Nice. I'd love to see a full length 30 mins - 60 mins version of this with more of the chats and live sound rather than interviews. Annie is such a great photographer but her end results belie the amazing amount of research and prep that goes on to create them. It would also have been nice to see the final images lol....
Her work and criticism says that it is good but there are too many people around her. On instagram or another photography page you find very creative young people and professional photographers who do not need so much logistics to take good photos, I follow many photographers who alone and a flash external make extraordinary photos I think their work is overrated and I say it with respect
you know, when you take a picture with your phone, part of the reason it turns out so good is because there's an excessive amount of software doing an excessive amount of things to the image to make it look better. :)
'good' has never been a requirement in art. Successful however is and she is successful - and whilst this commercial picture may not be up there with her other great portrait work - for what she is known - so what? its just another commercial job - I have been pro for 35 yrs - and whilst I don't consider myself 'good', I am at least successful in that my clients (agencies) love my work - which is why they hire me. Of course someone else could have done this differently but advertising agencies love to add value to an otherwise boring shoot - and they have to spend the budget or lose it - adding Annie to this would have given extra mileage to the campaign. The pictures which I will say are very average - the dross of most advertising - are secondary. "Anni L shoots the new Lincoln' is far important to the campaign. And Ford have huge budgets - I worked as a photographer for the Fiesta ad in Germany - animated TV's at night in the street - the budget was in excess of 300K for just three days work - six months of planning and a team of thirty.
FYI, most pro photographers, especially on her master level, have at least one assistant, if not a whole team to help. The more equipment you have the more efficient it is to have help. She's doing the directing and pressing the shutter, so yeah, she's the photographer / artist.
boring? She was the only one shooting the set - she had an assistant on set to hold her gear - and others to hold the lights and modifiers. She tells them where to put everything, directs, orchestrates the production. I work with assistants all the time - when you have a bunch of moving parts in a story you need a team. How can you say that when you know nothing about her work and what shes produced? Now get back under the bridge troll.
Amazing to see her process, the crew, the talent,…. The BTS!
Annie is such an amazing photographer. I like how she sees things and convinces everybody around her about it.
Damn I was expecting photos from the shoot perhaps at the end of the video
I dont know what is the point of the documenting the photoshoot of Annie without showing any final photos
They were probably crap.
@@canturgan 🤣🤣🤣
"Annie thinks of herself as more of journalistic photographer" LOL
Yeah I started laughing out loud. Man, people are Talking so much crap.
Such an amazing talent. Cheers!
Nice. I'd love to see a full length 30 mins - 60 mins version of this with more of the chats and live sound rather than interviews. Annie is such a great photographer but her end results belie the amazing amount of research and prep that goes on to create them. It would also have been nice to see the final images lol....
Real photographers capture real moments.....
From the Lincoln Lawyer to the Lincoln Photographer. Yeah, I can see that.
Annie I love ur work....is it easier for u to shoot in black n white or in color...???. Cuz I love blak n white photos.
Seeing some of the pics would have been nice.
A legend who photographed a legendary automobile.....
With legendary Camera Brand :D
Nice video
Cool
0:35 the dog seems to think : " what the fuck are these humans doing?" that was the real picture to take
Good and fine, but she would have print it out in large format
I can't see how anything spontaneous and creative can happen with so many people and so much stuff around. Absurd.
Jon Batiste Rules !
hahaha how many different camera manufacturers did she use on this assignment! :)
for real! Nikon, Sony, Phase one lol
@@jamesmonette3425 And Hasselblad
And Canon got in on the strap attached to the D810.
I believe that she was at the right time and the right place. 😎
Exactly.. in the right place Rolling Stone magazine to shoot the Stones, the Allmans. She had the access . Access is everything.
Her work and criticism says that it is good but there are too many people around her. On instagram or another photography page you find very creative young people and professional photographers who do not need so much logistics to take good photos, I follow many photographers who alone and a flash external make extraordinary photos I think their work is overrated and I say it with respect
How many people has she working for her? Seems excessive
you know, when you take a picture with your phone, part of the reason it turns out so good is because there's an excessive amount of software doing an excessive amount of things to the image to make it look better. :)
@@joashmanning More likely it's because it spontaneous, unlike this contrived garbage.
To much hype for a team work in fact...
If you were just with the models, nothing would come out, she wouldn't even change the lenses
Nice ad idea but these people would NOT drive a Lincoln Continental on a road trip. Not believable.
A pointless clip about a legend made by a high school kid. Pity.
Shes not THAT good guys lol
usc4life93 Keep telling yourself that.
'good' has never been a requirement in art. Successful however is and she is successful - and whilst this commercial picture may not be up there with her other great portrait work - for what she is known - so what? its just another commercial job - I have been pro for 35 yrs - and whilst I don't consider myself 'good', I am at least successful in that my clients (agencies) love my work - which is why they hire me. Of course someone else could have done this differently but advertising agencies love to add value to an otherwise boring shoot - and they have to spend the budget or lose it - adding Annie to this would have given extra mileage to the campaign. The pictures which I will say are very average - the dross of most advertising - are secondary. "Anni L shoots the new Lincoln' is far important to the campaign. And Ford have huge budgets - I worked as a photographer for the Fiesta ad in Germany - animated TV's at night in the street - the budget was in excess of 300K for just three days work - six months of planning and a team of thirty.
boring..all her work is done by others and she takes credit
u will never see any of her classes where she shoots from start to finish ..
Deep Desire I need a little bit more explanation on this. How does other do her work and she take the credit?
I guess you didn't watch the video. Because you missed the part where she's doing all of the photography.
FYI, most pro photographers, especially on her master level, have at least one assistant, if not a whole team to help. The more equipment you have the more efficient it is to have help. She's doing the directing and pressing the shutter, so yeah, she's the photographer / artist.
boring? She was the only one shooting the set - she had an assistant on set to hold her gear - and others to hold the lights and modifiers. She tells them where to put everything, directs, orchestrates the production. I work with assistants all the time - when you have a bunch of moving parts in a story you need a team.
How can you say that when you know nothing about her work and what shes produced?
Now get back under the bridge troll.
Stupid ass comment at best.