This was the first performance of Bolero under Maestro Celibidache. I was the principal bassoonist. Celibidache did not allow any dress rehearsal with the recording team. It was a Sunday morning at 11 a.m. We started playing and the recording team individually added a spot-light onto each soloist. When I started my solo, the spotlight was in my eyes and I could not see the conductor any more; this was totally unexpected since there was no dress rehearsal. This and many other stories and events are in my book, 17 years as principal bassoonist under principal conductor Sergiu Celibidache. The book, only in Japanese, is sold out. I can send a copy of the original manuscript, which was in English. I have send it world-wide on request. It was a wonderful time and experience under Maestro Celibidache and quite different than one would imagine. Friedrich Edelmann
Ja ich weiss , respektvollen Kommentar, das verdient Celi, weil , ich durfte ihn persönlich kennenlernen und alles war so schön ..sein letztes Konzert , er ist der größte...keiner , aber absolut keiner ist so wie er ...
Ce concerte frumoase erau la televizor...Cu mare drag ne uitam la TV pentru piesele muzicale superbe, ptr dirijorul de excepție Sergiu Celibidache.Vremuri de mult apuse
Exelente esmi favorita nome cansodeescucharls en varias orquestas enla que fue iterpretada grandiosa ymagistral Exelelentte yMajestuosa Interpretacion Genio Saludas teresa torres
At first I didn't understand why this is the top search result for ravel's Bolero but after listening to it a couple if times I think it is the best one on youtube.
👏👏👏👏 Magnifique 👏👏👏Grandiose !!!! Un pur bonheur !!!! Un merveilleux orchestre et un très très Grand Monsieur à la baguette 👏👏👏👏 j’ai rarement vu un Chef vivre sa musique comme Monsieur Célibidache . Il vit sa musique et il la fait vivre 👏👏👏👏. Bravo, mille fois bravo pour ce merveilleux moment👏👏👏👏👏
The most fantastic Bolero in history. Celi begins very slowly, then the tempo reaches an hypnotic level and the end is apocalyptic. Never heard such a thing. Celi is possessed and fascinating by his attitudes. Historic. To be shown in all schools of the entire world for pupils, any color their skin is.
Esto no es lo que escribió Ravel, por mucho que emocione y asombre. Hay que ser fiel a la partitura en la medida de lo posible. O que componga él otra cosa.
Joël Le Bras Totally agree! The tempo is real fascinating. I think the slowly version of Bolero is the best. Do you know that Gustavo Dudamel plays the same tempo ? Cecil and him are the best playing Ravel!
Incredible performance. Celibidache, one of the best conductors of all times, within a unique style. His rehearsals are fantastic and a source of learning music´s essence.
Il y avait sur youtube cette même vidéo mais en 2 parties, avec un son bien meilleur, mais qui a disparu des radars. Quelqu'un a t-il la possibilité de le re-poster car cette interprétation de 1983 est vraiment la plus puissante jamais jouée! J'ai beau écouter énormément d'interprétation du Boléro mais je trouve que personne n'a fait mieux que celle-ci. Quel génie dans Ravel ce Sergiu! J'attends impatiemment cette interprétation un jour remastérisée !
It's going to take a bit of time for me to recover from this performance, much less begin, as a Conductor, to usderstand how this wizard got that performance out of those professional musicians. Talk about the definition of the work! Magnificent! Bravissimo! Thank you so very much for offering this eternal gift to us.
Just look @ 13:30 to 13:50 Wow! 😃 What a great style to conduct the orchestra, with rotations of the arm, never seen in other conductors. At the end he was also exhausted by his work and the performance of the orchestra. Maestro Sergiu Celibidache was the best conductor in the world.
you REALLY need to see the 1971 version. good as this is, that one puts this in the shade. Celi was younger, more animated, and the performance more urgent. Pure sex.
He escuchado muchísimas versiones de esta obra. Grandes directores de todos los tiempos quisieron poner su granito de arena en la interpretación, como puntos de vista, el gusto varia de acuerdo al criterio del artista. Sin embargo es Celibidache el ¡único! que llega a la apoteosis hipnótica de la interpretación, tal cual fue la idea de Ravel, exaltando el espíritu del individuo en un momento ínfimo cercano a la meditación profunda. Gracias por subir éste video, verlo al maestro me llena de una emoción profunda y amo la música con pasión cada día de mi vida.
Un adevarat fenomen in istoria muzicii universale, a avut un mare potential, a studiat multe domenii, si a avut rezultate uimitoare in toate. A studiat Filosofia și Matematică la Universitatea din București. În 1936, a plecat la Berlin și și-a continuat studiile, în mare parte preocupându-se de mecanica undelor, dar și de studii muzicale. Și-a scris doctoratul pe Josquin des Pres. Din 1939 până în 1945 a studiat și Colegiul de Muzică din Berlin sub Fritz Stein, Kurt Thomas și Walter Gmeindl. După ce și-a încheiat studiile, Sergiu Celibidache a putut imediat să lucreze cu Orchestra Filarmonică din Berlin. 1948 a fost debutul lui Sergiu Celibidache la Londra. Apoi a condus frecvent în Italia. Din 1959 a fost invitat în mod regulat de Orchestra Radio Stuttgart. Din 1960 până în 1962 a susținut cursuri de master la Accademia Musicale Chigiana din Siena; tinerii dirijori erau extrem de dornici să fie admiși. În 1962 devine director al Orchestrei Simfonice Radio de la Stockholm, pe care a reconstruit-o complet (până în 1971). Din 1973 până în 1975 a fost dirijorul principal invitat permanent al Orchestrei Naționale Franceze. În 1979 a devenit directorul Orchestrei Filarmonice din Munchen, pe care a făcut-o una dintre cele mai bune orchestre din lume.Celibidache a compus și el, dar a refuzat să permită interpretări ale compozițiilor sale.
