Kent, this is a genius tutorial. Thank you so much! Bill was right that you don’t need to immitate a musician, but his work transports a person with similar passion to their own true spirit, such beauty. I recently transcribed his version of “A Child is Born”. Oh Wow! The notes and chords are so “Debussy”. By Showing us this passion, you are not just showing us how to do it, but you are making the world seem like an even better place. Thank you a hundred times.
Wonderful, Karen.....beautiful words...and Bill did get inspiration from another genius, Debussy... (isn't it amazing that a very few select individuals were given such extraordinary gifts!).. many thanks for your comment!
Thanks, Christopher, for your kind and generous comment. I was a banker first and then gave it all up to be a jazz pianist, mostly struggling to make a living, but having a lot of fun, living day to day. Now that I'm older, I can do these tutorials, ....and hearing from you makes it all worthwhile. Blessings...you are my brother.
Although we as a listener and music lover will never explore the whole world inside Bill's mind, seeing you shed light on just even a glimpse of what makes Bill Evans Bill Evans is really amazing! I''ve been self-learning piano for 4 years and your videos has helped me so much as I'm starting to learn jazz! Thanks a lot, Kent! And also, greeting from Vietnam
"You give up your personality when you imitate somebody" I agree and disagree about this one 😊. For beginners who have no idea how to start, they need a model to look up to and imitate them playing. However, they also need to find their identity once they familiar playing on their own. Combination to Bill Evans and your quote is good match.
Dr. Kent you are a gentle soul yet a true master. I’ve been now following you for few weeks and I can tell you have resurrected the love of jazz in me. We had Bill evans (RIP) but I am thankful we have you to break down what he presented to us. It’s interesting to know you. I celebrate you maestro Kent. Will see if COVID allow me to make a trip maybe I’ll see you in your programs and have an honor to be directly taught under your tutelage.
Thank you for all your effort in helping us learn the techniques and artistry of Bill Evans. Those of us who enjoy trying to improve our playing are greatly indebted to you.
I first heard Bill Evans when I was about 28 years old. The first song I heard was Here's That Rainy Day. It was an immediate connection with my soul. There are many, many players I enjoy listening to, but Bill Evans is unique. Thanks for the video!
Pianists like Bill Evans and Herbie Hancock really impacted jazz by incorporating harmonic aspects of classical music in their playing. The beautiful and complex voicings that you demonstrate are influenced by Chopin and Debussy. Bill Evans, as you so eloquently state, used dynamics to great effect by played softly and loudly. Many jazz musicians ignore this aspect of music which is also derived from classical music. In my opinion, Bill Evans brought these elements of classical music to jazz. But he always retained the most important characteristic of jazz - Swing. “It Don’t Mean a Thing if it ain’t got that Swing”.
I agree totally, Rich, and that's what I felt was important to point out in this video. So I'm giving you some of my more perceptive information....because I don't think it's something that we realize enough.... probably because it's so difficult to achieve at the amazing degree that Bill was able to....classical players work on that constantly. Keith Jarrett was another pianist with that talent.
Kent, I would like to say thank you and commend you on the fact that what you give to us (babes at the piano) is 100% genuine instruction from a pro that is easily understood and beautifully explained.
Soooo many invaluable techniques from the master, and you're making them accessible and understandable! It's the first time I've seen Bill Evans masterful playing broken down in a way that I can actually to my level understand and start practicing / incorporating. Thank you Mr Hewitt!
That is a truly great compliment...but I've probably listened to Bill Evans more than anyone on this planet earth at this point...so I humbly hope that qualifies me. I saw him at the Village Vanguard when I turned 18. Also I opened for him in concerts 2 times with my band over the years. Swing loose, Anders!
@@KentHewittpiano88 So kind of you to respond Kent! I have loved Bill as well since my teens and have listened to most of his albums many many times (which is a fair number of years ago now ;-) ) It would have been amazing to see him live. The Vanguard sessions and I Will Say Goodbye and You must believe in spring are some of my favourites. I still hope to get better at piano playing myself but have struggled to get structure into my practicing. Maybe your book would be able to help? I'm a rusty intermediate player perhaps.... Happy holidays and swing loose my friend!
Very honest , very moving tutorial bringing the best of Great Bill Evans back for the viewers ... Inspiring , explaining the subtleties and nuances of his way of feeling and playing music. Thank you so much for this.... Nobody else can bring this beautiful harmonies to life in my mind as Yourself Sir. I can still hear them and I want to learn to play them. All the best to you !!!
Straordinario! You was speaking with your heart to our hearts. The very Kent of you! For few seconds I touched you and Bill communicating with me. Thanks for the emotion and teaching. Grazie davvero.
Just like music that stirs feeling rises above technical skill, this lesson somehow rises above even the very cool musical theory and the practical ways of using slash chords as mental shortcuts that you gave us. It makes your insights and explanations so very poignant that they are in the context of your deep respect for Bill Evans, for his genius. Your humility in the face of this huge skill, in the face of this long tradition, is a wonderful thing to model. You are a class act, man, and a first-class teacher. Thank you.
Warren, your comment goes immediately into my archive of ALL- TIME BEST COMMENTS. You are poet, I wish I had your gift for writing , please know that I can't thank you enough in words, but hopefully my music speaks for itself.
