@@PeterSteinerOfficial I also studied trombone and played for 8 years in the orchestra, but I am not nearly as good as you ;-). Keep it up, I love your play!
Back in the day (70's & 80's) I considered myself a damn good bass trombonist. However, I pale in comparison to this guy, and others who are able to play this Fly or Die piece. Great job!
@@PeterSteinerOfficial Did some more listening to your youtube channel and went to your website. I see we have at least two things in common: We have both performed Tommy Pederson's Cogent Caprice and we have both played with the symphony in Denver, Colorado (when I played with them in the late 70's, it was the Denver Symphony Orchestra...prior to the name change in 1989). I stopped playing in 2010...just didn't have it in me anymore. However, I gladly surrendered to the likes of you, and those like you, who make the trombone and bass trombone a glorious instrument!
I can't decide who I like better, Lionel or Peter. Lionel hit bass notes better, but Peter had better tone and better dynamics. Both are crazy good though.
After listening to them carefully I think that Peter has something more in the precision and speed of execution. The low notes are better because Lionel uses a low trombone.
He sounds out of tune and doesnt hit all the notes during the performance, hes amazing but still, that's just how I hear it. Just about a week or so of practice would fix this amazingly
Jonahbacon that was performed live and Not in Studio., you are sometimes right, but the feeling and the Sound is ,to me at least, much better as from the original Performer, Lionel Fumeaux, who Plays this piece on Bass trombone ,for what It was written for ...but with a dirtier Sound, less feeling
If you like this, you should hear him now! I heard him perform this at ITF 2019 and it was incredible! He's so much better now than he was when this was recorded, and thats saying something.
@@charleyhibschweiler4555 I've come a long way since I wrote that comment. I have almost mastered blue bells of scotland and I'm thinking about doing this or something a little easier for comments only next sólo and ensamble
Amazing! I have met you in person before, but didn't really know of you back then. Now that I have been listening to United and one of your recitals, I would love to congratulate you! You are a great trombonist, and my instructor and I both look up to you. Best wishes in the future!
Thank you very much for your kind words, I really appreciate it! I will be back in the US for a Tour in November 2018 and February 2019. Perhaps we will meet again then. All the best, Peter
Congratulations Peter, very interesting interpretation, phrasing and clarity of notes, trills, etc. Also congratulations to the pianist Constanze (I live in the city of Constanța- Romania :))) who in the background supports very well the musical performance
I listen to this performance at least twice a week, your ability amazes me! It was a pleasure meeting you at ITF, and even more of a pleasure to play side by side with you in my Youth Workshop performance.
@@Gabriel-yd4bqflight of th bumblebee isn't even that hard, my teacher could play it with his FEET, he even showed it to me since I couldn't believe it. That was insane
I was thinking the same thing, I'm not sure if it's the player or just the acoustics (I'm not qualified to be talking about this.), but I think the piano in this sounds better than the live Lionel Fumeaux Version, It certainly sounded great. Additionally, with the Trombone, I favor the acoustics, I like Peter's sound, and I personally prefer it over the original as well. Though Fumeaux has become a role model for me in recent months, and I think both versions have their own benefits to them. I just prefer the way that this was written. But I think the piano in this gave it a huge bonus from the original, because this piano is a lot smoother and blends much better with the piece. Over all, I think this was an amazing performance by both of them, one of the best solo performances I've heard In a while.
Good luck 🍀 I would recommend practicing very slow - be patient! Regarding the high register there is a „High Register“ Masterclass on my RUclips channel 😀
His chops seemed like they may have been a little tired, but even then it was still great. Just seemed like there were some high notes that didn’t sound too well, but funny thing is that he recovered so well that I couldn’t even tell.
Extremely well done, i must say, but in my honest opinion, i prefer Lionel's recording. I just prefer the feeling of his performance, not to take away from your fantastic performance
It’s kinda annoying to listen to this recording from so far away. This song lends itself to the crisp articulated trills, punchy bass and comes out of nowhere, and the light swing. Love the tone, but the reverb from the recording setup was frustrating.
Очень много косяков. Неточностей. В отличии от его коллег. Звук в помещении гуляет. В темпе триоли очень торопит, выбивается из темпа. Ну и изначально слишком быстрый темп взят.
This version seems to be geared more toward tenor trombonists, there was a lack of phat notes, so I think Lionel's was better, not to say this one was bad.
@@noahmarez yeah, that's legit what Zachary was saying. Why do you have some kind of mission to defend this guy. Nobody is saying this is bad or that we could ever achieve it, but rather that lionel's sounded better.
Linkin Parke t’es sérieux ? C’est peut-être un des meilleurs trombonistes au monde ! Sa position n’est en rien dérangeante, chaque trombone a sa position...
And nobody sees the enormous daily practice which is required to play like this. So, well done both of you and greetings from Germany!
Thank you 🙏🏻😊
@@PeterSteinerOfficial I also studied trombone and played for 8 years in the orchestra, but I am not nearly as good as you ;-). Keep it up, I love your play!
