This was a fun walk down memory lane, because Wolves was the first live show I ever went to, and I ended up listening to Ampere and Bucket Full of Teeth later
Ok.... Bucket Full of Teeth was only Will.... Bucket's drummer was Matt who played in Cancer Kids and Brad who was in Wolves/OG Orchid bassist.......Andy Skelly was not the drummer for Bucket. Unless of course you're talking about Funkbucket.... lol... Because Andy did play in a band called Funkbucket with Evan from Forcefedglass/Light The Fuse and Pat who was in the OG lineup of Daughters.... which was located on Cape Cod. Andy and Stephen both played in a band called The Last Forty Seconds while Will was still playing in Orchid. TLFS original bassist was actually Timmy from Wolves before Steveo took over. Both Andy and Stevo moved into the Montegue house before Ampere started..... the band started because they were literally living together and around each other often. Unicoroner featured Meghan on bass and came about after Ampere had started. OK.... so the demo on discogs LOLOLOL... I actually posted that..... there were two versions... one in a stapled bag and one in a jcard set up. Stephen was the one who actually made the demos.... most of them were just given out to a bunch of us who knew them around the first few shows. I don't think they planned on doing this band quite as long as they did at that point. At that point it was just a fun exercise trying to recapture that super intense energy of bands like Antioch Arrow.... playing like 8 minute sets. I do know for a fact if you were to reach out to any one of these four they would be happy to talk about it. Some of the most genuine people on the face of the planet.
Also..... bass player from my band was probably the dude who introduced the Big Muff and a few other electro-harmonix products to this general scene in the early 2000s. I swear to it.... when he started bringing around the Muff there was some reluctance at first.... As far as gear goes? We all knew what we were doing back then. Will especially. Our choice of gear was calculated... right down to guitarist in my band using a 1960's era fender bassman with an mxr overdrive pedal, bass player using a 1972 SVT. Alan Doo-shayz. I won't say much about this.... but for the most part his mastering during this period was extremely clinical. Most of his credits involved volume leveling and sequencing..... adding a little compression... 2 to 3 hours work max. But literally creating a master to duplicate from. Not the kind of mastering you're thinking of.... not that much knob turning lol. In the case of say Converge.... more time was probably spent on mastering.
@@CountryMouseCityCrimes thank you for setting the record straight on a lot of this and providing context! Would definitely love to get anyone on to discuss this record!
This was a fun walk down memory lane, because Wolves was the first live show I ever went to, and I ended up listening to Ampere and Bucket Full of Teeth later
Ok.... Bucket Full of Teeth was only Will.... Bucket's drummer was Matt who played in Cancer Kids and Brad who was in Wolves/OG Orchid bassist.......Andy Skelly was not the drummer for Bucket.
Unless of course you're talking about Funkbucket.... lol... Because Andy did play in a band called Funkbucket with Evan from Forcefedglass/Light The Fuse and Pat who was in the OG lineup of Daughters.... which was located on Cape Cod.
Andy and Stephen both played in a band called The Last Forty Seconds while Will was still playing in Orchid. TLFS original bassist was actually Timmy from Wolves before Steveo took over.
Both Andy and Stevo moved into the Montegue house before Ampere started..... the band started because they were literally living together and around each other often.
Unicoroner featured Meghan on bass and came about after Ampere had started.
OK.... so the demo on discogs LOLOLOL... I actually posted that..... there were two versions... one in a stapled bag and one in a jcard set up. Stephen was the one who actually made the demos.... most of them were just given out to a bunch of us who knew them around the first few shows. I don't think they planned on doing this band quite as long as they did at that point. At that point it was just a fun exercise trying to recapture that super intense energy of bands like Antioch Arrow.... playing like 8 minute sets.
I do know for a fact if you were to reach out to any one of these four they would be happy to talk about it. Some of the most genuine people on the face of the planet.
Also..... bass player from my band was probably the dude who introduced the Big Muff and a few other electro-harmonix products to this general scene in the early 2000s. I swear to it.... when he started bringing around the Muff there was some reluctance at first....
As far as gear goes? We all knew what we were doing back then. Will especially. Our choice of gear was calculated... right down to guitarist in my band using a 1960's era fender bassman with an mxr overdrive pedal, bass player using a 1972 SVT.
Alan Doo-shayz. I won't say much about this.... but for the most part his mastering during this period was extremely clinical. Most of his credits involved volume leveling and sequencing..... adding a little compression... 2 to 3 hours work max. But literally creating a master to duplicate from. Not the kind of mastering you're thinking of.... not that much knob turning lol.
In the case of say Converge.... more time was probably spent on mastering.
@@CountryMouseCityCrimes thank you for setting the record straight on a lot of this and providing context! Would definitely love to get anyone on to discuss this record!
What song is that in the intro?
Dylan's old hardcore band, Street Debt!
@@RiffWorshipPod awesome stuff 👏