This show was a new one for me! I was just never really aware of it until recently. So I checked it out and it is...well...I'm not even really sure where to begin. If you've seen it, how would you describe the show? Also don't forget, get on the list early ahead of the Black Friday sale coming up! resources.betterpiano.com/countdown
Twin Peaks is an absurdist homage to the American soap opera. IT seems more out of left field now because soap operas and the whole experience of consuming television has completely changed since 1990. It's kind of funny when you think back on it this way, with all the tonal dissonance of disturbing moments combined with saccharine melodrama and corny gags. Making a sort of narrative pastiche. Kind of like the theme come to think of it! Also there was a fish in the percolator.
@@docsavage8640 good one man. i’ve only seen one piece of art and it happens to be a TV show from before i was born that had a prequel movie and a 25-year-later 3rd season. you’re right on the money
I remember watching Twin Peaks as a young teen (I'm 45 now) and that intro always hypnotized me, the song and that machine sharpening that cutting disk in repetitive motion was great. I don't know how many years has passed (I guess about 32) but still I have those images in my head.
It's the restraint that Angelo shows in his playing that I admire the most. He's not rushing to get to the next chord change. He holds each chord for juuust long enough.
As a composer that works primary in film, this is how I work out a lot of my themes. Before I was a media composer, I was a jazz bassist. When I'm not writing to the locked picture, I compose sketches from the script or look book (essentially a mood board of what the film will look and feel like). I rely heavily on my use of improvisation for this process, often recording a lot of different ideas into my DAW and then slowly chisel the sounds away, till I find what I'm looking for. I find that this methodology is the purest form of artistic expression to picture, as it takes away an preconceived notion of what you'd write, and it allows for some amazing sonic exploration. Great video man!
Was lucky enough to meet Angelo back in 2018. We had a great conversation about usage of unconventional instruments and sound design in conventional scoring. Was an incredibly nice guy. He made some amazing contributions to music. The modulations in this track are so beautiful. Would love to see more on his stuff, either more Twin Peaks stuff (the FWWM theme and Audrey's Dance are super interesting harmonically) or Mulholland Drive/Lost Highway!
In the late 90s, my much older brother gifted me the Twin Peaks soundtrack, seemingly at random. I never watched the show - and still haven't - but I absolutely love its music!
I know one of the themes because it was played here on a radio in SouthAmerica, in a program on the night, it was the theme of the radio program (they aknowledged it was from Twin Peaks). The theme with the bass.
I saw a video with Angelo Badalamenti explaining the process and as he said Lynch dictating "And now you see Laura Palmer coming out of the woods" during the change in tone made me appreciate the track so much more.
This interview with the masterful Angelo Badalamenti never fails to get a few tears out of me. What a revelatory, climactic, heart-opening moment between him and David Lynch.
This show means so much to me. I remember when i first stumbled upon that video of Angelo talking about composing the theme with David's direction, couldn't help but shed a tear. Thanks for covering it; althought Twin Peaks is higely popular in certain circles, I still feel it is vastly underrated as a whole, and its music is no exception.
I think one incredibly important lesson here is to write melodies (or anything really) with intentionality, for a scene or with a feeling in mind. It’s amazing when you can collaborate like that with someone, literally have a director there who describes what he wants to feel, but it’s obviously harder if you’re writing music solo. If you’re alone you kinda need to have an introspective dialogue with yourself, figure out what exactly you want to deliver, which feeling or emotion. It can be quite a tough process, but this intentionality is what will separate you from a pile of “meh” that’s being created and released every minute right now. Thank you for the video, Charles, absolutely fantastic one!
That soundtrack sold like butter. I worked in Sweden’s biggest record store at the time and was absolutely amazed of the impact this music made. Beautiful 👌🏻🤩
i love twin peaks so much!!!!! lauras character is so incredible, she feels like a real person to me if youve seen fire walk with me or read her secret diary
Thank you so much for this, as a Twin Peaks fanatic, this one hit me right in the feels! Another composer I absolutely adore and would put in the same realm as Badalamenti is Vangelis. Specifically Memories of Green from Blade Runner. A breakdown video of that song some day purrrrhaps?😃
I think it was either an Alpha Juno 2 or MKS-50 (or one of the modules from the MKS series) that was used to create the pad sound. They all pretty much use the same sound design/circuitry. Such a simple sound and yet so luscious and moving. It truly is the embodiment of less is more.
