Johannes Brahms, Herzlich tut mich erfreuen, organ chorale prelude op.122 no.4: the organ lesson

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  • Опубликовано: 13 сен 2024
  • Learning to play Brahms on the organ, using the chorale preludes opus 122. Music performance from • Johannes Brahms, Herzl...
    For background information about Brahms performance style see the episode on Es ist ein Ros' entsprungen ( • Johannes Brahms, Es is... ).
    This episode was recorded in Tananger Church in Norway. For details of the organ, see rishton.no/Org...
    Cover photo © Tim Rishton, of a roadside wild-flower verge near Neustrelitz in Germany, depicts the hymn text: the lovely flowers of approaching summer.
    The series is presented by Dr Tim Rishton www.rishton.eu

Комментарии • 9

  • @Thueringerorgel
    @Thueringerorgel 6 месяцев назад +2

    Prima! Danke.

  • @d.singler-kron9034
    @d.singler-kron9034 6 месяцев назад +2

    ...Amen to "really delightful piece". What you say is what I have found inherent in the music. I had to work these pieces out by myself. Can't help but smile when I listen to your teaching because it is so clear. I never struggled with this piece, although it seems just a bit odd for the organ. The arpeggios, etc., just kept making sense as I thought about the text, listened, and practiced. Thank you. What you say is confirmation.

    • @timrishton5871
      @timrishton5871  6 месяцев назад +1

      That's really great to hear, thank you. Your recipe for making sense of the music is spot on!

  • @OgionTheSilent-bb5rx
    @OgionTheSilent-bb5rx 4 месяца назад

    Glorious performance and good teaching - I really enjoyed this - thank you!

  • @EllenMoore-fb6nr
    @EllenMoore-fb6nr 6 месяцев назад

    Beautifully played. I see what you mean about the 'sustain pedal'. It works. Very enlightening.

    • @timrishton5871
      @timrishton5871  6 месяцев назад

      Thank you. This way of making things extra-sustained seems a largely-forgotten technique from a hundred years ago, and it does make a difference to this piece.

  • @TamsinJones
    @TamsinJones 6 месяцев назад

    I vaguely recall reading Stravinsky telling how he was taught often to use finger sustain rather than pedal when playing the piano. Maybe this was a common 19th-century approach that is reflected in Brahms's use of phrase marks here. Virgil Fox's "acoustic release" device seems to be a related idea as well. They're musically effective things to do that are easy to understand but tricky to notate precisely.

    • @timrishton5871
      @timrishton5871  6 месяцев назад +1

      Yes, a really useful analogy, thank you so much. Finger sustain at that period didn't occur to me while I was talking - I really should have mentioned it. Tim