I recall reading many years ago that Mozart wrote this Adagio when he was mourning for a little puppy that had died. Mozart was very fond of the puppy and his grief inspired this music. The minor key sets the tone, but you can almost sense Mozart feeling better at the end, when he has expressed his grief, is able to smile again, and modulates to B-major for the last few bars.
I am not a musician, neither do I understand the writing of music, but what I do know is that Mozart is amazing and I love to hear his work and have done for years. First time I have heard this. It is so peaceful and relaxing but at the same time feels sad and or very thoughtful
It is GREAT! No words! Это бесконечно красиво и певуче ,как бесконечная любовь Господа. О,как это прекрасно ,что нам был послан такой гениальный музыкант -Моцарт !!на века!! Ингрид!!!
Only “the chosen “ may have that understanding of the genius, Ingrid Haebler obviously is one of them It touch the deepness of concept Thank you for sharing beauty
Enjoying the subtle and refined interpretation with layers of meaning. The sforzandos grab my attention The “dialogue” between high and low in second theme group reminds of Beethoven sonatas... even Hammerklavier slow movement has this high/low dialogue.
@@michaelp4657 I recently found several articles, which I cannot link here because I do not have it handy, maybe I will do a video on it - I already have several videos on Mozart on my channel, which I uploaded several weeks ago - the articles lead me to believe that both Haydn and Beethoven (Beth-Awen = nothingness/vanity) were involved in the poisoning murder of Mozart and that in a twisted occult ritual of sorts Haydn (Heiden=pagan) "handed down" Mozart´s identity to Beethoven. Beethoven was 14 years younger than Mozart and I believe he took over all of Mozart´s "unfinished" works. Mozart is often described as ugly, pock-marked, small etc. but this is an actual description of Beethoven. Haydn was also pock-marked. These two men were insanely jealous of Mozart. And not only those two - Mozart had detractors and enemies his whole life - because of his charm, wit and beauty. As for "Q" being Beethoven, I have no idea what that means.
He borrowed diminished and dominant chords from neighboring keys and did the unexpected his music always has this interesting In between feeling dancing on the edge of two keys
A deceptively tricky piece to bring off. Haebler chooses a more flowing tempo than most, which helps sustain momentum. With the second repeat, this piece stretches to over a quarter of an hour - I think it works better without. She is alert to the contrapuntal aspects of the music, and uses sf more as an expressive device than a sudden accent. I also find her approach to the alternation of f and p fascinating - again much more to do with expression than just alternation of dynamics. It all feels just right.
This was Bach's favorite key, and i assume it has something to do with why mozart labeled it. Bach's ego always had to play his name in his music. :) B A C and a b flat for H.
Que maravilla perla pianística su exquisito gusto y tradicional estilo gracioso y ordenado alternado magistralmente al principio de la pieza con un Mozart lúgubre y atormentado sería como un 1(triste)-2(gracioso exquisito luminoso)-3(triste)
Últimamente he estado escuchando las piezas de Mozart que fueron compuestas en una clave menor, estoy impresionado con su genio. Quizá él haya sido el auténtico primer anunciador del romanticismo, incluso antes que Beethoven.
@@joshua156 Bueno no exactamente pero es una historia muy larga de contar y sin duda la gran lástima musical de todos los tiempos es que Mozart no hubiese vivido los 70 u 80 años y hubiese acompañado a Beethoven durante todo el resto de su obra incluso si hubiese escuchado el mismo Mozart la Cima Musical de siempre la 9a Coral del sordo de Bonn...cómo hubiera reaccionado?...pues seguro que se hubiese quedado espeluznado el genio de Salzburgo por 2 cosas 1-la sublimidad fiereza y vigor de los 2 primeros tiempos la calidez y belleza del 3er tiempo y 2- el 4o mucho más espeluznado al comprobar descaradamente que el himno de la Alegría de Schiiller que Beethoven utilizó esa melodía es del propio Mozart en su minipieza Misericordias domini K222!!!Plagio???? O Ligera inspiración??por que es lo que se dice idéntica la melodía el 1er trozo
@@josswindsor8288 Es cierto que la lástima, no solo musical, sino histórica es que Mozart haya vivido tan poco. Sin embargo, yo creo que tuvo que pasar de forma forzada para que Beethoven prospere; me explico, es bien sabido que dos soles de gran intesidad no pueden brillar juntos, inevitablemente hubiera habido una competencia y quizá no sana entre ambos. Muy probablemente si Mozart hubiera seguido vivo, no conoceríamos al Beethoven que concebimos hoy en día. Y pues la 9na y la 7ma, que considero sus mayores obras, no habrían existido. Incluso especular qué hubiera pasado si Mozart hubiera vivido más y cómo este hecho habría cambiado el rumbo de la historia, se puede prestar como un argumento para una buena película.