I watched it finally some years ago and my mom said she watched it from tv when I was a baby. It really did change something in my life after watching, like I saw the world in a new way. Then I played a game called Deadly Premonition which is a Japanese game that feels like it could just as well be a licensed Twin Peaks game. And it has the most bugged PC port I've ever seen, which is pretty typical for Japanese games. Honestly the latter part of the video, explaining these tricks to prime playing and thinking in a certain way, or more like abandoning it, was very good and valuable. And I learned a completely new and interesting thing about music and that theme in particular, just that experience of them interacting - telling a story and fitting music in - both being so proficient in what they do, is so interesting. There's been so many times when I've heard the composition tell the same story as the lyrics and it made me wonder if the music came after the story. Or that they felt the music of the story first and wrote what sounded right to the drama's progress in the music.
Such an iconic theme - as special as all three seasons of twin peaks themselves. Just one of Angelo‘s unbelievable themes through the years. May he rest in peace.
Watching Twin Peaks in 1990 when i was 13, I remember absolutely loving the music. I knew nothing of composition but I knew it was different. It was deliciously unsettling and the haunting sounds took me to a place of sadness I had never known before. It was magnificent.
C major has NEVER sounded as good! It's all about the contrast. But wow - it's scary YT knows me so well to understand that this was my favorite show/score back then! Great vid! : )
You asked about the description of the show: David Lynch. Ok, I'll expand. Brilliant, mysterious, humorous, macabre, beautiful, chilling, sexy, unforgettable. UNIQUE
This is one of the best themes of any TV show, period. The way Badalamenti mixes the esoteric harmony and modulations in the beginning of this piece with the more standard (but still heart-wrenching) diatonic movement that it blossoms into later on is beautiful and it works great in conversation with the show as a whole. The way that David Lynch mixes the mundane and the macabre, blending surrealism and darkness with an almost soap opera-like melodrama remains as a masterclass in tonal shifting, and Laura Palmer's Theme is no different. This must be why the two worked so well together, as Badalamenti composed for many of Lynch's movies in addition to Twin Peaks. Now that Lynch has passed, we can look back on this piece as one of the greatest works ever composed for the screen.
I’ve been listening to the sound track for about a year now and this theme (Laura palmer’s) work so well within synth wave that and the bass line of the Main theme is amazing
This is why I teach improvisation to my elementary babies...so when they become adult musicians they can make amazing things like this and they are not intimidated. ❤
I'm so glad you made this video, I am constantly shocked by how many people are unaware this show even existed, let alone how completely it defined the cultural zeitgeist at the time (I swear I heard someone say "Who killed Laura Palmer?" once a day for the two years it aired, and "What about Annie?" for months after it got cancelled!). It truly does go from heartbreaking beauty to dismal despair and back again! So much great music came out of this series (and Wild at Heart, a contemporary David Lynch movie). If you like the oddly ethereal, disorienting sound of the Twin Peaks music, check out Julee Cruise's Voice of Love CD (she played the cabaret singer at One Eyed Jacks in the show), it's a collaboration between all three (Cruise, Badalamenti, and Lynch). Just one correction: this was not the theme music for the show, that would be the track titled Twin Peaks Theme (or "Falling", which is the same thing with lyrics, sung by Julee), which played during the opening credits, the title of this piece is "Laura Palmer's Theme".
Wow Bob, Wow! This is my favorite TV show, and the musical score is just amazing. The song is haunting, hopeful, terrifying, and beautiful all at the same time.
Charles, thank you for covering this music! This piece takes me back to 1990. Your adjectives for this theme are dead-on; stunning, haunting, beautiful. Absolutely love what Angelo Badalamenti has composed.
Great video Charles. You always mix the how and the why so well. And tying it to a well known example, you're an excellent teacher. I'm sure your teacher would be very proud of you.