I see he uses the same eyebrow cheat codes as Joe Alessi
I mean, he went to Julliard...
I give you and Lionel two thumbs up, I love the piece but I could never pull it off, bravo!
🙏🏻😀
The perfect man doesn’t exi-
Back in the day (70's & 80's) I considered myself a damn good bass trombonist. However, I pale in comparison to this guy, and others who are able to play this Fly or Die piece. Great job!
Thank you, I appreciate your kind words 😀 there is always room for many good players!
@@PeterSteinerOfficial Did some more listening to your youtube channel and went to your website. I see we have at least two things in common: We have both performed Tommy Pederson's Cogent Caprice and we have both played with the symphony in Denver, Colorado (when I played with them in the late 70's, it was the Denver Symphony Orchestra...prior to the name change in 1989). I stopped playing in 2010...just didn't have it in me anymore. However, I gladly surrendered to the likes of you, and those like you, who make the trombone and bass trombone a glorious instrument!
I can't decide who I like better, Lionel or Peter. Lionel hit bass notes better, but Peter had better tone and better dynamics. Both are crazy good though.
After listening to them carefully I think that Peter has something more in the precision and speed of execution. The low notes are better because Lionel uses a low trombone.
Luigi Formicola - Bass Trombone*
Idk I thought peter nailed those low notes extremely well for playing a tenor trombone
I agree with you
why not both, it's not exactly a competition when it comes to music usually.
Absolutely phenomenal performance!❤
🙏🏻😀
God bless you 👏👏👏
10 geniuses gave this a thumbs down. Maybe they didn't like your jacket? Wonderful job - frankly amazing.
Thank you very much for your nice words, I really appreciate it!
He sounds out of tune and doesnt hit all the notes during the performance, hes amazing but still, that's just how I hear it. Just about a week or so of practice would fix this amazingly
Jonah Bacon he’s on tour so prolly doesn’t get as much time to work on one single piece
There is also the problem of taste.. if you play things like a pervert you will sound like a pervert.
Jonahbacon that was performed live and Not in Studio., you are sometimes right, but the feeling and the Sound is ,to me at least, much better as from the original Performer, Lionel Fumeaux, who Plays this piece on Bass trombone ,for what It was written for ...but with a dirtier Sound, less feeling
Great, Peter. It´s also an incredible performance, this part is a really challenge.
Brilliant playing top notch loved it
Omg another one attempted it, I may just be on team Steiner here, the man has been dethroned
If you like this, you should hear him now! I heard him perform this at ITF 2019 and it was incredible! He's so much better now than he was when this was recorded, and thats saying something.
Great job on the trombone. The pianist is incredible as well!
😀🙏🏻🥳
I saw this live and i was just blown away i aspire to play like you when i get out of high school
Spencer Lininger Get the sheet music now, you could probably get it down by the time you graduate
@@charleyhibschweiler4555 I've come a long way since I wrote that comment. I have almost mastered blue bells of scotland and I'm thinking about doing this or something a little easier for comments only next sólo and ensamble
@@TheStickyKey Wow! Blue Bells of Scotland?? You must be amazing! That sond is incredibly difficult!
Amazing!
I have met you in person before, but didn't really know of you back then. Now that I have been listening to United and one of your recitals, I would love to congratulate you! You are a great trombonist, and my instructor and I both look up to you.
Best wishes in the future!
Thank you very much for your kind words, I really appreciate it! I will be back in the US for a Tour in November 2018 and February 2019. Perhaps we will meet again then. All the best, Peter
Congratulations Peter, very interesting interpretation, phrasing and clarity of notes, trills, etc. Also congratulations to the pianist Constanze (I live in the city of Constanța- Romania :))) who in the background supports very well the musical performance
Thanks so much, I really appreciate it 😁
I listen to this performance at least twice a week, your ability amazes me! It was a pleasure meeting you at ITF, and even more of a pleasure to play side by side with you in my Youth Workshop performance.
Amazing!!
AWESOME! 😃😃😃👏👏👏 This IS the hardest trombone solo EVER! 😱😱😱😱 Full Stop! 😱😱😱😱😃😃😃😃👏👏👏👏👏
Flight of the bumblebee, Carnival of Venice, just to name a few which are probably harder
@@Gabriel-yd4bq I don't know man this is a lot harder than flight of the bumblebee
@@Gabriel-yd4bqflight of th bumblebee isn't even that hard, my teacher could play it with his FEET, he even showed it to me since I couldn't believe it. That was insane
Twenty dislikes are from string players 😂
kris I’m a string player and love this
*Great!*
I’m considering seeing you at Tamuk in November :)
Absolutely incredible, wow!
Thanks 🙏🏻
If I were to do this you would probably hear my crappy slide more than the actual playing part.
I would highly recommend investing in a tube of trombotine; it works wonders
Yamaha slide grease x Shires HydroSlide all the way!
