Madame Renata SCOTTO, nous ne vous oublierons jamais , votre voix de soprano était si sublime - Continuez dans le ciel à charmer les publics - R.I.P 😢😭
Few artists ever that the deep intelligence of singing as she had. Still a lesson in spite of the diminished instrument. I'm bowing to you Signora Scotto ! :)
Maybe it is not perfect...but how i feel what she wants to transmit!!!this is the art of the opera, she is one of the greatest singers of the past century. Brava Renata!
Beautiful - such sensitive phrasing and expression. Take away the pressure of heavy dramatic singing required in Gioconda, Lady Macbeth and Abigaille and what you find is the real vocal marvel that is Renata Scotto revealed here in Lauretta's aria. A jewel!
HAPPY BIRTHDAY MIA CARA MAESTRA!!!:) I was so incredible lucky to make my Lady Macbeth with this amazing Singer, real Diva and unique person. Grazie di tutto mia cara Maestra!
THIS DIVA IS ALIVE,, IS THE LAST DIVA LIVE I PICK FLY THIS DAYS TO VISIT THEM is the last chance for all my friends.... never will be pavarottis, callas, scotto, gobbis , keith emerson, jacksons, last chance scotto is alive
She makes you forget her faults - top notes not as they once were, but she never forces. The semaphore gestures look painfully old fashioned, but she transcends all this with her musicality and phrasing. She was a great artist and sang with true emotion.
Eh? Screeching? Are you sure it's not your sound system or wi-fi connection? 😂 Ok sound quality on this 'old ' video is far from HD & she does sound a little top heavy in the mix ( I can see the VU meters hitting the red on some notes ) which I suspect is the reason why it sounds a wee bit 'whack ' in one or two places.
@@philipcondenzio5987 who could ever do that? Callas is not questionable, but only to praise because there will never be another Maria Callas. She s called "la Divina". I've just say it all. Stop!!!
@@philipcondenzio5987 I perfectly got your message. I apologize with you for I was sure we were commenting under a Maria Callas's video. Anyhow this lady is really great too.
Bella gran diva hermosa voz pero esa sensual manera de expresar las palabras la hacen ver tan sexi y me atrevo a decir erótica es de admiración gran soprano italiana que me hace sentir un caudal de emociones indescriptible sea en el papel o aria qué sea mimi . buterflya
A melhor interpretação desta ária eh a de Hayley Westerns, sem sombra de dúvidas. Voz clara, ela não cacareja como.a maioria destas sopranos. Vai diretamente aa nota aguda sem tremelicacoes sonoras. O que, reforço, eh raro.
You can hear the decline in her voice here. I understand why they accused her of "screeching" and there's that excessive vibrato that got worse towards the end of her career. By the time, she performed her final Butterfly at The Met, it was excruciating. She had good instincts though.
You didn't mention her Norma, Francesca di Rimini, Manon or her Musetta at the Met. I saw these and was impressed at how effective she was, even with a diminished voice.
Gossip has it that Scotto got so much play at the Met because she befriended James Levine and helped him out of a legal bind by lending him some money. Don't know, if that is true. She also came at the right time: there was a shortage of A list divas at the time and she fit the bill. She had good instincts but her voice was not in a class with Sutherland and Pavorotti, who were the reigning stars of the opera circuit at the time.
I have a very different recollection of their Gioconda. For me, Pavorotti excelled in the sheer beauty of his effortless voice. Scotto on the other hand was all histrionics and a lot of vibrato. She made no attempt to connect with anyone on that stage, it was all Scotto and even got pissed at Pavorotti for taking solo curtain calls.
That all might be true, but there was a documentary film made about that production and while Scotto might have been pissed at Pavorotti's not knowing the entire role, she must MORE pissed at his taking so many solo curtain calls. You should try to see if the documentary is on RUclips. It's really a good film.