@Balica Gheorghe Liviu Exista o Compozitie a Maestrului Sergiu Celibidache cu Titlul: *Celibidache - Der Taschengarden - Celibidache, SRSO (1979)* Quality 1080p - Durata 44:18 Minute ruclips.net/video/VffnXF9NxNM/видео.html
Doresc sa fac aici o completare. Maestrului Segiu Celibidache, cei din München si Münchner Philharmoniker îi spuneau "Celi". Maestrul Sergiu Celibidache a fost un Geniu si cel mai bun Dirijor din lume. A avut 3 Titluri de Doctor. Doctor in Muzică. Doctor in Matematică. Doctor in Filozofie. In medie el facea 10 repetitii cu Orchestra, foarte multe. Philharmonia dorea să se facă cât mai putine repetii si cât mai multe reprezentii. Dar Maestro s-a impus, nefiind de acord. Dovada este evidentă, sunetele Orchestrei fiind superbe. Nici un alt Dirijor nu a reusit acustic sa ma fascineze in felul acesta, doar ascultând sau văzând Concertele lui, doar cu Orchestrele dirijate de el se aude fiecare Instrument in parte fantastic. Din păcate, el nu dorea sa se faca inregistrari, spunea ca o inregistrare audio nu poate sa redea atmosfera dintr-o sala de Concert. Aşa este si a avut întradevar dreptate. Totusi este păcat ca nu exista mai multe înregistrari pentru a rămâne in istorie.
Maurice Ravel souhaitait un tempo lent, ce que restitue parfaitement Sergiu Celibidache qui a dirigé cette oeuvre de très nombreuses fois, avec toujours une maîtrise parfaite de la conduite de l'orchestre. Un must avidement.
Exacto, pero gran número de directores no parecen apreciarlo así. Esta lentitud en el tempo permite apreciar todos los matices instrumentales de esta grandísima obra. La simplicidad de sus dos melodias hacen de esta obra un excepcional ejercicio del arte de armonizar los vientos con las cuerdas. Celibidache ha sabido imprimir el espíritu que animaba la obra del gran maestro Ravel. Hay poquísimas interpretaciones del bolero tan ricas y con tanto " colorido " como las del gran Celibidache. Bravissimo!
I regret - having been in many of his concerts in my twenties - that I couldn't appreciate him enough then. We sometimes joked about his slow tempi and weren't aware that we heard a genius ...
Surely no one anywhere would want to "race" Bolero. The marvel of the piece is the slow but progressive build up. The difficulty being to not overdo it too soon and have nothing left in the tank.
Bolero must have been written for Celibidache, his interpretation and passion in conducting this piece can never be surpassed. My true regret, I will never witness him conducting Bolero live.
It's such a gift seeing this performance again and remembering the days when I could listen life to this performance at the Munich Herkulessaal.. Thank you from Vancouver / Canada
The acceleration of energy is incredible! BRAVO Maestro Sergiu Celibidache! BRAVO Muenchner Philharmoniker! Many thanks "asimon65" for this outstanding upload!
Hector Manuel Gonzalez Escobar Totalmente. Veía más allá. Para él la música se vivía fuera de la partitura,como algo libre y eso, me parece maravilloso. Hay un ensayo con la orquesta de Finlandia creo , del 1965, ensayando el Bolero, que es magistral.
In my opinion Celi's best boléro is the one with the Danish Radio Symphony. It's on RUclips and probably the most fous video of Boléro on the platform.
Now that is the way you conduct the Bolero. He was throwing thunderbolts up at the horns. His hair coming all undone; sweat flying. By 18 minutes he was a mess LOL. Beautiful performance.
Es una maravillosa obra musical, desde lo mas bajo va subiendo en intensidad en una melodía cautivante y envolvente, algo así como una embriaguez de placer hasta una explosión de disco y platillos como remate en un clímax de un pequeño bing bang donde la obra esta completa.
