Footprints - Song Analysis

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  • Опубликовано: 3 дек 2024

Комментарии • 6

  • @Jazzguitarguy
    @Jazzguitarguy 4 месяца назад +1

    This was so helpful! Gonna try it out when i get home

  • @bobertrobertson130
    @bobertrobertson130 10 месяцев назад +1

    super cool!

  • @Jazzguitarguy
    @Jazzguitarguy 4 месяца назад

    Man this was cool, but I couldn't get that to work for me, I tried alternating C whole tone and B whole tone for the 4 chords in the bridge, works pretty well I think

    • @ant_adlibs
      @ant_adlibs  4 месяца назад

      @@Jazzguitarguy aim the F#ø | F7 | E7 | A7 like a 3625 chain going to Dm. The scales I mentioned can work being ‘aimed’ towards multiple targets. So having that ‘target’ in mind affects the way we move through them.
      In this case, I aim towards Dm like the functional theory suggests this chain of chords is working but then land on D or F for a Cm9 or Cm11. Definitely a unique moment.
      Like you, im just a student, I don’t presume to be a final authority.

    • @Jazzguitarguy
      @Jazzguitarguy 4 месяца назад

      @ant_adlibs totally, I didn't mean to sound like I was dismissing your breakdown, I thought it was great! And it definitely works, my problem was that when I think Dm I end up playing the 9th (which of course would be the maj3rd of C minor).

    • @ant_adlibs
      @ant_adlibs  4 месяца назад

      @@Jazzguitarguy no sweat, I didn’t take it any bad way.
      and yea I like to go the 9th on minor too. But without a doubt, those chords are an extended cadence to Dm, what a trip by Wayne Shorter tbh