Excellent clarification of Bill Evans concepts plus your beautiful improvisational skills. Bill can not be copied although many have tried...he has his own marked genius capabilities that come from his inner self...only he understood & could demonstrate these superior qualities!! I must say Kent you give us great insight into Bill's brilliance & magnificence...he would have been honored to listen to all your tributes to him i'm sure!!!
Phyllis, your comments are the best. I know I tell you that each time you write, but it's because it's true, and your words are so affirming to me. Thanks for telling me that Bill would appreciate it. In response to that I should tell you a story...about the first time I heard Bill play live....when Van and I went to the Village Vanguard in NYC back in '64,l it was the first time I heard the Bill Evans Trio live. On the first break we went to the back room to talk to Bill and the musicians. After doing that for a couple of breaks, the manage came over to us and told us to stop bothering the musicians. I was crushed. Now I think it's funny, and that it could maybe a good routine for ADEM. There's a lot of irony there. deflated w/ hero worship and all.
Wow! What an epic video. A true magnum opus! In addition to all the theory, we get a not-so-subtle lecture about being subtle. I've written this comment before, but I'll repeat...THIS IS CONSERVATORY LEVEL STUFF! Education and inspiration in one neat package. Your graciousness in sharing has touched me...and about 122,000 other subscribers! If there really is such a thing as good karma, your cup must runneth over!
Thank you so much!, David, from the bottom of my heart, because, believe me, I have to deal w/ my bad karma. (I hope I can at least break even). Your comment is so moving to me and helpful, I'd love you to write to me and tell me your story. I'm sure you will be invited into the Jazz Ranch Exclusive Club, with all the privileges. You are my brother, now and always.
Thank you, Kent for this amazing Tutorial! I have always loved Bill Evans Music in such a Special way. His style has always resonated with me an Bill Evans himself might be the reason that got me into Jazz eventually, and that i am so thankful for. Thank you for sharing this Knowledge with us and for putting so much of your heart and soul into it. You have been my teacher for some years know and i have learned so many things from your videos, so i wanted to thank you for that! Keep doing what your'e doing and stay the way you are. Much Love, can't wait for the next one, so keep them coming!
Thanks so much for the kind words, Valentin. They really help me to keep going....I have a special connection w/ Bill Evans, so I'm glad I can share my passion for his music.
Incredibly helpful video, I've been struggling with improvising for months and your explanation of upper structure triads has just cracked it for me, thank you!
Hi Kent, Marc Johnson went to school with Lyle Mays and played on one of his albums, and he is married to Eliane Elias, so he's been around some of the best. Lyle Mays ,who credits Evans as an early influence , was quoted as saying that he aspires to improvise on the fly with the precision of Glenn Gould, which would be insane!
Lyle passed away recently, right? I was shocked. He was an amazing talent. and died too young. Bill Evans died at age 51. We pianists who were inspired by them must carry on their tradition, which is what I'm trying to pass on to everyone who listens. Thanks, John, for sharing your thoughts.
second inversion is definitely my favorite for upper extensions, the fourth makes it a lot more tasteful both voice leading into other shapes, or even just moving it around
This is brilliant, I've been exploring all of these alterations of upper triads just with my ears on the piano, as I've heard them so many times from listening it's all starting to finally flow out of my hands now! they all have their own sound indeed. t's great to have a video like this that presents the concepts in a clear way. Many thanks Kent.
Great video Kent. I’ve watched a bunch of your Bill Evans content and thankfully my algorithm decided to finally show me this excellent 40min video. Thank you for all you do! Btw, I was listening to jazz yesterday and an excellent version of “I could have told you” was playing and I wondered who it was. Lo and behold, none other than the hippest cat Kent Hewitt!
the way bill evans does 3 against 4 is always so playful, my favorite of his usages for it is on his solo on "Love for sale" led by Miles Davis (an outtake from the kind of blue sessions). His comping on that track is also brilliant in the way he answers each soloist
Thanks for pointing that out...I haven't heard that recording ...do you have a link?. His rhythmic, melodic, harmonic complexities were all his...there's so many other great pianists...but no one played like Bill.
Kent, this is really great! The passion and the genius comes through along with the large serving of musical education. Really terrific! Thank You! Happy Thanksgiving!
KH, You are so inspired and inspiring. THANK YOU for this lesson, this music, and the clarity of your PDF. Wishig you as much joy as the abundant joy you share generously. Happy Thanksgiving, KH
Thanks so much Kent ...through the dark nights of Cov-id LOCKDOWN # "9" - a light forces it way to the warmth of human comfort. It's Super Jazzer KENT, with another nifty class from the Jazz Ranch and the Kats, Groovy chicks and Finger Poping Daddies ... !!!! Let's GOoooooooooooooo
To Jake,... one of the coolest Finger Popping Daddies on the planet....we wish him success and long life....and eternal brotherhood at the Jazz Ranch.!
Thanks, Steve. You nailed it, the dynamics aspect of his playing is the most extraordinary, the most difficult to, not only surmise, but to play. I am talking about one of the greatest pianists of all time.