Cuantas controversias ha inspirado esta genial partitura de Ravel! Infinidad de ellas han sido, durante años, el precio a pagar por romper con el molde de la música que se componía en los albores del siglo XX. Ravel quiso componer una música para un ballet en tres tiempos que una célebre bailarina de la época quería añadir a su repertorio. Ravel, afincado en el país vasco, imaginó, sobre un tema inspirado del folklore español, una partitura basada en la repetición obsesiva de 16 medidas llenando el vacío inicial con la orquesta de manera progresiva. Estas escasas notas son repetidas sin cesar, sin cambiar la melodía en un crescendo que parece no tener fin. No hay intención de variar una larga melodía. No hay aceleración, no hay cambio de ritmo alguno. Justo un aumento progresivo de la masa instrumental. Lo que resulta sorprendente e innovador es el carácter grandioso de la obra con tan escaso material musical. Más allá del extremo cuidado que Ravel acordaba a la melodía en sí, conviene remarcar el refinamiento armónico de la escritura con sus maravillosos encadenamientos extremadamente sencillos basados, en su mayoría, sobre pasos tercios o notas comunes. El resultado es una obra universal, interpretada en todos los rincones del planeta por los más brillantes directores de orquesta, felices de integrarla en sus repertorios. Mención aparte merece la interpretación del Bolero llevada a cabo por Sergiu Celibidache. Nadie ha sabido llevar hasta cimas inimaginables el espíritu con el que Ravel quiso crear el Bolero, como el célebre director rumano. Nadie como él supo desentrañar la complejidad de una obra que, a muchos, podría parecer de una simplicidad extrema cuando en realidad se trata de una obra extremadamente difícil de ejecutar si no se quiere caer en una ejecución sin relieve, sin alma, sin magia. Celibidache consiguió llevar esta obra hasta la cúspide de lo sublime gracias a su concepción epistemológica de la música. En esto, Celibidache, se acerca íntimamente a la concepción mozartiana de la música: exigencia, rigor y no caer en la trampa de ceder a las emociones puras , sino abrazar el contenido de la lectura musical, ceñirse a la pureza de la escritura, la música por la música como elemento liberador antes que generadora de emociones. Su concepto de la música; abrazar está última como un todo existencial en el creador, ejecutor e intérprete, hacen de Celibidache una persona aparte en el mundo de la ejecución musical. En el Bolero, Celibidache imprime esta visión tan personal de la música de una manera tan magistral, tan rigurosa y tan certera que parece haber nacido con el primer sonido del universo. El dramatismo que imprime en esta genial ejecución del Bolero lleva a uno en volandas hasta los límites de la perfección. Su proverbial lentitud, su manera de fusionar los vientos, las cuerdas y la percusión otorga a esta obra una pureza y energía que ningún otro director ha sabido restituir . Celibidache ha sido exigente con sus músicos hasta la extenuación, cómo igualmente lo era para si mismo. Es por eso que el Bolero, ejecutado por él, quedará en los anales de la música como algo imposible de igualar. Grande, enorme: Sergiu Celibidache
@@PatxiSantorini la suerte de Celibidache ha sido haberse formado en el periodo interbelico, cuando la cultura rumana ha conocido su maximo, en mi opinion. Francia ha sido siempre nuestro espejo cultural y educacional, los mejores estudiaban en Francia, igual que hizo Celi. Si no hubiese salido del pais, los comunistas no lo hubiesen dejado irse nunca de alli y no hubiese sido tan conocido como lo ha sido y lo es. El comunismo nos ha hundido en muchos aspectos, incluso el cultural.
@@mariusgelu1340 Hola, amigo. No voy a entrar en un debate político, creo que el debate cultural es mucho más interesante y rico. La situación política, cualquiera que fuera, no influye para nada en el gran talento de este gran director. Celibidache, en cualquiera de los contextos políticos, hubiera sido siempre un director fuera de serie. Saludos.
Superb comentariul dumneavoastră!! Remarcabilă sensibitatea cu care simțiți muzica lui Ravel și personalitatea cu totul speciala a lui Sergiu Celibidache! Mulțumesc!!!
Sergiu Celibidache se tornou um especialista em "Bolero de Ravel". Sua regência é um primor, a forma como o andamento evolui, a dinâmica em alto grau de elaboração com seu "crescendo" incessante. Só mesmo um expert pra trabalhar tão perfeita condução.
@@renekroger5676 Ich habe ihn Bruckners Neunte und Dritte, Strauss (Don Quixote), Sibelius, Haydn und noch andere Werke dirigieren hören und werde diese Emotionen nie mehr in meinem Leben vergessen!!
I saw and heard Celibidache conducting live on 9 of the 99 times that he conducted in Spain, including Bruckner's Seventh, Third (twice), Fourth and Eighth Symphonies. His Bruckner was like no other and attending a concert by him was always a very special occasion. I must say, however, that not once on those nine occasions did he drive me to tears, something which has happened to me with other conductors (Eliahu Inbal, Zubin Mehta, Gary Bertini, Gennadi Rozhdestvensky, Rafael Frühbeck, Lorin Maazel, Josep Pons, Pedro Halffter, just to name a few).
I encourage you to visit Ravel's Bolero (Celibidache) 1971 !! "HE FINDS HIS "FREEDOM" as he has said during interview occasions. Personally, I visit that performance every day to enhance my willingness to what the day will bring during these troubling times.
Towards the end it gave me giggles of excitement in my throat! This performance with all that were involved in rendering it, touched my soul just like they were tickling the cords of the violins :). Just magical!
From Wikipedia: The tempo indication in the score is Tempo di Bolero, moderato assai ("tempo of a bolero, very moderate"). In Ravel's own copy of the score, the printed metronome mark of 76 per quarter is crossed out and 66 is substituted.[13] Later editions of the score suggest a tempo of 72.[13] Ravel's own recording from January 1930 starts at around 66 per quarter, slightly slowing down later on to 60-63.[6] Its total duration is 15 minutes 50 seconds.[13] Coppola's first recording, at which Ravel was present, has a similar duration of 15 minutes 40 seconds.[13] Ravel said in an interview with the Daily Telegraph that the piece lasts 17 minutes.[14] An average performance will last in the area of fifteen minutes, with the slowest recordings, such as that by Ravel's associate Pedro de Freitas Branco, extending well over 18 minutes[13] and the fastest, such as Leopold Stokowski's 1940 recording with the All American Youth Orchestra, approaching 12 minutes.[15] At Coppola's first recording Ravel indicated strongly that he preferred a steady tempo, criticizing the conductor for getting faster at the end of the work. According to Coppola's own report:[16] Maurice Ravel [...] did not have confidence in me for the Boléro. He was afraid that my Mediterranean temperament would overtake me, and that I would rush the tempo. I assembled the orchestra at the Salle Pleyel, and Ravel took a seat beside me. Everything went well until the final part, where, in spite of myself, I increased the tempo by a fraction. Ravel jumped up, came over and pulled at my jacket: "not so fast", he exclaimed, and we had to begin again. Ravel's preference for a slower tempo is confirmed by his unhappiness with Toscanini's performance, as reported above. Toscanini's 1939 recording with the NBC Symphony Orchestra has a duration of 13 minutes 25 seconds.[7] In May 1994, with the Munich Philharmonic on tour in Cologne, conductor Sergiu Celibidache at the age of 82 gave a performance that lasted 17 minutes and 53 seconds, perhaps a record in the modern era.
