@@jansnauwaert1785 Definitely, you are correct. I mean, about 5 years ago, I came to his concert, and it was amazing without any slacking that can be easily seen from old violinists.
I love the virtuosism of Gidon Kremer, the raw energy of Bernstein, the perfection of the Vienna Philharmonic and the Romanticism of Brahms. Immaculate night in Vienna.
There also seems to be such a beautiful understanding between all three, Bernstein, the Vienna Philarmonic (thanks for giving this information even though in the titles at the end of course, do you also know the date of the concert out of curiosity?) and Gidon Kremer
For me this is the most beautiful and brilliant recording of Brahms´ Violin Concerto. I particularly like the fact that Max Reger's Prelude in D minor is used as the cadenza - unique!
Sound of God, just too true. I don’t know why I can’t listen to any other performance of Brahms violin concerto after hearing this. These musicians were prophets.
Simply brilliant - I've enjoyed listening to this performance for over 30 years on the DG CD. What a treat to see & hear this live! Many, many thanks to Daryoosh Ghasemi for posting this gem.
I've heard all the greats play this, but they pale in comparison to this performance. There is something special about Kremer's playing, simply put. His sound is the most interesting of all violinists, brilliant, nuanced, exciting, delicate, powerful. Just jaw-dropping.
Magnifique concerto et quels musiciens !Merci à eux et merci RUclips pour le moment béni qui colore notre matin et donne à notre journée un goût de miel 🍯 !
Superb what a Maestro Gidon Kremer is what finesse and dedication ...With Maestro Bernstein and the Weiner Philharmoniker a match made for the Gods just too beautiful.
Кремер, однозначно, чародей скрипки... Давиду Ойстраху сейчас было бы отрадно его слушать - когда он победил в 70-м в Москве мне было 7 лет. Учеников Ойстраха застал и слушал почти всех...один раз в Большом зале филармонии в Питере Кремер играл концерт Софьи Губайдуллиной - сплошная кокофония...ничего не отложилось...что-то авангардное. А разок он исполнил Чайковского чуть ли не в джазовом стиле... Кремер оставляет впечатление дивного лирика в музыке...но рядом со своим учителем малость мелковат...не хватает масштаба. Был советским, а стал европейцем и не знаешь - как к нему обращаться...Ойстраху здесь точно повезло больше - он был доступен всем и его обаяния хватало на всех, как и его космического неподражаемого дарования. Таких больше нет... Брамс у Кремера больше похож на романтически восторженного и влюблённого немца. Если смотреть философски - Гидон Кремер просто подарок человечеству...
Nope but thecnically it's not a cadenza, it's a prelude in d minor by Max Reger, late romantic composer. He changed a little the ending in order to connect it to the end of the concerto. Very creative and fitting if you ask me, it's not a case Brahms was one of the last composer leaving free choice to the musician for the cadenza, maybe the only way to be faithful to his compisitions is to be partially unfaithful
Chuck Cornelius ya? Strange tho, I wonder if it was just a mistake of it's because of something in the manuscripts of Brahms that was later changed by Joachim and Gidon didn't like the change... I will look for it when I'll put my hands on the Brahms Joachim letters for the concerto
@@diegeigergarnele7975 I think the note simply was hard to hear as a result of Kremers wide dynamic and some unusual, but very convincing accents. And don't forget, it was a live performance. Ivisited the Lockenhaus chamber music festival for ten years, always the full ten days and could watch kremers incredible technique and intelligent musicality as well as his overwhelming presence,. My feeling and that of my friends was always; This man makes evendramatic and convincing music when he just tunes his violin. Hoever,that said I must also aim a littlearrow at +Chuck Cornelius: Sir, you noticed a (most likely not really) missing note in the first five minutes, but missed the wrong two chords at the very beginning of the third movement? (no offense intended) :)
Evidentment, M.Kremer admire Ginette Neveu beacoup; mais je prefer M. Hirschornn facson de jouez. Pouvre M. Philippe,si beau et si jeune.(50 ans est pas jeune jeune ;mais c'est trops jeune pour si bon violinist etre mort.(Et encore plus triste Ginette, 30 ans est beaucoup trops jeune.) Bien jouez, M. Kremer ;mais une temps vous ecoute Ginette jouez quell des musique.:C'est fini.! Ginette,ou rien! Des autre pouvez PAS jouez violon si sublime et inspire et passionanteque que elle. BRAVO Tante Ginette.!!!