When that show first came out I wasn't that into it. But I watched it a few years ago and was struck with how awesome the music was. It was so dramatic and beautiful. It took me awhile to really get into David Lynch's style but I dig a lot of what he does as a director/writer. He's also a big music guy. He does the eerie unsettling thing really well.
Hey Charles! I was waiting for this video, I’m glad you went over it. After season 2, you should def watch season 3. Imo it’s the best season of the show honestly
I'm an aspiring screenwriter and during the last 6 years i've been very inclined towards screenplay theory (conflict; structure; etc). And since those concepts have been developing in my head and extending to all my artistic knowledge, screenplay theory and musical composition theory are becoming more connected (till some point). So i found really interesting what you said about forgetting all preconcepts and structures when you're creating, and THEN using all the theorical knowledge to correct or polish your work. Because that's the same thing i say about writing a screenplay. Creating (imagination) and knowing (rationality) are two different parts of the brain, and we shouldn't confuse them nor make them obstruct each other.
I’ve never seen the show, but as soon as the theme tune started playing I recognised Go by Moby. I never realised he based it on a pitched up sample of the Twin Peaks theme tune!
As a non-musician, this sounds like a very interesting way to collab with a writer. The Twin Peaks music really tell stories in a way that these guys probably never could have managed individually.
Maybe every initial meeting with a director and composer should go like that. It's like Badalamenti captured not the scene, but the soul beneath the scene. He didn't play the sound of wind, he played like the metaphysical representation of what wind means.
If you watch any the extras on the DVD set of David Lynch's outstanding latest (last? *sniff*) Twin Peaks season, he uses this extraordinary improvisatory technique throughout. It appears he doesn't hand round a selection of scripts to be learned and recited, he leads his entire cast through the labyrinth of his inventiveness by guiding them. He'll say something like "You want to say to the other man that you need the money. When he asks you what for, say you are frightened. Say you are obsessed with his shoes. And you, when you hear that, you say you understand". (Or whatever.) Must be a thing of wonder and great fulfillment to work with him.
My favorite piece of art ever. Twisted and beautiful. And more relavant than ever. Nothing has ever done what twin peaks has. The music, the camera work, the acting, the queer representation, it's beyond words. Its means so much to me as a woman in america, it made me and my struggle feel seen
If anyone has ever wanted to hear something that's directly inspired by the title theme and this, the band Dream Theater did an instrumental song called Eve back in the 90s as their ex keyboardist was a huge Twin Peaks fan. It never made it on an album and is very chill for a DT song. But the vibe is there. Highly recommend.
I love all of David’s work. But something about Twin peaks is just captivating. It’s moving and haunting but also kinda real. People do get murdered and there are towns like this where it would break them. But Angelo (Rip to an AMAZING composer) and David work so well together that it just sounds angelic. Laura is sad but beautiful. This theme always gives me chills and makes me wanna binge the show again. ❤ #1 show for me
It's a hauntingly beautiful song, and just thinking of it makes me tear up. Combine it with the scene and it almost breaks me, despite almost having worn out my copy of the series.
Oh hell yeah. More “Twin Peaks” music, please! In the meantime I’ll share this video with fellow Peaks fans on social media. Recommended pieces: “Audrey’s Dance,” and “The Dance of the Dream Man.”
Never saw the series but know some of the themes.. When you talk about the C Major chord.. moving to the E Major... and THEN to F Minor, that was so 'Bernard Herrmann' to me when I first heard it; think 'Vertigo' or 'Taxi Driver'... Blinkin' brilliant..
This must be magic because I looked for Twin Peaks song two days ago after not listening it for many years and also I`v just discovering your channel a few days before that!
Wow, I've never heard this tune before, but the beginning sounds like a slowed down version of a track called Go by Moby. This was apparently released first, but man they have a similar groove.
It's almost like he's pedalling around (enharmonic respellings) of that Ab note. The bass motion creates drama, but it's like the chords simply arise as the sum of the bass motion and the melody springing off of the Ab.
@@michellemonet4358 OK, I see now that it is actually called Laura Palmer's Theme. I thought there were more than one Laura's theme but it is that one that I was referring to.
