Watch me help fix my students' mixes
HTML-код
- Опубликовано: 26 авг 2024
- The fastest way to improve your mixes is to get feedback from a professional outside source - an experienced engineer who can help you refine your musical vision.
This video shows a couple examples of how I've helped my students rapidly pinpoint & fix the problems in their mixes.
☛ If you want to get professional feedback on YOUR mixes and make insane improvement in your mixes, check out the Pro Production System here: utm.guru/ueNlT
I was a runner at a recording studio for two years after I graduated highschool. I sat there every day watching the entire process from start to finish, hearing and seeing what good quality audio production is like.
Just go to a reputable studio in your area and tell them you'll work for free. I highly recomend that experience for people starting out.
Depending on the studio, they may even let you run a session or two
Sry but not everybody born in rich family and can afford working for free.
Making this investment in my mixing and production skills has been absolutely life changing!
Just my opinion but for those who watch your channel to really walk away with further "real understanding", this video is one of the better examples of a truly good method to present this craft in a far more comprehensive manor for those who are just tagging along doing their best to understand.. this method is tangible for any level of skill to visually and audibly understand what most are prob after who watch these channels.. I love to see everyone's methods and equipment but anyone can learn tons with methods of delivery like this...
I don't ever comment bro but I just see a lot of potential value for viewers in this specific method.. you should concider explaining and exploring more of this exact method for those who truly spend time with you to really "learn".
I'm a fan and by all means my opinion isn't shit... but to me it was worth speaking up if you ever do read this..
Be kool my dude....
Great stuff as always Jordan! Best thing I ever did was joining the program way back when. So much value since you’re still always giving great info that cuts through the static out there 🙌🙏
The title of song?
Man that is awesome. I tell you what I have Sound ID Reference now and i really can hear the different on my speakers now.
I thought the original mix sounded pretty good, tbh. The immediate things that jumped out to me were that the kick and snare were weak. I could obviously tell he'd fixed them in the second version. But I really didn't think the first version was "fairly amateur." You could hear everything clearly and it didn't sound muddy or overly bright.
I’m considering joining your group simply for getting feedback from others.
Great video! I'd like to know what's the price for the PPS course please
thanks again.
How much do you charge per mix song? Would love you mix some of the projects I am working on! Especially heavy metal 🎸 around 10 songs
hey, i would like to help you with those mixes. I charge very reasonable rates
i will mix your songs for free
Such and improvement! Also great track-what’s the name of the first artist?
This is Seth, I worked on this song, the artist is Mallaigh Ashton!
@@202guitars thanks and great job on the mix!
Thank you man I appreciate it! The old version is up on Spotify but the new version will be part of an EP coming soon :)
@@202guitars great, will look for it!
Where can I sign up for your classes?
Hi, got a question if you don't mind about overhead EQ. What are you doing on the overheads in the first example in terms of cutting the low end? I'm totally blind so can't unfortunately look at what your EQ plugins are doing. Also what is the maximum you would ever boost on a source, I'm afraid to go past boosting 6.5 to 7DB thinking if I can't hear it by then either the tracks are bad or there's something wrong with my playback or hearing.
Thanks
Marshall
in the first example he cuts the lowend with a highpassfilter up to 342 Hz with Q= 0,7 . and then he cuts 3,5 db with a bell-eq at 651 Hz with Q = 0,8
Not sure if you've figured this one out yet, but Jordan is always saying "mix fearlessly." I've seen him boost the bass on a kick drum to the literal max on the knob. He always says, 'if it sounds good then do it, don't limit yourself just because some other mixer told you never boost more than 3 dB, if a little more EQ is what it needs and there's no other reasonable way to solve it, then boost that shit. "Mix fearlessly," he has a couple videos all about the subject.
PS that's seriously awesome you're still doing this blind. I always tell myself if something tragic ever happens to me, production is how I'll continue making music (I'm mainly a guitarist) so serious kudos to you brother. I wish you ALL the success
@@denniskielton2447 Thanks, appreciate it. It can be challenging especially during tracking - you have to get someone to visually set your levels on the way in and sometimes stereo techniques on overheads for example can be a bitch to set up but I get there
@@marshallfairbrother7602 That's soooo awesome dude. I'm sure you probably hate being "viewed" as different, but that's actually a difference which in this industry can probably help you get ahead of other people at an even level. EVERYONE is constantly talking about mixing with your eyes being the worst thing you can do, and they need to develop their ear. I'm sure you've heard Jordan talking about it on this channel countless times. And man, not only are you forced to do it, but you straight up have extra brainpower dedicated to it. You probably already know that when you cut off a sense, the extra brain power gets divided among the rest of them, that's been studied for a loooong time. So you most likely LITERALLY have better ears than the rest of us. So 20 years from now, I'll be on the lookout for some world famous blind producer who is the best because he ONLY uses ears and just has a good assistant to set up mics all that tedious shit (like many do anyways.) Don't disappoint me haha
Thanks, if it is somewhere that i can say my mind: first track transformed in a sense and it became amazingly good. for the second mix I have to say that its mix somehow isn't that good, for one, bass has too much tail to it , also too much consistency, one would say It is over compressed.
I’m desperado for some feedback. I’m getting my ass handed to me by my sims.
≋p≋r≋o≋m≋o≋s≋m 🤪