Hi Kent, I love your playing and teaching style. Having learned so much from your lessons and receiving so much enjoyment from watching your videos over the years, I am greatly thankful. Bill Evans to me is the most romantic player. I have listened to "I will Say Good Bye" album probably 100 times on my way to work every morning :)
Thanks for telling me....and I'm glad you feel like I do.... that's why I keep going back to Bill. Have you watched all my Bill Evans playlist? ruclips.net/user/KentHewittpiano88playlists?view_as=subscriber
Kent I enjoy your playing more and more over time sir. Somehow I've arrived at the same train station by superimposing maj7+5 chords over roots like for 7#11 chord Bbmaj7+5/C= C7#11 so you get 7,9,#11,13 i.e. Bb,D,F#,A For the Alt chord I might think Emaj7+5/C except perhaps drop the C to Bb just to include the 7 for function sake but maybe not. But the reason for the maj7+5 chords is simple melodic minor modes.
I was just showing major triads for dominant chords...I could do another series using different types of triads and chords in LH other than dominants. Thanks for sharing!
Kent, would you be kind enough to give an example of two other greats. George Shearing and Errol Garner. . I recognised immediately a Shearing chord that you touched on towards the end of your Bill Evans tutorial just now. Back in the late fifties my brother came home with a George Shearing album. I have always loved his smooth and subtle sound. Perhaps his unique style being accompanied with the vibes. ? Secondly Errol Garner’s very unique style . Many pianists over the years perhaps accidentally have touched on a couple of these Errol Garner chords during their solo’s. I always think of Errol Garner chords as having (my own way of explaining them) clunky clunky sound. Hehe. But oh, such an amazing quality about them. 🤗 Thank you again, Kent.
I have done a couple videos on Shearing (see link) However I'm actually afraid to attempt Garner, even though I put him in my top 5 greatest jazz pianists ever. It's like trying to play like Monk, somehow I think it's just a poor imitation, of someone that no- one can even come close to. ruclips.net/p/PLFuMibnl_h5ZUyP03cUVQWCww6p7U7_Sa
Thanks for another great lesson I wish to comment on your reference to a place in your books to continue the learning process, I have both books I would encourage you to whenever appropriate to include these references
Marvelous break downs Kent. You're handing down a great culture of concepts here, bravo ! Only Upper structure I would have added is the; f#min (2nd Inv.triad)/C7 or (b9,#11,13)/C7 Thanks guy.
Yes, David. I was only showing major triads and dominant 7th chords. I could put out another video including different foundation chords with different types of triads... and come up with another lesson. Thanks!
I’ve recently been teaching myself Bill Evans version of the Duke’s Reflections in D. It’s taken 6 weeks to get it into my fingers but it’s been in my ears and heart for years. I want to perfect it to Bill’s touch and feel as perfectly as possible. I know he said you lose yourself when you imitate another -and there may be some truth in that. But I also believe I’ve learned a lot by pushing myself to master this beautiful piece. I’ve gained so many new aspects to my musical repertoire by doing this. And from that experience I’ve broadened my own sense and style. I’d be curious to know your thoughts on that Kent. Thank you Kent for this fantastic tutorial. Love your videos!
Thanks so much, Lynn, for your thoughtful comment. I have just put out a new video on Bill Evans in which I address some of the things you are asking about, that relate to Bill Evans classical training, and how that has made him one of the greatest jazz pianists in history. ruclips.net/video/L8brAL_Q1ZA/видео.html
Yaay!@@KentHewittpiano88 replied to me 😊 yes I like Beegie's dynamics especially her solo performances. She makes it look easy, and stays true to the tune. I watch a lot of your videos and admire how you can listen to any jazz tunes and just easily break it down to its component parts and style of play. I've seen other piano tutorial channels, it's either the 'tutor' is talking too much or just showing off their piano skills. That's why I prefer your videos. I love Bill Evans too. My favourite album is 'alone again' starts with 'touch of your lips' ends with 'people' . I really wish o could play jazz. I could only play chords but cant improvise so I definitely need more lessons! Thanks for the good work!
Would you also say it's about knowing the lyrics? In your example showing dynamics(your style, of course), you seemed to whisper the phrase, "I should care", and then shout the denial:"I should go around..." Great drama and passion. 😎🌹🌹🌹😎
Thank Kent, I've learned so much from you But , I just can't understand Bud Powell, I tried to force myself with constant listening, Bud Powell is a gift to us all, but if you feel like it I'd like to have some small idea of where Bud Powell was at. At this point I can listen to it, enjoy it , but have no clue as to where he's at and how he fit into this wonderfully rich world of jazz!
Bud was one of the legends of the Be Bop era along with Parker and Dizzy. He set the standard for modern improvisation and influenced just about every pianist after him in different ways. If you learn some of his originals you'll get into his concepts better.
I can't say for sure...but I think he would be more apt to use cluster voicings in the mid range of the voicng ...not the upper or lower parts. You're talking more about T. Monk.