@@joshua156 pues sí excelente argumento para una buena película de lo que no ocurrió pero que podría haber pasado en función de muchos estudios de eruditos musicales como profesionales, te repito que la reacción de Mozart al oír la 9.ª Sinfonía estrenada en 1824 en Viena que hubiese contado el genio salzburgués con 68 años en plena madurez de su carrera y gran OBRA hubiese sido más que escalofriante tanto por la fiereza y sublimidad de los tiempos 1 y 2 como la calidez del 3.º pero al escuchar el 4.º el himno de la Alegría se hubiese levantado gritando esa melodía es mía este genial hombre es un impostor que se ha copiado de una melodía mía y hubiese saltado la polémica si bien los oyentes de entonces ignoraban al 100% la inspiración del genio de Bonn en esa sucesión de notas universal Realmente la competencia si hubiesen coexistido 30 años más por ejemplo hasta 1824 o 1827 cuando murió el genio de Bonn aquella lluviosa y gris tarde primaveral vienesa hubiese sido muy dañina y el genio de Bonn no hubiese estado igual de concentrado e inspirado con tranquilidad conforme hubiesen brotado y se hubiesen estrenado un chorro de nuevas y numerosas obras mozartianas conciertos,Óperas obras para piano Misas composiciones religiosas al albur(si bien dejó una escalofriante colección de Misas,casaciones,..)de todo tipo Sinfonías cada vez más románticas y apasionadas y hubiese crecido por supuesto su virtuosismo, habilidad técnica e improvisadora como poeta del sonido absoluto que era PERO reconozco que nunca hubiese alcanzado la poderosa innovación y progresión beethoveniana que desembocó al más ferviente Romanticismo en pleno siglo XIX y es que es una pura cuestión de estilo,la obra beethoveniana con toda justicia es calificada desde siempre como la gran OBRA MUSICAL el OPUS de la continuidad Musical perfecta así como la Música más vigorosa progresiva y desarrollada,en todo caso es muy difícil especular que hubiese hecho Mozart hasta donde hubiese llegado y cómo hubiese evolucionado al Romanticismo fiel a su estilo juguetón puro perfecto y cargado de una luz única más bien imposible de saber
@@emilygoodman4533 Glad you enjoyed it! I also listened to Lili Kraus's interpretation and really liked it. Horowitz though is just too strange tempo-wise hahah
I am curious how musicians (particularly pianists) rate Ingrid Haebler, particularly comparing her with another Mozart specialist Mitsuko Uchida? Or other eg, Perahia, Arrau etc.
I am a pianist. I rate her top quality in the same league as Mozart specialists Clara Haskil and Wilhelm Backhaus. Perahia, Arrau are also excellent. Pollini is my all time favorite for Piano Concerto # 19 and # 23. Sublime. The Pollini/Bohm live performances are on RUclips and are in a class by themselves. ruclips.net/video/Ht3Gj4R448Y/видео.html
Indeed, however Einstein thinks that the major ending suggests that it may have been intended as a slow movement for a sonata in e minor (itself a key used by Mozart only once).
