To: DLD2 Music! MY FRIEND, I WANNA ASK YOU A FAVOR!!! DO THE NEXT VIDEO-MUSIC: "DECONSTRUCTING EYES WITHOUT A FACE BY BILLY IDOL (ISOLATED TRACKS)." PLEASE!!!
There are actually 2 bass lines in this song, the Original bass line can be heard in the isolated drum section, which is Ray Manzarek playing a Fender Rhodes Bass Piano with his left hand, and playing the organ with his right hand. The second overdubbed bass line is the one played by Larry Knechtel. But in the final recording, Manzereks Bass piano can be heard much clearer than the second bass line for some reason.
It's also worth noting that Larry Knetchtel actually plays a slightly different bassline from Ray, so there are quite literally 2 separate basslines in this song rather than just a single doubled bassline. Very interesting.
According to Doors producer Paul Rothchild AND Doors bandmembers guitarist Robby Krieger, drummer John Densmore and the late keyboardist Ray Manzarek, the left-hand organ bass part played by Ray on 'Light My Fire' was left intact in the mix and not wiped. Wrecking Crew session ace Larry Knechtal was brought into the Doors session to "double up" Ray's keyboard bass part on his Fender electric bass - which is exactly what is heard on the song (as well as 3 or 4 other songs on the album, and Ray playing the keyboard bass on 3 or 4 songs and three songs with a bass part played by Robby on a Fender Jazzmaster electric guitar. Larry Knechtal was brought in not only because of his excellent bass playing but for his well-known keyboard expertise and also because he understood what the producer wanted and what the band needed on this track in order for it to sound the best when played on the air by disc-jockeys and air personalities on the radio. The track just needed to be beefed up - not dominated by a bass player - and Knechtal was a perfect fit because he did not replace Ray Manzarek's bass part, nor did he dominate the bass part - the two parts are equal in volume and are note for note together from start to finish. Wrecking crew bass player and guitarist Carol Kaye had been previously called in to play the bass part, but she did not please the band nor their producer Paul Rothchild because she insisted on playing a counterpoint bass part instead of doubling Ray Manzarek's keyboard bass line. Rothchild told her what he wanted, and she refused to play those notes, going so far as to tell him that Ray's bass line was inadequate and needed to be revised. She did play her part to demonstrate what she had in mind and her counterpoint bass line was rejected by everyone in the room. She didn't lay down one note on tape. She was angry about this - in fact very bitter over it as demonstrated in her various telling of the incident. At one point she insisted that she had in fact played the bass part on The Doors 'Light My Fire' with Ray only playing his right-hand chops and no keyboard bass part. Then she started saying that she was going to sue because she wasn't given credit on the album nor was she paid for her services. Later on, she told the story that she walked out of the session because Jim Morrison came onto her and she had rejected him, so Morrison was angry and caused a scene in the session, to which she supposedly walked out. She even went so far on message board posts in recent years to declare that the Doors band did not play at all on the 1st album sessions, stating that she played bass, Knechtal played Ray's keyboard part and Hal Blaine played drums and some other guy played the guitar parts. Actual musicians' union session sheets show that Kaye did in fact play on the 'Light My Fire' cover version by Jose Feliciano, where she did not play her counterpoint bass part but instead played a bass part more like what Ray Manzarek composed for the song. Over the years Paul Rothchild has responded to Kaye's comments and has stated what she has said is not what happened with the exception of when Jim Morrison heard what she was playing on her bass he charged into the control booth and demanded that Rothchild get her out of the studio and to never have her back to play anything. He said, "We don't need another 'chick bass player' in this band!" Jim was referring to The Doors first bass player Patricia 'Pat' Hansen (aka Patty Sullivan) who recorded the Rick & The Ravens 6 song demo in September of 1965 and she was fired around the time the band changed their name to The Doors.
Never knew that. Very interesting. There's always speculation around that a lot of the 60's bands didn't play their own stuff in the studio. Kaye sounds like she's lying by your account.
