@@Mariano-ge6de kraus era tão grande em humildade que em entrevista admitiu não saber como era o falsete, por não ter acesso a esse recurso, admitiu que como Gigli o fazia era muito bela a voz de Gigli por exemplo. Então quem somos nós para julgar aos grandes do passado?
@@sidneikovacs5499Se que lo dijo en una entrevista, le puedo mandar varias grabaciones de joven donde recurre al falsete de forma puntual, después dejó de hacerlo. En esta partitura el compositor en ningún momento indica que se tenga a recurrir al falsete y menos de manera continua. La palabra lo dice, canto falso. En el barroco si pega en este aria cuando se canta de manera natural la voz suena lógicamente más bella. Que se haga por tradición y por ser más fácil cantarla así me parece muy bien pero a mi no me gusta en absoluto. A mi Gigli me encanta pero cuando canta arias sin abusar constantemente de ese recurso.
This is a great video showing how those amazing tenors sang the aria their own ways using their strength and their interpretation of the material. That's what made them famous because of their own unique quality. You can tell who sings what by their voices. These days, tenors sound the same honestly. I expected Björling/Kraus/Gigli to sing this piece with more power due to their voice types and Gedda sang with the impeccable mixed-voice because of his gifted upper register. Kind of made sad that all four have gone beyond the veil. These are rare specimen of tenors that just don't come by often if ever again.
@@aliqalandi Não esqueça que Bjorling era fã admirador de Beniamino Gigli assim como inúmeros tenores o eram, além de amigo pessoal de Gigli. Bjorling foi visitar Gigli quando o mesmo estava muito doente ja proximo da morte. Esses artista eram divinos e humanos. Para mim Bjorling, Gigli, Kraus, Caruso .... são eternos, cada um tem seu preferido e não há melhor ou pior, questão de gosto pessoal, mas não esqueçamos que é unanime entre todas as partner sopranos e mezzo que cantaram com Gigli que sua mezza voce era mel puro, ouro líquido, ninguém atingiu essa qualidade de equilíbrem todos registros como Gigli, principalmente no período do Metropolitan ou seja, Gigli ate os quarenta anos de idade. Sou fã de todos, Gueda, Vanzo, mas Gigli é fora da curva...🎉🎉🎉🎉
@@sidneikovacs5499 je préfére aussi la douceur de Benianimo GIGLI et sa simplicité sans effet. J'ai apprecié aussi l'interprétation de... Tino Rossi, lui aussi tout en fluidité!
Какие прекрасные голоса!У каждого человека свои предпочтения,но нельзя не признать,что все они Великие мастера оперного пения,покорившие слушателей Великим искусством!Браво!!!
Very nice. Thank you for the video. Many ways to sing it. Also sung by different types of tenors: Bjorling - Spinto Kraus - Lyric Gigli - Dramatic Gedda - Leggero
Gedda for me. I think his way of singing is the way i would want to sing it and hear it. Full power in the voice seems wrong.. and a tone lower sounds like cheating!
When I hear these remarkable voices, I wonder if Bizet ever had the opportunity to hear his work sung so well. Possibly not. Which tenor would he choose?
I do believe you are confusing mezza voce vs piena voce and chest voice vs falsetto. Gedda does have the most beautiful *falsetto* of the four (Gigli is close second) but sings amazingly in any volume.
I was just comparing tenors on this when I saw your compilation! All wonderful. I was leaning towards Krauss, whose mezza voce is one of the finest, until I heard Gedda. I love your notations-spot on! I agree the last version by Gedda is the finest! The floated, mezza voce pianissimos are like an Angel surely from heaven comes down to sing this hauntingly beautiful aria.
Yes, Gedda's tones extremely pure. It seems he was the most attentive to every single sound being pleasing, never a single rough or grating sound. Sung with just amazing intelligence
it's nice to have such great renditions adding up to each other instead of the usual rants on who is best ever. For a native French rendition, you can also check Alain Vanzo.