Beethoven also very rarely wrote in B minor: only the bagatelles Op. 126 No. 4 and WoO 61 come to mind for me. I also think he and Wolfie only have slow movements in F-sharp minor (LvB WoO 36 No. 2 and Op. 106, Mozart K. 488). Hope I haven't forgotten any; my knowledge of their instrumental output is better than my knowledge of their vocal output, so maybe one of those obscure Beethoven Lieder is in B minor or something.
@@andrewkohler3707 Late response, but also the first part of the 'Agnus Dei' movement of the Missa Solemnis is in B minor. A well-chosen key, if I may add.
Dies iræ, dies illa, Solvet sæclum in favilla, Teste David cum Sibylla! Quantus tremor est futurus, quando iudex est venturus, cuncta stricte discussurus!
minor key + slow movement + mozart = heaven
I call it weltschmerz.
I really think so.
Mozart’s minor key-slow movement music is very very beautiful. I love his concerto no. 23 2nd movement, too.
If only we weren't deprived of 4 minutes of that heaven here (if you don't know what I mean, go to 9:11).
Bro what is wolfie😭
😩😭😭😭beautiful♥️♥️
Undistilled sadness and longing in this little gem of a piece.
Which is the beauty of it…
Even to cry we should have dignity, and this is a wonderful sample
Uno dei pezzi più intimi che Mozart abbia mai scritto.
Da ascoltare in religioso silenzio.
Wonderful interpretation and this Mozart's piece is absolutely amazing. Many congrats to Ingrid Haebler!
Una delle composizioni più profonde e commoventi di Mozart
L'hai detto
Concordo
I recall reading many years ago that Mozart wrote this Adagio when he was mourning for a little puppy that had died. Mozart was very fond of the puppy and his grief inspired this music. The minor key sets the tone, but you can almost sense Mozart feeling better at the end, when he has expressed his grief, is able to smile again, and modulates to B-major for the last few bars.
Love this, but sadly not true.
MOZART, ICH LIEBE DICH ❤
😊😊😊
or nð.
Enjójĵj 10:16 10:16
I am not a musician, neither do I understand the writing of music, but what I do know is that Mozart is amazing and I love to hear his work and have done for years. First time I have heard this. It is so peaceful and relaxing but at the same time feels sad and or very thoughtful
Mozart was underrated his whole life. He was hounded by those whose envy drove them to kill him.
@@psalm2764 Get off your high horse.
christine,may be you could be one,why not take up the piano.You sound like you have the emotion,you may be gifted.
@@psalm2764 Mozart had plenty of fame for a huge part of his life, and he was almost certainly not killed. He died from a fever.
@@FranciszekCiuk The essence of the truth of Mozart escapes you.
An absolute masterpiece and absolutely masterful playing, worthy of the Master. Thank you.
What a perfection, thanks for publishing. And what a evolution in Mozart's composition.
loock
ruclips.net/video/fqidLBsUosg/видео.html
The ending with B major feels like God takes all of your worries away.
My fav Mozart piece
Her articulations are perfect.
It is GREAT!
No words!
Это бесконечно красиво и певуче ,как бесконечная любовь Господа. О,как это прекрасно ,что нам был послан такой гениальный музыкант -Моцарт !!на века!!
Ингрид!!!
Great piece! That diminished 7 chord at the start is brutal.
Mesmerizing and ms Haebler live us a testament of what Mozart should be
As high as spirit can rise
Only “the chosen “ may have that understanding of the genius, Ingrid Haebler obviously is one of them
It touch the deepness of concept
Thank you for sharing beauty
this might be the Beethoven-foreshadowing-est Mozart piece I've ever heard
Most definitely!
1:25 especially this section
Mozart has nothing to do with Beethoven, that leech.
Beethoven stole Mozart´s works and claimed them as his own.
@@psalm2764 No he didn't.
Very well done. So beautiful, so pretty, achingly so.
Lovely piece. Seeds of Romanticism planted here.
@Bartje Bartmans : Many many thanks, it's absolute PERFECT, we can hear Mozart himself, it gives me chills !
