Duruflé - Requiem, Op. 9 by Maurice Duruflé / Remastered (Century's recording)

Album available // Duruflé: Requiem, Op. 9 by Maurice Duruflé
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Maurice Duruflé (1902-1986) Requiem pour soli, choeurs et orchestre, Op. 9
00:00 I. Introït (2023 Remastered, Paris 1958)
03:32 II. Kyrie (2023 Remastered, Paris 1958)
07:22 III. Domine Jesu Christe (2023 Remastered, Paris 1958)
15:54 IV. Sanctus (2023 Remastered, Paris 1958)
19:22V. Pie Jesu (2023 Remastered, Paris 1958)
23:31VI. Agnus Dei (2023 Remastered, Paris 1958)
27:38 VII. Lux Aeterna (2023 Remastered, Paris 1958)
31:38 VIII. Libera Me (2023 Remastered, Paris 1958)
37:19 IX. In Paradisum (2023 Remastered, Paris 1958)
Orchestre Lamoureux
Chorale Philippe Caillard
Ensemble vocal Stéphane Caillat
Mezzo-soprano: Hélène Bouvier
Bass: Xavier Depraz
Conductor: Maurice Duruflé
Recorded in 1958, at Paris
New mastering in 2023 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r
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The Requiem by Duruflé follows the same lineage as that of Fauré. The density and Germanic metaphysics give way to almost minimalist refinement and calmness. Fauré, in composing a mass for the dead, had arise a gentle dawn in the light of love and hope. Maurice Duruflé followed it in spirit, if not to the letter. Like Fauré, he was imbued with the tradition of Gregorian plain-chant, retaining its colour and relief. Expressive like sighs, the Gregorian neumes are also supple like cloth. Duruflé meditated upon the service for the dead, ans each time he was able to use a textual motif, he did not hesitate to do so, just as he delved into the voluptuousness of contemporary harmony, which Ravel and Fauré - the latter nicknamed "the voluptuous Gregorianiser" by Reynaldo Hahn - showed that it fitted perfectly into the archaism of the modal scales. On antique thoughts, Duruflé created new verses. The plain-chant themes are first presented nude, then clothed in a harmonic garb both sumptuous and sober: here lies the composer's extreme skill, who constantly mancuvers between two pitfalls, dryness and anachronism, both avoided with disconcerting mastery.
Album available // Fauré: Requiem, Op. 48 by Ernest Ansermet
🎧 Qobuz bit.ly/3Ke4crZ Apple Music apple.co/3KCZbL2
🎧 Amazon Music amzn.to/3zBywYJ Tidal bit.ly/3zCk9n5
🎧 Deezer bit.ly/3maJP74 Spotify spoti.fi/3nL3tHj
🎧 RUclips Music bit.ly/3Udk1DQ

[@classicalmusicreference]