Yep and Carol did play on Light My Fire but Jan Berry did cover it is as well. she's on that one. It was never released. Mark Moore has heard the Session Tape. He said it was only couple of takes and it breaks down.
This is one of the best ones you’ve ever done. The choice of song is great, and the audio quality is fantastic. A vocal part at 23:23 I have never noticed before!
8:46 This is a pic of the bass player on a different recording session. That's Hal Blane on the drums in the background. The Wrecking Crew. Cool pic just the same.
@@splitimage137. You gotta good list! mine would probably have to be 1. The End 2. Light My Fire 3. Love her madly 4 Strange Days 5. Love me two times 6. Roadhouse Blues 7. Peace frog 8. L.A Woman 9. Riders on the storm 10 Waiting for the sun
Larry Knechtel was a member of "The Wrecking Crew".. was the Bassist for Bread & played the sweet, sweet piano on "Bridge Over Troubled Water". Some people's children! ;)
Excellent ! But few little notes: it was recorded at Sunset Studios in September 1966, Densmore played a Gretsch Marine white Pearl, beside the overdubbed electric bass guitar there's also the Fender piano bass played by Manzarek and Krieger played a 1964 Gibson SG Special.
@@stereofreakdude3737 Theoretically the overdubbed bass by Larry Knechtel was a Fender Precision but played hard with a pick (on LmF, I looked at you, Take it as it comes). On Soul kitchen and Back door man the bass was a Fender Jazzmaster played by Krieger. The remaining songs only have the Fender Rhodes keyboard bass by Ray.
Thank you so much for posting this, I’ve always wondered about the bass track and never been able to consistently pick it out of the mix. Ray’s Vox Continental organ really is perfect for this record. It has a punch and bite to it the Hammonds didn’t have. In the era there were two organs, the Continental and hefty B3 and you either played one or the other. There were also two electric pianos, the ponderous Rhodes and the Wurlitzer. If your band’s keyboard player played both the Vox and Wurlitzer your band needed a 1/2 ton van for gigs. If he played Hammond and the Rhodes you needed a box truck with a lift! Lol!!!
God I wish they could have had an 8 channel recorder for this first album. It would be so great to hear the guitar and organ separated. I'll take what I can get I guess.
Larry was in the wrecking crew, but NOT usually as a bass player. He was probably the finest keyboard player in all of LA sessiondom. But, you have Ray Manzarek, as a member of the Doors, to contend with. So Larry was sent to do the bass work. The usual bass work for the crew was Carole Kay or Joe Osborn. Larry did most of his bass work while he was in Bread in the late 60s, early 70s. Good to note how clean and clear the bass track is here. On the original mix of the record, it's pretty well hidden under Manzarek's playing of a Fender Rhodes bass electric keyboard.
Congratulations like elementary school every class has to have a class clown. You Sir are this threads clown DF who still has to compensate for a lack of attention your whole life.
Densmore was a great great drummer - and what i marvel at is this was the first record he played on in a recording studio -- it was if he was the best most respected session drummer in the world - Hal Blaine wouldnt have played the drums any better on this track.
This is great to hear - but apart from two basslines, there is also two guitars - Robbie's wonderful lead lines alongside Ray's terrific keyboard... but there's an acoustic guitar hiding under the electric bass on that track. I was today years old on hearing that for the first time!
I've always thought that Jim's vocals were on 2 separate tracks. Does this mean he had to record the 2nd vocal on the same track as the 1st? If he had screwed up, both vocal takes would have to be re-done. Or am I wrong. It's crazy to me that I never knew that there was a bass guitar with an acoustic guitar. And I really believed there was 2 vocal tracks. Wow!
I'm listening and it's it's amight be ADT ,and a second baritone vocal. My question, is this an 8 track master, or more than likely a 4 track that was bounced to another 4 track to add the overdubs, only the living know. .
