10 of the Best: Ennio Morricone Film Scores
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- Опубликовано: 15 окт 2024
- This week we celebrate 10 of the most memorable film music scores by the great Ennio Morricone, a man who changed the tradition and concept of the Movie score forever, we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory.
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Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, or watch again.
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Disclaimer: We do not claim ownership of the rights to the content in the film clips used, all rights are reserved by their respective owners and Ennio Morricone. All usage is for entertainment and promotional purposes only under "fair use" allowances.
Thanks for putting this together! These films wouldn't of been so iconic without Ennio Morricon's score. Hard to choose a fav of his.
Exactly how I feel Scott , just imagine what he would have been creating now ;D
Thank you for just putting the music without commentary. Other videos that I watched spent the whole time talking, without actually showcasing Morricone’s music.
This artist / composer lived a FULL life , my fav composer
RIP Legend
The Good The Bad and the Ugly will always be my #1 soundtrack by Enino Morricone. And don't forget the underatted The Burglars and Bluebeard (from 976-CREOLEMAN).
Iconic music of the good the bad & the ugly if awesome
Great video!!
But you forgotten Baaria, one of the most nostalgic soundtrack of Morricone, 'cause it shows at your ears the disperation and the silent resilience by a umil sicilian family (the truly face of sicilian people who lived the ww2 and post war) this music it's more than a simple soundtrack it's in definitly "the momories of a life".
P.s sorry for the grammal errors.😊
Sto piangendo.
And Once upon a time in the west?
This compilation does not give justice to Morricone, first because it is mostly made of covers that don’t have the quality of arrangements made by the maestro himself for the original soundtracks, but also because it was made based on the few movies that were distributed in the U.S., so many classic soundtracks for European films have been omitted, such as La Califfa, Le clan des siciliens, Indagine su un cittadino al di sopra di ogni sospetto, il deserto dei tartari, and many more
Half are poor covers, prefer the originals...