Madame Renata SCOTTO, nous ne vous oublierons jamais , votre voix de soprano était si sublime - Continuez dans le ciel à charmer les publics - R.I.P 😢😭
We will never forget Renate's absolutely powerfully enchanting voice - it will forever be heard across the Cosmos.....
Her voice is so warm and lyrical. A beautiful interpretation!
Che piacere ascoltare Renata Scotto bellissima
Few artists ever that the deep intelligence of singing as she had. Still a lesson in spite of the diminished instrument. I'm bowing to you Signora Scotto ! :)
Maybe it is not perfect...but how i feel what she wants to transmit!!!this is the art of the opera, she is one of the greatest singers of the past century. Brava Renata!
Brava Renata! What a beautiful, heartfelt interpretation!
Beautiful - such sensitive phrasing and expression. Take away the pressure of heavy dramatic singing required in Gioconda, Lady Macbeth and Abigaille and what you find is the real vocal marvel that is Renata Scotto revealed here in Lauretta's aria. A jewel!
R.i.P. Renata you will never forget ❤
Hermosa voz hermosa canción
Beautiful and detailed interpretation as well!
HAPPY BIRTHDAY MIA CARA MAESTRA!!!:)
I was so incredible lucky to make my Lady Macbeth with this amazing Singer, real Diva and unique person. Grazie di tutto mia cara Maestra!
Gyönyörű hangja van, Scotto.-nak is köszönöm.
Beautiful x
This beautiful lady is amazing
Ella meravigliosa-Brava Renata !!!!!
scotto the best ever.complete operas no one better.
Only in this light aria , I seem to truly appreciate this soprano who somehow I never found exciting above others in other pieces.
meravigliosa..Renata.
DavidAsset78
What a brilliant reply! Loved it....
RIP Opera lost one of the greatest stars
Its SO MAGICAL!!!
The best Liu, Suor Angelica and Madama Butterfly ever. Ms. Scotto always had the BEST and most expressive LONG lines.
splendid! 👏👏👏👍
Mais Uma Estrela brilha no Céu!
Partiu para a Casa do Pai🙏, Paz a sua Alma!
Fabulosa Voz do Bel Canto, a última Diva!
No es la interpretación que mas me agrada, pero ver a Renata Scotto es ver a una de las mas grandes SEÑORAS de la lirica.
BRAVA RENATA
Grande interpretação.
Most beautiful!
ecco qui già meglio come esecuzione :-) brava renata!
this is fantastic--finesse
Semplicemente MERAVIGLIOSA!!!!!
gorgeous
The best Maria callas bambino caro
THIS DIVA IS ALIVE,, IS THE LAST DIVA LIVE I PICK FLY THIS DAYS TO VISIT THEM is the last chance for all my friends.... never will be pavarottis, callas, scotto, gobbis , keith emerson, jacksons, last chance scotto is alive
She makes you forget her faults - top notes not as they once were, but she never forces. The semaphore gestures look painfully old fashioned, but she transcends all this with her musicality and phrasing. She was a great artist and sang with true emotion.
Perhaps not technically perfect at this time in her life but the tonal richness and emotion are wonderful.
René Pariente: Trés belle interprétation.
bravo!!! bravo!!!!
RIP
She looks like a tiny beautiful lady singing so angelic!
Reminds me of Callas......in conveying the emotion..........
la trovo divina ...punto non aggiungo altro
savršen dan.... doma san, pizza u je špakeru, nas troje... :)
Je souhaite que je pouvais chanter comme elle
toi toi...
Why is it that aging sopranos on the brink of vocal death turn to this girlish aria?
Starts sweet enough but then gradually declines until she is screeching. Now go and listen to Callas.
Eh? Screeching? Are you sure it's not your sound system or wi-fi connection? 😂 Ok sound quality on this 'old ' video is far from HD & she does sound a little top heavy in the mix ( I can see the VU meters hitting the red on some notes ) which I suspect is the reason why it sounds a wee bit 'whack ' in one or two places.