Great violinist Gidon. Heifetz might say 3 things to him. Don't wear eye glasses when you perform memorized. Don't make faces. Do not bend your knees and walk around.
Perhaps Bernstein and Kremer are the best, but Janine Jansen and Paavo Järvi have a much much better Hifi sound. And in choose between legends and sound I will always choose sound. The legends have have to accept that, wheather they are living or dead!
The cadence is too long (from 17:26 to 20:30) and does not adapt to the late romantic style. In the first movement, the musical stream is devoid of the dancing characteristic. Probably, Kremer uses a well-made violin, but i don't hear it: maybe it's a badly preserved instrument. Time is too fast and Brahms is not Paganini. Who likes recordings of the past I suggest H. Szeryng. Today I like Batiashvili
Szeryng is one of my favorites for Brahms, as for Beethoven, Mozart, and of course Bach. bur for Brahms, the king is Heifetz with Reiner/Chicago. Kremers performance here is great; i love the cadenza. not too long, it's different but still with elements derived from the Brahms score. it's not as weird as the cadenza he plays with the Beethoven.
@@cornel999 Actually this is a composition by Max Reger, only the ending is slightly adapted to lead into the orschestras continuation. The cadenza of the Beethoven is in no way weird. It is written by Alfred Schnittke, a well known 20th century composer and it is sort of an excursion through the greatest violin coconcerts. Listen several times to it with a few days break inbetween and you will pretty sure like it as well. :)
One can close their eyes and always tell who’s playing and Gidon Kremer is one of them. That sound.. WOW 🤩!That love of every note. ❤️
Everything looks easy for him. He is now over 70 years, but his performance is still utterly brilliant and dynamic.
exactly
Well, this recording is with Bernstein, so it is over 30 years old.
@@jansnauwaert1785 Definitely, you are correct. I mean, about 5 years ago, I came to his concert, and it was amazing without any slacking that can be easily seen from old violinists.
I love the virtuosism of Gidon Kremer, the raw energy of Bernstein, the perfection of the Vienna Philharmonic and the Romanticism of Brahms. Immaculate night in Vienna.
Ivan Hernandez Exactly right beautifully put bravo!
There also seems to be such a beautiful understanding between all three, Bernstein, the Vienna Philarmonic (thanks for giving this information even though in the titles at the end of course, do you also know the date of the concert out of curiosity?) and Gidon Kremer
In my opinion one of the great interpretations of the Brahms.
Oistrakh first its évident.
@@JeremyCht I love Oistrakh but there is something about the raw emotion of Kremer's interpretation. . .
For me this is the most beautiful and brilliant recording of Brahms´ Violin Concerto. I particularly like the fact that Max Reger's Prelude in D minor is used as the cadenza - unique!
Sound of God, just too true. I don’t know why I can’t listen to any other performance of Brahms violin concerto after hearing this. These musicians were prophets.
I LOVE THE CADENZA! (From 17:24) So expressive!
Simply brilliant - I've enjoyed listening to this performance for over 30 years on the DG CD. What a treat to see & hear this live! Many, many thanks to Daryoosh Ghasemi for posting this gem.
Dan Drecksage, This is on DVD available for anyone to purchase.
I've heard all the greats play this, but they pale in comparison to this performance. There is something special about Kremer's playing, simply put. His sound is the most interesting of all violinists, brilliant, nuanced, exciting, delicate, powerful. Just jaw-dropping.
I love the delicate way Gidon Kremer plays, with so many nuances...Thank you for sharing this historic recording!
can feel he really breathes through his violin~ 🌸
Bellezza di forma sostanza e umanità. Grandi tutti. Grandi, una gioia dell'anima
Magnifique concerto et quels musiciens !Merci à eux et merci RUclips pour le moment béni qui colore notre matin et donne à notre journée un goût de miel 🍯 !
