Rachmaninoff, Piano Concerto No. 4 | San Francisco Symphony, Michael Tilson Thomas
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- Опубликовано: 4 июл 2024
- Daniil Trifonov @daniiltrifonov
San Francisco Symphony @sfsymphony / Michael Tilson Thomas @michaeltilsonthomas -
Sergei Rachmaninoff: Piano Concerto No. 4 in G minor, Op. 40
Davies Symphony Hall, San Francisco, CA, USA / Sep. 19, 2019
Broadcast on KDFC
00:00 [Excerpt] 'Destination Rachmaninov - Departure (Trailer & Interview)'
01:23 [Excerpt] Interview with WRTI's Susan Lewis in October 2015
01:54 I. Allegro vivace (Alla breve)
12:41 II. Largo
20:39 III. Allegro vivace
30:23 Applause
30:28 Daniil in Rehearsal
31:55 [Excerpt] Daniil's 2015 Interview at the Festival Pianistico Internazionale di Brescia e Bergamo
[Reviews]
By Harvey Steiman:
"[...] the Rachmaninoff concerto, which in its 1941 revision keeps everyone on their toes. Its high energy could tempt the soloist, especially, to clang away, but Trifonov found ways to soften tone and weave in moments of delicate filigree among denser passages. In the opening movement, his touch was silvery, and sweet against the persistently brooding orchestral melody in the Largo. In the finale, he soared with fleet deftness as the orchestra kept pace with equal verve.
Trifonov’s encore calmed things down: his own piano arrangement of Rachmaninoff’s Vocalise that felt like a jazz ballad. [...]"
seenandheard-international.co...
By James Roy MacBean:
"[...] Needless to say, Daniil Trifonov’s awesome technical prowess was more than up to meeting and transcending the difficulties. Here, in this finale, we recognise what Martha Argerich noted when she first heard Trifonov play in Carnegie Hall: Trifonov combines formidable technique with an element of the demonic in his playing. Along with Martha Argerich we can only agree that “we have never heard anything quite like that before.” Daniil Trifonov, now aged 27, only gets better and better, if that’s possible. I can’t wait to hear him again and again. [...]"
www.berkeleydailyplanet.com/i...
[Interviews]
Interview with KDFC's Jeffrey Freymann in September 2019:
www.kdfc.com/culture/the-stat...
"We can hear influences of music of 1920s. And some, maybe jazz influences, maybe a little bit of Gershwin or Ravel, but at the same it’s still very Rachmaninoff… To me, it’s music very much of a time. Like I feel also some even industrial elements in it, in, for example, how the orchestra very often uses certain rhythmical ostinato that brings to mind all of the industrialization that was happening at that time, and it’s much more urban concerto, compared to his other works.”
"The pianistic writing is already noticeably less full, it’s more scarce, maybe, in the sense that only the most essential elements are in the piano part… But already here, orchestra has a lot of thematic roles, and many places where piano is in the background, or just a part of orchestral texture, for example in development section of finale… The piece also employs orchestra to a much more prominent extent than in his previous concerti, and we’ll see a continuation of that in his next work, which would be the Rhapsody on a Theme of Paganini."
Interview with WRTI's Susan Lewis in October 2015 (11’49”):
www.wrti.org/wrti-spotlight/2...
Daniil's performance with the Philadelphia Orchestra and Yannick Nézet-Séguin in October 2015:
• Daniil Trifonov ~ Rach...
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Видеоклипы
"With the Fourth Concerto, Rachmaninov pushes musical language in a new direction - and succeeds! The spirit is very much of its time. The feeling is jazzy, mechanical - almost enginelike - you hear the influence of film music, of industry. There are of course glimpses of Rachmaninov’s cantabile melodies in that characteristic Russian idiom, but the harmonies are more risky, the music is edgy. From a technical point of view, the piano playing must be extremely light and explosive - as must the orchestra’s, too. Rachmaninov treats the orchestra almost like a second soloist. The writing is very virtuosic. There is a momentum and drive to the piece. The first movement is like a train accelerating down the tracks, and during the piece you see stations and cities and scenes of nature all flashing by out the window. The Fourth Concerto is like sharing a journey with Rachmaninov through the musical mosaic of his world." says Daniil.
Восхитительный анализ 4 концерта Рахманинова.Даниил не только гениальный пианист,но еще и необычайно умный человек.Браво!🎉🎉🎉🎉🎉🎉🎉🎉🎉
@@user-mh2ey9px6n bin
ganz Deiner Meinung Irina ! Das Rehearsal ist zum Dahinschmelzen !
Und es ist mir immer eine Freude, Daniil in einem Interview zuzuhören . ❤
Gracias Daniil! Bravo! ❤
I love the 4th. Especially the etherial passage in the first movement that takes us up to the heavens.
With your performance you tell us the story of the composer. Thank you Daniil I love that. 👍🌷🌷🌷 (Netherlands)
Daniil is just the best. 🎉🎉🎉🎉
Krása 🌷 děkuji Vám 🤍🕊️
... ano, je to cesta ... cesta, které mnohdy nerozumím, ale nepřestala jsem věřit ...
Jsem vděčná za nádhernou vážnou hudbu, která jde se mnou po mé cestě ... nepostradatelná ,,božská" hudba ... 30:23
Wonderful Danill Trifoniv❤ Thank you for this great video🌹🌹🌹🌹🌹
Qué concierto tan hermoso y romántico! Viva Rachmaninov! Bravo Daniil! ❤
Великий Рахманинов и грандиозный Даниил Трифонов- Наше достояние , ограненные алмазы земли Русской❤❤❤
라흐마니노프의 곡을 이렇게나 섬세하게 해석해 주시니 ~~오케스트라와 피아노의 연주를 듣고 감상할때 많은 도움이 되고 곡을 깊이 이해하게 됩니다! 이토록 아름다운곡을 영상으로 올려주셔서 감사드립니다~~⚘⚘⚘💐😊
Awesome!
………..And at 3:58 the piano introduces “the Egyptian Oasis Theme” which title occurred to me when first hearing this masterpiece about thirty-five years ago. This concerto is my favorite of the four. I have called it a distillation of the previous three. Can’t get enough of the “Rach” four. PWG. P.S. brother Trifonov kicks it up several notches of course!
Qué tendrá que ver esta maravillosa música con algo egipcio…lo que hay que leer…
AMEI!!❤
Wonderful music, wonderful composer, wonderful Trifonov. Is that a Fazioli by the way, does anybody know. It has a more metalic sound than the usual S&s?