Wow this is just so sublime. I like the different way Herr is sung each time and the alternation between Coro and Soli really adds something. The slow tempo adds depth to the music and brings out the intricacies of the music so I really like it
Top notch, I've been looking for animated Bach for some time. Brilliant. ....and I've found all your other videos, so I'm gonna be entertained for a while :-)
Thank you again Smalin for share your wonderful work with all of us in youtube. I just turn off all lights and see your videos with relatively good headphones and then Bach, the colours, the shapes... just magic. Muchas gracias otra vez Smalin por compartir todo tu increíble trabajo con todos nosotros en Internet. Solo apago las luces, veo tus videos con unos auriculares relativamente buenos, y luego Bach, los colores, las formas, la música... simplemente magia. Gracias.
A really beautiful integration of the visual and the audio performance. I particularly like that the two upper voices in the video animation are a little ahead of the rest of the graphics, while still being completely in sync with each other. It makes it much easier for me, and I think the listener/viewer in general to connect the whole graphics to the music. Maybe you could extend this idea in your future graphics? Again. Well done!
By looking more closely, I now see that all of the voices in the graphics are not shifted at all. They are all in sync with each other. It only appears that they are not. The graphics of the two clarinets in the upper voice go ahead of the others, because they are wider. The onset of all of the voices coincide with the left sides of all of the graphical elements. So if the graphical elements have different widths, they appear to be shifted. Still, although this is easier to implement in programming code than what I thought it was, it is a nice effect. A demonstration of how you can create fairly complicated effects with relatively simple means.
This video was uploaded one day after I received the scores and parts for this wonderful work, which I sung a couple of times and now I’ll be conducting for the first time. As I was listening to this performance I was at the same dime disagreeing with a couple of musical choices and still finding them very interesting: it IS a good performance. As I went to find out who the performers were I started laughing out loud: the conductor, Jos van Veldhoven, was one one of my best teachers when I studied in the Netherlands, and I have and love a couple of his Bach recordings, including the Christmas Oratory and the B Minor Mass. I also like what you did visually with the music, but I think you lost a good opportunity to shape differently the several different themes and sentences and words in the choir, like you so often do with instrumental music. It also would have been really nice to read the lyrics above, also like in other videos you made. Still, it’s a fine job you did here!
RIAS Kammerchor Berlin & Akademie für Alte Musik Berlin - René Jacobs, direction (hm 2016) Werner Güra, Tenor (Evangelist) Benno Schachtner, Countertenor Sunhae Im, Sopran Sebastian Kohlhepp, Tenor Johannes Weisser, Baß (& Christus)
I started developing software to make animated graphical scores in 1982, and I've been working on it ever since. This page gives some detail about how the process of making a video typically goes these days: www.musanim.com/Method/
Toda esa información ya se encuentra en inglés en la descripción del vídeo. Q: Where can I learn more about this performance (and hear the rest of the piece)? A: Here: allofbach.com/en/bwv/bwv-245/
@@1marcelo Bach, incluso en sus obras seculares, escribía siempre "Soli Deo Gloria" Solo a Dios sea la gloria. Y no pase por alto el hecho de que la obra bajo la cual usted está comentando se llama La pasión (de Jesucristo) según San Juan. Yo personalmente no soy creyente. Pero negar que Bach lo era -y muy devoto además- es una gran falta de respeto a su legado. Si duda de lo que le digo, le recomiendo lea el epistolario "The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents".
Agnostic/atheist here. Grew up Catholic, so I got the "guts and gore" aspect of Christ's crucifixion drummed into me over and over again during Holy Week in the Catholic calendar. When hearing this I think of the crucifixion, especially the crown of thorns. All the chords are "spiky," like a crown of thorns.
@@smalin He’s actually a character from the super Sentai series: in Lightspeed rescue’s Japanese predecessor, he’s the youngest member of the Evil Psyma Clan. Some classical music pieces are featured in super sentai.