Sin duda los 4 son maravillosos, cada uno es su estilo y en su tono. Amo esta parte de esta opera, aplaudo el sentimiento con que fue hecha. Recuerdo tanto a los mios cuando la escucho.
4 perfect ways of singing this aria. Gigli touched me more because of that amazing golden tone (so smooth, really gives the malinchonic vibe to the aria)
Yes, and in any language his Lyric beauty of voice is warm and among the most beautiful of all tenors of his type, a great favorite of mine for the sweet wonderful tone and so Italian!
Ed dificil escoger, pero Gedda domina mejor que ninguno el idioma francés y su canto es atercipelado y sin excesos. Repito, todos maravillosos pero me quedo con Gedda .
Nem as sopranos e mezzo sopranos que cantaram com Beniamino Gigli chegavam a uma conclusão definitiva. Isso porque tiveram o privilégio de estar a centímetros do grande maestro....🎉🎉🎉🎉🎉🎉
@@BaroneVitellioScarpia1 Pippo tenía una pésima técnica. Que hartazgo de ver cómo te gusta imponer tus gustos sin el mínimo criterio musical. No estás bien....
il conviendrait également de prendre en compte la prononciation de Français. Ce versions sont toutes différentes. Bien d'autres encore valent le détour !
Gigli is the one mastered the bel canto technique all the way. The last technique singer should achieve in my opinion. It’s called “Carezza” “sooth your vocal core with air”
With all due respect to any other art, this very aria is an epitome of human civilization.
The shimmering liquid tones of Bjorling are unmatchable in my view.
all 4 were great but for me Gedda and Bjorling both stood out in their interpretations of this beautiful aria.
Bjorling, what a amazing voice
instämmer!
agree
No question Gigli is the one who make people in tears!
They all win! I hate to compare artists since the great ones always bring something extraordinary.
straordinari tutti!
Very true. Also, this is an extraordinary beautiful piece. Bizet is a winner too!
Agree, no right or wrong ,it's basically all opinions anyhow.
By saying that some are great, you are comparing artists.
For this aria the tone of Gigli
is so perfect 👌👌
Dear god, what gorgeous singing! They're all absolutely stupendous, but Gedda inches ahead on style and linguistic presence, in my book.
I am stunned by what mankind is able to make and perform...SIMPLY...BEAUTIFUL ..
thanks a lot..Cheers...😇
putting an ad in the mid of the video break all the vibe .....thank you
All of these singers great and bring their unique renditions we are lucky to be able to listen to them via recordings, 👍😁
All 4 were godlike tenors, but gedda's Mezza voce is just unreal. Gilgi was also a true master of this technique. All incredible anyway ✨👏
Kraus sin recurrir al falsete
@@Mariano-ge6de kraus era tão grande em humildade que em entrevista admitiu não saber como era o falsete, por não ter acesso a esse recurso, admitiu que como Gigli o fazia era muito bela a voz de Gigli por exemplo. Então quem somos nós para julgar aos grandes do passado?
@@sidneikovacs5499Se que lo dijo en una entrevista, le puedo mandar varias grabaciones de joven donde recurre al falsete de forma puntual, después dejó de hacerlo. En esta partitura el compositor en ningún momento indica que se tenga a recurrir al falsete y menos de manera continua. La palabra lo dice, canto falso. En el barroco si pega en este aria cuando se canta de manera natural la voz suena lógicamente más bella. Que se haga por tradición y por ser más fácil cantarla así me parece muy bien pero a mi no me gusta en absoluto. A mi Gigli me encanta pero cuando canta arias sin abusar constantemente de ese recurso.
Björling - fantastic as usual.
Божественно. Спасибо за возможность сравнить и насладиться.
JUSSI!!!
@old school singer. I must thank you for this treat. All 4 are masters of their art. Be safe
This is a great video showing how those amazing tenors sang the aria their own ways using their strength and their interpretation of the material. That's what made them famous because of their own unique quality. You can tell who sings what by their voices. These days, tenors sound the same honestly. I expected Björling/Kraus/Gigli to sing this piece with more power due to their voice types and Gedda sang with the impeccable mixed-voice because of his gifted upper register. Kind of made sad that all four have gone beyond the veil. These are rare specimen of tenors that just don't come by often if ever again.