Listening to "You must believe in spring" again made me think, maybe Bills posture while he played had a lot to do with his mastery of dynamics. He would often slouch and completely lean over the piano, using the entire weight of his torso over the keys during his solo parts. I feel like its easier to play different nuances of pianissimo like that, but man i dont think its very good for your back 😂
I think that his sense of dynamics would have happened regardless of his posture. I think his posture was a result of the deep level of focus he had in his playing and it helped him, in his own personal way, to be so deeply connected to his music and his soul, and not distracted by anything else going on in the room. Keith Jarrett has a similar perceptive, and we accept that because of the brilliance and emotions in both their playing.
my Friend Kent! when listen to Oscar Petersons salute to Bach...the waybhe made that woth Oscar I hear is hos personal sound in my ears thatbyechnique was sonsublime and thenfingetsmsonlight....are you teaching us that there were things as dynamics whete BILL Evans is still nevet.hears again...I hear a lot of his Greatneasmin yournway of playing...that mixing ofnyechniquesnand.alsoninna way the sound of the piano..is already on a far out advanced level I didnstudynclassicalngiitar played a lot of Bach on guitar well tempered Claviet even.Goldbwrgvariations as a hole concert.now I am studying piabo forn12 years...and I wrote simple stuff.and often not.cos.It maybebreminds me too much of classiacal and.I wannambe free but you make me think Oscar was.my 1st reason and Waltz for Debby myb2nd tostudy the piano enigma....Thank For Your LessonnInspiration Guidance
I believe all the jazz piano masters were influence by and studied classical music. Bill Evans especially because he almost chose a classical music career. He does have a recording of all classical music, but with his trio and orchestra and jazz improv. Have you heard it? It's a must for Bill Evans fans. Classical music lovers will especially admire it.
I haven't studied Satie in depth but I have his recordings. I'm sure you're right. Thanks for the comment (and insight) and I will check that out. I'm sure that Bill in his Re: A Person I Knew... that was the case.
Kent, this is a genius tutorial. Thank you so much! Bill was right that you don’t need to immitate a musician, but his work transports a person with similar passion to their own true spirit, such beauty. I recently transcribed his version of “A Child is Born”. Oh Wow! The notes and chords are so “Debussy”. By Showing us this passion, you are not just showing us how to do it, but you are making the world seem like an even better place. Thank you a hundred times.
Wonderful, Karen.....beautiful words...and Bill did get inspiration from another genius, Debussy... (isn't it amazing that a very few select individuals were given such extraordinary gifts!).. many thanks for your comment!
you have the most authentic best jazz teaching anyone could ever hope for
Thanks, Christopher, for your kind and generous comment. I was a banker first and then gave it all up to be a jazz pianist, mostly struggling to make a living, but having a lot of fun, living day to day. Now that I'm older, I can do these tutorials, ....and hearing from you makes it all worthwhile. Blessings...you are my brother.
Although we as a listener and music lover will never explore the whole world inside Bill's mind, seeing you shed light on just even a glimpse of what makes Bill Evans Bill Evans is really amazing! I''ve been self-learning piano for 4 years and your videos has helped me so much as I'm starting to learn jazz! Thanks a lot, Kent! And also, greeting from Vietnam
I'm glad I could shed light on Bill's mind...anfdthanks for telling me!
I love all your tutorials, but your videos on the genius Bill Evans are something special...
That does my heart good...blessings!
"You give up your personality when you imitate somebody"
I agree and disagree about this one 😊.
For beginners who have no idea how to start, they need a model to look up to and imitate them playing.
However, they also need to find their identity once they familiar playing on their own.
Combination to Bill Evans and your quote is good match.
I agree and I tried to make that point...despite the quote.
Dr. Kent you are a gentle soul yet a true master. I’ve been now following you for few weeks and I can tell you have resurrected the love of jazz in me. We had Bill evans (RIP) but I am thankful we have you to break down what he presented to us. It’s interesting to know you. I celebrate you maestro Kent. Will see if COVID allow me to make a trip maybe I’ll see you in your programs and have an honor to be directly taught under your tutelage.
Where are you?...please write to me at email;. so we connect and make it happen.
@@KentHewittpiano88 I’m live in Texas sir near Dallas. Bad weather these past few days but nothing you haven’t seen. I shall email you sir. 🙏❤️
I sent you an email sir. 🙏🙏🙏🙏❤️❤️
Thank you for all your effort in helping us learn the techniques and artistry of Bill Evans. Those of us who enjoy trying to improve our playing are greatly indebted to you.
Thanks for a wonderful comment....please watch my Bill Evans videos here:
ruclips.net/p/PLFuMibnl_h5ZNh3QHMhPJ5COU7lswpwYa
"You give up your own personality when you imitate somebody". And you do it!
Thank you very much, I'm from Argentina and I love your videos.
You're so welcome!
I first heard Bill Evans when I was about 28 years old. The first song I heard was Here's That Rainy Day. It was an immediate connection with my soul. There are many, many players I enjoy listening to, but Bill Evans is unique. Thanks for the video!
Thanks for listening...please check out my Bill Evans playlist on my channel page.
ruclips.net/p/PLFuMibnl_h5ZNh3QHMhPJ5COU7lswpwYa
Pianists like Bill Evans and Herbie Hancock really impacted jazz by incorporating harmonic aspects of classical music in their playing. The beautiful and complex voicings that you demonstrate are influenced by Chopin and Debussy.
Bill Evans, as you so eloquently state, used dynamics to great effect by played softly and loudly.
Many jazz musicians ignore this aspect of music which is also derived from classical music.
In my opinion, Bill Evans brought these elements of classical music to jazz. But he always retained the most important characteristic of jazz - Swing. “It Don’t Mean a Thing if it ain’t got that Swing”.