@@stereofreakdude3737 I thought I read the second album was an 8-track machine... I think your second thought is right, but why if you knew you were going to do a bounce would you put the organ and guitar on one track? I get the feeling it was a 4 track recording that later looked deserving of a little more polish. The story of Rothchild forbidding the use of a wah pedal for fear of dating the record is funny in hindsight - funnier still that his production and panning dated it way more than a wah ever could!
@@stereofreakdude3737 There is NO ADT. It's a delay and reverb, and a dbl tracked vocal ala Beatles. Where in the world do you get a baritone vocal here??????
As always, when someone posts Light My Fire, or when they played it live, it is a horse race. There were many good psychadellic bands and songs but few had the hypnotic thing going that the Doors had. When the song is horse raced, there is no hypnotic. If you play the actual 33 rpm album on a turn table set correctly, the magic is in the music. No hypnotic to these sped up versions. Garage band sounding
@@DLD2Music if you listen the bass part of your video, you will hear an acustic guitar from Behind. I discovered it in another video like yours. If iam not wrong of course. At the first time was weird cause i never finded that acustic guitar listening the whole song. Greetings.
Where do you get these from? I set up the tracks in a DAW and confirmed what I thought I´d heard, the bass misses the beat a lot of times, especially in the first bar. Hard to imagine LArry Knechtel doing that kind of thing. What´s your take on that, I suppose you already have these as a multitrack session
@@DLD2Music decía que al escucharlo me pareció que el bajo pifiaba mal los tiempos , lo cual me parece muy raro (casi imposible) viniendo de dicho bajista. Armé los tracks en el multitrack y si, hay tiempos que se va mal, en especial uno en el primer compás. No sé si hay alguna explicación, o como suena de donde lo sacaste cuando están todos los tracks juntos. Preguntaba también de donde los sacabas. Y bueno, si tenías alguna opinión sobre ese tema del bajo. Saludos y miles de gracias por tantos aportes. ROTW (Rest of the world)
The Doors 1967
00:00 Patreon!!
00:05 Drums
06:58 Bass
13:49 Guitar and Organ
20:43 Vocals
27:15 Thanks!!
Personnel
Drums (Ludwig Downbeat Mod Orange kit): John Densmore
Bass (Fender Precision Bass): Larry Knechtel
Guitar (1967 Gibson SG Special): Robby Krieger
Keyboard (Vox Continental Organ): Ray Manzarek
Vocals: Jim Morrison
___________________________________________________________________________
Patreon: www.patreon.com/dld2music
Instagram: instagram.com/dld2.music/
To: DLD2 Music!
MY FRIEND, I WANNA ASK YOU A FAVOR!!! DO THE NEXT VIDEO-MUSIC:
"DECONSTRUCTING EYES WITHOUT A FACE BY BILLY IDOL (ISOLATED TRACKS)."
PLEASE!!!
@@elultimoangelcaido.3202 i speak spanish too, II will try
The guitar and organ on this song are soul mates.
There are actually 2 bass lines in this song, the Original bass line can be heard in the isolated drum section, which is Ray Manzarek playing a Fender Rhodes Bass Piano with his left hand, and playing the organ with his right hand. The second overdubbed bass line is the one played by Larry Knechtel. But in the final recording, Manzereks Bass piano can be heard much clearer than the second bass line for some reason.
Same thing happened on soul kitchen and break on through
It's also worth noting that Larry Knetchtel actually plays a slightly different bassline from Ray, so there are quite literally 2 separate basslines in this song rather than just a single doubled bassline. Very interesting.
Ahhh, Larry Knechtel.....A great musician...Bass for Bread...Pianist for "Bridge Over Troubled Waters"....Multi-talented.....RIP.
A proud member of the Wrecking Crew too!
