When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.
Yep, as a pro horn player myself, it's always been a mystery that the notations in bass clefs is always an octave lower than the actual notes. Personally, I rewrite these kinds of parts in treble clef, with the "8va basso" indication for the low notes.
George N. Gianopoulos I actually sang it live about 4 years ago and still have the PDF. It was tough to find because I didn’t know I was looking for a larger work. The Phil did it a few years ago so I contacted their soprano.
Locally? Would have killed to hear it live. Tomasi's music is seldomly performed but I connect with it a lot. Curious to learn more about your recording!
Heard this piece performed, without vocals, in the stunning Basilica of St. Josaphat in Milwaukee, Wisconsin, USA, and it was a truly great performance that took advantage of the church's seemingly boundless acoustics. Alas, unfortunately, I couldn't truly appreciate the performance because I was unfamiliar with the piece at the time.
This piece actually appears in an opera by Tomasi, not sure what was first. I guess the voices were added with the opera, or else the brass piece was extracted out of the opera without the voice for practical reasons.
When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.
First time hearing this with soprano and choir, fantastic! I also like this version: ruclips.net/video/oggVjR2kCZU/видео.html, especially the trombone in part 2.
![Tomasi - Fanfares Liturgiques [score]](http://i.ytimg.com/vi/4OEs24RHmGA/mqdefault.jpg)
![Tomasi - Fanfares Liturgiques [score]](/img/tr.png)
The horn playing by all 4 players in this recording is absolutely incredible.
What an interesting piece. Love some of the harmonies I heard in here
When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.
Yep, as a pro horn player myself, it's always been a mystery that the notations in bass clefs is always an octave lower than the actual notes. Personally, I rewrite these kinds of parts in treble clef, with the "8va basso" indication for the low notes.
So is the first trombone part.
5:03 Back to the future
Oh hi! I think I’m recording this in December and came to RUclips in search of a recording and here you are! Thanks!
How cool, Holly! Unfortunately this score doesn't have the vocal line in. Looking forward to hearing your version ;)
George N. Gianopoulos I actually sang it live about 4 years ago and still have the PDF. It was tough to find because I didn’t know I was looking for a larger work. The Phil did it a few years ago so I contacted their soprano.
Locally? Would have killed to hear it live. Tomasi's music is seldomly performed but I connect with it a lot. Curious to learn more about your recording!
@@hollysedillos9643 Hi Holly - would you be willing to share the PDF of that soprano/choral part? I'd be happy to send you my email if so. =)
17:23 and out is mind blowing
Heard this piece performed, without vocals, in the stunning Basilica of St. Josaphat in Milwaukee, Wisconsin, USA, and it was a truly great performance that took advantage of the church's seemingly boundless acoustics. Alas, unfortunately, I couldn't truly appreciate the performance because I was unfamiliar with the piece at the time.
I. Annonciation 0:05
II. Evangile 2:31
III. Apocalypse 6:31
IV. Procession Nocturne 10:05
Interesting and very beautiful piece. Wow! Love the soprano part in the final movement.
GLORIOUS
What a low horn part, fantastic
Gorgeous
Très intéressant...merci beaucoup car on ne l'entend pas souvent.
This piece actually appears in an opera by Tomasi, not sure what was first. I guess the voices were added with the opera, or else the brass piece was extracted out of the opera without the voice for practical reasons.
Great performance, too!
Very nice! I think I'm going to study the score to learn. Btw, why does the vocal part not appear in the score of mvt. IV?
I believe Tomasi added the vocal line after he finished the original piece, so we're seeing the first edition before he added the vocal line
When studiying this score keep in mind he is using the old bass clef for horn 4 and that the first horn part is very difficult to perform live without flaws.
Really good, modern and chick
hello. I loved this music. anybody knows where I can download the score? much appreciated
It’s sounds awesome but it looks like a pain to get through lol
Hola
Hola tomasi
First time hearing this with soprano and choir, fantastic! I also like this version: ruclips.net/video/oggVjR2kCZU/видео.html, especially the trombone in part 2.