What a capable, powerful musician - I'm full of admiration for her. Her journey, even with its musically rich beginnings, would not have happened without her innate musical brain and also, her immense self-confidence. Absolutely brilliant!
Isn't it delightful to hear a young person in their 20's who can create sentences without ''you knows'' and ''likes''. The fact that she's gorgeous, a brilliant musician, and a lovely person whose enthusiasm shines through is awesome.
This woman is like the Einstein of music! Who knew there were so many nuances involved. She is definitely gifted and is a musical genius, but so grounded too. Is is a very fascinating woman!
she reminds me so on my conducter when i was a child. she was so awsome. she told us how to sing. she told us how to play brass instruments . she played guitar- piano, the flute just any instrument and of corse the organ. One day we visited a church with two organs who could be combined . i never will forget the goosbumps sitting in this church and listening to her.
Very insightful interview 👍 Conducting is taming a raging beast while coaxing a tame kitten, a remarkable skill. For anyone so young to be able to do this, and speak so confidently and positively is amazing. Looking forward to seeing, hearing much more from you in the years to come 👍
Hi, great interview and on the fly learned something, I'm still in the learning curve, to mix and master music or pieces. Last year, I did a project for Brent Fischer, with the song "Stav - Hold On" a classic piece. And you are right, instruments do breath. I was a little puzzled about that fact, in pop, we cut everything out that is annoying or causing problems in the track, with this production, I did the same. With a disastrous end result. So I started all over again, as this was my first classic production. But this time, with those breaths, controlled, in the mix. And a little help from a friend, that only does classic productions. Marc Schellekens from Delta Music Belgium. I must say, I underestimated that kind of music, which I also love.
As a hi-fi listener I am always in awe of capable musicians. This video has given me a great insight into the life of conducting. I am truly amazed. Now I have to go hunting for this 'Johnny Pashin'. Thank you Anna.
It’s been a long time since I conducted for performances, but I loved it and can relate to the many points raised, including the time when I made a conducting error that could have brought the performance to a halt if I hadn’t thought quickly on my feet what to do to hold it all together. Most interesting presentation.
I love music . Love Alone Prevails . Music hits the eyes and goes right inside . No other art form does that ? And then you can hear it in your head , even after its gone ? Wow ...... music .
Her emphasis on having the singers and musicians enjoy what they are doing is key. If you don't enjoy it you won't perform it well, and the audience will definitely pick up on that.
How I wish I had met someone like Anna but, after College I took a different route yet kept up my music in my spare time. I’m still playing and doing some composing. Best wishes Anna.
She's great! If only all children could have the chances she has had, to learn music, try different instruments, have excellent tuition... Sadly this is only available in the public school system.
As a chaplain's daughter she grew up close to opportunity. And took it with both hands. Not the privileged lazy bone who gets it all handed on a silver platter.
Pourquoi? En France les écoles et leur système sont complètement différentes que les écoles publiques et indépendantes aux Etats Unis et en Angleterre. Je crois que cette difference est fondamentalement au cause de la revolution française. En Amérique notre revolution était aidée par les forces françaises. Dans ce milieu l’Indépendance d’Amérique était une chose d’Economie et de la pouvoir de la gouvernance. À l’île Angleterre, il n’y avait pas une revolution contre l’organisation sociale, contre le monarchie et le niveau aristocratique. Donc, les écoles françaises sont un produit d’une organisation sociale mèritocratique, pas une de privilege ou moniale. En Amérique la musique aux écoles publiques est maintenant pratiquement pas existant. C’est une chose administratif dans laquelle les autorités pensent que les sujets comme la mathématique, les sciences, l’histoire, les langues, et cetera sont plus importants que les arts. C’est une situation dans laquelle les élèves des écoles publiques sont souseducées . Ils ne savaient pas quelque chose de l’opera, de la musique ou de les instruments orchestrales. Il manque les arts comme le peinture, le sculpture ou les arts digitales. C’est dommage. Aux écoles privats, les arts sont florissants, . Donc dans notre pays un étudiant qui peut la violon ou la cello, l’orgue, la piano ou l’harpe probablement vient une famille qui ont une niveau d’education and de la richesse relativement grande. Peut-être la situation aux arts dans les écoles en Grand Bretagne est pratiquement la meme aux États Unis. En Amérique notre système sociale est de plus en plus fait par la monnaie. Politiquement les peuples riches, le niveau plus haut, les plus hautes 1% ont plus richesse que complètement nous autres. Nous n’avons pas une monarchie, mais notre système capitalistique ne distribue pas les resources économiques dans une maniere
I can assure you, as a Dutch person with singing skills, l got accepted perfectly in the professional British cathedral singing circuit purely because of my desire and commitment to sing and the "priviledged, cloistered coterie" sighted by you are mostly a self-assumption
Talking rubbish. I went to a non selective, south london, comprehensive school of nearly 2000 boys. Our musical tradition was second to none being recipients of one Grammy, being in Grammy nominated recordings of at least two others add to that a Palm D’or. We had pieces written for us by Britten and recorded with Deutsch Gramophone, Pavarotti, Domingo et al and this is all in the public domain.
