Composed circa 1724, Zelenka's second Credo setting is conceived as an eight-part double chorus with dialogue framed by a virtuosically conceived orchestral concerto. This manner of combining vocal and instrumental components is a foreshadowing of Zelenka's mature style of the 1730-40s. The free handling of dissonances and the unusual voice leading in the eight-part vocal writing of the concluding Amen are tremendously effective.
Other Mass Movements /Z. 26-39/ > ruclips.net/p/PLBbL1YJd7_WowrWJ7NYTLmRqeq9LHT02b
Composed circa 1724, Zelenka's second Credo setting is conceived as an eight-part double chorus with dialogue framed by a virtuosically conceived orchestral concerto. This manner of combining vocal and instrumental components is a foreshadowing of Zelenka's mature style of the 1730-40s.
The free handling of dissonances and the unusual voice leading in the eight-part vocal writing of the concluding Amen are tremendously effective.
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