Renata tebaldi y maria callas the best soprano the wold more better o mio bambino caro
Per me nessuno canta quest'aria come la Caballe',pur amando la Tebaldi e adorando la Callas. Comunque anche la Scotto è meravigliosa
✌✌✌
Callas por siempre!
Is she a spinto soprano? 0:20 Holy shit, that volume output.
I think so!
Is a drammaric coloratura soprano
Callas for ever
With all due respect to Madame Callas, we are not here to discuss or listen to her rendition of this aria.
@@philipcondenzio5987 who could ever do that? Callas is not questionable, but only to praise because there will never be another Maria Callas. She s called "la Divina". I've just say it all. Stop!!!
La Divina she is! There’s no question about it. That wasn’t my point. I’m sorry you didn’t understand the message.
@@philipcondenzio5987 I perfectly got your message. I apologize with you for I was sure we were commenting under a Maria Callas's video. Anyhow this lady is really great too.
@@temposereno8535 Tebaldi forever..
Bella gran diva hermosa voz pero esa sensual manera de expresar las palabras la hacen ver tan sexi y me atrevo a decir erótica es de admiración gran soprano italiana que me hace sentir un caudal de emociones indescriptible sea en el papel o aria qué sea mimi . buterflya
A melhor interpretação desta ária eh a de Hayley Westerns, sem sombra de dúvidas. Voz clara, ela não cacareja como.a maioria destas sopranos. Vai diretamente aa nota aguda sem tremelicacoes sonoras. O que, reforço, eh raro.
Que sentido de humor... gostei mutio desse sarcasmo
cant hear middle notes she no rosa ponselle
I agree with you but what callas gave to singing and performing nobody else did.
The beauty of her voice is some kind of divine
La grande Scotto n'est pas faite pour cet air. Rarezs osnt celles qui ont égalé Montserrat Caballé dans cet air.
Ma che lingua sarebbe?
Sho sings in 70 years old? ,.hmm
uhhh
원더풀!
You can hear the decline in her voice here. I understand why they accused her of "screeching" and there's that excessive vibrato that got worse towards the end of her career. By the time, she performed her final Butterfly at The Met, it was excruciating. She had good instincts though.
You didn't mention her Norma, Francesca di Rimini, Manon or her Musetta at the Met. I saw these and was impressed at how effective she was, even with a diminished voice.
Gossip has it that Scotto got so much play at the Met because she befriended James Levine and helped him out of a legal bind by lending him some money. Don't know, if that is true. She also came at the right time: there was a shortage of A list divas at the time and she fit the bill. She had good instincts but her voice was not in a class with Sutherland and Pavorotti, who were the reigning stars of the opera circuit at the time.
She has always been class B
I have a very different recollection of their Gioconda. For me, Pavorotti excelled in the sheer beauty of his effortless voice. Scotto on the other hand was all histrionics and a lot of vibrato. She made no attempt to connect with anyone on that stage, it was all Scotto and even got pissed at Pavorotti for taking solo curtain calls.
That all might be true, but there was a documentary film made about that production and while Scotto might have been pissed at Pavorotti's not knowing the entire role, she must MORE pissed at his taking so many solo curtain calls. You should try to see if the documentary is on RUclips. It's really a good film.
Very bad singing....awful...
Dreadful. No amount of interpretation can make such a destroyed voice pleasant to listen to.
Her breathing is just terrible! But she is a beautiful lady!
In her prime I'm pretty sure her technique was solid, but I agree with you, terrible breath. Nevertheless, she still has that glorious tone.
Arthur Diggs I don't disagree at all.
She is old there ~ That is not about skills
give us a break and go to lissten to her wobble. and her awful top notes-
Corta muy bruscamente los finales,buena voz,pero no me gusta la interpretacio.(Esos maceteros,tan feos...poco cuidad el detalle...jaja)
Mis Piggyface a diva? Ha ha ha
Piu' artificiale e falsa in questo brano c'e' solo la Schwarzkopf...lo smalto rosa lucido e tutta quella "brillanteria"....
Ghastly