I never saw the TV Show or the movie. Don't know why as I must have been the target group in terms of age. But - of course - I know the soundtrack. I absolutely love "Falling" by Julee Cruise. But since I didn't see anything from the series, I didn't link Laura's Theme to Falling. I first came across these beautiful chords by listening to "Go" by Moby. To this day this is one of the most iconic songs from the electronic music. These beginning chords from the theme which are the basis for "Go" have such a unique sound that they immediately catch you when one of the songs begin. Now that I know the complete "Laura's Theme" I totally agree to what you said in the video. Thank you for this.
Could you talk about Vienna Teng's "Hymn of Axciom" at some point? It's such an beautiful song but still is the most interesting sounding musical piece of art I've really ever heard. It's a musical goldmine of everything talked about in your videos and I think it'd be amazing for you to cover! (Bonus points for the Bluecoats 2014 performance)
I bought the soundtrack recording as soon as it was available for sale because I knew in my gut there was something uniquely special about Badalamenti's music.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
This show was a new one for me! I was just never really aware of it until recently. So I checked it out and it is...well...I'm not even really sure where to begin. If you've seen it, how would you describe the show? Also don't forget, get on the list early ahead of the Black Friday sale coming up! resources.betterpiano.com/countdown
here we go!
it's a place both wonderful and strange my friend
Twin Peaks is an absurdist homage to the American soap opera. IT seems more out of left field now because soap operas and the whole experience of consuming television has completely changed since 1990. It's kind of funny when you think back on it this way, with all the tonal dissonance of disturbing moments combined with saccharine melodrama and corny gags. Making a sort of narrative pastiche.
Kind of like the theme come to think of it!
Also there was a fish in the percolator.
The show is something that exceeds its bounds as a TV show. It feels like a high end streaming show given when it was made.
If you liked Twin Peaks you should also watch the movie and then the 3rd season. IN THAT ORDER
YES FINALLY TWIN PEAKS I NEVER CLICKED SO FAST CHILLS AND TEARS EVERYTIME
Same!!!
Driving with the soundtrack is a Lynchian experience
This theme is a masterpiece in resolving chord progressions, honestly. It's just this fantastic journey to home.
But you can never really go home again :(
Really well put. Absolute masterclass in resolution
Yes.
If "home" is dead wrapped in plastic in Cmin.
but home is never as safe as we think it is in the shadows, eh?
@@EzekielBrockmann dark
That gum you like is going to come back in style!
Thanks. I've been waiting for Pickle & Peanut to return in what seems like forever.
hot. and black.
everything about twin peaks is so special. it’s the most moving piece of art i’ve ever experienced
So you've seen one piece of art then.
@@docsavage8640 I laughed
@@docsavage8640 good one man. i’ve only seen one piece of art and it happens to be a TV show from before i was born that had a prequel movie and a 25-year-later 3rd season. you’re right on the money
@@docsavage8640You can disagree with someone without debasing their opinion o7
Agreed. It changed the rest of my life completely. That's what deep art can do sometimes. You can't explain it.
OH ANGELO
YOU'RE BREAKING MY HEART
I remember watching Twin Peaks as a young teen (I'm 45 now) and that intro always hypnotized me, the song and that machine sharpening that cutting disk in repetitive motion was great. I don't know how many years has passed (I guess about 32) but still I have those images in my head.
It's the restraint that Angelo shows in his playing that I admire the most. He's not rushing to get to the next chord change.
He holds each chord for juuust long enough.
As a composer that works primary in film, this is how I work out a lot of my themes. Before I was a media composer, I was a jazz bassist.
When I'm not writing to the locked picture, I compose sketches from the script or look book (essentially a mood board of what the film will look and feel like).
I rely heavily on my use of improvisation for this process, often recording a lot of different ideas into my DAW and then slowly chisel the sounds away, till I find what I'm looking for.
I find that this methodology is the purest form of artistic expression to picture, as it takes away an preconceived notion of what you'd write, and it allows for some amazing sonic exploration.
Great video man!
Hmm definitely gotta try this! Would def help in my “drawing” side as well!
Win win!
Was lucky enough to meet Angelo back in 2018. We had a great conversation about usage of unconventional instruments and sound design in conventional scoring. Was an incredibly nice guy. He made some amazing contributions to music. The modulations in this track are so beautiful. Would love to see more on his stuff, either more Twin Peaks stuff (the FWWM theme and Audrey's Dance are super interesting harmonically) or Mulholland Drive/Lost Highway!
