a shallow and small mouthpiece makes the tone pierce better there but changing to very different mouthpieces is often seen as inviting disaster.
@@ThomannMusic since you’re no getting an answer from him or her, you get one from me! I’ve been playing for 7 months now. I am in concert band. My highest is high d. ( I think that's what its called)
Schagerl sounded the best to me. The James Morrison JM-2 is especially sweet and it won‘t destroy your finances.
Awesome trumpet playing!
I did like the compact core sound of the B&S and the Schagerl, but not my favorite B&S trumpet - try a Challenger II 3137/2 Silver plate.
Yes, the Yamaha really did shine in this video, but maybe the mic and my speakers liked the B&S the best.
Best comparison ever. Please do that for Cornets too.
Thank you! Very useful video!
I purchase the TR800 and wow what a beautiful trumpet for the price. Love the engraving on the horn. Nice mellow sound for me. Love it.
You sound the same on all the horns ! ✨👏🏾 Great video 😎🔥🎺👍🏾
Awesome playing! Great reviews!
Was my pleasure! :)
Thumbs up! Thanks to you ☺️
for me the best Schargel JM2, great
Brilliant!!!!
I have yamaha 4 thousand series and would like upgrade but yamaha does not allow Thomann to send yamaha products to Namibia. Such crazy policy!!
🎶All about that Brass , no silver no silver 🎶
Nice video.
Hi, if possible can you comment on the following trumpet: King silver sonic super 20 symphony trumpet, would love your opinion.
Manu
Hi Manu! Thanks for your comment - please reach out to our colleagues (brass@thomann.de). They'll be happy to help you out and give some recommendations!
is the Thomann 5000 the best quality one in your own range?
Sclhgeral (sp) is the one. More “body” to the sound.
Should I get the Thomann Blacky ? Is it worth it ?
You should practice. I have had many great teachers who were also " players ". It's your job to train your instrument. It's a poor workman who blames his tools.
I'm new to the trumpet world but I love the sound of the Thomann TR 620 L Bb-Trumpet and I was wondering if the L stands for left-handed?
It stands for large bore . Basically means the diameter of the bore is large and its for strong players mostly
Waw. Do you have a similar video about symphonic trumpets?
Sehr schön 😍
I liked the Yamaha the best .
You say that TR800 is a very free blowing trumpet, which is something I am expecting to be, considering the L bore, reversed leapipe and rounded tuning slide...but what about the slotting? Is this precise, or it tends to be slippery? From what I see, I have a feeling that you work harder to secure the notes, more than on the other trumpets. I am about to order a TR800, and I would like to know these details. I am playing mostly some sort of music that requires very good flexibility, precise slotting and rapid response, using a 1-1/2C mouthpiece. Can I find all these in TR800?
Hey! I think the TR800 will be a good fit for you! Every Horn needs some time getting used to it, I personally prefer smaller horns because of efficiency. Hope that helps! Greetings
@@simonjoachimarnold7233 thank you for the reply, Simon! I wanted to try tr800, and now I decided to buy one (not in stock at this time, silver version will be available soon), but I am a little bit concerned about the way it's securing the notes. How can you rate the slotting of this horn? (compared for example with Yamaha 4335).
@@mariusursu7226 The Yamaha 4335 is more like a student model in my opinion, pretty solid in every aspect of playing. The TR800 lets you more freedom for shaping your sound. The slotting is very good. If you're used to smaller horns you might need a little time getting used to the bigger bore but after some time you'll be fine. Cheers
@@simonjoachimarnold7233 I played all kind of bore, from S to XL (Yamaha 6310 to King 2007), but mostly ML. I have a lot of experience, so I am not worried about the L bore. What I need is a free blowing, rapid response and a precise slotting. I am using large mouthpieces, so the sound is pretty nice on all the horns I played. Thank you for your answers.
@@simonjoachimarnold7233 Hey Simon! Guess what? I bought a TR800L (is now in stock), but I returned it the next day - it's a very nice horn, but not for me. It plays nice, but the sound is way too dark for me (I am using large mouthpieces) and has not enough core, and also does not project very well. I should have expected that from an L bore, reversed leadpipe, rounded tuning slide, and a slightly large bell. I went for Yamaha 5335, because Yamaha never dissapointed me, but I've always wanted to try this TR800 :)
Cool!
The problem I encountered with beautiful sound is that in the shop, one can be seduced by a nice, clear singing, balanced full harmonious spectrum, perfect for use in symphonic orchestra or in any very good band. However .. if one plays a lot on the street or with a mediocre band at best, one is surrounded by a lot of shrill, not harmonious loud "noise" and one could be disappointed there that the beautiful instrument seems to get overblown rather easily. But this is normal, I guess.
Perhaps for this situation only, a shallow and small mouthpiece makes the tone pierce better there but changing to very different mouthpieces is often seen as inviting disaster.
What is the piece he plays at 2:47
Sounds like he’s riffing of “All of Me.”
What mouthpiece you use?
DG Andy Haderer (Daniele Giardina from Italy)
@@simonjoachimarnold7233 Which size is it? If compared with Bach's mouthpieces size.
اشكداسعر ❤
I play this
Nice! How long have you been playing trumpet?
@@ThomannMusic since you’re no getting an answer from him or her, you get one from me! I’ve been playing for 7 months now. I am in concert band. My highest is high d. ( I think that's what its called)
Right let's not talk about Monette, Martin Bohme, Lotus, Van Laar, AR resonance, inderbinen ... theses companies naturaly does not exist.
for your target you need much money ...
@@md4645 it says top 5 trumpets of 2021 or it says top mid price trumpet? I am confused
01:37, 03:13