Vox Cambridge 50
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- Опубликовано: 11 дек 2024
- Vox Cambridge 50
Today's #FocusOnSound video takes a look at the newest digital modelling amplifier from Vox: the superb Cambridge 50. A small, lightweight, portable amp, the Cambridge 50 packs a punch that is sonically far greater than its apparently small footprint. Centered around their incorporation of Nutube technology in its preamp section, this amp has built-in, continuous-knob power attenuation, giving it the ability to sound great at low volumes, but also to fill a room comfortably in small to medium size concert environments.
11 amp models, and 8 effects are complimented by a single 12" Celestion VX12 speaker, that sounds monstrous. Take a listen to the tonal sampler we provide in our video here, and you can see clearly that this amplifier is no slouch. Brand new for 2020, you can now buy the Cambridge 50 from us either in-store, or via regentsounds.com - at this price point and size, it is almost impossible to beat...
Until the next one...
The Regent Sounds crew
Regent Sounds:
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Good choices all around to show off this clever device. Vox has always led from the front. The design and capacities are pro level - any player can pick this up for a pro result.
I brought one of these amps two weeks ago and am so stoked by it.
Very pretty playing, and some great tones.
Beautiful sounding guitar!!! Amazing guitarist!
I have a valvetronix 40+ can push 60 has 10inch speaker. The main reason I'd get this is the 12 inch speaker and nutube.
That Rig sounds beautiful
Dope amp
How does this stack up against the vt40x which is the modelling amp before this. That had tone lab which could be accessed via an app etc.. they also did a 100w model.. have you played that and how does this compare?
I have tried both.
Cambridge 50 is way better in terms for what you get for the money and sound.
For £100 more than the VTX40:
- Celestion 12' speaker
- Vox new tube technology
- Line Out and USB out recording
It also uses the Tone App, so you can create and save your presets thru the software.
The VTX40 Usb port is only for using the Tone App, so if you wanna record you have to mic the amp.
Also the way the case was build and the smaller speaker makes it more like a amp for home.
The Celestion 12' speaker on the Cambridge 50 deals with frequency way better in loud volumes, which make this amp perfect for rehearsal and gigs.
Great one. Can u review the blackstar silverline?
We can certainly add it to our list, sure!
That would be great. Crossing my fingers.
Nice demo! How well does this thing take Distortion/overdrive/fuzz pedals?
I don't think you would use any pedals like that, given that it already has super heavy tones built in.
That's right. Because in a band situation, mid song, you could just stop what you're doing and walk over to your amp and change settings. There is no BigMuff setting
@@ninjasancho6711 Yeah, because you can't just use the additional footswitch, which will enable you to preset eight different tones. I guess that's not an option, is it? Sarcasm is the lowest form of wit.
@@jasonm3602 And yet here you are.... Using sarcasm... Sweet irony
@@ninjasancho6711 That's right, I'm using sarcasm ironically - it's a fantastic literary device, and it sounds less hateful and angry.
Hi, did you try to direct record with it? How is the sound quality? Specially for clean fender like tones and Vox-y tones. I like it for quiet playing and some home recording demos.
Wonder how this is compared to the Boss Katana?
I have this Vox and a Boss Katana 50. I play through the Vox a lot more, because I can quickly dial in Fender, Vox, & Marshall tones that sound good for clean to moderate gain levels. The Katana's tone on clean is fairly sterile. That can be a drawback, or an invitation to use tone shaping pedals like Joyo's American Sound and British Sound to tweak for nice edge of breakup sounds at low volumes. I am old school, and quick access to Fender, Vox and Marshall sounds, along with infinitely variable attenuation, makes the Cambridge 50 great for everything from practice at bedroom volumes to playing at small gatherings. The Vox costs more than the Katana 50, but its instant versatility at a wide range of volumes more than justifies the extra dollars. BTW, this video was what sold me on the Vox. This guy demos a wide range of highly useful tones that are in my range of interest. If you like ultra high gain, you probably should look elsewhere.
@@robertstager6538 quick question does vox have volume button for guitar and one master volume like katana? I like playing with youtube tracks.
@@robertstager6538 what is better for playing metal like metallica (albums kill 'em all - master of puppets)
@@gta4590 Metallica used Marshall and then MesaBoogie amps. I would buy neither of these, and get one of those, or a big Peavey amp for metal.
Great - what is the headphone/emulated line out like?
Sounds good to me.
I really wish Vox would do something like the Fender Tonemaster line.
They do.... The vox VR range
@@rgbplumbinghilton - No longer in production and missing some key features (IR based cabinet emulated line output and variable wattage power amp output come to mind immediately).
@@tracyblair3064 you did say "like" and it was like 🙂 although not exactly the same. The Tone master is a good idea but for t he at money I would buy a used amp and get a torpedo. Best of both worlds that way 🙂
@@rgbplumbinghilton - Probably should have said “with similar output and recording features.” ;-)
@@tracyblair3064 I think Vox would have already done this if they were going to. All of their new modelling amps have limitations like not being able to use delay and reverb together and no effects loop. Obviously aimed at home and bedroom players.
Footswitch?? Midi??
Rookie question, can you use a Wah pedal with this?
@Ralph Reilly thank you 🙏