Yeah, bassist and keyboards-piano from Bread and David Gates solo LPs
Played lead guitar on “Guitar Man”
According to Doors producer Paul Rothchild AND Doors bandmembers guitarist Robby Krieger, drummer John Densmore and the late keyboardist Ray Manzarek, the left-hand organ bass part played by Ray on 'Light My Fire' was left intact in the mix and not wiped. Wrecking Crew session ace Larry Knechtal was brought into the Doors session to "double up" Ray's keyboard bass part on his Fender electric bass - which is exactly what is heard on the song (as well as 3 or 4 other songs on the album, and Ray playing the keyboard bass on 3 or 4 songs and three songs with a bass part played by Robby on a Fender Jazzmaster electric guitar. Larry Knechtal was brought in not only because of his excellent bass playing but for his well-known keyboard expertise and also because he understood what the producer wanted and what the band needed on this track in order for it to sound the best when played on the air by disc-jockeys and air personalities on the radio. The track just needed to be beefed up - not dominated by a bass player - and Knechtal was a perfect fit because he did not replace Ray Manzarek's bass part, nor did he dominate the bass part - the two parts are equal in volume and are note for note together from start to finish.
Wrecking crew bass player and guitarist Carol Kaye had been previously called in to play the bass part, but she did not please the band nor their producer Paul Rothchild because she insisted on playing a counterpoint bass part instead of doubling Ray Manzarek's keyboard bass line. Rothchild told her what he wanted, and she refused to play those notes, going so far as to tell him that Ray's bass line was inadequate and needed to be revised. She did play her part to demonstrate what she had in mind and her counterpoint bass line was rejected by everyone in the room. She didn't lay down one note on tape. She was angry about this - in fact very bitter over it as demonstrated in her various telling of the incident. At one point she insisted that she had in fact played the bass part on The Doors 'Light My Fire' with Ray only playing his right-hand chops and no keyboard bass part. Then she started saying that she was going to sue because she wasn't given credit on the album nor was she paid for her services. Later on, she told the story that she walked out of the session because Jim Morrison came onto her and she had rejected him, so Morrison was angry and caused a scene in the session, to which she supposedly walked out. She even went so far on message board posts in recent years to declare that the Doors band did not play at all on the 1st album sessions, stating that she played bass, Knechtal played Ray's keyboard part and Hal Blaine played drums and some other guy played the guitar parts. Actual musicians' union session sheets show that Kaye did in fact play on the 'Light My Fire' cover version by Jose Feliciano, where she did not play her counterpoint bass part but instead played a bass part more like what Ray Manzarek composed for the song.
Over the years Paul Rothchild has responded to Kaye's comments and has stated what she has said is not what happened with the exception of when Jim Morrison heard what she was playing on her bass he charged into the control booth and demanded that Rothchild get her out of the studio and to never have her back to play anything. He said, "We don't need another 'chick bass player' in this band!"
Jim was referring to The Doors first bass player Patricia 'Pat' Hansen (aka Patty Sullivan) who recorded the Rick & The Ravens 6 song demo in September of 1965 and she was fired around the time the band changed their name to The Doors.
In the photo Robby looks like he is playing a Gibson SG guitar
Carol should have known better than that, she is a session musician. Play what the producer asks for
Never knew that. Very interesting. There's always speculation around that a lot of the 60's bands didn't play their own stuff in the studio. Kaye sounds like she's lying by your account.
@@Nancy-y8q1n He's is on the Basic Track
Yep and Carol did play on Light My Fire but Jan Berry did cover it is as well. she's on that one. It was never released. Mark Moore has heard the Session Tape. He said it was only couple of takes and it breaks down.
Morrison humming along during solos priceless!
Seems like his whisper vocal isn't included here. My bad the whisper vocal is in Riders on the Storm not this one.
reminds me of julian casablancas 😂
Have listened to this song 1 million times. Never knew there was a acoustic guitar in the chorus...
All tracks are great, but my favourite is the Guitar and Organ, really appreciate Robby and Ray's musicianship.