A masterpiece in every direction and played like only by one that understands the pain in between two notes
A miracle of beauty
Bach Vibes! I love it deeply
What a piece. Such beautiful melodic lines. Thanks for sharing again Bartje!
Working on this now. I love your pace Ingrid, I agree. I play it at same pace.
I can only imagine what it was like hearing the master himself playing these divine masterpieces.
wow I weep,want to learn this yes
It's interesting, but when I listen Mozart's minor key, I feel like an angel.
that's because Mozart's minor key music is heavenly
He really was the very best. 🎶
Absolutely magic
Se enuncia una melodía a ratos serena a ratos movida pero dentro de un adagio.Muy inspiramdo, muy de Mozart. ❤
Masterful playing of Mozart
Enjoying the subtle and refined interpretation with layers of meaning. The sforzandos grab my attention
The “dialogue” between high and low in second theme group reminds of Beethoven sonatas... even Hammerklavier slow movement has this high/low dialogue.
Beethoven copied Mozart, after he poisoned him.
@@psalm2764 Q is Beethoven
@@michaelp4657 I recently found several articles, which I cannot link here because I do not have it handy, maybe I will do a video on it - I already have several videos on Mozart on my channel, which I uploaded several weeks ago - the articles lead me to believe that both Haydn and Beethoven (Beth-Awen = nothingness/vanity) were involved in the poisoning murder of Mozart and that in a twisted occult ritual of sorts Haydn (Heiden=pagan) "handed down" Mozart´s identity to Beethoven. Beethoven was 14 years younger than Mozart and I believe he took over all of Mozart´s "unfinished" works. Mozart is often described as ugly, pock-marked, small etc. but this is an actual description of Beethoven. Haydn was also pock-marked. These two men were insanely jealous of Mozart. And not only those two - Mozart had detractors and enemies his whole life - because of his charm, wit and beauty.
As for "Q" being Beethoven, I have no idea what that means.
Beethoven helped murder Mozart and then took over his music and claimed it as his own.
@@psalm2764 17 year old Beethoven poisoned Mozart? Moron... Atleast don't lie to others!
MARAVILLOSO !!!!!
He borrowed diminished and dominant chords from neighboring keys and did the unexpected his music always has this interesting In between feeling dancing on the edge of two keys
a lot of Mozart lately :)
A deceptively tricky piece to bring off. Haebler chooses a more flowing tempo than most, which helps sustain momentum. With the second repeat, this piece stretches to over a quarter of an hour - I think it works better without. She is alert to the contrapuntal aspects of the music, and uses sf more as an expressive device than a sudden accent. I also find her approach to the alternation of f and p fascinating - again much more to do with expression than just alternation of dynamics. It all feels just right.
Superbe version.
It’s funny how eerily similar it is to the Tristan und Isolde opening: 3-note motif with a leap of a 6th, diminished chord leads to a dom7 chord
This was Bach's favorite key, and i assume it has something to do with why mozart labeled it. Bach's ego always had to play his name in his music. :) B A C and a b flat for H.
I read the description and saw the "List of All My Works"; where can I find more about this? Had no idea mozart catalogued his stuff.
Here is the source
www.bl.uk/turning-the-pages/?id=0d3ac4d1-793c-4021-b178-9c666c90f2bc&type=book
@@bartjebartmans Super cool stuff, thanks mate!
You may like this: ruclips.net/p/PLOouWdX9Ao37Vx_FCz9XAgrF0gFeqZhPi
@@bartjebartmans do you know Kristian Beizenhout? He plays Mozart on the fortepiano.
C"est magnifique, je prefere cette musique
That first chord though👹😈🎵!! Tritone alert!!!
Sublime
Immenso Mozart, dono pe l età matura....
Que maravilla perla pianística su exquisito gusto y tradicional estilo gracioso y ordenado alternado magistralmente al principio de la pieza con un Mozart lúgubre y atormentado sería como un 1(triste)-2(gracioso exquisito luminoso)-3(triste)
Últimamente he estado escuchando las piezas de Mozart que fueron compuestas en una clave menor, estoy impresionado con su genio.