This should be creative commons, not youtube standard license. Trying to keep restrict copyright on a 400 year old public domain work is an insult to what Bach was trying to do with his music
![LAVROV's interview with Tucker CARLSON 😁 [Parody]](/img/1.gif)
One of the most striking openings in all Bach’s repertoire.
Yes. It's so apochaliptic.
The opening always manages to drive shivers up my spine!
Yes, it's powerful stuff.
The very pinnacle of both flawless counterpoint and pedal point.
Unsurpassed.
The visual experience enhances the perception of the rather divine qualities of this masterpiece...
Thank you Stephen Malinowski. This is a wonderful graphical representation with colors. It helps to understand the structure of Bach music.
Wow this is just so sublime. I like the different way Herr is sung each time and the alternation between Coro and Soli really adds something. The slow tempo adds depth to the music and brings out the intricacies of the music so I really like it
Top notch, I've been looking for animated Bach for some time. Brilliant. ....and I've found all your other videos, so I'm gonna be entertained for a while :-)
Thank you again Smalin for share your wonderful work with all of us in youtube. I just turn off all lights and see your videos with relatively good headphones and then Bach, the colours, the shapes... just magic.
Muchas gracias otra vez Smalin por compartir todo tu increíble trabajo con todos nosotros en Internet. Solo apago las luces, veo tus videos con unos auriculares relativamente buenos, y luego Bach, los colores, las formas, la música... simplemente magia. Gracias.
Thank you, that's very beautiful, and the version/rendition (quite slow) is also very fine
What makes the tenor a fascinating voice that it can go lower than the bass, & higher than the alto depending on the work
Oh dear heavens! Bach!
watching and listening to that was an important experience for me
Supremely sublime.
This is a great interpretation of this piece. Was surprised to see it wasn't Herreweghe
A really beautiful integration of the visual and the audio performance.
I particularly like that the two upper voices in the video animation are a little ahead of the rest of the graphics, while still being completely in sync with each other. It makes it much easier for me, and I think the listener/viewer in general to connect the whole graphics to the music.
Maybe you could extend this idea in your future graphics?
Again. Well done!
By looking more closely, I now see that all of the voices in the graphics are not shifted at all. They are all in sync with each other. It only appears that they are not. The graphics of the two clarinets in the upper voice go ahead of the others, because they are wider. The onset of all of the voices coincide with the left sides of all of the graphical elements. So if the graphical elements have different widths, they appear to be shifted.
Still, although this is easier to implement in programming code than what I thought it was, it is a nice effect. A demonstration of how you can create fairly complicated effects with relatively simple means.
I love the visuals! Excellent work!
Beautiful! Fantastic!
La musique souvent me prend comme une mer.
Cette musique me transporte à travers les ténèbres illuminées.
This video was uploaded one day after I received the scores and parts for this wonderful work, which I sung a couple of times and now I’ll be conducting for the first time. As I was listening to this performance I was at the same dime disagreeing with a couple of musical choices and still finding them very interesting: it IS a good performance. As I went to find out who the performers were I started laughing out loud: the conductor, Jos van Veldhoven, was one one of my best teachers when I studied in the Netherlands, and I have and love a couple of his Bach recordings, including the Christmas Oratory and the B Minor Mass.
I also like what you did visually with the music, but I think you lost a good opportunity to shape differently the several different themes and sentences and words in the choir, like you so often do with instrumental music. It also would have been really nice to read the lyrics above, also like in other videos you made. Still, it’s a fine job you did here!
How did the performance go?
MAGNIFICO !!
KEEP THEM COMING ESPECIALLY THE BACH CANTATAS!
ruclips.net/p/PLtj_HurkS7ZxiN652C51TVqq6i1-eWaQK
@@smalin thank you sir
Thank you for that.
Incredible..almost mesmerising...🌠
Gracias y saludos cordiales desde Mallorca para ti smalin
Two oboi present very interesting effect.
If choir were to be a game, the color codes for the choir would be blue for bass, red for tenor, green for alto, & yellow for soprano
red is for the bass ,my pitch .
I really like how the alto & tenor voice lines go in a variety, can anyone tell the difference between voices without the sheet music?