This is one of the most interesting comments for me personally. I have played ALL the Bolero performances of Celibidache with the Munich Philharmonic, so the first one here on RUclips from the Herkulessaal in Munich and also the last one in Cologne in1994. The very last one was in Munich in June or July 1994. It is not so much the actual tempo or speed; it always was the tension and CONNECTION of the first to the last note of the piece. That was one of the most important principles of Celibidache: that the first note includes the last note of the composition and visa versa. That explains the tension of the complete performance, fast or slow, whatever. I don't know if my explanation is clear and makes sense to the reader. It is only my own personal experience: we did not notice the speed or length of the piece, it was a unity of the whole experience. Friedrich Edelmann, edelmann@edelmann-rust.com
18:14 La percusion del tambor bajo, timbales, gong, redoblantes y cimbalos es colosalmente perfecta en la coda; mas la batuta de "Cheli" es sublime. Este el el "Bolero".
This was the first performance of Bolero under Maestro Celibidache. I was the principal bassoonist. Celibidache did not allow any dress rehearsal with the recording team. It was a Sunday morning at 11 a.m. We started playing and the recording team individually added a spot-light onto each soloist. When I started my solo, the spotlight was in my eyes and I could not see the conductor any more; this was totally unexpected since there was no dress rehearsal. This and many other stories and events are in my book, 17 years as principal bassoonist under principal conductor Sergiu Celibidache. The book, only in Japanese, is sold out. I can send a copy of the original manuscript, which was in English. I have send it world-wide on request. It was a wonderful time and experience under Maestro Celibidache and quite different than one would imagine. Friedrich Edelmann
Good afternoon, i would like to read it, please
Fantastico, "il piu bel Bolero" lo ascolto da 70 anni.,per me..... La migliore esecuzione. Emizionante, grazie . Felice per la serata favolosa 🎶🌹🎶
El mejor Bolero que se ha grabado. De Celibidache para la historia. ❤
❤ ni loq@@javiersandovalrivera4652
Ja ich weiss , respektvollen Kommentar, das verdient Celi, weil , ich durfte ihn persönlich kennenlernen und alles war so schön ..sein letztes Konzert , er ist der größte...keiner , aber absolut keiner ist so wie er ...
Gänsehaut pur ...mein Lielingslied
Ce concerte frumoase erau la televizor...Cu mare drag ne uitam la TV pentru piesele muzicale superbe, ptr dirijorul de excepție Sergiu Celibidache.Vremuri de mult apuse
I couldn't imagine how the experience must have been to witness this live. Probably the richest tears of joy ever.
I still cannot believe what I've seen, 20 minutes of sheer happiness. Viele viele danke!!!
Exelente esmi favorita nome cansodeescucharls en varias orquestas enla que fue iterpretada grandiosa ymagistral Exelelentte yMajestuosa Interpretacion Genio Saludas teresa torres
At first I didn't understand why this is the top search result for ravel's Bolero but after listening to it a couple if times I think it is the best one on youtube.
👏👏👏👏 Magnifique 👏👏👏Grandiose !!!! Un pur bonheur !!!! Un merveilleux orchestre et un très très Grand Monsieur à la baguette 👏👏👏👏 j’ai rarement vu un Chef vivre sa musique comme Monsieur Célibidache . Il vit sa musique et il la fait vivre 👏👏👏👏.
Bravo, mille fois bravo pour ce merveilleux moment👏👏👏👏👏
Amazing drummer's who hold the TEMPO , and then THE Maestro at his time. And a great THANK YOU Maurice Ravel
The most fantastic Bolero in history. Celi begins very slowly, then the tempo reaches an hypnotic level and the end is apocalyptic. Never heard such a thing. Celi is possessed and fascinating by his attitudes. Historic. To be shown in all schools of the entire world for pupils, any color their skin is.
Je plussoie
न marcha fúnebre de Chopin
Esto no es lo que escribió Ravel, por mucho que emocione y asombre. Hay que ser fiel a la partitura en la medida de lo posible. O que componga él otra cosa.
Joël Le Bras Totally agree! The tempo is real fascinating. I think the slowly version of Bolero is the best. Do you know that Gustavo Dudamel plays the same tempo ? Cecil and him are the best playing Ravel!
No se trata de que un tempo sea o no mejor que otro. Se trata de respetar la voluntad del compositor, que sin duda ninguna lo quería más rápido.
An elegant man and truly amazing. And his eye contact with his orchestra is just perfect.
Incredible performance. Celibidache, one of the best conductors of all times, within a unique style. His rehearsals are fantastic and a source of learning music´s essence.
Il y avait sur youtube cette même vidéo mais en 2 parties, avec un son bien meilleur, mais qui a disparu des radars. Quelqu'un a t-il la possibilité de le re-poster car cette interprétation de 1983 est vraiment la plus puissante jamais jouée! J'ai beau écouter énormément d'interprétation du Boléro mais je trouve que personne n'a fait mieux que celle-ci.
Quel génie dans Ravel ce Sergiu!
J'attends impatiemment cette interprétation un jour remastérisée !
The best performance of bolero I have heard so far 👍
Well made but by far not as good as the Helsinki version from 1971 (RUclips)
@@best_pilot1002 Agreed. This one is great, especially the gong and cymbals at the end...but the 1971 version is on a whole other level.