My crazy aunt played the Julee Cruise "Falling" song from the intro theme as her first dance at her wedding. Badalamenti was astonishing and unique.
Cool aunt.
@PiotrHryncyszyn Ha, totally!
Dude, the magic of Cruise and Badalamenti together is otherwordly. What an incredible pairing
*spits out coffee*
DAMN good modulation.
DAMN good reference
“Angelo, that’s tearing my heart out.”
RIP Angelo Badalamenti
When the heck did that happen?!
@@billyalarie929 Dec 11 2022, almost 2 years ago.
In the late 90s, my much older brother gifted me the Twin Peaks soundtrack, seemingly at random. I never watched the show - and still haven't - but I absolutely love its music!
The Nightingale is beautiful!
It is great.
I know one of the themes because it was played here on a radio in SouthAmerica, in a program on the night, it was the theme of the radio program (they aknowledged it was from Twin Peaks). The theme with the bass.
Just watch the show already! :D It's a classic.
Never fails to give me goosebumps. RIP, Angelo, you beautiful talent.
I saw a video with Angelo Badalamenti explaining the process and as he said Lynch dictating "And now you see Laura Palmer coming out of the woods" during the change in tone made me appreciate the track so much more.
12:53
"Yes, Yes!! You're DOING IT ANGELO!!!"
I love lynch lol
This interview with the masterful Angelo Badalamenti never fails to get a few tears out of me. What a revelatory, climactic, heart-opening moment between him and David Lynch.
This show means so much to me. I remember when i first stumbled upon that video of Angelo talking about composing the theme with David's direction, couldn't help but shed a tear.
Thanks for covering it; althought Twin Peaks is higely popular in certain circles, I still feel it is vastly underrated as a whole, and its music is no exception.
I feel so emotional when hearing Twin Peaks music. Even just seeing the photo of Laura Palmer also makes my heart sink.
That's kinda pathetic. Maybe explore real life so your emotions aren't so stunted.
I think one incredibly important lesson here is to write melodies (or anything really) with intentionality, for a scene or with a feeling in mind.
It’s amazing when you can collaborate like that with someone, literally have a director there who describes what he wants to feel, but it’s obviously harder if you’re writing music solo.
If you’re alone you kinda need to have an introspective dialogue with yourself, figure out what exactly you want to deliver, which feeling or emotion.
It can be quite a tough process, but this intentionality is what will separate you from a pile of “meh” that’s being created and released every minute right now.
Thank you for the video, Charles, absolutely fantastic one!
That soundtrack sold like butter. I worked in Sweden’s biggest record store at the time and was absolutely amazed of the impact this music made. Beautiful 👌🏻🤩
…I guess people do buy a lot of butter…
@ They certainly do ✌🏻😂
i love twin peaks so much!!!!! lauras character is so incredible, she feels like a real person to me if youve seen fire walk with me or read her secret diary
Thank you so much for this, as a Twin Peaks fanatic, this one hit me right in the feels! Another composer I absolutely adore and would put in the same realm as Badalamenti is Vangelis. Specifically Memories of Green from Blade Runner. A breakdown video of that song some day purrrrhaps?😃
Sir, you have a good tästä of music.
I think it was either an Alpha Juno 2 or MKS-50 (or one of the modules from the MKS series) that was used to create the pad sound. They all pretty much use the same sound design/circuitry. Such a simple sound and yet so luscious and moving. It truly is the embodiment of less is more.
Laura Palmer...
Twin Peaks...
Haunting...
I watched it finally some years ago and my mom said she watched it from tv when I was a baby. It really did change something in my life after watching, like I saw the world in a new way. Then I played a game called Deadly Premonition which is a Japanese game that feels like it could just as well be a licensed Twin Peaks game. And it has the most bugged PC port I've ever seen, which is pretty typical for Japanese games.