Højdramatisk næsten sørgemusik på et højt musikalsk plan. Meget smuk musik.....
Juste génial 👌🏼
Having re-listened to other recordings of this piece, I can't help but to prefer the slower tempo of this performance.
Je suis sûr que cette vidéo a été filmée au début du XVIII ème siècle dans le cerveau de J-S Bach pendant qu'il composait...
Lol
RIAS Kammerchor Berlin & Akademie für Alte Musik Berlin - René Jacobs, direction (hm 2016)
Werner Güra, Tenor (Evangelist)
Benno Schachtner, Countertenor
Sunhae Im, Sopran
Sebastian Kohlhepp, Tenor
Johannes Weisser, Baß (& Christus)
Im really impressed by the visualisation and by this particular interpretation of the piece. May i ask how was the animation done?
I started developing software to make animated graphical scores in 1982, and I've been working on it ever since. This page gives some detail about how the process of making a video typically goes these days: www.musanim.com/Method/
@@smalin you've been doing this for 40 years and it still looks like 💩
@@tacizettinkocabulluk elaborate please
Magnífica versión
Quisiera saber que orquesta y coros son
Gracias
Toda esa información ya se encuentra en inglés en la descripción del vídeo.
Q: Where can I learn more about this performance (and hear the rest of the piece)?
A: Here: allofbach.com/en/bwv/bwv-245/
Is this the choral music that plays in Tarkovsky's The Mirror?
Fabricio Guido yes at the end
It's also in "The Killing of a Sacred Deer", but I'm not sure if the choral portion is in it.
Gracias a todos: interpretes, orquesta, copiado de youtube, y a Bach querido por Su Amor inmenso a nuestro Señor Jesucristo Santísimo.
@@1marcelo What a stupid and ignorant comment!
@@1marcelo Bach, incluso en sus obras seculares, escribía siempre "Soli Deo Gloria" Solo a Dios sea la gloria. Y no pase por alto el hecho de que la obra bajo la cual usted está comentando se llama La pasión (de Jesucristo) según San Juan. Yo personalmente no soy creyente. Pero negar que Bach lo era -y muy devoto además- es una gran falta de respeto a su legado. Si duda de lo que le digo, le recomiendo lea el epistolario "The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents".
D:
The Art of the fuge !?!?
www.musanim.com/ArtOfFugue/
Anyone else thinking of war preparations from this?
why?
@@TempodiPiano on my POV if slow enough, a trumpet & drum could be featured
Agnostic/atheist here. Grew up Catholic, so I got the "guts and gore" aspect of Christ's crucifixion drummed into me over and over again during Holy Week in the Catholic calendar. When hearing this I think of the crucifixion, especially the crown of thorns. All the chords are "spiky," like a crown of thorns.
Halloween party is October 31st
Bach > Mozart
Bach > Mozart > Chopin
Bach > Mozart/Beethoven/Schubert > most other music
Bach > Bach
@@Dr._Spamy Which ones?
@@starless5668 both Johann Sebastians
Did you know this music piece was used as a leitmotif for Salamandes?
I'm not much of an historian. What is Salamandes?
@@smalin He’s actually a character from the super Sentai series: in Lightspeed rescue’s Japanese predecessor, he’s the youngest member of the Evil Psyma Clan. Some classical music pieces are featured in super sentai.
@@smalin who knows maybe you might view them all to add what isn’t there. I suggest going from Zyuranger to current (you’ll know why)
Parece que esmúsica que viene del futuro y no de hace casi 300 años
This should be creative commons, not youtube standard license. Trying to keep restrict copyright on a 400 year old public domain work is an insult to what Bach was trying to do with his music
The license is for the animated graphical score, not the composition or the recording.
@@smalin I Don't Care
@@jeffreycliff922 Are you saying I shouldn’t control the rights to my own work?
@@smalin I'm saying: keep your dirty hands off of Bach
@@jeffreycliff922 A little late for that ... ruclips.net/p/PL81D26D4A47388279