Thank you . My favorite composition and conductor.
MAESTRUL SERGIU CELIBIDACHE CEL MAI TARE DIRIJOR ȘI PLUS CĂ ESTE ROMÂN BRAVISSIMO MAESTRE ȘI ODIHNĂ ETERNĂ ÎNTRE CEI DE SEAMĂ CI DUMNEAVOASTRĂ💖💖💖
It's going to take a bit of time for me to recover from this performance, much less begin, as a Conductor, to usderstand how this wizard got that performance out of those professional musicians. Talk about the definition of the work! Magnificent! Bravissimo! Thank you so very much for offering this eternal gift to us.
第一次是1984年英国双滑奥运冠军的精彩表现，过了这么些年，最近猛听多次还有多次，这位是最适合我的理解的指挥家 Celibidante zhenhao
Wonderful memory and what a highlight when I attended this performance at the Herkulessaal.
Just look @ 13:30 to 13:50 Wow! 😃 What a great style to conduct the orchestra, with rotations of the arm, never seen in other conductors. At the end he was also exhausted by his work and the performance of the orchestra. Maestro Sergiu Celibidache was the best conductor in the world.
you REALLY need to see the 1971 version. good as this is, that one puts this in the shade. Celi was younger, more animated, and the performance more urgent. Pure sex.
@@michaelshore2609 that is considered to be the best of Ravel's Bolero all time. And to be honest i don't really doubt it.
Dirijor dublat de un dansator perfect. ❤
@@SabinaPopescu-f3k
Corect.
@@SabinaPopescu-f3k
Cel mai bun.
He escuchado muchísimas versiones de esta obra. Grandes directores de todos los tiempos quisieron poner su granito de arena en la interpretación, como puntos de vista, el gusto varia de acuerdo al criterio del artista. Sin embargo es Celibidache el ¡único! que llega a la apoteosis hipnótica de la interpretación, tal cual fue la idea de Ravel, exaltando el espíritu del individuo en un momento ínfimo cercano a la meditación profunda. Gracias por subir éste video, verlo al maestro me llena de una emoción profunda y amo la música con pasión cada día de mi vida.
I totally agree with cybergrind! It has an extremely beautiful powerful, hypnotic, majesty about it!
He's always conducting with strengh and passion! Great conductor!
DEFINITIVAMENTE UNA DE LAS MEJORES INTERPRETACIONES DE RAVEL QUE HE ESCUCHADO !!!!
BRAVOOOOO !!!!!!
Un adevarat fenomen in istoria muzicii universale, a avut un mare potential, a studiat multe domenii, si a avut rezultate uimitoare in toate. A studiat Filosofia și Matematică la Universitatea din București. În 1936, a plecat la Berlin și și-a continuat studiile, în mare parte preocupându-se de mecanica undelor, dar și de studii muzicale. Și-a scris doctoratul pe Josquin des Pres. Din 1939 până în 1945 a studiat și Colegiul de Muzică din Berlin sub Fritz Stein, Kurt Thomas și Walter Gmeindl.
După ce și-a încheiat studiile, Sergiu Celibidache a putut imediat să lucreze cu Orchestra Filarmonică din Berlin.
1948 a fost debutul lui Sergiu Celibidache la Londra. Apoi a condus frecvent în Italia. Din 1959 a fost invitat în mod regulat de Orchestra Radio Stuttgart. Din 1960 până în 1962 a susținut cursuri de master la Accademia Musicale Chigiana din Siena; tinerii dirijori erau extrem de dornici să fie admiși. În 1962 devine director al Orchestrei Simfonice Radio de la Stockholm, pe care a reconstruit-o complet (până în 1971). Din 1973 până în 1975 a fost dirijorul principal invitat permanent al Orchestrei Naționale Franceze. În 1979 a devenit directorul Orchestrei Filarmonice din Munchen, pe care a făcut-o una dintre cele mai bune orchestre din lume.Celibidache a compus și el, dar a refuzat să permită interpretări ale compozițiilor sale.
@Balica Gheorghe Liviu
Exista o Compozitie a Maestrului Sergiu Celibidache cu Titlul:
*Celibidache - Der Taschengarden - Celibidache, SRSO (1979)*
Quality 1080p - Durata 44:18 Minute
ruclips.net/video/VffnXF9NxNM/видео.html
Doresc sa fac aici o completare.
Maestrului Segiu Celibidache, cei din München si Münchner Philharmoniker îi spuneau "Celi". Maestrul Sergiu Celibidache a fost un Geniu si cel mai bun Dirijor din lume. A avut 3 Titluri de Doctor. Doctor in Muzică. Doctor in Matematică. Doctor in Filozofie. In medie el facea 10 repetitii cu Orchestra, foarte multe. Philharmonia dorea să se facă cât mai putine repetii si cât mai multe reprezentii. Dar Maestro s-a impus, nefiind de acord. Dovada este evidentă, sunetele Orchestrei fiind superbe. Nici un alt Dirijor nu a reusit acustic sa ma fascineze in felul acesta, doar ascultând sau văzând Concertele lui, doar cu Orchestrele dirijate de el se aude fiecare Instrument in parte fantastic. Din păcate, el nu dorea sa se faca inregistrari, spunea ca o inregistrare audio nu poate sa redea atmosfera dintr-o sala de Concert. Aşa este si a avut întradevar dreptate. Totusi este păcat ca nu exista mai multe înregistrari pentru a rămâne in istorie.
This is MUSIC!! the great Segiu Celibidache .. the best of the best
Superb! Celibidache is absolutely wonderful, perfect!