This was 5 years ago and I've seen Lapwood's more recent videos a lot. I'm 75 now, and happy in my life, but I think I love her.
What a capable, powerful musician - I'm full of admiration for her. Her journey, even with its musically rich beginnings, would not have happened without her innate musical brain and also, her immense self-confidence. Absolutely brilliant!
Isn't it delightful to hear a young person in their 20's who can create sentences without ''you knows'' and ''likes''. The fact that she's gorgeous, a brilliant musician, and a lovely person whose enthusiasm shines through is awesome.
I'm thrilled this doesn't just scratch the surface of a topic, as most of these videos do. Filled with rare insights into music making and conducting.
This woman is like the Einstein of music! Who knew there were so many nuances involved. She is definitely gifted and is a musical genius, but so grounded too. Is is a very fascinating woman!
she reminds me so on my conducter when i was a child. she was so awsome. she told us how to sing. she told us how to play brass instruments . she played guitar- piano, the flute just any instrument and of corse the organ. One day we visited a church with two organs who could be combined . i never will forget the goosbumps sitting in this church and listening to her.
What an amazing woman. So smart, talented and wise for one still so young. Incredible.
Brilliant and beautiful! Thanks for sharing
This woman is incredible. So much talent skill intelligence and beauty. She's breathtaking
You're in love 🤣🤣🤣🤣🤣🤣🤣
@@Jaujau933 hell yea
Very insightful interview 👍 Conducting is taming a raging beast while coaxing a tame kitten, a remarkable skill. For anyone so young to be able to do this, and speak so confidently and positively is amazing. Looking forward to seeing, hearing much more from you in the years to come 👍
Hi, great interview and on the fly learned something, I'm still in the learning curve, to mix and master music or pieces. Last year, I did a project for Brent Fischer, with the song "Stav - Hold On" a classic piece. And you are right, instruments do breath. I was a little puzzled about that fact, in pop, we cut everything out that is annoying or causing problems in the track, with this production, I did the same. With a disastrous end result. So I started all over again, as this was my first classic production. But this time, with those breaths, controlled, in the mix. And a little help from a friend, that only does classic productions. Marc Schellekens from Delta Music Belgium. I must say, I underestimated that kind of music, which I also love.
I'm not a musician but found your talk very interesting.
This was a very honest and entertaining response to the age-old question - "What does a conductor actually do?"
This was really fascinating. A rare, candid insight into conducting.
As a hi-fi listener I am always in awe of capable musicians. This video has given me a great insight into the life of conducting. I am truly amazed.
Now I have to go hunting for this 'Johnny Pashin'. Thank you Anna.
Very high quality interview, 100% focus on the expert. Well done!
It’s been a long time since I conducted for performances, but I loved it and can relate to the many points raised, including the time when I made a conducting error that could have brought the performance to a halt if I hadn’t thought quickly on my feet what to do to hold it all together. Most interesting presentation.
I love music . Love Alone Prevails . Music hits the eyes and goes right inside . No other art form does that ? And then you can hear it in your head , even after its gone ? Wow ...... music .
Impressive young woman. All the best.
Wonderful. So generous in sharing this. x
I thoroughly enjoyed this interview. And I can relate to many things you have said and it’s very reaffirming to how and why I do things. Thank you!