Gigli every time; how can that glorious voice not reduce anyone to tears.
Bjorling incomparable ! Just pure voice with out any ornaments 👏👏👏
Listen to Sergey Lemeshev first. That is the voice to make you cry together with his hero.....
@@aliqalandi Não esqueça que Bjorling era fã admirador de Beniamino Gigli assim como inúmeros tenores o eram, além de amigo pessoal de Gigli. Bjorling foi visitar Gigli quando o mesmo estava muito doente ja proximo da morte. Esses artista eram divinos e humanos. Para mim Bjorling, Gigli, Kraus, Caruso .... são eternos, cada um tem seu preferido e não há melhor ou pior, questão de gosto pessoal, mas não esqueçamos que é unanime entre todas as partner sopranos e mezzo que cantaram com Gigli que sua mezza voce era mel puro, ouro líquido, ninguém atingiu essa qualidade de equilíbrem todos registros como Gigli, principalmente no período do Metropolitan ou seja, Gigli ate os quarenta anos de idade. Sou fã de todos, Gueda, Vanzo, mas Gigli é fora da curva...🎉🎉🎉🎉
@@sidneikovacs5499 All good, but Gedda the best of these recordings
@@sidneikovacs5499 je préfére aussi la douceur de Benianimo GIGLI et sa simplicité sans effet. J'ai apprecié aussi l'interprétation de... Tino Rossi, lui aussi tout en fluidité!
Какие прекрасные голоса!У каждого человека свои предпочтения,но нельзя не признать,что все они Великие мастера оперного пения,покорившие слушателей Великим искусством!Браво!!!
Very nice. Thank you for the video. Many ways to sing it. Also sung by different types of tenors:
Bjorling - Spinto
Kraus - Lyric
Gigli - Dramatic
Gedda - Leggero
Gedda and Kraus! Same interpretation of this magical aria. Brilliant.
I love them all! wonderful!
Bjoerling! Bjoerling! Bjoerling!!!!!!!!!
Divno
Very interesting. Thanks for posting!
Kraus and Gigli! They are wonderful!!!
Four great tenors. Bu Björling,
the first to sing, is the greatest
tenor of alltime .
Non si possono confrontare 4 lingotti d'oro. Io mi commuovo con Gigli ma è personale. Sono tutti e 4 enormi e vanno ascoltati in religioso silenzio
Excellent video. Highly educational with beauty to boot.
Thank you so much. I haven't heard of Gedda until now. I'm in love with that voice.
You hadn’t heard of Gedda? How old are you?
Have you heard his live performance of this in Moscow? It is spellbinding, and it's on youtube.
I adore this aria, very poetic and full of mystic sentiments.💙
1. Gigli, 2. Jussi, 3. Gedda, 4. Kraus
it's hard to compare such a great renditions from such a great singers, but i think Gigli is the best here.
Wonderful, thanks very much.
Merci pour la vidéo
Quattro perle della lirica,vanno ascoltati in religioo silenzio...che tecnica fraseggio...il belcanto...dell era d oro della lirica
4 great version and among them Björling stands out.
Los cuatro fantásticos.👏👏👏👏👏👏
Gedda and Gigli...ma tutti e 4 voci assolute e bellissime
Sono straordinari tutti e quattro. Non avevo mai sentito questa romanza cantata da Beniamino Gigli. Una voce e una tecnica meravigliose!
@@stefaniapartini5825 vero
@@stefaniapartini5825 👏👏👏👏👏👏
Whoever was singing at 2:30 was superb. I have never heard what they did there, the little added portamento was beautiful
Gedda for me. I think his way of singing is the way i would want to sing it and hear it. Full power in the voice seems wrong.. and a tone lower sounds like cheating!
It was Gedda at 2:30 and so well done.
And the winner is!! There are no winners. They are all unique...