Honestly the latter part of the video, explaining these tricks to prime playing and thinking in a certain way, or more like abandoning it, was very good and valuable. And I learned a completely new and interesting thing about music and that theme in particular, just that experience of them interacting - telling a story and fitting music in - both being so proficient in what they do, is so interesting. There's been so many times when I've heard the composition tell the same story as the lyrics and it made me wonder if the music came after the story. Or that they felt the music of the story first and wrote what sounded right to the drama's progress in the music.
Such an iconic theme - as special as all three seasons of twin peaks themselves. Just one of Angelo‘s unbelievable themes through the years. May he rest in peace.
Watching Twin Peaks in 1990 when i was 13, I remember absolutely loving the music. I knew nothing of composition but I knew it was different. It was deliciously unsettling and the haunting sounds took me to a place of sadness I had never known before. It was magnificent.
rip badalamenti. his tunes were always special. as an orbital fan, this is like a "nod, sweep". brilliance in true form. thank you charles and angelo.
C major has NEVER sounded as good! It's all about the contrast. But wow - it's scary YT knows me so well to understand that this was my favorite show/score back then! Great vid! : )
You asked about the description of the show: David Lynch. Ok, I'll expand. Brilliant, mysterious, humorous, macabre, beautiful, chilling, sexy, unforgettable. UNIQUE
The Twin Peaks and Fire Walk with Me soundtracks are so amazing. I love playing them while driving at night.
i’ve waited so long for this!!!
The most brilliant TV drama in history. The music is still haunting, still captivating.
Badalamenti was a freaking genius. So much great work that sounds like no one else. The Fire Walk With me soundtrack is phenomenal.
Wow, that interview with the composer was emotional and inspiring. That's essential viewing for any musician I think. Thanks
This is one of the best themes of any TV show, period. The way Badalamenti mixes the esoteric harmony and modulations in the beginning of this piece with the more standard (but still heart-wrenching) diatonic movement that it blossoms into later on is beautiful and it works great in conversation with the show as a whole. The way that David Lynch mixes the mundane and the macabre, blending surrealism and darkness with an almost soap opera-like melodrama remains as a masterclass in tonal shifting, and Laura Palmer's Theme is no different. This must be why the two worked so well together, as Badalamenti composed for many of Lynch's movies in addition to Twin Peaks. Now that Lynch has passed, we can look back on this piece as one of the greatest works ever composed for the screen.
RIP David Lynch :(
Dude, they made a 3rd season back in 2017. You should check it, as well as the sountrack.
I’ve been listening to the sound track for about a year now and this theme (Laura palmer’s) work so well within synth wave that and the bass line of the Main theme is amazing
Angelo wrote the perfect tune for the crazy genius of Lynch. This makes me want to watch Twin Peaks again.
Seriously. It's been a long time. I need a rewatch!
This is why I teach improvisation to my elementary babies...so when they become adult musicians they can make amazing things like this and they are not intimidated. ❤
2:46 Danny Elfman Batman moment😃
Thought the same lol
Damn, good call! How have I never made that connection. Thank you :)
Always felt like this was the greatest example of modulation in film and tv history.
I recently rewatched Twin Peaks after 30 years. It’s still every bit as insane as I remembered it, but the score is phenomenal.
AHHH you did the TP theme! Love this show and I'm presently watching it again and showing it to my mom. Such a beautiful / haunting theme.
If you record this song with midi and then look at your piano roll, it literally forms twin peaks.
That's cool!
there was a fish in the percolator
I really enjoyed that, Thank you! Never lose your enthusiasm!
I can't think of an unremarkable Angelo Badalamenti piece. I feel like everything he did was unique and perfect for the context. What a gem.
I'm so glad you made this video, I am constantly shocked by how many people are unaware this show even existed, let alone how completely it defined the cultural zeitgeist at the time (I swear I heard someone say "Who killed Laura Palmer?" once a day for the two years it aired, and "What about Annie?" for months after it got cancelled!). It truly does go from heartbreaking beauty to dismal despair and back again! So much great music came out of this series (and Wild at Heart, a contemporary David Lynch movie). If you like the oddly ethereal, disorienting sound of the Twin Peaks music, check out Julee Cruise's Voice of Love CD (she played the cabaret singer at One Eyed Jacks in the show), it's a collaboration between all three (Cruise, Badalamenti, and Lynch). Just one correction: this was not the theme music for the show, that would be the track titled Twin Peaks Theme (or "Falling", which is the same thing with lyrics, sung by Julee), which played during the opening credits, the title of this piece is "Laura Palmer's Theme".