Amazing Maestro😍😍😍😍😍❤❤❤❤❤
Maravilhoso, único e insuperável... galático Gidon ❤🎻🎶
Ascoltando Gidon Kremer si entra in un'altra dimensione. Brahms Bernstein e Kremer ti portano in paradiso
1:08 - I
22:24 - II
31:26 - III
matur suksma
Very nice that he has his own style of playing and understanding of music. And btw, what a strange bowings!
It is very economic and oriented to the musical flow :)
I believe I saw this many decades ago on Great Performances on PBS. I have the VHS recording somewhere. I love the rawness of Kremer's interpretation.
Superb what a Maestro Gidon Kremer is what finesse and dedication ...With Maestro Bernstein and the Weiner Philharmoniker a match made for the Gods just too beautiful.
My loving friend who loves Smilla's Sense of Snow and Brahms brought me here.
Gidon's violin sounds so sublime that it leaves me awestruck.
There's indeed a recommendation in Peter Høgs book when Smilla listens to Kremer playing Brahms ... (last words of chapter eight)☺️
Yes, yes, yes!!! I'm reading it right now and watching this because of the book! 🌞
Increíble versión
Thanks for uploading!
Magnificent, how wonderful to be able to participate, let’s say participate, listen to and watch, in such an amazing concert, many many thanks
Brahms beutifull music video 👍✅
Spectacular absolutely !
Чудо-каденция! Только гений мог решиться на такое...
Com certeza uma das apresentações mais bonitas... se não a mais..rsrsrs
Best Violinist! Omg this Cadenza...
Strand. Ex-Baron Feilitsch
Strad
Violin Virtuose Gidon play a Nicola Amati, 1641, the Hamburg.
Correct, but at the time of the recording he played the Strad which he later borrowed to BAiba Skride for some years
the top
Thanks Smila!
8:47 16:20 My favorite melody...His playing is sharp and never taking over emotion... That's why he is called by king of technique..
same !
Interpretação brilhante!
Solista, maestro, orquestra; parabéns!
matur suksma
Senza Gidon Kremer la storia del violino sarebbe stata più povera, su questo non c'è dubbio alcuno...
Кремер, однозначно, чародей скрипки... Давиду Ойстраху сейчас было бы отрадно его слушать - когда он победил в 70-м в Москве мне было 7 лет.
Учеников Ойстраха застал и слушал почти всех...один раз в Большом зале филармонии в Питере Кремер играл концерт Софьи Губайдуллиной - сплошная кокофония...ничего не отложилось...что-то авангардное. А разок он исполнил Чайковского чуть ли не в джазовом стиле...
Кремер оставляет впечатление дивного лирика в музыке...но рядом со своим учителем малость мелковат...не хватает масштаба.
Был советским, а стал европейцем и не знаешь - как к нему обращаться...Ойстраху здесь точно повезло больше - он был доступен всем и его обаяния хватало на всех, как и его космического неподражаемого дарования. Таких больше нет...
Брамс у Кремера больше похож на романтически восторженного и влюблённого немца.
Если смотреть философски - Гидон Кремер просто подарок человечеству...
Young Kremer ...why he changed his style? It was fantastic!
Muy Preciso! y soave
Фантастичного масштабу музикант. Браво!!!
Fuckin.... RUclips putting an ad RIGHT between movements two and three ..
3:47
31:26 I'm finished....
captain Flamingo with what......?????????????
@@SarahJones-wy5us he came
Where, or rather what is the venue?
Isaac Brito i think it’s the Vienna Konzerthaus
Thanks
Is it not the Musikverein?
@@santiagoporcino4229 no, it is not the Musikverein. It looks different and it is smaller than the Konzerthaus
Really, read the title cards. Is that so hard? 0:11
Isaac Brito can you not be bothered to look at the titles of this recording?????????.
Did he wrote this cadenza?