Maurice Ravel souhaitait un tempo lent, ce que restitue parfaitement Sergiu Celibidache qui a dirigé cette oeuvre de très nombreuses fois, avec toujours une maîtrise parfaite de la conduite de l'orchestre. Un must avidement.
Exacto, pero gran número de directores no parecen apreciarlo así. Esta lentitud en el tempo permite apreciar todos los matices instrumentales de esta grandísima obra. La simplicidad de sus dos melodias hacen de esta obra un excepcional ejercicio del arte de armonizar los vientos con las cuerdas. Celibidache ha sabido imprimir el espíritu que animaba la obra del gran maestro Ravel. Hay poquísimas interpretaciones del bolero tan ricas y con tanto " colorido " como las del gran Celibidache. Bravissimo!
I regret - having been in many of his concerts in my twenties - that I couldn't appreciate him enough then. We sometimes joked about his slow tempi and weren't aware that we heard a genius ...
Surely no one anywhere would want to "race" Bolero. The marvel of the piece is the slow but progressive build up. The difficulty being to not overdo it too soon and have nothing left in the tank.
The Great Celibidache!!! Spectacular performance! Like always, off course!
No importa cuantas veces la escuche... es fantástica....excelente director y orquesta
A 86 anni dico: perfetta ripresa e esecuzione.
Grande il direttore !!!
Bolero must have been written for Celibidache, his interpretation and passion in conducting this piece can never be surpassed. My true regret, I will never witness him conducting Bolero live.
Mine as well😟
This is the best Bolera I have ever heard. Amazing!
It's beautiful, and the orchestra is fabulous. 🙂😄🥰
Plâng de bucurie când il văd si-l aud pe Omul ăsta fenomenal!E idolul meu!!🌷💜🌷
It's such a gift seeing this performance again and remembering the days when I could listen life to this performance at the Munich Herkulessaal.. Thank you from Vancouver / Canada
The acceleration of energy is incredible!
BRAVO Maestro Sergiu Celibidache!
BRAVO Muenchner Philharmoniker!
Many thanks "asimon65" for this outstanding upload!
I have never heard such amazing performance of "Bolero"
I will never listan nothing amazin like that.
Bravo!!!!!
Magistral o capodopera musicala foarte ampie dirijata de al nostru Conductor roman. Bravo Maestre!
Sheer beauty of humanity! What a joy!
Simplesmente fantástico...
Meu amado pai me mostrou esse vídeo em um K7...
R.I.P Sergiu...
Saudades Papai
I had heard many version of the same work but defenely this is the best.
This is the best rendition from all i ever seen . Nice.
Impresionante, se me ponen los pelos de punta, que final, mama mia!
Un genio simplemente. Celibidache debe ser el mejor director de todos los tiempos. Magistral.
Hector Manuel Gonzalez Escobar i
Hector Manuel Gonzalez Escobar lon dragoi0
Hector Manuel Gonzalez Escobar Totalmente. Veía más allá. Para él la música se vivía fuera de la partitura,como algo libre y eso, me parece maravilloso. Hay un ensayo con la orquesta de Finlandia creo , del 1965, ensayando el Bolero, que es magistral.
RD🇩🇴 Digalo duro, a tal punto, que BUGS BUNNY lo imita....!
In my opinion Celi's best boléro is the one with the Danish Radio Symphony. It's on RUclips and probably the most fous video of Boléro on the platform.
Uuff... Super imprecionante la manera en que dirijia esa Obra musical... Unico y genuino su direccion musical... Magistral..
Fenomenal maestrul Sergiu Celibidache. Cu asemenea oameni trebuie sa ne mandrim noi romanii.
rozaliaionescu Aveți dreptate Doamnă !
La mejor version que he podido escuchar.
Found 3 interpretations of this piece by Celibidache (plus 1971 and 1994). To me this is the best one by far.
Maybe the best rendition of Bolero I've heard in my life so far
Is perfect!!!!!Full of tension and passion.
Now that is the way you conduct the Bolero. He was throwing thunderbolts up at the horns. His hair coming all undone; sweat flying. By 18 minutes he was a mess LOL. Beautiful performance.
Impresionante. Este es un director de otro planeta
Impresionante, me encanta Sergio Celibidache.
Bravo!!! gênio!! Ótimos 19 minutos!
Verdaderamente, el Bolero excelente, pero la dirección del maestro Celibidache ¡EXQUISITA y GENIAL!
A great rendition of the masterpiece. Definitely one of the 5 best I have heard.
Just Bolero-Ravel, and MAESTRO CELIBIDACHE !!! FANTASTIC !!!
Simplesmente, fantástico. É o bom para a alma e o coração.
No me canso! Bravo! 👏🏻👌🏻👏🏻👏🏻👏🏻👌🏻
Posso ouvir mil vezes e sempre me emociono... MARAVILHOSO !!!
The best rendition !
Thanks
Hermoso para soñar para escribir...para comenzar el día...trae melancolía de cosas pasadas y es un éxtasis que nunca termina.
Es una maravillosa obra musical, desde lo mas bajo va subiendo en intensidad en una melodía cautivante y envolvente, algo así como una embriaguez de placer hasta una explosión de disco y platillos como remate en un clímax de un pequeño bing bang donde la obra esta completa.
Magistral. Muchas gracias por deleitarnos con esta magnífica música.
Great Munchnen Philarmoniker -Sergei Celibidache ...Beautiful Bolero !!
Sergiu* All the best!
Cuantas controversias ha inspirado esta genial partitura de Ravel!