This is one of the best ones you’ve ever done. The choice of song is great, and the audio quality is fantastic. A vocal part at 23:23 I have never noticed before!
first time ever que escucho ese turun turun....
it sounds like porky the pig from loony tunes
The Doors always had great session bassists. We really need more isolated bass tracks from the Doors.
Agreed I've joined a doors cover band and I'm trying to learn all the parts. I love how there's different players on each album
Playing the bass for this one must have taken a lot of concentration. You'd be a danger of hypnotizing yourself.
it's Ray doing the bass, he plays organ
Robbie really has his Bach thing going.
Wicked! I never knew there was an acoustic guitar in the track. your videos always yield a new discovery in some form.
Morrisons voice is fucking haunting
Thank you so much for this video deconstruction. Jim, Robby, Ray et. al would be proud.
Fantastico, el Bajo de Larry Knechtel es exquisito, le da un cuerpo especial al disco
Morrison's voice sounds so Good!!
They are all fantastic in these isolated tracks!!
Outrageous, thanks for posting, especially the bass, wow, how crisp and tight. ☮☮☮
8:46 This is a pic of the bass player on a different recording session. That's Hal Blane on the drums in the background. The Wrecking Crew. Cool pic just the same.
Never knew there's acoustic guitar in the chorus, it is so far down in the mix, same as the electric bass.
I don’t hear the acoustic. Just clean sg….
Densmore was one of the few rock drummers who had a natural swing.. Ginger Baker, Ringo, & Charlie Watts are about the only others I can think of.
Hal Blaine
Never expected this! Favorite Doors song.
I think this might be 2nd fave
@@Alex-yp5oo and the first?
@@DLD2Music First will either have to be the end or love her madly not sure yet
@@Alex-yp5oo 1. The End 2. Love Her Madly 3.Roadhouse Blues 4. L.A. Woman 5. Light My Fire - would be my list.
@@splitimage137. You gotta good list! mine would probably have to be
1. The End
2. Light My Fire
3. Love her madly
4 Strange Days
5. Love me two times
6. Roadhouse Blues
7. Peace frog
8. L.A Woman
9. Riders on the storm
10 Waiting for the sun
Larry Knechtel was a member of "The Wrecking Crew".. was the Bassist for Bread & played the sweet, sweet piano on "Bridge Over Troubled Water". Some people's children! ;)
Yessss, youre right
Excellent ! But few little notes: it was recorded at Sunset Studios in September 1966, Densmore played a Gretsch Marine white Pearl, beside the overdubbed electric bass guitar there's also the Fender piano bass played by Manzarek and Krieger played a 1964 Gibson SG Special.
My Guess Larry is playing a Fender P or maybe a J bass?
@@stereofreakdude3737
Theoretically the overdubbed bass by Larry Knechtel was a Fender Precision but played hard with a pick (on LmF, I looked at you, Take it as it comes). On Soul kitchen and Back door man the bass was a Fender Jazzmaster played by Krieger. The remaining songs only have the Fender Rhodes keyboard bass by Ray.
Awesome! I just decided to work on learning the whole organ part, and this will be very helpful!
Thanks for the upload love rays bass on the drum track.
My favourite band! I'm much obliged!
I Didn't know a bassist was actually on this song so thx for that!! now i know
THE BASS IS IN THE KEYBOARD
@@marcoantonioorozco1137 What do you mean?
@@Alex-yp5oo THE BASS SOUND IS FROM THE KEYBOARD
@@marcoantonioorozco1137 Ohhh okay i get you i didn't know that thank you!!!
@@marcoantonioorozco1137 noo, the bass keyboard was used in the live only, in studio they use and artist session
Sounds like a Fender P-bass with flatwound strings and a foam mute, played with pick.
Thank you so much for posting this, I’ve always wondered about the bass track and never been able to consistently pick it out of the mix.