I agree totally, Rich, and that's what I felt was important to point out in this video. So I'm giving you some of my more perceptive information....because I don't think it's something that we realize enough.... probably because it's so difficult to achieve at the amazing degree that Bill was able to....classical players work on that constantly. Keith Jarrett was another pianist with that talent.
I am really happy with your Informationen Ken!!!! They are very useful!!! I am a venezuelan musician in Berlín!!!!! Thank you very much brother!!!!!!!
My pleasure! Thanks for telling me.
Kent, I would like to say thank you and commend you on the fact that what you give to us (babes at the piano) is 100% genuine instruction from a pro that is easily understood and beautifully explained.
That's a wonderful comment...and very helpful to me, sir. Thanks so much!
Soooo many invaluable techniques from the master, and you're making them accessible and understandable! It's the first time I've seen Bill Evans masterful playing broken down in a way that I can actually to my level understand and start practicing / incorporating. Thank you Mr Hewitt!
That is a truly great compliment...but I've probably listened to Bill Evans more than anyone on this planet earth at this point...so I humbly hope that qualifies me. I saw him at the Village Vanguard when I turned 18. Also I opened for him in concerts 2 times with my band over the years. Swing loose, Anders!
@@KentHewittpiano88 So kind of you to respond Kent! I have loved Bill as well since my teens and have listened to most of his albums many many times (which is a fair number of years ago now ;-) ) It would have been amazing to see him live. The Vanguard sessions and I Will Say Goodbye and You must believe in spring are some of my favourites. I still hope to get better at piano playing myself but have struggled to get structure into my practicing. Maybe your book would be able to help? I'm a rusty intermediate player perhaps.... Happy holidays and swing loose my friend!
Very honest , very moving tutorial bringing the best of Great Bill Evans back for the viewers ... Inspiring , explaining the subtleties and nuances of his way of feeling and playing music.
Thank you so much for this....
Nobody else can bring this beautiful harmonies to life in my mind as Yourself Sir.
I can still hear them and I want to learn to play them.
All the best to you !!!
Thanks for the comment...I appreciate the affirmation.
Straordinario! You was speaking with your heart to our hearts. The very Kent of you! For few seconds I touched you and Bill communicating with me. Thanks for the emotion and teaching. Grazie davvero.
Beautiful comment....a million thanks for that!!
Thank you for streaming bill Evans authentic feeling to everyone! No enough words to appreciate your amazing work!
Great comment...thanks so much!
Just like music that stirs feeling rises above technical skill, this lesson somehow rises above even the very cool musical theory and the practical ways of using slash chords as mental shortcuts that you gave us. It makes your insights and explanations so very poignant that they are in the context of your deep respect for Bill Evans, for his genius. Your humility in the face of this huge skill, in the face of this long tradition, is a wonderful thing to model. You are a class act, man, and a first-class teacher. Thank you.
Warren, your comment goes immediately into my archive of ALL- TIME BEST COMMENTS. You are poet, I wish I had your gift for writing , please know that I can't thank you enough in words, but hopefully my music speaks for itself.
Kent, thanks for sharing your passion for the great artistry of Bill Evans.
Thanks for watching!
Excellent clarification of Bill Evans concepts plus your beautiful improvisational skills. Bill can not be copied although many have tried...he has his own marked genius capabilities that come from his inner self...only he understood & could demonstrate these superior qualities!! I must say Kent you give us great insight into Bill's brilliance & magnificence...he would have been honored to listen to all your tributes to him i'm sure!!!
Phyllis, your comments are the best. I know I tell you that each time you write, but it's because it's true, and your words are so affirming to me. Thanks for telling me that Bill would appreciate it. In response to that I should tell you a story...about the first time I heard Bill play live....when Van and I went to the Village Vanguard in NYC back in '64,l it was the first time I heard the Bill Evans Trio live. On the first break we went to the back room to talk to Bill and the musicians. After doing that for a couple of breaks, the manage came over to us and told us to stop bothering the musicians. I was crushed. Now I think it's funny, and that it could maybe a good routine for ADEM. There's a lot of irony there. deflated w/ hero worship and all.
Love that story...probably young musicians doing the same thing today. ADEM will do justice to that one Kent!!!
I’ve learnt so much from you Kent! I love you so much I hope you can be healthy and happy everyday
Thanks for the kind words and good wishes...I wish you the same!
Hi Kent from your New Zealand Student :- Thank you so much for your Bill Evans Tutorial Part 2 Your explanation of I Should Care Re Bill was superb !
You are very welcome!
Wow! What an epic video. A true magnum opus! In addition to all the theory, we get a not-so-subtle lecture about being subtle. I've written this comment before, but I'll repeat...THIS IS CONSERVATORY LEVEL STUFF! Education and inspiration in one neat package. Your graciousness in sharing has touched me...and about 122,000 other subscribers! If there really is such a thing as good karma, your cup must runneth over!
Thank you so much!, David, from the bottom of my heart, because, believe me, I have to deal w/ my bad karma. (I hope I can at least break even). Your comment is so moving to me and helpful, I'd love you to write to me and tell me your story. I'm sure you will be invited into the Jazz Ranch Exclusive Club, with all the privileges. You are my brother, now and always.
Oh man, this is so thrilling. I haven't felt this excited and inspired to practice in a long time, sir!
That's great to hear.