When I hear these remarkable voices, I wonder if Bizet ever had the opportunity to hear his work sung so well. Possibly not. Which tenor would he choose?
Grandissimi Artisti , voci meravigliose,ma sua maestà Gigli è Gigli...
I do believe you are confusing mezza voce vs piena voce and chest voice vs falsetto. Gedda does have the most beautiful *falsetto* of the four (Gigli is close second) but sings amazingly in any volume.
Krauss does not need falsetto ;D
Different types of voices I like all of them... Beauty is beautiful !Have an ear at Cesar Vezzani, very nice too.
The perfect voice bjorling the best
Wonderful. Real singing.....Although I like Gedda the least of these singers he does this very moving.
I was just comparing tenors on this when I saw your compilation! All wonderful.
I was leaning towards Krauss, whose mezza voce is one of the finest, until I heard Gedda.
I love your notations-spot on!
I agree the last version by Gedda is the finest! The floated, mezza voce pianissimos are like an Angel surely from heaven comes down to sing this hauntingly beautiful aria.
Yes, Gedda's tones extremely pure. It seems he was the most attentive to every single sound being pleasing, never a single rough or grating sound. Sung with just amazing intelligence
Have to agree - Gedda's ending is spellbinding
Gedda y Gigli son las mejores interpretaciones de este aria, pero los cuatro son grandes cantantes.
Hola crack sigue a Genius opera el sube opera de la buena O:-)
Para mi Kraus, el único que no recurre al falsete.
@@jesusmunoz2400 eso no es falsete, y tampoco es como que sea tan fácil hacerlo bien, quizas incluso más difícil por qué requiere mucho control
@@JosueArcos0394 👏👏👏👏
No esfalsete propiamente esvoz de cabeza pero si n tener baja la laringe cuando se emite lavoz por eso es más fácil emitir la voz sin bajar la laringe
Yes I confess to favoring the Swedes - especially Nicolai Gedda, but all are wonderful.
Bóerling es único. Impecable y su voz increíble.
Increíbles los cuatro, siempre. El mejor, Kraus.
I really dont know what I am talking about but there is something really delicate and a bit muffled about Geddas voice that is amazing.
They are all so extraordinary yet for me, Alfredo Kraus has the voice that defines what I want to hear in this Aria.
Alfredo Kraus And Nicolai Gedda are my favorites 💜
Jussi björling wins... 🖤
it's nice to have such great renditions adding up to each other instead of the usual rants on who is best ever. For a native French rendition, you can also check Alain Vanzo.
Yes, I forget about Simoneau if he sang it, excellent French Canadian tenor.
No puedo elegir! Todas las versiones me encantan, en especial porque esta aria es bellísima, no sé de qué habla pero me hace llorar
Escucha la versión del francés Alain Vanzo.
Creo oír todavía
Creo oír todavía,
Oculto bajo las palmeras,
Su voz tierna y sonora
Como un canto de palomas.
Oh, noche hechicera,
Éxtasis divino,
Oh, recuerdo encantador,7
Loca embriaguez, ¡dulce sueño!
En la claridad de las estrellas,
Todavía creo verla,
Entreabrir sus velas largas
En la brisa tibia de la tarde.
Oh, noche hechicera,
Éxtasis divino,
Oh, recuerdo encantador,
Loca embriaguez, ¡dulce sueño!
¡Recuerdo encantador! Esta es la traducción
@@oscarberolla9910 es hermosa la letra y la melodía también, interpretada por tenores tan buenos como estos es mucho mejor
@@oscarberolla9910é maravilhoso 👋👋👋👋👋
love it
Sin duda los 4 son maravillosos, cada uno es su estilo y en su tono. Amo esta parte de esta opera, aplaudo el sentimiento con que fue hecha. Recuerdo tanto a los mios cuando la escucho.
Todos maravillosos pero como Kraus ninguno. Su delicadeza es ensoñadora. Me transporta.