Ray’s Vox Continental organ really is perfect for this record. It has a punch and bite to it the Hammonds didn’t have. In the era there were two organs, the Continental and hefty B3 and you either played one or the other. There were also two electric pianos, the ponderous Rhodes and the Wurlitzer. If your band’s keyboard player played both the Vox and Wurlitzer your band needed a 1/2 ton van for gigs. If he played Hammond and the Rhodes you needed a box truck with a lift! Lol!!!
Fascinating ! Robbie has book out, by the way.
I also bought the Doors song book recently ! 🎵😐🎵
Amazing! Thanks for this 🙏 some more Doors would be awesome 😎🤘
God I wish they could have had an 8 channel recorder for this first album. It would be so great to hear the guitar and organ separated. I'll take what I can get I guess.
15:07 -- 15:09 is drawn directly from Bag's Groove by Milt Jackson (especially on live shows).
Excellent job, thank you!
Larry f s it up just before it comes out of the solo at around 12.22 sounds indecisive for a moment as if he did not know quite what to do
Today I learned there’s an acoustic rhythm guitar part 🤯
There also a Rhodes piano bass being played by Ray Manzerek, on the drum track
maybe from basic track because the producer decided to add real bass on the first album
LOVE YOU this is a blessing
. so they used bass player from wrecking crew.
Larry was in the wrecking crew, but NOT usually as a bass player. He was probably the finest keyboard player in all of LA sessiondom. But, you have Ray Manzarek, as a member of the Doors, to contend with. So Larry was sent to do the bass work. The usual bass work for the crew was Carole Kay or Joe Osborn. Larry did most of his bass work while he was in Bread in the late 60s, early 70s. Good to note how clean and clear the bass track is here. On the original mix of the record, it's pretty well hidden under Manzarek's playing of a Fender Rhodes bass electric keyboard.
The "best" of this "deconstruction" is between minutes 21:41 to 26:06 ¡EXCELLENT!
Are you kidding me?
Congratulations like elementary school every class has to have a class clown. You Sir are this threads clown DF who still has to compensate for a lack of attention your whole life.
Magnífico!
Espero que nunca cierren este canal :(
Estuvo a punto
Densmore was a great great drummer - and what i marvel at is this was the first record he played on in a recording studio -- it was if he was the best most respected session drummer in the world - Hal Blaine wouldnt have played the drums any better on this track.
Great 👍!!!!!
This is great to hear - but apart from two basslines, there is also two guitars - Robbie's wonderful lead lines alongside Ray's terrific keyboard... but there's an acoustic guitar hiding under the electric bass on that track. I was today years old on hearing that for the first time!
This is great!
I always thought Ray Manzarek was the most underrated rock musician, but I think it might actually be John Densmore.
Great job ! I always thought that Ray also played the bass notes on his keyboard.
Was wiped, but is audible from the basic track in the drum track
@@DLD2Music Thanks for that clarification ! I listened to the drum track and I do hear the bleed of the organ emanating the bass notes
Superb!!🔥🔥❤️🙌
I like how the instruments bleed over on some of the tracks.
20:56 26:45
*Ed Sullivan has left the chat*
2:33 is my fav part
Omg thank you!!!! so much
23:21
Yes!!!
❤ WoW
thoose suport band guys..the "Wrecking Crew"....Paul Simom..Cher.. Wilson.. btw, love the mix in the mono version of it
Very cool bass track. That must’ve been really boring & stressful to record through the organ solo
It's a shame that on the mono and stereo mixes it's kinda down there
an excellent break-down! one minor point-I don't hear the acoustic guitar...and I wish there was a way to separate the lead guitar and organ...
7:22
I've always thought that Jim's vocals were on 2 separate tracks. Does this mean he had to record the 2nd vocal on the same track as the 1st? If he had screwed up, both vocal takes would have to be re-done. Or am I wrong. It's crazy to me that I never knew that there was a bass guitar with an acoustic guitar. And I really believed there was 2 vocal tracks. Wow!
I'm listening and it's it's amight be ADT ,and a second baritone vocal. My question, is this an 8 track master, or more than likely a 4 track that was bounced to another 4 track to add the overdubs, only the living know.