Thank you Kent very very clear from you
You are very welcome
Hi, as a trained classical pianist, i sadly had never any improvisiation learned, but im making tremendous progress with your channel. Thank you!!
That's so affirming to what I'm doing, Hans...your comment is much appreciated!
Amazing thanks KH. Incredible to meet Bill Evans' trio!
Be sure to listen to all the Bill Evans trio Riverside recordings.
That was great! Thank you Kent!
Glad you enjoyed it
Thank you, Kent for this amazing Tutorial! I have always loved Bill Evans Music in such a Special way. His style has always resonated with me an Bill Evans himself might be the reason that got me into Jazz eventually, and that i am so thankful for.
Thank you for sharing this Knowledge with us and for putting so much of your heart and soul into it. You have been my teacher for some years know and i have learned so many things from your videos, so i wanted to thank you for that! Keep doing what your'e doing and stay the way you are. Much Love, can't wait for the next one, so keep them coming!
Thanks so much for the kind words, Valentin. They really help me to keep going....I have a special connection w/ Bill Evans, so I'm glad I can share my passion for his music.
Super Kent, thanks Great Jazz Guru
So cool, man...swing loose!
I just discovered this channel. Your work is precious, Kent. Thank you. Such a great online teacher.
Thank so much, Esteban...your comment goes right to my heart....so encouraging...and I need that!
Kent, you never fail to deliver the most phenomenal content!
Great comment...thanks!
Thank you so very much for continuing this series! You are a fantastic teacher!
You're very welcome! Wonderful comment...many thanks!
Thank you, Kent! love Bill Evans, and love you for keeping the passion for this beautiful art alive and fresh!
I can't imagine a world, or my life without Bill Evans. I was fortunate not only to hear him live but to open for him with my band on two occasions.
Incredibly helpful video, I've been struggling with improvising for months and your explanation of upper structure triads has just cracked it for me, thank you!
Great to hear! Thanks!
This is also a great lesson on how to practice and concentrate on the details of the music 👍
That's a perceptive comment and thanks so much!
Part 1 of this series opened up the outer dimensions of my playing. I know this will more than follow suit. Swing easy!
I'm glad I could do that for you...thanks for telling me!
Hi Kent, Marc Johnson went to school with Lyle Mays and played on one of his albums, and he is married to Eliane Elias, so he's been around some of the best. Lyle Mays ,who credits Evans as an early influence , was quoted as saying that he aspires to improvise on the fly with the precision of Glenn Gould, which would be insane!
Lyle passed away recently, right? I was shocked. He was an amazing talent. and died too young. Bill Evans died at age 51. We pianists who were inspired by them must carry on their tradition, which is what I'm trying to pass on to everyone who listens. Thanks, John, for sharing your thoughts.
Just what I was looking for! Thanks! Your videos are very accessible and understandable for my playing level.
Great to hear!
second inversion is definitely my favorite for upper extensions, the fourth makes it a lot more tasteful both voice leading into other shapes, or even just moving it around
Totally agree!
This is brilliant, I've been exploring all of these alterations of upper triads just with my ears on the piano, as I've heard them so many times from listening it's all starting to finally flow out of my hands now! they all have their own sound indeed. t's great to have a video like this that presents the concepts in a clear way. Many thanks Kent.
Thanks that's a great comment and affirmation...keeps me going.
Great video Kent. I’ve watched a bunch of your Bill Evans content and thankfully my algorithm decided to finally show me this excellent 40min video. Thank you for all you do! Btw, I was listening to jazz yesterday and an excellent version of “I could have told you” was playing and I wondered who it was. Lo and behold, none other than the hippest cat Kent Hewitt!
I love that song...thanks so much for watching it!
I love that song....I'm glad you found my version...thanks, Rick!
the way bill evans does 3 against 4 is always so playful, my favorite of his usages for it is on his solo on "Love for sale" led by Miles Davis (an outtake from the kind of blue sessions). His comping on that track is also brilliant in the way he answers each soloist
Thanks for pointing that out...I haven't heard that recording ...do you have a link?. His rhythmic, melodic, harmonic complexities were all his...there's so many other great pianists...but no one played like Bill.
@@KentHewittpiano88 Here's a link: ruclips.net/video/MXSjJBKPyFg/видео.html
Kent, youre the man. Keep doing you, you funky cat. Love ya!
Love ya to, TL, let's hang out as soon as possible!
@@KentHewittpiano88 im sure your place is just a hop over the pond. :D First let me get my scales straight, sir
Kent, this is really great! The passion and the genius comes through along with the large serving of musical education. Really terrific! Thank You! Happy Thanksgiving!
Same to you, stay safe. Thanks for the nice comment!
Thoroughly enjoyed this BE tutorial. You are a great teacher along with being an awesome jazz player.
Wonderful comment and affirmation...thanks!
KH, You are so inspired and inspiring. THANK YOU for this lesson, this music, and the clarity
of your PDF. Wishig you as much joy as the abundant joy you share generously. Happy Thanksgiving, KH
Wow, thank you!
Thanks so much Kent ...through the dark nights of Cov-id LOCKDOWN # "9" - a light forces it way to the warmth of human comfort. It's Super Jazzer KENT, with another nifty class from the Jazz Ranch and the Kats, Groovy chicks and Finger Poping Daddies ... !!!! Let's GOoooooooooooooo
To Jake,... one of the coolest Finger Popping Daddies on the planet....we wish him success and long life....and eternal brotherhood at the Jazz Ranch.!