Many kudo's !! You're an inspiration to the world !!
Stay happy !! :)
She seems so young and intelligent four years ago.
You sound like a person that I would enjoy knowing. Thanks !
Her emphasis on having the singers and musicians enjoy what they are doing is key. If you don't enjoy it you won't perform it well, and the audience will definitely pick up on that.
you are a special person
greetings from Germany
Außerordentlich interessante Biografie und was für eine großartige Musikerin!
Great questions!
How I wish I had met someone like Anna but, after College I took a different route yet kept up my music in my spare time. I’m still playing and doing some composing. Best wishes Anna.
Fascinating. I love listening to classical music but I'm a complete ignoramus. This gives me insights I hadn't had before.
Excellent
Your amazing 👏 👏👏👏👏👏❤
You are a conductor, too? Awesome.
I wish I were a child with that kind of opportunity to learn from her
Do you do private lessons, Anna?
I think I’m in love 🥰
no thinking about it here.. 😍completely sold 🤩🤣🤣
She is my dualipa-my ariana grande, shows the true power of the immortal soul holding forth in the world.
She's great!
If only all children could have the chances she has had, to learn music, try different instruments, have excellent tuition...
Sadly this is only available in the public school system.
All children do not have her intelligence level and talent.
As a chaplain's daughter she grew up close to opportunity. And took it with both hands. Not the privileged lazy bone who gets it all handed on a silver platter.
@@craigwillingham9511 Err, lots do. It's simple not true to say that all don't.
I thought c of e were vicars 🤔
Some good points and some bull 🙂
Hm, she seems very pleased with herself...
From the usual, privileged, cloistered coterie: but that's Grande-Bretagne for you! Thank God I am French.
Pourquoi? En France les écoles et leur système sont complètement différentes que les écoles publiques et indépendantes aux Etats Unis et en Angleterre. Je crois que cette difference est fondamentalement au cause de la revolution française. En Amérique notre revolution était aidée par les forces françaises. Dans ce milieu l’Indépendance d’Amérique était une chose d’Economie et de la pouvoir de la gouvernance. À l’île Angleterre, il n’y avait pas une revolution contre l’organisation sociale, contre le monarchie et le niveau aristocratique. Donc, les écoles françaises sont un produit d’une organisation sociale mèritocratique, pas une de privilege ou moniale. En Amérique la musique aux écoles publiques est maintenant pratiquement pas existant. C’est une chose administratif dans laquelle les autorités pensent que les sujets comme la mathématique, les sciences, l’histoire, les langues, et cetera sont plus importants que les arts. C’est une situation dans laquelle les élèves des écoles publiques sont souseducées . Ils ne savaient pas quelque chose de l’opera, de la musique ou de les instruments orchestrales. Il manque les arts comme le peinture, le sculpture ou les arts digitales. C’est dommage. Aux écoles privats, les arts sont florissants, . Donc dans notre pays un étudiant qui peut la violon ou la cello, l’orgue, la piano ou l’harpe probablement vient une famille qui ont une niveau d’education and de la richesse relativement grande. Peut-être la situation aux arts dans les écoles en Grand Bretagne est pratiquement la meme aux États Unis. En Amérique notre système sociale est de plus en plus fait par la monnaie. Politiquement les peuples riches, le niveau plus haut, les plus hautes 1% ont plus richesse que complètement nous autres. Nous n’avons pas une monarchie, mais notre système capitalistique ne distribue pas les resources économiques dans une maniere
Quel connard ! Nous sommes heureux que vous l'êtes aussi!
I can assure you, as a Dutch person with singing skills, l got accepted perfectly in the professional British cathedral singing circuit purely because of my desire and commitment to sing and the "priviledged, cloistered coterie" sighted by you are mostly a self-assumption
Talking rubbish. I went to a non selective, south london, comprehensive school of nearly 2000 boys. Our musical tradition was second to none being recipients of one Grammy, being in Grammy nominated recordings of at least two others add to that a Palm D’or. We had pieces written for us by Britten and recorded with Deutsch Gramophone, Pavarotti, Domingo et al and this is all in the public domain.
It's hard for me to write my comments since I don't think Anna has really realized the impact climate change will have on her life.
你不配做指挥。 放弃。