.
@@stereofreakdude3737 I thought I read the second album was an 8-track machine... I think your second thought is right, but why if you knew you were going to do a bounce would you put the organ and guitar on one track? I get the feeling it was a 4 track recording that later looked deserving of a little more polish. The story of Rothchild forbidding the use of a wah pedal for fear of dating the record is funny in hindsight - funnier still that his production and panning dated it way more than a wah ever could!
@@stereofreakdude3737 There is NO ADT. It's a delay and reverb, and a dbl tracked vocal ala Beatles. Where in the world do you get a baritone vocal here??????
00:07 drums and rhodes bass*
oo:05 Is that bass bleed-over with the drums, or is that Ray doing bass chords on keyboards? Anyone know
Can u do break on trough descontructed ,please?
The organ makes this song
Robbie Krieger plays a flamenco guitar José Ramírez 1963. I don't know on this track.
Is that HAL Blaine or John Densmore on drums
Wow, ya paso un año y sigues contestando comentarios 👍
Obvio amigo, es mi trabajo y realmente me alegran el día porque se que la gente le gusta lo que hago (eso creojsjsjs)
@@DLD2Music Si nos gusta👍
As always, when someone posts Light My Fire, or when they played it live, it is a horse race.
There were many good psychadellic bands and songs but few had the hypnotic thing going that the Doors had. When the song is horse raced, there is no hypnotic. If you play the actual 33 rpm album on a turn table set correctly, the magic is in the music. No hypnotic to these sped up versions. Garage band sounding
¿Como haces para conseguir las pistas? 🤔
De muchos lugares, depende de que canción
@@DLD2Music Ooo
Can that acoustic guitar be heard in the released track or is it too subtle?
What is that instrument that starts at 1:12 and plays throught almost the whole song. Is that manzaraks piano (fender rhodes)?
Rhodes bass, Was wiped, but is audible from the basic track in the drum track
19:51
Please do I can't see your face in my mind.
What about that acustic guitar in the bass line?
wdym?
@@DLD2Music if you listen the bass part of your video, you will hear an acustic guitar from Behind. I discovered it in another video like yours. If iam not wrong of course. At the first time was weird cause i never finded that acustic guitar listening the whole song. Greetings.
@@pupapupa4844 yes, there are an acoustic guitar
Where do you get these from? I set up the tracks in a DAW and confirmed what I thought I´d heard, the bass misses the beat a lot of times, especially in the first bar. Hard to imagine LArry Knechtel doing that kind of thing. What´s your take on that, I suppose you already have these as a multitrack session
Ah eras argentino, me podes contestar en argentino (ja) o en ingles para que entienda el ROTW ;)
hablame en español mejor xd
@@DLD2Music decía que al escucharlo me pareció que el bajo pifiaba mal los tiempos , lo cual me parece muy raro (casi imposible) viniendo de dicho bajista. Armé los tracks en el multitrack y si, hay tiempos que se va mal, en especial uno en el primer compás. No sé si hay alguna explicación, o como suena de donde lo sacaste cuando están todos los tracks juntos. Preguntaba también de donde los sacabas. Y bueno, si tenías alguna opinión sobre ese tema del bajo. Saludos y miles de gracias por tantos aportes. ROTW (Rest of the world)
@@martinfederico7269 dudo lo saque de los tracks originales, quizas en el procesado alguno se corrio, pero tendria que revisarlo
@@DLD2Music drive.google.com/file/d/12xm4mamlCBnzbyPcU9ZSeQvEvwB3U6R4/view?usp=sharing ahi lo mezclé para que se escuche bien el bajo
Can u deconstruct Malmsteen???
Doors etr
It's in Eb tuning?...
wdym?
Is this in Ab or A?
A
Batik
carol kaye claimed she played bass on this. mixed totally out of the record. carol not this sloppy. imo.
Are you Argentinian? 👀
Yes im
Awful noise 😖
lol