Another fantastic video , really insightful , the bit about the dynamics was awesome , thanks for all you do sir , love all your stuff .
Thanks, Steve. You nailed it, the dynamics aspect of his playing is the most extraordinary, the most difficult to, not only surmise, but to play. I am talking about one of the greatest pianists of all time.
Thanks to you i discovered/ i’m going to discover Bill Evans!
Bill sure to get his Portrait album....my first and still favorite recording. Then watch my video on Spring Is Here.
@@KentHewittpiano88 you're very kind! I dig that album and him now. Ciao
totally lovely, Kent! THANKS! 💕♩♪♪♫♭♬♯💕
Time to go back to hear my early vids, now that you've heard all the recents, Marilyn....thanks!
You are amazing!! And a great teacher.. Thank you .. god bless ❤️❤️🙏🙏🙏
You are so welcome
This video is really useful. Thank you.
Thanks for telllng me!!!
Hi Kent, I love your playing and teaching style. Having learned so much from your lessons and receiving so much enjoyment from watching your videos over the years, I am greatly thankful. Bill Evans to me is the most romantic player. I have listened to "I will Say Good Bye" album probably 100 times on my way to work every morning :)
Thanks for telling me....and I'm glad you feel like I do.... that's why I keep going back to Bill. Have you watched all my Bill Evans playlist?
ruclips.net/user/KentHewittpiano88playlists?view_as=subscriber
This is a great tutorial! Thank you Kent. Have a great Thanksgiving
Same to you and thanks for the comment!
Kent I enjoy your playing more and more over time sir. Somehow I've arrived at the same train station by superimposing maj7+5 chords over roots like for 7#11 chord Bbmaj7+5/C= C7#11 so you get 7,9,#11,13 i.e. Bb,D,F#,A For the Alt chord I might think Emaj7+5/C except perhaps drop the C to Bb just to include the 7 for function sake but maybe not. But the reason for the maj7+5 chords is simple melodic minor modes.
I was just showing major triads for dominant chords...I could do another series using different types of triads and chords in LH other than dominants. Thanks for sharing!
Another reason that Bill Evans just stands out amongst jazz pianists... he said the unwritten code of ethics for being a jazz pianist
Thanks for your comment!
THANK YOU for this, Kent. I'm going to try to apply some of these voicings to my playing, the harmonies here are just beautiful!
Thank you....I'm glad to help out. There's another series that uses minor triads and other types.
GREAT “how about you” last bars.
Thank you!
Hi Kent, thank you very much for another wonderful tutorial. Geeez! I have a long way to go. 😲
Kent, would you be kind enough to give an example of two other greats. George Shearing and Errol Garner. . I recognised immediately a Shearing chord that you touched on towards the end of your Bill Evans tutorial just now. Back in the late fifties my brother came home with a George Shearing album. I have always loved his smooth and subtle sound. Perhaps his unique style being accompanied with the vibes. ?
Secondly Errol Garner’s very unique style . Many pianists over the years perhaps accidentally have touched on a couple of these Errol Garner chords during their solo’s. I always think of Errol Garner chords as having (my own way of explaining them) clunky clunky sound. Hehe. But oh, such an amazing quality about them. 🤗 Thank you again, Kent.
I have done a couple videos on Shearing (see link) However I'm actually afraid to attempt Garner, even though I put him in my top 5 greatest jazz pianists ever. It's like trying to play like Monk, somehow I think it's just a poor imitation, of someone that
no- one can even come close to. ruclips.net/p/PLFuMibnl_h5ZUyP03cUVQWCww6p7U7_Sa
You can do it!
Excellent 👍👍
Thank you! Cheers!
Great video.
Thanks!
Great stuff
Many thanks!
Thanks for another great lesson
I wish to comment on your reference to a place in your books to continue the learning process, I have both books
I would encourage you to whenever appropriate to include these references
Yes, and the new appendix will have exercises linked to my vidoes and book. Thanks, Jack.
Marvelous break downs Kent. You're handing down a great culture of concepts here, bravo ! Only Upper structure I would have added is the; f#min (2nd Inv.triad)/C7 or (b9,#11,13)/C7 Thanks guy.
Yes, David. I was only showing major triads and dominant 7th chords. I could put out another video including different foundation chords with different types of triads... and come up with another lesson. Thanks!
I’ve recently been teaching myself Bill Evans version of the Duke’s Reflections in D. It’s taken 6 weeks to get it into my fingers but it’s been in my ears and heart for years. I want to perfect it to Bill’s touch and feel as perfectly as possible. I know he said you lose yourself when you imitate another -and there may be some truth in that. But I also believe I’ve learned a lot by pushing myself to master this beautiful piece. I’ve gained so many new aspects to my musical repertoire by doing this. And from that experience I’ve broadened my own sense and style. I’d be curious to know your thoughts on that Kent. Thank you Kent for this fantastic tutorial. Love your videos!
Thanks so much, Lynn, for your thoughtful comment. I have just put out a new video on Bill Evans in which I address some of the things you are asking about, that relate to Bill Evans classical training, and how that has made him one of the greatest jazz pianists in history.
ruclips.net/video/L8brAL_Q1ZA/видео.html
fantastic,grazie Maestro.