Nope but thecnically it's not a cadenza, it's a prelude in d minor by Max Reger, late romantic composer. He changed a little the ending in order to connect it to the end of the concerto. Very creative and fitting if you ask me, it's not a case Brahms was one of the last composer leaving free choice to the musician for the cadenza, maybe the only way to be faithful to his compisitions is to be partially unfaithful
Cool
Thanks!
31:30
what happened at 5:46? kind of skipped a note.
Chuck Cornelius ya? Strange tho, I wonder if it was just a mistake of it's because of something in the manuscripts of Brahms that was later changed by Joachim and Gidon didn't like the change... I will look for it when I'll put my hands on the Brahms Joachim letters for the concerto
@@diegeigergarnele7975 I think the note simply was hard to hear as a result of Kremers wide dynamic and some unusual, but very convincing accents. And don't forget, it was a live performance.
Ivisited the Lockenhaus chamber music festival for ten years, always the full ten days and could watch kremers incredible technique and intelligent musicality as well as his overwhelming presence,. My feeling and that of my friends was always; This man makes evendramatic and convincing music when he just tunes his violin.
Hoever,that said I must also aim a littlearrow at +Chuck Cornelius:
Sir, you noticed a (most likely not really) missing note in the first five minutes, but missed the wrong two chords at the very beginning of the third movement? (no offense intended) :)
No he definitely missed those notes, and on purpose. Maybe was following some original manuscript idea
Evidentment, M.Kremer admire Ginette Neveu beacoup; mais je prefer M. Hirschornn facson de jouez. Pouvre M. Philippe,si beau et si jeune.(50 ans est pas jeune jeune ;mais c'est trops jeune pour si bon violinist etre mort.(Et encore plus triste Ginette, 30 ans est beaucoup trops jeune.) Bien jouez, M. Kremer ;mais une temps vous ecoute Ginette jouez quell des musique.:C'est fini.! Ginette,ou rien! Des autre pouvez PAS jouez violon si sublime et inspire et passionanteque que elle. BRAVO Tante Ginette.!!!
Vous écrivez quelle langue au juste, là?
31:25 3rd
22:45: wiener Oboe
The Stephen Hawking of the Violin...
must be 2020
Great violinist Gidon. Heifetz might say 3 things to him. Don't wear eye glasses when you perform memorized. Don't make faces. Do not bend your knees and walk around.
Maybe he needs glasses to find his way on stage...
Ignorant pathetic remark........grow up.
Would Heifetz have said something like that, a discriminatory remark about somebody who needs to wear glasses? i very much doubt it .......
I guess we’re all a bit shy in front of strong emotions (Bernstein, the orchestra and Gidon Kremer)?
@@cramerhelen Yes, Heifetz instructed to his students not to wear glasses when you play by heart. It was very useful lesson.
It looks better on stage.
Perhaps Bernstein and Kremer are the best, but Janine Jansen and Paavo Järvi have a much much better Hifi sound. And in choose between legends and sound I will always choose sound. The legends have have to accept that, wheather they are living or dead!
The cadence is too long (from 17:26 to 20:30) and does not adapt to the late romantic style. In the first movement, the musical stream is devoid of the dancing characteristic. Probably, Kremer uses a well-made violin, but i don't hear it: maybe it's a badly preserved instrument. Time is too fast and Brahms is not Paganini. Who likes recordings of the past I suggest H. Szeryng. Today I like Batiashvili
Szeryng is one of my favorites for Brahms, as for Beethoven, Mozart, and of course Bach. bur for Brahms, the king is Heifetz with Reiner/Chicago. Kremers performance here is great; i love the cadenza. not too long, it's different but still with elements derived from the Brahms score. it's not as weird as the cadenza he plays with the Beethoven.
@@cornel999 Actually this is a composition by Max Reger, only the ending is slightly adapted to lead into the orschestras continuation. The cadenza of the Beethoven is in no way weird. It is written by Alfred Schnittke, a well known 20th century composer and it is sort of an excursion through the greatest violin coconcerts. Listen several times to it with a few days break inbetween and you will pretty sure like it as well. :)
Highly unpleasant cadenza, doesn't suit the work at all
@@BenSchoeman595 Disagree. It's a conversation with Brahms by the violinist. It's an opportunity to express his own life experiences.