Quizá él haya sido el auténtico primer anunciador del romanticismo, incluso antes que Beethoven.
@@joshua156 Bueno no exactamente pero es una historia muy larga de contar y sin duda la gran lástima musical de todos los tiempos es que Mozart no hubiese vivido los 70 u 80 años y hubiese acompañado a Beethoven durante todo el resto de su obra incluso si hubiese escuchado el mismo Mozart la Cima Musical de siempre la 9a Coral del sordo de Bonn...cómo hubiera reaccionado?...pues seguro que se hubiese quedado espeluznado el genio de Salzburgo por 2 cosas 1-la sublimidad fiereza y vigor de los 2 primeros tiempos la calidez y belleza del 3er tiempo y 2- el 4o mucho más espeluznado al comprobar descaradamente que el himno de la Alegría de Schiiller que Beethoven utilizó esa melodía es del propio Mozart en su minipieza Misericordias domini K222!!!Plagio???? O Ligera inspiración??por que es lo que se dice idéntica la melodía el 1er trozo
@@josswindsor8288 Es cierto que la lástima, no solo musical, sino histórica es que Mozart haya vivido tan poco. Sin embargo, yo creo que tuvo que pasar de forma forzada para que Beethoven prospere; me explico, es bien sabido que dos soles de gran intesidad no pueden brillar juntos, inevitablemente hubiera habido una competencia y quizá no sana entre ambos. Muy probablemente si Mozart hubiera seguido vivo, no conoceríamos al Beethoven que concebimos hoy en día.
Y pues la 9na y la 7ma, que considero sus mayores obras, no habrían existido.
Incluso especular qué hubiera pasado si Mozart hubiera vivido más y cómo este hecho habría cambiado el rumbo de la historia, se puede prestar como un argumento para una buena película.
@@joshua156 pues sí excelente argumento para una buena película de lo que no ocurrió pero que podría haber pasado en función de muchos estudios de eruditos musicales como profesionales, te repito que la reacción de Mozart al oír la 9.ª Sinfonía estrenada en 1824 en Viena que hubiese contado el genio salzburgués con 68 años en plena madurez de su carrera y gran OBRA hubiese sido más que escalofriante tanto por la fiereza y sublimidad de los tiempos 1 y 2 como la calidez del 3.º pero al escuchar el 4.º el himno de la Alegría se hubiese levantado gritando esa melodía es mía este genial hombre es un impostor que se ha copiado de una melodía mía y hubiese saltado la polémica si bien los oyentes de entonces ignoraban al 100% la inspiración del genio de Bonn en esa sucesión de notas universal
Realmente la competencia si hubiesen coexistido 30 años más por ejemplo hasta 1824 o 1827 cuando murió el genio de Bonn aquella lluviosa y gris tarde primaveral vienesa hubiese sido muy dañina y el genio de Bonn no hubiese estado igual de concentrado e inspirado con tranquilidad conforme hubiesen brotado y se hubiesen estrenado un chorro de nuevas y numerosas obras mozartianas conciertos,Óperas obras para piano Misas composiciones religiosas al albur(si bien dejó una escalofriante colección de Misas,casaciones,..)de todo tipo Sinfonías cada vez más románticas y apasionadas y hubiese crecido por supuesto su virtuosismo, habilidad técnica e improvisadora como poeta del sonido absoluto que era PERO reconozco que nunca hubiese alcanzado la poderosa innovación y progresión beethoveniana que desembocó al más ferviente Romanticismo en pleno siglo XIX y es que es una pura cuestión de estilo,la obra beethoveniana con toda justicia es calificada desde siempre como la gran OBRA MUSICAL el OPUS de la continuidad Musical perfecta así como la Música más vigorosa progresiva y desarrollada,en todo caso es muy difícil especular que hubiese hecho Mozart hasta donde hubiese llegado y cómo hubiese evolucionado al Romanticismo fiel a su estilo juguetón puro perfecto y cargado de una luz única más bien imposible de saber
Love it
The first part is like a funeral march
This account along with Perahia's is for me the two most sensitive interpretations of this miniature masterpiece.