Album available // Duruflé: Requiem, Op. 9 by Maurice Duruflé
🎧 Qobuz (Hi-Res) bit.ly/3I7RQBk Tidal (Hi-Res) bit.ly/48ilqi9
🎧 Apple Music (Lossless) apple.co/3vqDk4Q Deezer (Hi-Fi) bit.ly/3uI9rfZ
🎧 Amazon Music (Hi-Res) amzn.to/3wnZXH8 Spotify (mp3) spoti.fi/49xRtf6
🎧 RUclips Music (mp4) bit.ly/49ghMGG
🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, Awa 日本…
❤🔊 Joining us on Patreon means receiving a download link every month containing 5 legendary recordings remastered by our master sound engineer, along with an article on the history of music. www.patreon.com/cmrr
🔊 Discover our Website: Expand your music collection www.classicalmusicreference.com/
Maurice Duruflé (1902-1986) Requiem pour soli, choeurs et orchestre, Op. 9
00:00 I. Introït (2023 Remastered, Paris 1958)
03:32 II. Kyrie (2023 Remastered, Paris 1958)
07:22 III. Domine Jesu Christe (2023 Remastered, Paris 1958)
15:54 IV. Sanctus (2023 Remastered, Paris 1958)
19:22V. Pie Jesu (2023 Remastered, Paris 1958)
23:31VI. Agnus Dei (2023 Remastered, Paris 1958)
27:38 VII. Lux Aeterna (2023 Remastered, Paris 1958)
31:38 VIII. Libera Me (2023 Remastered, Paris 1958)
37:19 IX. In Paradisum (2023 Remastered, Paris 1958)
Orchestre Lamoureux
Chorale Philippe Caillard
Ensemble vocal Stéphane Caillat
Mezzo-soprano: Hélène Bouvier
Bass: Xavier Depraz
Conductor: Maurice Duruflé
Recorded in 1958, at Paris
New mastering in 2023 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r
🔊 Records Store in High fidelity audio (QOBUZ): bit.ly/370zcMg
🔊 Follow us on Spotify: spoti.fi/3016eVr
The Requiem by Duruflé follows the same lineage as that of Fauré. The density and Germanic metaphysics give way to almost minimalist refinement and calmness. Fauré, in composing a mass for the dead, had arise a gentle dawn in the light of love and hope. Maurice Duruflé followed it in spirit, if not to the letter. Like Fauré, he was imbued with the tradition of Gregorian plain-chant, retaining its colour and relief. Expressive like sighs, the Gregorian neumes are also supple like cloth. Duruflé meditated upon the service for the dead, ans each time he was able to use a textual motif, he did not hesitate to do so, just as he delved into the voluptuousness of contemporary harmony, which Ravel and Fauré - the latter nicknamed "the voluptuous Gregorianiser" by Reynaldo Hahn - showed that it fitted perfectly into the archaism of the modal scales. On antique thoughts, Duruflé created new verses. The plain-chant themes are first presented nude, then clothed in a harmonic garb both sumptuous and sober: here lies the composer's extreme skill, who constantly mancuvers between two pitfalls, dryness and anachronism, both avoided with disconcerting mastery.
Album available // Fauré: Requiem, Op. 48 by Ernest Ansermet
🎧 Qobuz bit.ly/3Ke4crZ Apple Music apple.co/3KCZbL2
🎧 Amazon Music amzn.to/3zBywYJ Tidal bit.ly/3zCk9n5
🎧 Deezer bit.ly/3maJP74 Spotify spoti.fi/3nL3tHj
🎧 RUclips Music bit.ly/3Udk1DQ

[@classicalmusicreference]

The Requiem by Duruflé follows the same lineage as that of Fauré. The density and Germanic metaphysics give way to almost minimalist refinement and calmness. Fauré, in composing a mass for the dead, had arise a gentle dawn in the light of love and hope. Maurice Duruflé followed it in spirit, if not to the letter. Like Fauré, he was imbued with the tradition of Gregorian plain-chant, retaining its colour and relief. Expressive like sighs, the Gregorian neumes are also supple like cloth. Duruflé meditated upon the service for the dead, ans each time he was able to use a textual motif, he did not hesitate to do so, just as he delved into the voluptuousness of contemporary harmony, which Ravel and Fauré - the latter nicknamed "the voluptuous Gregorianiser" by Reynaldo Hahn - showed that it fitted perfectly into the archaism of the modal scales. On antique thoughts, Duruflé created new verses. The plain-chant themes are first presented nude, then clothed in a harmonic garb both sumptuous and sober: here lies the composer's extreme skill, who constantly mancuvers between two pitfalls, dryness and anachronism, both avoided with disconcerting mastery.
Album available // Fauré: Requiem, Op. 48 by Ernest Ansermet
🎧 Qobuz bit.ly/3Ke4crZ Apple Music apple.co/3KCZbL2
🎧 Amazon Music amzn.to/3zBywYJ Tidal bit.ly/3zCk9n5
🎧 Deezer bit.ly/3maJP74 Spotify spoti.fi/3nL3tHj
🎧 RUclips Music bit.ly/3Udk1DQ

[@notaire2]

Wunderschöne und detaillierte Interpretation dieses modernen und perfekt komponierten Requiems mit gut harmonisierten Stimmen des ausgezeichneten Chors und durchsichtigen doch herrlichen Stimmen beider genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale Komponist-Dirigent leitet das perfekt trainierte Orchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Wahrlich tiefempfunden!

[@ladivinafanatic]

Duruflé! What a composer.

[@fransmeersman2334]

A wonderful, very beautiful healing and consolation giving masterwork ! Thank you !

[@cristianavit1054]

Un capolavoro assoluto, commovente e celestiale❤

[@canman5060]

He is the master of music harmony.

[@cofa4011]

Merci pour une autre fascinante découverte :)

[@canman5060]

Often played together with Faure's Requiem.

[@omegamale7880]

Or coupled together on CD anyway.