Thank you!
Thanx, Maestro. 🌹🌹🌹
You are very welcome
I wanna know what the song on the intro of the video thanks
My Romance, a favorite of Bill Evans. That's from my trio album Time on my Hands...buy it!
Regarding piano dynamics, what about Beegie Adair?
She's wonderful! One of your favorites?!
Yaay!@@KentHewittpiano88 replied to me 😊 yes I like Beegie's dynamics especially her solo performances. She makes it look easy, and stays true to the tune. I watch a lot of your videos and admire how you can listen to any jazz tunes and just easily break it down to its component parts and style of play. I've seen other piano tutorial channels, it's either the 'tutor' is talking too much or just showing off their piano skills. That's why I prefer your videos. I love Bill Evans too. My favourite album is 'alone again' starts with 'touch of your lips' ends with 'people' . I really wish o could play jazz. I could only play chords but cant improvise so I definitely need more lessons! Thanks for the good work!
Fine job
Thank you, sir. It's an honor to hear from you, Mr. Ran Blake.
Parabéns direto do Brasil
Would you also say it's about knowing the lyrics? In your example showing dynamics(your style, of course), you seemed to whisper the phrase, "I should care", and then shout the denial:"I should go around..." Great drama and passion. 😎🌹🌹🌹😎
Thanks Brenda, of course if you know the lyrics, then you know the song and it's message in a deeper way.
Thank you! 😀
You're welcome!
Thank you very much
You are welcome!
great!
Thank you!!
Thank Kent, I've learned so much from you But , I just can't understand Bud Powell, I tried to force myself with constant listening, Bud Powell is a gift to us all, but if you feel like it I'd like to have some small idea of where Bud Powell was at. At this point I can listen to it, enjoy it , but have no clue as to where he's at and how he fit into this wonderfully rich world of jazz!
Bud was one of the legends of the Be Bop era along with Parker and Dizzy. He set the standard for modern improvisation and influenced just about every pianist after him in different ways. If you learn some of his originals you'll get into his concepts better.
Thank you，man😊😉
You're welcome!
I want to email you an improv and potentially hire for lessons or two via video? Curious?
Please send all personal requests to my email on website. Thanks!
Did he ever use cluster type voicings in his upper structure chords?
I can't say for sure...but I think he would be more apt to use cluster voicings in the mid range of the voicng ...not the upper or lower parts. You're talking more about T. Monk.
Brilliant! I wonder what livestock are raised on a Jazz Ranch?
ADEM says the sheep count him... when they can't sleep. After 1 and his 20 aliases, they have crashed!
Could you do tutorial about invitation in4th voicings both hands???
Are you talking about the song Invitation?...a song you play? ADEM has a story.
Bliss.
Cooool!
Muito bom!
Listening to "You must believe in spring" again made me think, maybe Bills posture while he played had a lot to do with his mastery of dynamics. He would often slouch and completely lean over the piano, using the entire weight of his torso over the keys during his solo parts. I feel like its easier to play different nuances of pianissimo like that, but man i dont think its very good for your back 😂
I think that his sense of dynamics would have happened regardless of his posture. I think his posture was a result of the deep level of focus he had in his playing and it helped him, in his own personal way, to be so deeply connected to his music and his soul, and not distracted by anything else going on in the room. Keith Jarrett has a similar perceptive, and we accept that because of the brilliance and emotions in both their playing.
@@KentHewittpiano88 also true, its as if he's praying to the piano
i mean you look so cool behind those glasses, mister
Thanks...next time I'll wear my Dr. Strangelove glasses.
my Friend Kent! when listen to Oscar Petersons salute to Bach...the waybhe made that woth Oscar I hear is hos personal sound in my ears thatbyechnique was sonsublime and thenfingetsmsonlight....are you teaching us that there were things as dynamics whete BILL Evans is still nevet.hears again...I hear a lot of his Greatneasmin yournway of playing...that mixing ofnyechniquesnand.alsoninna way the sound of the piano..is already on a far out advanced level I didnstudynclassicalngiitar played a lot of Bach on guitar well tempered Claviet even.Goldbwrgvariations as a hole concert.now I am studying piabo forn12 years...and I wrote simple stuff.and often not.cos.It maybebreminds me too much of classiacal and.I wannambe free but you make me think Oscar was.my 1st reason and Waltz for Debby myb2nd tostudy the piano enigma....Thank For Your LessonnInspiration Guidance
I believe all the jazz piano masters were influence by and studied classical music. Bill Evans especially because he almost chose a classical music career. He does have a recording of all classical music, but with his trio and orchestra and jazz improv. Have you heard it? It's a must for Bill Evans fans. Classical music lovers will especially admire it.
Just show us how to imitate the great master !
Remember he told us not to imitate....well how else can we learn to play like him or any of the masters?
Close your eyes and be transported
back to a 1960s coffee shop.
That would be folk music
@@zu0832
I shoulda been more specific... in California.
Kerouac and Ginsberg were there!
I would bet that the dynamics as you show them were a result of Bill's having been influenced by the composer Erik Satie.
I haven't studied Satie in depth but I have his recordings. I'm sure you're right. Thanks for the comment (and insight) and I will check that out. I'm sure that Bill in his Re: A Person I Knew... that was the case.