4:21 I love that part! I heard your solo before but didn't know anything about you until Christopher Bill mentioned you in one of his recent vids.
Mark Johnson which one?
Very good, my friend!
Jestem zdecydowanie na TAK! :D thanks
👏👏👏 Lindo! Lindo! Lindo! ❤️❤️
Gotta give some credit to the pianist.
I was thinking the same thing, I'm not sure if it's the player or just the acoustics (I'm not qualified to be talking about this.), but I think the piano in this sounds better than the live Lionel Fumeaux Version, It certainly sounded great.
Additionally, with the Trombone, I favor the acoustics, I like Peter's sound, and I personally prefer it over the original as well.
Though Fumeaux has become a role model for me in recent months, and I think both versions have their own benefits to them.
I just prefer the way that this was written. But I think the piano in this gave it a huge bonus from the original, because this piano is a lot smoother and blends much better with the piece.
Over all, I think this was an amazing performance by both of them, one of the best solo performances I've heard In a while.
The pianist happens to be his Girlfriend. Haha.
@@TheRiddie I think that‘s the secret behind the great blending 😉
Pure Wahnsinn!!!!
😀🙏🏻
MAH BOI I’m trying to start to learn this any tips? And any tips or exersizes for getting high notes on bass trombone I play low notes really good
Good luck 🍀 I would recommend practicing very slow - be patient! Regarding the high register there is a „High Register“ Masterclass on my RUclips channel 😀
Excellent performance ! - Jan Freidlin
Thanks so much 🙏🏻 Soon we will release our version of Towards the Light!
0:32 love the emotion in the phrase
Daaaaaaaamn!!!!!!
好强！！👏👏👏👏🎉🎉
Bet this man can kill it on a BB blues
やっぱ上手い！！！
かっこいい！！
Now I know why Mr Chiles was big on slurs and trills all those years ago.
4:52 what it sounds like a flute
Sounds more like a french horn or euphoneum to me
Best version
Thank you 🙏🏻
CRAZY
Woow 👍👍👍
Team fumeaux
James Kihiu I'm on the team
James Kihiu :D
lionel fumeaux is better
They are both good lol no reason to put someone down after taking their time to post this
Fumeax has trash sound it’s painful on the ears
와우! 멋있다
just excellent!
His chops seemed like they may have been a little tired, but even then it was still great. Just seemed like there were some high notes that didn’t sound too well, but funny thing is that he recovered so well that I couldn’t even tell.
Essa peça exige muita atenção técnica isso não é problema nenhum para Peter Steiner
🙏🏻😀
👌👌👌👌👌
Sheet Music???
What model trombone is that?
Model BelCanto by Thein
Extremely well done, i must say, but in my honest opinion, i prefer Lionel's recording. I just prefer the feeling of his performance, not to take away from your fantastic performance
Je n'ai pas entendu les contre mi bémols qui sont écrits sur la partition originale
Pourquoi ?
The tenor trombone version doesn’t have the pedal notes 😀
Jesus Christ
Is this a different version?? That’s a different opening than the original
nah, he's just improvising
5:11 woah
Bailey Barrett watch the bass trombone part it sounds like 5 times better
is this a bass trombone or tenor? it looks like a tenor, but I thought this was a bass trombone solo
It's a tenor trombone, the piece was arranged by the composer for me!
the acoustics ruined it
I see you sped it up
Is he actually playing a bass trombone? Linels version is much better in the low register. That’s why I asked if he was playing a real bass bone.
Tenor
Der lasst oan ausa😦😦
Cool s**t main
It’s kinda annoying to listen to this recording from so far away. This song lends itself to the crisp articulated trills, punchy bass and comes out of nowhere, and the light swing. Love the tone, but the reverb from the recording setup was frustrating.
Очень много косяков. Неточностей. В отличии от его коллег. Звук в помещении гуляет. В темпе триоли очень торопит, выбивается из темпа. Ну и изначально слишком быстрый темп взят.
Wait, two ppl can play this?
HE HAD NO SHEET MUSIC WHAT THE FUCK!!!!
This version seems to be geared more toward tenor trombonists, there was a lack of phat notes, so I think Lionel's was better, not to say this one was bad.
Maybe because it's on a tenor trombone? Jesus christ some of these comments
@@noahmarez yeah, that's legit what Zachary was saying. Why do you have some kind of mission to defend this guy. Nobody is saying this is bad or that we could ever achieve it, but rather that lionel's sounded better.
LIONEL T'ES OU ?
Le son de trombone nul est en plus la posistion aussi 😂😂😂
Linkin Parke t’es sérieux ? C’est peut-être un des meilleurs trombonistes au monde ! Sa position n’est en rien dérangeante, chaque trombone a sa position...
This is a Lionel Fumeaux wanna be
Go listen to his interpretation instead of putting down others. You also got some nerve to say that about Peter Steiner lmao
Boo. Not a actual bass trombone
I don’t like this one , team fumeaux
Fumeaux is great but peter is a way more complete musician overall, 🤷