Alfredo Kraus....the best👏👏
Υπέροχοι και οι τέσσερις
4 perfect ways of singing this aria. Gigli touched me more because of that amazing golden tone (so smooth, really gives the malinchonic vibe to the aria)
Perfeito. Nos transporta a outra dimensão.... incrivel 👋👋 não há explicação. Divino Gigli...
son sencillamente geniales los cuatro, emociona oirlos. yo personalmente me quedo con Krauss. .
太棒了❤❤❤
Alfredo Krause for ever.
Björling por color me enamora. Kraus tiene un francés espectacular, le entiendo todo!
Gigli is a GOD !!!!!
Yes, and in any language his Lyric beauty of voice is warm and among the most beautiful of all tenors of his type, a great favorite of mine for the sweet wonderful tone and so Italian!
SENCILLAMENTE MARAVILLOSOS LOS CUATRO
Все хороши, трудно кого-то выбрать. Но я остаюсь с Бьорлингом и Краусом
Gedda 1968. Es insuperable!!!!
Ed dificil escoger, pero Gedda domina mejor que ninguno el idioma francés y su canto es atercipelado y sin excesos. Repito, todos maravillosos pero me quedo con Gedda .
Maravillosos los 4. Mi preferido en esta aria es la de Gigli. Ahora una pregunta; ¿Es media voz o falsete lo de Gigli???
Gigli en el agudo de la primer parte hace falsete, en la segunda parte es Media Voz.
Voz mista .
@@MarioRogelSV media voz
@@MarioRogelSVI wish I understood more of the technicalities, but my appreciation is second to none!
Nem as sopranos e mezzo sopranos que cantaram com Beniamino Gigli chegavam a uma conclusão definitiva. Isso porque tiveram o privilégio de estar a centímetros do grande maestro....🎉🎉🎉🎉🎉🎉
Gigli, without a doubt.
Yep! Kraus is the second!
@@maximtuboltsev6046 di Stefano is the best
@@BaroneVitellioScarpia1, for me, the best is Gigli. Di Stefano is great too!
I mean, his tone and Mezza voce were wonderful but he is not able to sing it in French. Language and diction matter too.
@@BaroneVitellioScarpia1 Pippo tenía una pésima técnica. Que hartazgo de ver cómo te gusta imponer tus gustos sin el mínimo criterio musical. No estás bien....
Grande Gedda!!!
Are these all on You Tube? @OldSchoolSingers If they are will you link them please
Gigli, full stop.
Thank you. Nice selection of voices. Different and beautiful. Applause and congratulations.
Encore!
Gigli has the superior technique.
Je crois entendre moi aussi!
Kraus the only tenor who sang this with the correct Breathing control... Real master
Tutti grandissimi artisti 👏👏👏grazie per averci lasciato queste meravigliose incisioni
Gedda forever! The perfect technique!
Maravillosos tenores !!
Me quedo con Gedda!!!
Gedda!
il conviendrait également de prendre en compte la prononciation de Français. Ce versions sont toutes différentes. Bien d'autres encore valent le détour !
El brillo en la voz de Kraus la hace unica e irrepetible
gigli the best 1926
What means „Sib“ ???? Please explain to me, as I´m Not native English speaker..
Bonisolli's version breaks my heart, with beauty and emotion
GEDDA il migliore in assoluto.... Poi Kraus..... Per dolcezza Gigli
Gigli is the one mastered the bel canto technique all the way.
The last technique singer should achieve in my opinion.
It’s called “Carezza” “sooth your vocal core with air”
i like vanzo's version as well
I like audio with Franco Bonizolli
They are all amazing...
Gedda is my favorit! ❤
Sin duda el mejor Kraus . Dicción fraseo legato canto valiente sin trampas ni falsetes. Voz plena y a la vez media voces.
Hello, I loved this. What is 'Sib' in the description?
Si bemol.
No need to compare these wonderful singers. All are extraordinary. I perfer Kraus and Gedda, but this is just a matter of personal taste.
Do you have the track were Gedda sings (without the others)?
Look at his live performance in Moscow. You will not be disappointed, it is magical.
Gili