Uchida is also pretty good
@@michaelwu7678 There are many good ones. I also like Horowitz (in spite of weird tempos) and Lili Kraus.
@@michaelwu7678 OK, now I went and listened to the Uchida version on RUclips, and I'd say it's way more than "pretty good!" Terrific.
@@emilygoodman4533 Glad you enjoyed it! I also listened to Lili Kraus's interpretation and really liked it. Horowitz though is just too strange tempo-wise hahah
8:44 Neapolitan
The virtuoso improviser decided to reveal his secret 🤫
I am curious how musicians (particularly pianists) rate Ingrid Haebler, particularly comparing her with another Mozart specialist Mitsuko Uchida? Or other eg, Perahia, Arrau etc.
I am a pianist. I rate her top quality in the same league as Mozart specialists Clara Haskil and Wilhelm Backhaus. Perahia, Arrau are also excellent. Pollini is my all time favorite for Piano Concerto # 19 and # 23. Sublime. The Pollini/Bohm live performances are on RUclips and are in a class by themselves. ruclips.net/video/Ht3Gj4R448Y/видео.html
Sounds like dre day cool!
What?
You have no idea how much the modern music industry steals from composers of the past.
This song is in minor B, but the music in this video does not sound in minor B. Half-shade sounds higher, is that right?
Isn't this Mozart's only work in B Minor?
This and the slow movement from the D-Major flute quartet.
Indeed, however Einstein thinks that the major ending suggests that it may have been intended as a slow movement for a sonata in e minor (itself a key used by Mozart only once).
Beethoven also very rarely wrote in B minor: only the bagatelles Op. 126 No. 4 and WoO 61 come to mind for me. I also think he and Wolfie only have slow movements in F-sharp minor (LvB WoO 36 No. 2 and Op. 106, Mozart K. 488). Hope I haven't forgotten any; my knowledge of their instrumental output is better than my knowledge of their vocal output, so maybe one of those obscure Beethoven Lieder is in B minor or something.
@@andrewkohler3707 Late response, but also the first part of the 'Agnus Dei' movement of the Missa Solemnis is in B minor. A well-chosen key, if I may add.
@@TheodoreServin Yikes, what an oversight on my part! Thanks :-)
The only piece Mozart ever wrote in b minor.
Also one of the rare pieces Mozart wrote in a minor key
This is B minor
@@kuraga9147 no, it's C flat minor
@@anunluckyguy7586 no it’s b minor, and yes there is a difference.
@@brentonsmith8921 but i like it in c flat minor more
Isn't this piece have to repeat?
You can repeat it, move the cursor back. Problem solved!
@@bartjebartmanslove it 😂😄
Late Mozart has some quite interesting attempts
"attempts"? what are you attempting to say?
I am attempting to understand your statement
You all think too much about my wording 😂😂😂
Is the ultimate suffering
👌
Dies iræ, dies illa,
Solvet sæclum in favilla,
Teste David cum Sibylla!
Quantus tremor est futurus,
quando iudex est venturus,
cuncta stricte discussurus!
Yes
Tune
The last measures turning to B major have been seen as a moment of reconciliation between Wolfgang and his father Leopold 🎼#####
I think this piece should be transcribed for string quartet.
I hate the key of B Minor
Bach's Mass, Schubert's Unfinished, Chopin's 3rd Sonata, Mendelssohn's Hebrides overture, Liszt's Sonata, Brahms Clarinet quintet, Tchaikovsky's 6th, Shostakovich's 6th, Dvorak's Cello concerto, Saint-Saens 3rd Violin concerto, a host of smaller works ...
No one cares
@@ernent update: one year later b minor is my favorite key
@@r0mmmupdate: 1 year later and b minor is my favorite key
@@DynastieArtistique Haha OK😂
It's my favorite key too. Besides C-Sharp Major