Infinidad de ellas han sido, durante años, el precio a pagar por romper con el molde de la música que se componía en los albores del siglo XX. Ravel quiso componer una música para un ballet en tres tiempos que una célebre bailarina de la época quería añadir a su repertorio. Ravel, afincado en el país vasco, imaginó, sobre un tema inspirado del folklore español, una partitura basada en la repetición obsesiva de 16 medidas llenando el vacío inicial con la orquesta de manera progresiva. Estas escasas notas son repetidas sin cesar, sin cambiar la melodía en un crescendo que parece no tener fin. No hay intención de variar una larga melodía. No hay aceleración, no hay cambio de ritmo alguno. Justo un aumento progresivo de la masa instrumental. Lo que resulta sorprendente e innovador es el carácter grandioso de la obra con tan escaso material musical. Más allá del extremo cuidado que Ravel acordaba a la melodía en sí, conviene remarcar el refinamiento armónico de la escritura con sus maravillosos encadenamientos extremadamente sencillos basados, en su mayoría, sobre pasos tercios o notas comunes.
El resultado es una obra universal, interpretada en todos los rincones del planeta por los más brillantes directores de orquesta, felices de integrarla en sus repertorios.
Mención aparte merece la interpretación del Bolero llevada a cabo por Sergiu Celibidache. Nadie ha sabido llevar hasta cimas inimaginables el espíritu con el que Ravel quiso crear el Bolero, como el célebre director rumano. Nadie como él supo desentrañar la complejidad de una obra que, a muchos, podría parecer de una simplicidad extrema cuando en realidad se trata de una obra extremadamente difícil de ejecutar si no se quiere caer en una ejecución sin relieve, sin alma, sin magia.
Celibidache consiguió llevar esta obra hasta la cúspide de lo sublime gracias a su concepción epistemológica de la música. En esto, Celibidache, se acerca íntimamente a la concepción mozartiana de la música: exigencia, rigor y no caer en la trampa de ceder a las emociones puras , sino abrazar el contenido de la lectura musical, ceñirse a la pureza de la escritura, la música por la música
como elemento liberador antes que generadora de emociones.
Su concepto de la música; abrazar está última como un todo existencial en el creador, ejecutor e intérprete, hacen de Celibidache una persona aparte en el mundo de la ejecución musical. En el Bolero, Celibidache imprime esta visión tan personal de la música de una manera tan magistral, tan rigurosa y tan certera que parece haber nacido con el primer sonido del universo.
El dramatismo que imprime en esta genial ejecución del Bolero lleva a uno en volandas hasta los límites de la perfección. Su proverbial lentitud, su manera de fusionar los vientos, las cuerdas y la percusión otorga a esta obra una pureza y energía que ningún otro director ha sabido restituir .
Celibidache ha sido exigente con sus músicos hasta la extenuación, cómo igualmente lo era para si mismo. Es por eso que el Bolero, ejecutado por él, quedará en los anales de la música como algo imposible de igualar. Grande, enorme: Sergiu Celibidache
vaya que comentario mas impresionante! no tengo ni idea de musica clasica, salvo que me gusta! un rumano te saluda desde Sevilla!
@@mariusgelu1340 Muchas gracias, amigo Marius. Me alegro infinito que te guste el bolero y su genial interpretación por tu gran compatriota. Saludos.
@@PatxiSantorini la suerte de Celibidache ha sido haberse formado en el periodo interbelico, cuando la cultura rumana ha conocido su maximo, en mi opinion. Francia ha sido siempre nuestro espejo cultural y educacional, los mejores estudiaban en Francia, igual que hizo Celi. Si no hubiese salido del pais, los comunistas no lo hubiesen dejado irse nunca de alli y no hubiese sido tan conocido como lo ha sido y lo es. El comunismo nos ha hundido en muchos aspectos, incluso el cultural.
@@mariusgelu1340 Hola, amigo. No voy a entrar en un debate político, creo que el debate cultural es mucho más interesante y rico. La situación política, cualquiera que fuera, no influye para nada en el gran talento de este gran director. Celibidache, en cualquiera de los contextos políticos, hubiera sido siempre un director fuera de serie. Saludos.
Superb comentariul dumneavoastră!! Remarcabilă sensibitatea cu care simțiți muzica lui Ravel și personalitatea cu totul speciala a lui Sergiu Celibidache! Mulțumesc!!!
Interprétation encore plus riche que celle de 1971, merveilleuse !!!!!!
wow ninguna como esta,la interpretación es buenísima! !!!!!
Magistral, Sergiu Celibidache em seu completo apogeu.
Uwielbiam ten utwór, a jeszcze w ten sposób zagrany....przepięknie.
He and Gustavo Dudamel are the best with their version of Bolero. Relaxing, fascinating, pure elegance. The perfect slowly tempo. Both are great!
In practice Dudamel is continuing its work. Plays the exact same tempo and exact the same beautyfull bolero
UN grandissimo diretore...molto speciale con una spicata personalità...
完璧です。
THE MAESTRO, the ONE and UNIQUE, thank U so much
No tengo palabras !!!!Magnifica interpretacion!!!De las mejores que he oido.:-
Masterpiece from all levels , my favorite version number one of many!
2016
¡ This is Magic❗
“Los unos y los otros”
El bolero más hermoso, de la historia.
🎵
🎶
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🎻
🎹
🎷
🎺
📯
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💯 👊 🎧
THE Maestro at work!
A pesar de ser una grabación de baja calidad, la versión es IMPRESIONANTE.
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Sergiu Celibidache! Der beste aller zeiten! Big up!
Sergiu Celibidache se tornou um especialista em "Bolero de Ravel". Sua regência é um primor, a forma como o andamento evolui, a dinâmica em alto grau de elaboração com seu "crescendo" incessante. Só mesmo um expert pra trabalhar tão perfeita condução.
