Excellent phrasing! The melody was brought out with emotion, like an opera singer would have sung it. And it could also be considered a "period instrument" performance, since the 1923 Ramirez is contemporary to Barrios Mangore's own time. 👏
Hi, The legend says that Barrios played the third movement so fast because he was recording it on a record made of wax and there wasn't enough place on it. He played it at that super high tempo to put the allegro on the record.
Superbement maîtrisé.J'écoute depuis bien bien longtemps l'évolution - musicalité/technique inséparables - de la guitare, et le niveau atteint me stupéfie.
Attqdemo is a master of Paganini as well. I have his CD of the complete works for guitar. A thing that I like of his playing is that I can ear the guirar+guitarist an this make his music real and intimate. In the hand of other players the guitar sounds like it comes from anorher dimesion, too abstract and flawless. Thank you Luigi and thank you Siccas for rhe usual superb standard of your recordings.
This is the result of a life dedication of this Maestro! And thank you Siccas Guitars for capturing this moment for the rest of us. I don't remember anyone as precise and lyrical since Christopher Parkening! You made me a believer and a fan, good luck, Mr. Attademo!
This is a spectacular performance indeed. Truly wonderful; amazing composer and piece, great guitarist, bravo Luigi, and sweet 1923 guitar. Thank you, Siccas
I think Barrios himself played allegro solemne this fast because he was trying to fit the piece into one record. This should be played a bit slower. And the part starting at 05:18 is all about the bells of "The Cathedral", so the emphasized part should be the highest notes played by 'a' finger, not the descending base line.
The first 2 movements are played beautifully 👌🏼. Thank you’ve much for sharing another beautiful performance. Unfortunately imho the 3rd movement isn’t bad at all, but like many renditions of this piece played like the player is in a hurry. It would be even more beautiful when played slightly slower. Anna Vidovic’s version is a perfect example in my taste.
Memorable is indeed correct. So grateful to have gotten to experience this! Thank you
Ben condotto l andamento delle parti ed emozionante il canto sempre chiaro della melodia. Bravo Maestro Attademo!
Indeed, remarkable! What an outstanding interpretation!
Superb execution. Really one of the best interpretations for my taste. Maybe the best I've seen!
Great indeed.Imho Vidovic's is better though
Excellent phrasing! The melody was brought out with emotion, like an opera singer would have sung it. And it could also be considered a "period instrument" performance, since the 1923 Ramirez is contemporary to Barrios Mangore's own time. 👏
Bravo, great playing and great piece. I enjoyed it to 100%, that's all I ask from a piece of music. Grazie, maestro
What a clear and bright !👏👏👏
Felicitaciones por esta hermosa interpretación, cargada de sentimientos. Gracias por trearnos tanta belleza.
Fantástico. Melodía limpia y cargada de sentimiento. Una gran obra interpretada por un gran guitarrista.
Absolutely beautiful .
GREAT !
Complimenti maestro, la migliore interpretazione di questo capolavoro.
Excellent virtuosic playing in the third movement. The tempo and phrasing are similar to how Barrios played it.
Hi,
The legend says that Barrios played the third movement so fast because he was recording it on a record made of wax and there wasn't enough place on it. He played it at that super high tempo to put the allegro on the record.
Superbement maîtrisé.J'écoute depuis bien bien longtemps l'évolution - musicalité/technique inséparables - de la guitare, et le niveau atteint me stupéfie.
Magnífico ❤👏👏👏
Attqdemo is a master of Paganini as well. I have his CD of the complete works for guitar. A thing that I like of his playing is that I can ear the guirar+guitarist an this make his music real and intimate. In the hand of other players the guitar sounds like it comes from anorher dimesion, too abstract and flawless. Thank you Luigi and thank you Siccas for rhe usual superb standard of your recordings.
Bravo!!!!
This is the result of a life dedication of this Maestro!
And thank you Siccas Guitars for capturing this moment for the rest of us.
I don't remember anyone as precise and lyrical since Christopher Parkening! You made me a believer and a fan, good luck, Mr. Attademo!
Que sonido más bonito. Felicitaciones pues es una interpretación espectacular
Hermoso los temas, preciosa ejecución, muchas gracias.
Finalmente qualcuno che cura profondamente il secondo movimento dove per gli altri è sempre solo un passaggio…
Wow, what an excellent performance. You inspired me earlier with the Scarlatti sonates and this piece is also performed so beautifully🎶👌
This is a spectacular performance indeed. Truly wonderful; amazing composer and piece, great guitarist, bravo Luigi, and sweet 1923 guitar. Thank you, Siccas
8.mart 😊
Bok
😊
I wonder if that guitar sounded as good 100 years ago as it does today.
Cada frase es única!
Esa guitarra que sonido tan cálido!
Gracias
Meraviglioso
Majestuoso!!!!
belle version !
Bellissimo
🤗🤗🌹💐
Luigi Attademo is a super giant guitarist. That's all.
he has a pleasing rubato
❤❤❤❤ there's something strange about the 2.04
I think Barrios himself played allegro solemne this fast because he was trying to fit the piece into one record. This should be played a bit slower. And the part starting at 05:18 is all about the bells of "The Cathedral", so the emphasized part should be the highest notes played by 'a' finger, not the descending base line.
Must be the guitar..
The first 2 movements are played beautifully 👌🏼. Thank you’ve much for sharing another beautiful performance.
Unfortunately imho the 3rd movement isn’t bad at all, but like many renditions of this piece played like the player is in a hurry.
It would be even more beautiful when played slightly slower. Anna Vidovic’s version is a perfect example in my taste.
Great talent, though a little bit slower version would be better digestible
Way too fast!
When being a virtuoso ruins a piece of music.
you are wrong