I love this song so much, great video as always!
Wow Bob, Wow!
This is my favorite TV show, and the musical score is just amazing. The song is haunting, hopeful, terrifying, and beautiful all at the same time.
Charles, thank you for covering this music! This piece takes me back to 1990. Your adjectives for this theme are dead-on; stunning, haunting, beautiful. Absolutely love what Angelo Badalamenti has composed.
Those soundtracks inspired me so much. I’m still pulling ideas from Angelo’s tunes 30 years later.
Great video Charles. You always mix the how and the why so well. And tying it to a well known example, you're an excellent teacher. I'm sure your teacher would be very proud of you.
When that show first came out I wasn't that into it. But I watched it a few years ago and was struck with how awesome the music was. It was so dramatic and beautiful. It took me awhile to really get into David Lynch's style but I dig a lot of what he does as a director/writer. He's also a big music guy. He does the eerie unsettling thing really well.
Bro just casually ignored Season 3's existence
In fairness, the existence of season 3 is not really relevant to the process of composing the original score.
@@walrusman8691 Irrelevant
Season 3 is peak
And unfortunately you just reminded me of its existence
@@chilldude30 it's not unfortunate tho, in fact you should go watch it right now 👀
This has to be one of the best soundpainting done for a soundtrack that I've ever heard! Such genius here!
Soundpainting. That's exactly what I think of this as. The theory is just the structure, which you need - but the art is the darkness and the girl.
Hey Charles! I was waiting for this video, I’m glad you went over it. After season 2, you should def watch season 3. Imo it’s the best season of the show honestly
I'm an aspiring screenwriter and during the last 6 years i've been very inclined towards screenplay theory (conflict; structure; etc).
And since those concepts have been developing in my head and extending to all my artistic knowledge, screenplay theory and musical composition theory are becoming more connected (till some point).
So i found really interesting what you said about forgetting all preconcepts and structures when you're creating, and THEN using all the theorical knowledge to correct or polish your work. Because that's the same thing i say about writing a screenplay. Creating (imagination) and knowing (rationality) are two different parts of the brain, and we shouldn't confuse them nor make them obstruct each other.
I’ve never seen the show, but as soon as the theme tune started playing I recognised Go by Moby. I never realised he based it on a pitched up sample of the Twin Peaks theme tune!
Cool. Thanks for sharing.
As a non-musician, this sounds like a very interesting way to collab with a writer. The Twin Peaks music really tell stories in a way that these guys probably never could have managed individually.
this really is a gorgeous piece of music
Maybe every initial meeting with a director and composer should go like that. It's like Badalamenti captured not the scene, but the soul beneath the scene. He didn't play the sound of wind, he played like the metaphysical representation of what wind means.
If you watch any the extras on the DVD set of David Lynch's outstanding latest (last? *sniff*) Twin Peaks season, he uses this extraordinary improvisatory technique throughout. It appears he doesn't hand round a selection of scripts to be learned and recited, he leads his entire cast through the labyrinth of his inventiveness by guiding them. He'll say something like "You want to say to the other man that you need the money. When he asks you what for, say you are frightened. Say you are obsessed with his shoes. And you, when you hear that, you say you understand". (Or whatever.) Must be a thing of wonder and great fulfillment to work with him.
9:30 You're walking in the woods. There's no one around and your phone is dead. Out of the corner of your eye, you spot him (Shia LaBeouf)
😂
NU er du bange! Men vi skal længere ind i sindet!
All of David Lynch's stuff has fantastic music. "Wild at Heart", "Lost Highway", "Twin Peaks", etc.
5:44 where he says "F minor" the 2 chords sound like the beginning of the intro to the 80s soap "the young and the restless" :D
My favorite piece of art ever. Twisted and beautiful. And more relavant than ever. Nothing has ever done what twin peaks has. The music, the camera work, the acting, the queer representation, it's beyond words. Its means so much to me as a woman in america, it made me and my struggle feel seen
3:30 Danny Elfman's Batman
3:08 They have taken you from the Imperial City's prison, first by carraige, and now by boat. To the east, to Morrowind
Fascinating, thank you !