Grandioso spettacolare, diretta magistralmente
Enfim achei o Bolero de Ravel q me apaixonei e não encontrava! Sergiu Celibidache é o melhor, the best!
I totally agree ! BRAVO !
Excelente versión . Me eleva .
What a fine orchestra!
no words to describe!!!!
Que instrumento será esse que preciosidade. Que prazer p meus ouvidos. Como eu viajo embalada , pela a sonoridade obrigada Mauriciu
Esplendida interpretacion!
Felicidades!
Simply magnificent
Welche Spannung erzeugt Celibidache!! Großartiger Dirigent!!
Ich hab ihn mehrmals LIVE erleben dürfen, auch mit dem Bolero im Herkules-Saal. Der BESTE !
@@renekroger5676 Ich habe ihn Bruckners Neunte und Dritte, Strauss (Don Quixote), Sibelius, Haydn und noch andere Werke dirigieren hören und werde diese Emotionen nie mehr in meinem Leben vergessen!!
@@albertofassone4240 ihr verdammten glückspilze!
FATTI ONORE PER NON PAGARE I DEBITI FUORI BILANCIO , SOMARO !
P. S. " Asino, Chi é il Sindaco del Comune di Siano ? Come si chiama ?
I saw and heard Celibidache conducting live on 9 of the 99 times that he conducted in Spain, including Bruckner's Seventh, Third (twice), Fourth and Eighth Symphonies. His Bruckner was like no other and attending a concert by him was always a very special occasion. I must say, however, that not once on those nine occasions did he drive me to tears, something which has happened to me with other conductors (Eliahu Inbal, Zubin Mehta, Gary Bertini, Gennadi Rozhdestvensky, Rafael Frühbeck, Lorin Maazel, Josep Pons, Pedro Halffter, just to name a few).
because he was the one ,the special one !
I encourage you to visit Ravel's Bolero (Celibidache) 1971 !! "HE FINDS HIS "FREEDOM" as he has said during interview occasions. Personally, I visit that performance every day to enhance my willingness to what the day will bring during these troubling times.
Towards the end it gave me giggles of excitement in my throat! This performance with all that were involved in rendering it, touched my soul just like they were tickling the cords of the violins :). Just magical!
Far away the best version of it
From Wikipedia:
The tempo indication in the score is Tempo di Bolero, moderato assai ("tempo of a bolero, very moderate"). In Ravel's own copy of the score, the printed metronome mark of 76 per quarter is crossed out and 66 is substituted.[13] Later editions of the score suggest a tempo of 72.[13] Ravel's own recording from January 1930 starts at around 66 per quarter, slightly slowing down later on to 60-63.[6] Its total duration is 15 minutes 50 seconds.[13] Coppola's first recording, at which Ravel was present, has a similar duration of 15 minutes 40 seconds.[13] Ravel said in an interview with the Daily Telegraph that the piece lasts 17 minutes.[14]
An average performance will last in the area of fifteen minutes, with the slowest recordings, such as that by Ravel's associate Pedro de Freitas Branco, extending well over 18 minutes[13] and the fastest, such as Leopold Stokowski's 1940 recording with the All American Youth Orchestra, approaching 12 minutes.[15]
At Coppola's first recording Ravel indicated strongly that he preferred a steady tempo, criticizing the conductor for getting faster at the end of the work. According to Coppola's own report:[16]
Maurice Ravel [...] did not have confidence in me for the Boléro. He was afraid that my Mediterranean temperament would overtake me, and that I would rush the tempo. I assembled the orchestra at the Salle Pleyel, and Ravel took a seat beside me. Everything went well until the final part, where, in spite of myself, I increased the tempo by a fraction. Ravel jumped up, came over and pulled at my jacket: "not so fast", he exclaimed, and we had to begin again.
Ravel's preference for a slower tempo is confirmed by his unhappiness with Toscanini's performance, as reported above. Toscanini's 1939 recording with the NBC Symphony Orchestra has a duration of 13 minutes 25 seconds.[7] In May 1994, with the Munich Philharmonic on tour in Cologne, conductor Sergiu Celibidache at the age of 82 gave a performance that lasted 17 minutes and 53 seconds, perhaps a record in the modern era.
Thank you for the research!
This is one of the most interesting comments for me personally. I have played ALL the Bolero performances of Celibidache with the Munich Philharmonic, so the first one here on RUclips from the Herkulessaal in Munich and also the last one in Cologne in1994. The very last one was in Munich in June or July 1994. It is not so much the actual tempo or speed; it always was the tension and CONNECTION of the first to the last note of the piece. That was one of the most important principles of Celibidache: that the first note includes the last note of the composition and visa versa. That explains the tension of the complete performance, fast or slow, whatever. I don't know if my explanation is clear and makes sense to the reader. It is only my own personal experience: we did not notice the speed or length of the piece,
it was a unity of the whole experience. Friedrich Edelmann, edelmann@edelmann-rust.com
@@friedrichedelmann2650 well this is actually the most interesting comment i ever gound ,sir you have all my respect
@@friedrichedelmann2650 la connexion de la première à la dernière note - la première notre inclut la dernière. Toute la musique est là!
18:14 La percusion del tambor bajo, timbales, gong, redoblantes y cimbalos es colosalmente perfecta en la coda; mas la batuta de "Cheli" es sublime. Este el el "Bolero".
Zeitlos schön!!!
bella!!! no hay palabras para expresar lo que hace sentir esta pieza musical.
sin palabras..magnífico
MAGNIFICO!!