If anyone has ever wanted to hear something that's directly inspired by the title theme and this, the band Dream Theater did an instrumental song called Eve back in the 90s as their ex keyboardist was a huge Twin Peaks fan. It never made it on an album and is very chill for a DT song. But the vibe is there. Highly recommend.
That theme is such an emotional roller coaster!
I love all of David’s work. But something about Twin peaks is just captivating. It’s moving and haunting but also kinda real. People do get murdered and there are towns like this where it would break them. But Angelo (Rip to an AMAZING composer) and David work so well together that it just sounds angelic. Laura is sad but beautiful. This theme always gives me chills and makes me wanna binge the show again. ❤ #1 show for me
I used to run home to watch this show in jr high. This music used to crush me everytime.
It's a hauntingly beautiful song, and just thinking of it makes me tear up. Combine it with the scene and it almost breaks me, despite almost having worn out my copy of the series.
This is perfect for me, I love Twin Peaks and the soundtrack and I am learning to be a composer. Thanks!
Oh hell yeah. More “Twin Peaks” music, please! In the meantime I’ll share this video with fellow Peaks fans on social media. Recommended pieces: “Audrey’s Dance,” and “The Dance of the Dream Man.”
Never saw the series but know some of the themes.. When you talk about the C Major chord.. moving to the E Major... and THEN to F Minor, that was so 'Bernard Herrmann' to me when I first heard it; think 'Vertigo' or 'Taxi Driver'... Blinkin' brilliant..
You are making some really inspiring stuff. Keep up the good work.
YESSS this music is so special and iconic. My partner and I just got a record player and she got me the soundtrack on vinyl.
By the way, B natural can be viewed as #11 in F (which is just another way to look at G/F)
So good. Love TP
Moby utilized this piece beautifully for "Go." #Moby #Go #Tonesontail
The theme still gives me chills. Just wish my wife would give the show a chance. 😭
This must be magic because I looked for Twin Peaks song two days ago after not listening it for many years and also I`v just discovering your channel a few days before that!
Wow, I've never heard this tune before, but the beginning sounds like a slowed down version of a track called Go by Moby. This was apparently released first, but man they have a similar groove.
Just took my roommate through all of Twin Peaks (S1, S2, Fire Walk With Me, The Return). Funny to see this suddenly show up in my feed.
It's almost like he's pedalling around (enharmonic respellings) of that Ab note. The bass motion creates drama, but it's like the chords simply arise as the sum of the bass motion and the melody springing off of the Ab.
Laura's Theme is amazing. Thanks for this! :)
Which Lauras Theme?
@@michellemonet4358 OK, I see now that it is actually called Laura Palmer's Theme. I thought there were more than one Laura's theme but it is that one that I was referring to.
Thank you. Definitely my favorite TV show theme. Just beautiful.
amazing song people don't hear more about
if i can ask- do SOMEWHERE IN TIME, incredible story in that song
I never saw the TV Show or the movie. Don't know why as I must have been the target group in terms of age. But - of course - I know the soundtrack. I absolutely love "Falling" by Julee Cruise. But since I didn't see anything from the series, I didn't link Laura's Theme to Falling.
I first came across these beautiful chords by listening to "Go" by Moby. To this day this is one of the most iconic songs from the electronic music. These beginning chords from the theme which are the basis for "Go" have such a unique sound that they immediately catch you when one of the songs begin.
Now that I know the complete "Laura's Theme" I totally agree to what you said in the video. Thank you for this.
Always get goosebumps when I hear this music.
Could you talk about Vienna Teng's "Hymn of Axciom" at some point? It's such an beautiful song but still is the most interesting sounding musical piece of art I've really ever heard. It's a musical goldmine of everything talked about in your videos and I think it'd be amazing for you to cover! (Bonus points for the Bluecoats 2014 performance)
That's incredible! Incredible, I tell you! Incredible!
I bought the soundtrack recording as soon as it was available for sale because I knew in my gut there was something uniquely special about Badalamenti's music.